Tag Archive: pop music


Everybody wants a piece of the action. 
Everybody needs a main attraction. 
I’ve done what everybody needs. 
Satisfaction guarantees.

From an early age, I was always into rock and one of the first bands to register as I began to take music seriously was The Sweet. Now, 50 years later, and with only one member remaining from the classic lineup, I tasted something Sweet for the second time.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

It’s a credit to Andy Scott that he doesn’t just roll out the old favourites. Sure, a lot were on view but also more recent and even new tracks from their forthcoming album. Yes, we all remember the Glam Rock images but there was always much more to Sweet than the commercial image promoted in the 70s with the (still marvellous) tunes from Nicky Chinn and Mike Chapman. Having moved away from their writers in the mid 70s, a bold direction after so much success, we saw the harder rock which is still being produced today.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Although Scott is the only remaining (and living) member of the most commercially successful lineup, this is still Sweet. The spirit is the same, the energy is the same, and the sound is the same. On vocals and guitar was Paul Manzi who after standing in for Tony O’Hora on tour in 2014, became a full-time member four years ago and boy can this guy front a band. Then, on bass, and outed by Scott as a West Bromwich Albion fan to the enemy in Wolverhampton, we had the excellent Lee Small. Completing the five-piece is Tom Cory (Keys and Guitar) and Adam Booth (Drums). Phenomenal.

The Action began with that very same-named banging tune and that action did not stop all night. New York Groove (from the acclaimed 2020 album, Isolation Boulevard) followed this before Hell Raiser, Burn on the Flame and The Six Teens. The latter two from the 1974 outing, Desolation Boulevard.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Mid set, Scott took a break, leaving the rest of the band to a trio of early hits in Co-Co, Funny Funny and Poppa Joe. After saying to the audience that when he heard them in rehearsals, they sounded so good he didn’t want to interfere, I did question the explanation as the last time I saw Sweet in 2005, I am sure these tunes were treated with derision. However, they went down a storm with the crowd, as did the run in to the end with Teenage Rampage, Wig Wam Bam, Little Willy, Love is Like Oxygen and Fox on the Run. Rounding off, Sweet gave the crowd what they were waiting for with a Blockbuster finale then a Ballroom Blitz of explosive proportions.

A new album is promised for 2024 with hopefully more shows on the road. Catch them while you can, Sweet still deliver.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023

Cheers.

Antony N Britt

** Apologies for the delay with this review. Personal issues have put me behind ** 

“Throughout all the years I’ve been making music, if you get on a tour bus with a bunch of musicians, eventually the conversation will go to Sparks.” ~ Beck (The Sparks Brothers — 2021).

Sparks — The Halls, Wolverhampton — 22 June 2023

A major one from the tick list, and far overdue as it’s 50 years since Sparks first entered my radar. I mean, I have 26 albums and listen to them all, so this one was special.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Sparks have always been ahead of their time, influencing many bands, probably without those bands realising it. And never ones to play safe either, as was shown at The Halls in Wolverhampton. Yes, it would be easy to rely on more commercially successful numbers, but when you have a career with a duration as Sparks, averaging an album every two years, it’s an insult to Ron and Russell Mael to expect them to only stick to songs popular between 1973 and 1979.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

What you get from Sparks is a full spread of repertoire. Only This Town Ain’t Big Enough for Both of Us is represented from their biggest album, Kimono My House. But that doesn’t matter, because those present are diehard fans who for them the most recent is as important as the first. This was shown by the atmosphere as even the ageing legs amid a sea of grey hair eventually got up on mass, dancing in the seats and aisles. And nice to see the audience allowed to do this without stewards asking them to sit down as some venues do. Although I suspect this was probably due to the fact there were very few stewards. I certainly couldn’t find one to direct me to my seat when I first arrived at the recently revamped Wolverhampton Civic Hall.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Entering the stage, Russell began with the question So May We Start, from the motion picture, Annette before launching into the title track from the amazing latest album, The Girl is Crying in Her Latte. Also from this were five others, proving the outstanding quality and originality is still there. Nothing is as Good as They Say it Is makes my top ten Sparks tunes already, and We Go Dancing is classic Sparks. The final track of the album also ended the main set, appropriately titled, Gee, That Was Fun. I cannot stress how good this latest album is. It’s been on loop in my car for weeks now. Go and buy/download it, you will not be disappointed.

Sparks — The Halls, Wolverhampton — 22 June 2023

Russell stays energetic as ever at 74 years old while Ron is still deadpan (almost throughout) at 77. I only hope I’m still behaving that way when I reach the same age.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Music That You Can Dance To, All That, Angst in My Pants, Balls and When I’m With You are all top tunes. Then there is When Do I Get to Sing My Way from 1994s Gratuitous Sax & Senseless Violence. Awesome track. The Number One Song in Heaven brought the house down and My Baby’s Taking Me Home was just phenomenal.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

An incredible, feel-good show. I’m so glad to have finally seen this amazing duo (albeit with fantastic backing band) and wonder will I ever get the chance again? I truly hope so.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Cheers.

