Tag Archive: Beauty and the Beast


Be our guest! Be our guest! 
Put our service to the test. 
Tie your napkin ’round your neck, Cherie, 
and we’ll provide the rest.

Another great welcome from Script Youth Musical Theatre Company and another fantastic production. And this was their biggest yet, now in the main auditorium of The Crescent Theatre, Birmingham. Now, it seems that only a few weeks ago I was reviewing another Script production in Legally Blonde Jr. And that is down to the company having a younger section in recent times. This means that the talent is always coming through when it reaches full potential. And this is even more important when you consider a number on stage in Beauty and the Beast were taking part in what would certainly be an emotional final performance before leaving for pastures new.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

This is the classic love tale brought to life with the music of Alan Menken, lyrics from Howard Ashman and Tim Rice with a book by Linda Wolverton. Featuring well known songs such as Be Our Guest, No Matter What, Gaston and that tale as old as time, Beauty and the Beast (Title Song), the story is possibly more famous as the 1991 Disney film. But make no mistake, the stage musical is far superior and nobody I have seen has done it better than Script.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Playing Belle was Erin Phillips who was excellent in the lead role. Amazing voice and perfectly at home and confident throughout. Samuel McCormack played the Beast well, commanding the stage with authority but also showing the vulnerability the character needed. If I Can’t Love Her was amazing. Finlay Laidlaw was the arrogant Gaston who shone particularly during his own-named song. Always a good performance from the long-standing member. And the same can be said for Evie Rice in her final show. I have seen Evie many times and each role is as diverse from the last as could be possible, showing the skill of the character actor. This time it was Lefou, falling and being thrown about stage continuously in a comic fashion that Evie rose to admirably. I also need to break away from cast complements to add that she was also responsible for the design and creation of the main costumes, as part of her final year at the prestigious Birmingham Ormiston Academy (BOA).

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Also shining, if you forgive the pun, was Kian Haden as Lumiere who shared excellent comic moments with the equally superb Aimee Whillis as Cogsworth. Playing Mrs Potts was Chloe Mason whose delivery of the title song was superb. A special mention to a new member in the fabulous Oliver Malkin who had the unenviable task of spending nearly all of the show in a teacup on a trolley as Chip. The rest of the brilliant principals were Zachariah Scrivens (Maurice), Jess Lewis (Madame De La Grande Bouche), Amelia Green (Bookseller), Calvin Gunn (Monsiuer D’Arc) and finally, Louise Heard as Babette, whose lovely smile throughout was infectious.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

A huge shout out to the main dancers interpreting the great choreography of Kelly McCormack. These were Effie Jobling, Isabelle Round, Darci Rice and Lexie Shaw. I have to say, the performance of Be Our Guest was one of the best dance numbers that I have seen for a long time. The rest of the named cast were Frankie Donahue (Narrator), Baily Latusek (Baker), and Leo Stubbington (Young Prince). But equally as important is the ensemble which no show can do without. These were Maia Johnson, Corey Mayne, Holly Hardcastle, Dean Donnelly, Grace Bishop, Charlotte Redman, Nevada Grizzle-Francis, Isla Thorp, Dotty Twigg, Scarlette Williams and Heidi Haskins. Please correct me if I have missed anyone or spelled names wrong.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

The rest of the production team were Louise Farmer (Director) and Tom Wells (Musical Direction) who can be enormously proud of what was one of the best from Script to date. Although some students are leaving, the future still looks secure with the talent awaiting. And that is great news for future productions of Into the Woods Jr. (Nov 2025), Six – Teen Edition (July 2026) and Charlie and the Chocolate Factory (September 2026). I highly recommend.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Cheers.

Antony N Britt

*Photos taken from social media.

“Papa, do you think I’m odd?” 
“My daughter odd, where did you get an idea like that?” 
“I don’t know, it’s just that, well, people talk.” 
“They talk about me, too.”

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Another new one for me in Menken’s Beauty and the Beast and performed by a company I was seeing for the first time as well in Queensbridge Musical Theatre Society. And I have to say, what a wonderful night out it was.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

I am not going to dwell on the plot, it’s Beauty and the Beast, one of the best-known classical fairy tales going. But this was the Alan Menken version, which piqued my interest as I have performed many a number from this show myself in concerts of the past, including No Matter What whose opening lyrics I reproduce above. Others of note include Belle, Gaston and Something There. Then, of course, are two that have become well known beyond this musical in Be Our Guest and Beauty and the Beast (aka Tale as Old as Time).

