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I can see that you’ve got quite a mind for your age! 
Why, one Think and you dragged me right onto the stage! 
Now, I’m here, there is no telling what may ensue 
With a Cat such as me, and a Thinker like you! 

In my last review (Alice in Wonderland) I spoke about the beauty of the imagination in creating strange new worlds. Well, anything Lewis Carroll could do; Dr Seuss goes ten steps further.

Seussical — The Dormiston Mill Theatre, 25 July 2026

Seussical begins with a child reading a book on an empty stage, bar a red and white hat, in which she thinks up a cat who encourages the child to use the imagination to create wonderful worlds. These include the jungle dwellers of Nool and the Whos that live in a speck of dust which is protected by Norton the Elephant. Makes sense? No, but it is not supposed to. This is fantasy after all. I had no prior knowledge of this musical and very little more of the worlds of Dr Seuss. So much so, I will admit having to Wikipedia it all during the interval. I have only had to do that once before in a musical and that was American Idiot, with the music of one of my favourite bands in Green Day, therefore Seussical was in good company. What I will say, though, despite not having a clue until Act Two, I enjoyed every minute full of incredible performances beyond those expected for youth theatre ages with great voices, dance and acting. It is certainly a show I want to explore further with a cast recording; a sure sign that a production has hit the mark with me.

Seussical — The Dormiston Mill Theatre, 25 July 2026

It is always good to see high levels of excellence, and these were clear throughout the entire cast. As The Cat in the Hat, we had Thomas Bastable who led the standards on show in all areas. Then, playing JoJo with fine voice was Tiffany Clarke; again such a strong voice. Horton the Elephant was Max Thompson with Molly Bastable (Gertrude McFuzz) and Nancy Minaker (Mayzie La Bird) and all three were up there in merit. I particularly, also enjoyed Sour Kangaroo (Casey Micheala) which took voice strength even higher along with an equally sassy Roo (Matilda Crump).

Seussical — The Dormiston Mill Theatre, 25 July 2026

As I have said, the brilliance spread its way through the company, and these were Hannah Allsop, Makena Straker-Sharpe, Lucas Barker and Jackson Tomkys (The Wickersham Brothers), Clan Grayson (Yertle the Turtle), Stan Flyn-Jones (Vlad Vladikoff), Macy O’Donaghue, Ava O’Donaghue, Amelia Perry, Kiran Thevar-Ward, Meadow Power and Isabella Hale (The Bird Girls), Nathan Thevar-Ward (Mr Mayor), Isla Smith (Mrs Mayor), Taylor Sminer (General Genghis Khan Schmitz), Leo Locklin (The Grinch), Isabella Baker (Cindy Lou Who), Esme-Jean Forbes-Moore (Who Storyteller) with Eva Myers, Amel Zegnani, Benji Williams, Ruby Owens, Evie Roper, Emelia Forbes and Libby Sandle (Remaining Whos).

Seussical — The Dormiston Mill Theatre, 25 July 2026

Top numbers for me were Oh Thinks You Can Think, Alone in the Universe and All for You. I did also thoroughly enjoy The Circus McGurkus, however my overall favourite was the tap dancing by torchlight during Havin’ a Hunch.

The creatives behind Seussical were Stephen Flaherty, music and Lynn Ahrens lyrics with both writing the book. The director was Stacey Harris with Joe Logan (Choreographer and Musical Director). They were both aided on production by Sarah Jennings (Production Assistant/Vocal Coach), Freddie Perry (Assistant Director/Musical Director) and Beth Gilbert (Assistant Choreographer). All can be proud of their work and that of the cast in this wonderful show.

Seussical — The Dormiston Mill Theatre, 25 July 2026

I must also compliment Front of House. Always a good raffle and merchandise on sale to raise funds and having been invited to review, the VIP treatment of welcome pack, seeing if we were happy with our seats and the complimentary Magnums during the interval were appreciated. Smile are back very soon for their summer intensive and Carrie the Musical before taking on Everybody’s Talking About Jamie. Check them out, you will not be disappointed.

Seussical — The Dormiston Mill Theatre, 25 July 2026

Cheers.

Antony N Britt

*Photos courtesy of Smile Musical Youth Theatre.

Divorced.
Beheaded.
Died.
Divorced.
Beheaded.
Survived.
And tonight, Kinver, we are 
Live.

First time out for me seeing anything from Kinver Light Operatic Society, but it was an easy choice with a fantastic show I first tasted last year in the West End.

Six (Teen Edition) — Kinver High School — 26 June 2025

Six. A simple concept. Roughly 75 minutes, no break. A tale of the six wives of wheezing, wrinkled, ulcer-ridden Henry VIII through the medium of a concert to decide which queen was dealt the cruellest blow and who is the most important. Each tell their story, in order, via songs mixed with good humour, excellent lyrics and an incredible soundtrack courtesy of Lucy Moss and Toby Marlow.

Having not long completed a production of 9 to 5, I am guessing Six was a side project to feature the younger cast members because (A) they could, and (B) you only need six women. Plus, it’s only available for amateur licence in its teen edition. But I have to say, having seen the adult version, I, for the life of me, could not think of anything which was omitted. Opening with Ex-Wives, this show grabs you from the start and does not have any in the audience checking watches for the time. It just flows. But you do need a strong cast, equally divided, which was what we got on opening night.

