Tag Archive: Musical


It’s pantomime time and Aldridge Musical Comedy Society (AMCS) are staging Sleeping Beauty at Great Wyrley. AMCS have a reputation for great shows and Sleeping Beauty is no exception. Fantastic voices and dance, plus an original script by local writer Antony N Britt (Yes … me). Being an author and loving amateur dramatics, it was only a matter of time before the two worlds collided. And this is it!

Sleeping Beauty - The Pantomime  (Coming to Great Wyrley – 22 to 24 November 2018)

The show is full of great numbers which will have you clapping and tapping your feet until the end. Songs include: Tragedy, Colour My World, These Boots Are Made for Walking, Dear Future Husband, Electricity, Walking on Sunshine, Once Upon a Dream, Girls Just Want to Have Fun, Hot Stuff, Electricity and … the list goes on.

AMCS have produced exceptional pantomimes in the past and I’m overjoyed at the opportunity to continue that tradition. Writing Sleeping Beauty took five months. One to concoct a matter of fact plot, then four more to complete the script. It’s a mammoth workload, also being in the show, but the temptation was too hard to resist. And what a joy to be not only directing but appearing alongside my fellow members whom I’m proud of every single one.

Assisting me with direction is Julie Lamb while I’m also thankful to be working alongside the exceptional Sarah Beckett (Choreography) and Mark Bayliss (Musical Direction)

The show is at Great Wyrley High School Theatre from 22 to 24 November (1930 evenings with an additional 1420 matinee on Saturday 24 November).

Tickets are available by phoning 0798446400. Alternatively, you can go online to Stagestubs at this link.

Prices are £13/Adult, £10/Concessions and £7/Under 16s. We also offer a family ticket (2 adults/2 children) for £35.

Great entertainment for all the family.

 Sleeping Beauty - The Pantomime  (Coming to Great Wyrley – 22 to 24 November 2018)

Cheers.

 

Antony N Britt

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First time seeing Sutton Coldfield Theatre Company and a first watching All Shook Up.

All Shook Up is loosely based on Shakespeare’s Twelfth Night and supported with music by various songwriters, made famous by Elvis Presley. A simple plot by Joe DiPietro is funny and well-written, but it’s the familiar tunes which get the audience going.

Launching full company with the massive Jailhouse Rock, we were treated to excellent voice and dance, full of energy. And then the hits kept coming: Heartbreak Hotel, One Night with You, Teddy Bear/Hound Dog, Blue Suede Shoes, Don’t Be Cruel, A Little Less Conversation, Fools Fall in Love and of course, All Shook Up. I normally only list half a dozen in my reviews but this show is an exception. And that’s before I reach my own personal favourite – Can’t Help Falling in Love which I like for my own reasons. Another good number was Let Yourself Go which included a great scene in the museum where the statues come to life. The show ends with Burning Love where the cast have their moment and are allowed, quite rightly, to go wild. And much deserved an ovation they got.

Leading the line with a strong voice was Adam Gregory, playing Chad, while opposite we had Lucy Surtees, also in great form in the role of Natalie/Ed. Supporting well in their principal roles were Tony Orbell (Dennis), Kerrie Davies (Sylvia), Ben Green (Jim), Chloe Child – who had one of the loveliest smiles I’ve ever seen (Lorraine), Ed Mears (Dean), Louise Grifferty (Matilda), Vanessa Morgan (Sandra) and Ben Adams (Earl).

All Shook Up was directed by Elisa Millward with musical direction from Sheila Pearson and choreography, Maggie Jackson.

This show is a period piece with a modern feel and the traditions of an old-time farce. Something for everybody, even if you’re not an Elvis fan. And then you have the wonderful job Sutton Coldfield Musical Theatre Company did in bringing it to an audience. I always say I enjoy watching an amateur company as much as professional productions, but there was nothing amateur about this. Right up with the best. All Shook Up is a show which must be real fun to perform, and this transfers well onto the audience.

Great theatre company, great show.

Cheers.

Antony N Britt

Two years ago, Third From The Right Productions introduced me to a brilliant show I’d not heard of: Shout! And now they’ve gone and done it again with the excellent Disenchanted. This Off-Broadway musical is the brainchild of Dennis T. Giacino who wrote the book, music and lyrics.

