Archive for September, 2019


Just who the hell is Alan Menken? Let Aldridge Musical Comedy Society (AMCS) enlighten you.

The Little Mermaid, Hercules, Beauty and the Beast, Hunchback of Notre Dame, Aladdin, Little Shop of Horrors and Pocahontas are just some of the shows by this wonderful songwriter and composer. Tunes from these and many more, including AMCS’s 2020 production of Sister Act will be featured in a showcase concert at The Prince of Wales Theatre, Cannock at the end of November.

AMCS have been producing quality shows for over 50 years and Magic of Menken will be no exception. With a talented cast, AMCS also benefit from having Mark Bayliss as Musical Director (Directing/Producing this time around too) and Sarah Beckett in charge of choreography. These are two people most companies can only dream of having so expect great vocals and harmony combined with excellent dance: Be Our Guest, Zero to Hero, I See the Light and Topsy Turvy, to name but a few.

One thing is sure, an AMCS audience always goes home happy and with mainstream theatre so expensive, this is a great alternative.

Magic of Menken is on 28 to 30 November 2019 (1930 start) at the Prince of Wales Theatre, Cannock. Prices are £14/Adult with Concessions and Under 16s/£12.

Tickets are available by calling 07588 141841 or the Box Office on 01543 578762. Alternatively, you purchase online.

BUY TICKETS ONLINE HERE

Cheers.

Antony N Britt.

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It’s amazing to think that Soho Cinders is only the third outing for Third from the Right Productions. And it’s been a privilege to experience all the shows from this talented lot. And how they’ve grown. From a cast of six in Shout, to eight in Disenchanted, and now a full company with a massive 24.

Loosely based on the fairytale of Cinderella, Soho Cinders sees us in modern day London with our own Cinders (Robbie) trying to juggle his love life between the possessive Lord Bellingham and London Mayoral candidate, James Prince. Other elements from Cinderella include the ugly sisters in Clodagh and Dana (Two 1970s Eurovision names, perhaps?) and Robbie’s best friend, Velcro, who is unrequitedly in love with him. Of course. Velcro/Buttons. Took me a minute to get that one. Simple but clever.

In Styles and Drew, Soho Cinders have songwriters of the highest calibre, having been previously given the job by Cameron Mackintosh to add new songs to enhance the classic Mary Poppins for the stage, plus, the recent revival of Half a Sixpence.

Playing Robbie was Joshua Hawkins who gave a good performance, excelling in the number, They Don’t Make Glass Slippers. Opposite, him, Prince Charming was Adam Siviter who combined well with Hawkins on Gypsies of the Ether.

The last time I saw Kerry Davies and Sarah Coussens with Third From the Right, they played a clinically insane Belle and an out-of-rehab mermaid in Disenchanted, Now with more serious roles, they worked brilliantly together as Velcro and Marilyn in one of the numbers of the night – Let Him Go. Another performance of note was Carl Cook as the shady William, especially with The Tail That Wags the Dog. And I can’t mention character performances without heaping loads of praise on Gillian Homer and Natalie Baggott as Dana and Clodagh, especially during their rendition of Fifteen Minutes.

Supporting well on the night, we had Tony Newbold (Lord Bellingham), Amy Pearson (Sidesaddle), Kaz Luckins (Sasha) and Jake Winwood (Customer and Goldfish Man). Finally, adding narrative to proceedings was Matt Dudley.

As I have said already, Soho Cinders was a step-up with the introduction of chorus, and these new members worked well with energy and enthusiasm. It must be difficult for a relatively new company to build up camaraderie and a family atmosphere, but Third from the Right pulled it off.

Other top numbers of the night for me included: Old Compton Street, You Shall Go to the Ball and Who’s That Boy?

At the helm in production and having done a great job was Gaynor Whitehouse with direction and choreography, assisted by Jez Luckins and Dave Gardner. And in charge of an effective five-piece band, with high standards as ever, was Chris Corcoran.

The only criticism I would have of the show has nothing to do with production or cast, it is that the script felt a bit sluggish as times with not enough laughs. This I’d put down to the writers combining their obvious songwriting talents with delivering the book. You really do have to be top drawer in all departments to achieve this. Also, some of the lines could have made Robbie and James more likable. As it was, I had little empathy for them and more so those they left behind.

Still, we had a good show complete with a vibrant ending. A new dawn for a wonderful company. Long may they continue.

Cheers.

Antony N Britt

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