Over the past couple of years I’ve tasted a variety of musical theatre companies and looked forward to Throroughly Modern Millie at The Core Theatre, Solihull. I’d not seen anything by St Alphege Musical Productions Society (STAMPS) before, so didn’t know what to expect.
So how were they? Well, the beginning was low key and failed to grab my interest. It needed to be spectacular, but wasn’t. Then came a further disappointment in the characterisation of Ching Ho and Bun Foo. These guys are a comic duo, but hardly raised a laugh, not to mention some of the pronunciation being a bit dodgy. However, the subtitles worked well.
On the plus side, Becky Willetts as Millie gave a good performance and both Miss Dorothy, played by Lucy Clarke and Trevor Graydon (Kris Evans) were excellent. Also, the character of Jimmy Smith played by Jack Walsh was likewise good, but I would expect nothing less from a former student of BOA.
Now I do know the show well and will say, it wasn’t bad, it just didn’t wow me. Good, but not dynamic, and I found concentration waning towards the end of Act One, which is criminal as Millie is funny and engaging. This was illustrated by the fact that on the night, I heard little more than general applause much of the time.
Stand out songs for me were Speed Test and Falling in Love. We also had good choreography in some numbers, but little in others, particularly Muquin. There were also lost opportunities for jokes. For instance, failing to capitalise on the George Gershwin, Rhapsody in Blue gag, and it made me wonder if direction really understood the script.
Also giving good performances on the night were Fran Foster (Muzzy Van Hossmere), Rosie Asher (Mrs Meers) and Kim Bradshaw (Miss Flannery).
Musical direction came from Phil Ypres-Smith with Viv Morrison as director and choreographer.
A decent enough offering, but a lost opportunity after what must have been many months hard work.