Disenchanted tells about several fairy tale princesses whose stories have been corrupted by that most evil of beings – Disney. These are characters gone wrong, and in spectacular fashion. Very off-the-wall and tongue-in-cheek.

Bemoaning the fact they often seem to be vulnerable and in need of rescuing by a handsome prince, our princesses put the record straight. Life is not all happy endings with reality very different. It’s a sentiment I totally approve of, as will be seen by anybody attending my own self-penned pantomime in November; ironically, Sleeping Beauty, from AMCS.

Leading the disenchanted we had a fearsome Snow White (Natalie Baggot), a dreamy Sleeping Beauty (Gaynor Whitehouse) and a fluffy-headed Cinderella (Jo Foley). Foley’s performance reminded me, in looks as well as character, of Emma Chambers’ Alice in The Vicar of Dibley. Combining well for Once More Happily Ever After and A Happy Tune, the three were present throughout much of the performance, supporting, complimenting and downright bickering.

Also present were Gillian Homer (Pocahontas), Amy Pearson (Mulan – who may or may not be a lesbian) and Kaz Luckins (Rapunzel & The Princess Who Kissed A Frog). Then we had the out of rehab, Little Mermaid (Sarah Coussens) and Princess Badroulbadour (Kerry Davies). The latter also played my favourite character in the show, the clinically insane Belle, singing (of course) Insane.

Each of the cast contributed to great all-round entertainment. A breath of fresh air which the only shame is afterwards, I can’t find evidence of a CD Soundtrack anywhere. Damn! I want to relive the moment.

Other top numbers for me were: Honestly, Big Tits and All I Wanna Do is Eat. Then there was Not Von Red Cent, involving audience participation in the form of a sing-off between the front row right and … the rest of the audience. Guess where I was sitting? I don’t think we did too bad, though.

Disenchanted was directed by Jez Luckins with choreography and supporting direction from Gaynor Whitehouse. The musical director was Chris Corcoran.

Second time for me experiencing Third From The Right Productions and the first for Disenchanted. I’d recommend both whenever you get the chance. Word of warning, though. Sit on the front row at your peril.

Disenchanted – The Blue Orange Theatre, Birmingham – 31 August 2018

Cheers.

Antony N Britt

I’m a great fan of theatre, be it professional, amateur or youth. And to be honest, some of my best experiences come from the latter two. Therefore, it was pleasing I saw a mixture of both in Around the World in Amazing Musicals, presented by Comic Theatre Company.

Around the World in Amazing Musicals – Sunfield Community Theatre, Clent – July 6 2018

Interspersed between amusing sections of dialogue from Phillies Indiana Fogg (John Underwood) were song after song from a variety of musicals which indeed, covered all areas of the globe.

Kicking off with Hello and You and Me from Book of Mormon, we then journeyed to Chicago where I particularly enjoyed We Both Reached for the Gun. This was sung well by Justin Randle with a superb ventriloquist performance, if a little creepy (But we like creepy) from Natalie Buzzard. Afterward, Natalie showed her singing skills in Roxie with great support from Peter Holmes and Ian Underwood.

We then went on a sea trip with songs from Anything Goes, a show I’ve enjoyed in the past and it was great to see an exuberant cast giving it all for Bon Voyage. So much so, I then wanted to see the whole of Anything Goes. Of course, I didn’t, apart from further offerings of I Get a Kick Out of You (Denise Jefferson) and You’re the Top (Jan Brennan and Peter Holmes).

Further numbers on our trek came from Sweeny Todd, Oliver! and Mamma Mia. Who doesn’t like a bit of Abba.

Into Act Two and three from Matilda. This is a show I’ve not seen and is currently on at the Birmingham Hippodrome near me. After seeing Comic’s interpretations, I may just check the whole show out.

I’ve said in the past how much I adore youth theatre, seeing the genesis of careers and the potential. Well I did on this occasion as one of my two favourite numbers of the evening came with Holly Nelder’s rendition of Naughty. And it wasn’t just the powerful voice, also the performance which captured the attention. Owning the stage.

The other highlight of a great evening was Movie in My Mind from Miss Saigon. An incredible duet by Chloe Turner and Jess Billingham. Then, to round off the night we had a bit of fun with When You’re an Addams from The Addams Family.