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

In the lead role we had Bethany Scott who was divine as Belle. Great characterisation, showing the balance between vulnerability and strength as well as excellent vocals, particularly during Home and A Change in Me. As the Beast, Ed Blann was in fine form. If I Can’t Love Her is a staple musical theatre song for singers to have in their repertoire, and Blann nailed it to perfection. Likewise, Jon Mulkeen was strong with powerful vocals as Gaston throughout and he was ably supported by poor sidekick, Lefou (Gareth Knipe). Belle’s father, Maurice, was a likeable portrayal by Steven Element and showed good chemistry with Belle during No Matter What.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Other captives of the castle were to be found in the servants, and these were used to good comic advantage, particularly Cogsworth and Lumiere, played by Paul Stait and Billy Stait respectively. Yes, father and son on stage, a sensation I know well but it did not end there as mother made three with Alex Stait as Mrs Potts. All were so good, in fact, there were no weak areas at all, in my opinion. Then we had Emily Cottrell as Babette with Hannah Thomas playing Madame De La Grande Bouche. Google translate the latter, and it will tell you much about the character. Finally, within the household, we had the sweet Chip (in an excellent trolley and hat costume), played on my visit by Joey Ryder with Ruby Buckley taking alternating performances. Deserved applause when it came.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Directing Beauty and the Beast was Jack Gregson with choreography from Evangeline Stait, then, Oscar Cooper-Spriggs was Musical Director who oversaw a 12-piece orchestra. All did their job well, based on the results on show for which they can be so pleased.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Queensbridge have faced adversity in recent times, having this show postponed due to issues with a previous theatre. But the show does go on, and we, the audience, are grateful for that. A thoroughly enjoyable evening. I will be back for more.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Cheers.

Antony N Britt 

*Photos taken from social media.

I’ve never reviewed a music album before. As you will see from my previous, I mainly do rock gigs and musical theatre reviews. I’m also not interested in TV talent contests, most of the time. However, for two seasons I have been watching The Voice Kids (UK version) and am totally captivated by the talent of these youngsters which often surpass their years. One such is Lucy Thomas and I was delighted to learn she had gained a recording contract through Cavendish Records resulting in a debut CD, appropriately titled – Premiere.


Album Review – Lucy Thomas: Premiere

Lucy was one of three favourites of mine from the 2018 series (None of whom made the final, strangely enough). A travesty, and I still stand by my opinion that Lucy was the best and more so now based upon the resulting 12 tracks on Premiere.

At the time of release, Lucy is still only 14, and it defies belief when you listen to not only the purest of voices, but one which is so much the finished article. Up there with the best.

Premiere is a delightful mix of musical numbers for anyone with a love of the stage and screen. Opening we have Never Enough from The Greatest Showman. Way ahead of the rest (personally speaking) in being my top tune from that movie. And with this version, I have no hesitation saying Lucy’s is better than the original.

Next, we move to a classic; a tale as old as time with Beauty and the Beast. The words and Lucy’s voice are hypnotic. A true fairy tale in vocals. And these are just for starters. Other tunes include Let It Go (Frozen), Listen (Dream Girls), Someone Like You (Jekyll and Hyde), Defying Gravity (Wicked) and a second from Greatest Showman in Tightrope.

But Lucy also works well with other artists, duetting for two numbers with fellow Voice Kids contestant (and finalist), Will Callan. First, they perform Can I Have This Dance. Now – ahem, I have never watched or listened to High School Musical 3, but this is a lovely tune made special by two great voices. The second collaboration appears with the final track on the CD – The Day I Met You. This and three further songs on Premiere (Starlight, Suddenly and One Day) come from a new musical, Rosie (written by Chris Broom), and are all sung with the same excellence as the rest on the album.

I am so glad I made this purchase and listen to it a lot. I now also watch with interest at a fledgling career developing into a big one. I do hope there is more to come and looking at Lucy’s website, we see evidence of past performances in musical theatre. Maybe one day soon we will hear some of these massive tunes with Lucy in the West End or on tour. That must be the aim, and I think she can make it.

Album Review – Lucy Thomas: Premiere

You can buy Premiere through many outlets but also here from Lucy’s site.

Cheers.

Antony N Britt.