Six (Teen Edition) — Kinver High School — 26 June 2025

In order – Aragon. Izzy Pitt delivered an amazing and powerful performance of No Way with great vocals, showing all the frustration and anger, having done nothing wrong to the King apart from getting old.

Boleyn. Great characterisation. I was amazed to learn that Sophie-Rose Hodgetts is only 14, because you would never have thought so during the wonderful Don’t Lose Your Head. I still have “Sorry, not sorry,” going round my head.

Seymour. Robyn Harding continued proceedings as the humble Jane with the power ballad Heart of Stone. This is an extremely emotional number and wow! That note. Excellent. Goosebumps throughout.

Halfway through we get an onstage musical interlude in House of Holbein, a disco-trance number from all six which leaves you gasping for breath. And that’s just the audience.

Cleves. Jasmine Ward gave it all with sass and energy during Get Down. So strong in commanding the stage. “Get DOWN, you dirty rascal.” It really showed in Ward’s performance that her character was the only one who enjoyed her lifestyle.

Howard. The second Catherine’s story is one of tragedy and exploitation and Libby Currell did amazing justice during All You Wanna Do. This is such a tale of trauma for anyone to enact, but Currell certainly got the point across.

Parr. The survivor. However, the message here was that sometimes, especially when the King decrees it, you do not have freedom of choice. Summer Bloom was magnificent in I Don’t Need Your Love, a number which rounds off the contest perfectly.

Six (Teen Edition) — Kinver High School — 26 June 2025

But who was the winner? Nobody, because you don’t need one. And they did not need the fact of being married to a disgusting tyrant to confirm their place in history. And like the metaphor, no one song was the winner either. I certainly can never choose one. Therefore, they get together and rewrite their own history. The show concludes after I Don’t Need Your Love (Remix) with the amazing Six and Megasix. This really is a top show, and I enjoyed this production as much as the West End. Therefore, well done to Ricky Houlston-Dowell (Director), Attiye Passey (Choreography), then Nina Best and Kate Cox (Co-Musical Directors). Costumes were great too, replicating those worn in the West End and on tour.

I’m rush publishing this (so forgive any typos) because although Six is sold out today, there are still tickets for tomorrow. This show deserves a sell-out. Go follow the link HERE and see it.

Cheers.

Antony N Britt

*Photos taken from social media.

It’s something unpredictable, but in the end it’s right. I hope you had the time of your life.

I’m often asked, “What is the best gig you have ever been to?” And I will say Green Day. “Ah, but which one?” they add. All of them, I reply.

Green Day — Wembley Stadium — 29 June 2024

And that was the case at Wembley Stadium, Saturday 29 June 2024. You see, I have been to hundreds of gigs, from huge stadiums to venues which hold under 50, and Green Day have that bit extra than any other of my favourites. Three hours of high energy, excellent music and good old kick-ass fun. Even if you’re not a fan, I defy you not to have left the stadium with a wow! What just happened?

Green Day — Wembley Stadium — 29 June 2024 © Antony N Britt

From the moment the audience sang along to Bohemian Rhapsody, into Drunk Bunny dancing to Blitzkrieg Bop, and the band entering for the main event, right until that final curtain of Good Riddance (Time of Your Life), everyone present was transported into nothing short of heaven. Or whatever one imagines heaven to be.

Green Day — Wembley Stadium — 29 June 2024 © Antony N Britt

After opening with The American Dream is Killing Me from the recently released Saviours album, the guys then played 1994 monster, Dookie, in full, even including the hidden bonus track (All by Myself) at the end. Obviously, 1994/2024 gives away the reason for this as it’s the 30th anniversary of the classic. But what an album it was: Burnout, Having a Blast, Longview, Welcome to Paradise, Pulling Teeth, Basket Case, When I Come Around and much, much more, as they used to say on the old 1970s K-Tel compilation adverts. It’s a banging record and probably only second to their most iconic. Also, during She, there was a guest appearance on guitar with Billie Joe Armstrong’s son, Jakob.

Green Day — Wembley Stadium — 29 June 2024 © Antony N Britt

Which brings us, not at all coincidentally, to the second album to be done in its entirety on the day, as it is also the 20th anniversary of American Idiot. In between the two spotlighted sets we had a short mix of top tunes past and present including Know Your Enemy, Brain Stew and Minority from hits of old, to One Eyed Bastard, Look Ma No Brains and Dilemma from the 2024, Saviours.

American Idiot. What can I say? It’s epic and not a single song on it that I don’t like. The perfect album and probably the one out of the 2000+ I own that I’d take to a desert island. The title rack, into Jesus of Suburbia, then Holiday, it just gets better and better with each listen, and to hear it in its entirety at Wembley Stadium with 80,000 people was something even I struggle to put into words. Phenomenal.

Green Day — Wembley Stadium — 29 June 2024 © Antony N Britt

Finally, after one more new track in Bobby Sox, we had the staple finisher and a Billie Joe Armstrong solo with the already mentioned Good Riddance (Time of Your Life). Tre Cool, Mike Dirnt and co returned for the applause where Armstrong appeared overwhelmed, seated at the front of stage as he took in the atmosphere.

Green Day — Wembley Stadium — 29 June 2024 © Antony N Britt

I can say the entire day was incredible. Also unpredictable, but I did have the time of my life.

Cheers.

Antony N Britt