Direction and Choreography was by Chloe Turner with musical direction from Edward Harrison.

An excellent evening supplied by an excellent company. And to top it off, we won a very nice picnic basket in the raffle. Okay, this now means I have to go on a picnic, but who’s complaining.

Around the World in Amazing Musicals – Sunfield Community Theatre, Clent – July 6 2018

Cheers.

Antony N Britt

I love youth theatre. I’ve seen a fair bit in the past couple of years and however much I enjoy professional and amateur productions, youth theatre is where it begins.

I’d not heard of Back to the 80s before but being (Ahem!) a certain age, the tunes were familiar to me. I’d also not had any experience so far of Birmingham Youth Theatre but on the night, was not disappointed.

Back to the 80s – Old Rep Theatre, Birmingham – 9 June 2018

Back to the 80s is a coming of age, feelgood romp set in the senior year of William Ocean High School (nice pun) and told retrospectively through the narrative of Corey Palmer Senior (Callum Byrne). Characters are split into the familiar which you would relate to from any school experience. We had the regular kids, the cool guys (Were they ever really cool in our school days?), the popular girls, the outcasts and the teachers. With a decent script from Neil Gooding, the show is brought to life immediately with Kids in America. Okay, I was sold, and suddenly seventeen again.

And the numbers kept coming: Girls Just Want to Have Fun, Let’s Hear it for the Boy, Footloose, I’m Gonna Be (500 Miles), Total Eclipse of the Heart, Material Girl, Get Outta My Dreams (Get into My Car) and The Final Countdown. These were just a selection which made Back to the 80s such a blast. Ending the night, we had I’ve Had the Time of My Life, a song which has never been a favourite of mine, but one perfect to finish on. Also, strangely, another song which I openly dislike, ended being my top tune in We Are the World.

Founded in 1987, Birmingham Youth Theatre stage two shows a year, featuring talent up to 19 years of age. And talent was very much on view. What impressed me most was that nobody was left out. Everyone appeared to have dialogue and more importantly, solo lines during the songs. All delivered in great style.

Playing the lead role of Callum Junior was Dylan Mulholland who turned in a fine performance. Equally so were Sam Cox (Mr Cocker), Georgia Taylor (Miss Brannigan), Cameron Simpson (Billy), Zak Hayes (Michael), Anna Simpson (Cyndi), Harry Chamberlain (Fergal) and Maddison Clarke (Tiffany). However, those were the principles. I never normally stretch as far as naming an entire cast, but the whole of BYT deserve it, so I will. This includes: Sydney Pope (Mel), Wiktoria Matysiak (Kim), Molly Ewins (Laura), Abbie Hudson (Debbie), Kishan Sambhi (Alf), Daniel Bromley (Kirk) and Holly-Mae Nelson (Eileen). In the chorus, we had Saran Sambhi, Abigail Guest, Abi Shiriane and Karina Galloway. Lastly, a special mention to the lad who appeared to be the youngest member; Dylan-Jak O’Dwyer who portrayed several comic mini characters including Yoda, Mr Miagi and Mario.

In charge of production we had Adam Swift (Director), Chris Corcoran (Musical Director) and Sam Depper (Choreography).

After the curtains closed I was, as often, the solitary sole applauding the band’s play-out music (Everyone always forgets the band). And I could hear from the stage the cries of “We are BYT! We are BYT!” Something to be proud of, indeed.


Back to the 80s – Old Rep Theatre, Birmingham – 9 June 2018

Cheers.

Antony N Britt.

This was my second experience of Trinity Musical Theatre Company, having seen their offering of The Witches of Eastwick twelve months ago. So, would this year’s production also deliver satisfaction?

Return to the Forbidden Planet – Dormiston Mill Theatre – 4 November 2017

The first thing to note is the cast are already on stage as the audience enter the auditorium. A good effect which grabs your attention as soon as you hit the seats. An impressive set with costumes reminiscent of Sci-Fi films, one of which Forbidden Planet is famous. In particular, the clone-like appearance of the females which had me thinking of Gerry Anderson’s UFO series of the 1970s.

The show has a low-key opening with flight attendants giving a demonstration of safety precautions. Different, but amusing. Then we have countdown and blast off to the sound of Wipe Out. What caught me straight away was how full the stage was. This was much down to members of the Linzi G School of Dance. A great collaboration which not only sees additional energy and interaction on stage, it also gives pupils experience to add to the CV.

Any fan of rock and roll will love Forbidden Planet; the hits come one after another. Great Balls of Fire, Good Vibrations and Young Girl, to name a few. And a good way to end the show with a medley of tunes, culminating with the comic, Monster Mash.

This is a strange show for me because there is so much I don’t like to begin with. I’m not a fan of the clunky Shakespearian dialogue, neither do I like the cop-out reprise at the start of Act Two where you have a different conclusion to the previous scene, but that’s just the writer in me. The fact I have niggles with the original Bob Carlton script goes to show how good a job the cast and crew have done to get me still raving positive about what was before me.

On the night there were excellent performances from Mitch Bastable as Tempest, Beth Berwick-Lowe (Miranda) and Pat Lewis (Prospero). Also supporting well were Naomi-Leeanne Millard (Gloria), Steve Taylor (Ariel), Abigail James (Bosun) and Mark Moran (Cookie). Okay, Cookie was a trifle older than expected, but this was dealt with in a tongue-in-cheek way at the end of Teenager in Love.

All in all, a thoroughly enjoyable night out. The biggest compliment I can give, though is that on the way to the theatre, I had the London Cast Recording CD on in the car. Trinity’s performance was better. Production for the show was in the experienced hands of Andy Poulton with choreography by Lindsey Grant (of Linzi G fame) and musical direction from Dan Tomkinson.

Return to the Forbidden Planet – Dormiston Mill Theatre – 4 November 2017

Next year, Trinity turn their hands to The Wizard of Oz and on current evidence, it will be another great show.

Cheers.

Antony N Britt

This was my second experience of Bournville Musical Theatre Company, having witnessed their concert, Through the Decades, last year. Therefore, I hoped I would also be well entertained with a full show at the prestigious Crescent Theatre.

The Pajama Game – The Crescent Theatre, Birmingham – 6 June 2017

The theatre itself is a fine setting, even if my seat, F2, did collapse as I sat on it, meaning I had to move forward to an empty one. But these things happen, especially to me, and I should expect it by now.

With music and lyrics by Richard Adler and Jerry Ross, The Pajama Game tells of the Sleep-Tite Factory and the workers’ fight  for a pay rise. The conflict plays out aside a love story between new factory superintendent, Sid Sorokin and the head of the grievance committee, Babe Williams, both acted superbly with powerful vocals from Steve Kendall and Rhian Clement.

Kicking off the show was a good overture by the band who shone all night, although I feel we could have done with some lighting on the house curtains to heighten anticipation of what was to come. Then, after a brief introduction and title song from character, Vernon Hines (the excellent, John Morrison), the company pulled audience attention further onto the stage with Racing with the Clock. In fact, it was the combination of chorus vocals and choreography in this number, plus Hernando’s Hideaway and especially Once a Year Day, which stood out. So much movement and background activity going on, there was no chance of getting bored. And boredom was never an option because in the words of time management obsessive, Hines; “Tempus fugit, tempus fugit.” Time literally did fly as before I knew it, the first act ended for a quick drink and an eager return to the auditorium for more of the same. Pajama Game is a fast-moving show which seems a lot shorter than it is. And that’s a great testament to the original script of George Abbott and Richard Bissell.

Other enjoyable numbers included, I’m Not at All in Love, I’ll Never Be Jealous Again, Her Is, Small Talk, Hey There and Seven and a Half Cents. I’d have to say, though, my favourite of the night was Think of the Time I’ll Save. Well written comedy mixed with good choreography.

There were further comedic scenes and many of my favourites involved the duo of Hines and Gladys, for whom Natalie Buzzard gave an outstanding performance as Gladys. My main love in a personal acting sense is when I create or interpret a character, and Natalie did just that, truly becoming Gladys.

Now I’ve mentioned dance, but special acclaim must go to showpiece number, Steam Heat. This was a routine which certainly raised the temperature in the auditorium, courtesy once more of Natalie Buzzard along with Sarah Sheppard, Peter Holmes, Helen Gauntlett, Sophie Wood, Kai Murai and Verity Smith.

I can’t list everybody involved but giving fantastic support to the leads were Kris Evans (Prez), Jill Hughes (Mabel), Karen Lane (Mae), Jonathan Eastwood (Hasler), Rebecca Lowe (Poopsie), Chloe Turner (Brenda), John Clay (Pop), Phil Snow (Max), Adam Slack (Charley), Phil Holloway (Joe), and an energetic ensemble.

The Pajama Game was well directed by Ann-Louise McGregor with stunning musical direction from Chris Corcoran and sublime choreography by Sadie Turner.

The main thing to note, the cast looked like they enjoyed it and it’s always a cert that if you can project that, the audience will have a fantastic time too. I know I did.

The Pajama Game – The Crescent Theatre, Birmingham – 6 June 2017

The Pajama Game is on at the Crescent Theatre, Birmingham until Saturday 10 June with tickets still available at this link.

Cheers.

Antony N Britt

So far in 2016 I have attended productions ranging from lavish shows at the Birmingham Hippodrome to an academy performance of Year 13 students (which to date remains my favourite of the year). With that display of upcoming talent in mind, I thought I would go one step further and see things at a much earlier state of development.

Artrix Theatre  - A Tale of the Railway - The Star Project

Founded in 2008, The Star Project allows children aged 4 to 18 to express themselves in musical theatre through the medium of singing, dance and acting. The project has three schools based across the Midlands region and A Tale of the Railway saw a coming together of these in a major production. Staged at the impressive Artrix Theatre, each school had the opportunity to shine with roles changing several times throughout the show, offering students the opportunity to give their own interpretation of the parts. And of course, with so many on view due to there being three schools, everybody had a chance.

A Tale of the Railway is the story of a young family who uproot and go to live by a country railway line, telling the adventures they enjoy and about all the people they meet. What was most evident was the absolute confidence from all the young people on stage. Confidence is one of the biggest hurdles to overcome in performing arts and it’s a credit to the Star Project management and teachers that everybody looked so comfortable. The singing was powerful, the dance, faultless, and the acting … well, nobody put a foot wrong from where I was sat.

It’s good to see talent nurtured from an early age and encouraging regarding the genesis of stars of tomorrow. If this amount of quality can be seen now, it only bodes well for the future.

The show was directed and choreographed by Star Project Director, Jo Edwards with Project Manager, Sarah Carter as Assistant Director. At the end of the show, after much deserved ovations and presentations, the audience were treated to a reprise of the project’s recent performance in London. A few weeks earlier, many of the students had the opportunity to tread the boards at none other than Her Majesty’s Theatre in the West End, the very arena where Phantom of the Opera has been staged for 30 years. By the evidence I saw, this would not be the only time pupils from The Star Project will grace that famous stage.

It is an understatement to say I was impressed. I have never applied star ratings when doing reviews, but if I were to rate the Star Project, they would be a Five Star Project.

The Star Project has schools in Barnt Green, Droitwich and Solihull and can be found at this link.

The Star Project

Cheers.

Nick

This week, the Forest Art Centre is home to a murder mystery musical from Aldridge Musical Comedy Society: Thursday 25 to Saturday 27 April (7.30pm plus 2.30pm Saturday Matinee),

For over 40 years, AMCS has been putting out quality performances and Deduction, will be no exception. Written by musical director Ben Batt, this original production pays homage to murder mysteries of old.

Great detective, Noel Uckholmes is invited to a fancy dress ball in order to witness the reading of the last will and testament of Lady Stourbridge, a woman killed in suspicious circumstances. Each of those gathered is not only a potential beneficiary, but also suspect for the murder and as the evening progresses, we find she is not the only one to meet a sticky end. But will you be able to deduct whodunnit?

The show is at Forest Art Centre, Hawbush Lane, Leamore, WS3 1AG. Tickets are £10/adult & £8/Concessions with a family bundle (2+2), £30. They can be obtained by calling 0845 111 2898 or by going to the AMCS website.

www.aldridgemcs.co.uk.

Deduction - Aldridge Musical Comedy Society

Cheers.

Nick

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