Antony N Britt

The proof of longevity with pop and rock bands is when they can still sell out arena tours after decades of doing so. Over 40 years in this case as Duran Duran blasted off in 1981 with Planet Earth and have been in orbit ever since.

Duran Duran — Utilita Arena — 5 May 2023

I am fortunate to have seen them four times now, each at various stages and incarnations during their existence and with 15 studio albums behind them, the quality shows no sign of declining.

Duran Duran — Utilita Arena — 5 May 2023

Billed as the Future Past Tour, only three songs (Invisible, Give it All Up and Anniversary) from the 2021 album of the same name were performed. The rest of the set, in contrast, drew heavily on the early 1980s and nothing else post 1995. But I guess it’s what many of the fans want and even some classics from the height of fame didn’t get a run including Union of the Snake. It goes to show, when you have such an enormous popular catalogue, you can’t fit it all in, even in two hours.

Duran Duran — Utilita Arena — 5 May 2023

The 80s were additionally represented with banging tunes such as The Reflex, View to a Kill, Wild Boys, Notorious and Is There Something I Should Know? In contrast, the handful of 90s tunes were the amazing Ordinary World, Come Undone and one of the best cover versions ever — White Lines (Don’t Do It).

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

So, focusing on the origins, what was good for the ageing fans who were there at the very start was the inclusion of non-album classics from the first two albums, some of which may not have been played live for a long time. Opening with Night Boat from the debut 1981 Duran Duran (Which I bought at the time and still have on vinyl) before Friends of Mine in addition to the singles Planet Earth, Girls on Film and Careless Memories. Then from Rio, we had Lonely in Your Nightmare and Last Chance on the Stairway as well as hits, Hungry Like the Wolf, Save a Prayer, and of course, Rio itself.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

42 years after first hearing it, Simon Le Bon’s voice is as good as ever and more controlled as well. The rest of the main lineup still retain charisma, despite advancing years. Roger Taylor has an abundance of energy; John Taylor is still the heartthrob and even Nick Rhodes has a certain … Je ne sais quoi. Also on stage was Dominic Brown on lead guitar, plus saxophonist, Andy Hamilton with backing singers, Anna Ross and Rachael O’Conner.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Duran Duran were supported by Lia Lia, who was excellent and Jake Shears … who wasn’t (Worst cover version in the history of music with Comfortably Numb). All in all, though, a great night, even if a faulty spotlight did blind the audience stage right for much of the evening and all through Jake (bloody) Shears. Despite that blip, there is still mileage in Duran Duran and they are well worth the money when they tour again.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Cheers.

Antony N Britt

Sun is shinin’ in the sky. 
There ain’t a cloud in sight. 
It’s stopped rainin’,  everybody’s in the play 
and don’t you know 
it’s a beautiful new day,  hey! hey! 

Words familiar All Over the World, but the faces here are a little different. That’s because this band is a tribute; a tribute to the wonderful sound of Jeff Lynne and the Electric Light Orchestra

ELO Encounter—The Crescent Theatre Birmingham—16 September 2022

I have previously said that I only do tributes when the real thing is not around anymore, but although you can get Jeff Lynne’s ELO (at exorbitant prices) when he tours, the chance for a little Blue Sky at short notice was too good to pass up. 

Formed several years ago by the Lownes Brothers, The ELO Encounter give you just that. Not simply a performance of numbers, but encountering the original band with a loving feel as if this were them on stage. Straight into the opening of Standin’ in the Rain, I was transported back to 1978 and listening to side three of Out of the Blue on vinyl. Then came hit after hit: Sweet Talkin’ Woman, Turn to Stone, Shine a Little Love, Hold on Tight, Horace Wimp, Telephone Line, and many, many more. I was hooked, as were the rest of the audience in this wonderful experience of time-travel. We even had an appearance of one the earliest ELO hits in 10538 Overture … brilliant.

ELO Encounter—The Crescent Theatre Birmingham—16 September 2022

The band is led by Jack Rownes on keyboards and vocals, taking the Jeff Lynne role with a delivery so like the man himself, close your eyes and it’s real. Then you have younger brother, Harry Rownes on Bass, but also supporting vocals, as do the entire band. However, Harry has the added task of replicating the awesome (and too soon departed) voice of Kelly Groucutt, particularly on Rockaria! Lead guitars are provided by Martin Donald with Dacre Peck on drums. On Violin we had Jasmine Ali who also delivered lead vocals on Xanadu, one the best numbers of the night. Rounding off the band was newest member on acoustic guitars, Karl Younger.

The show was split into two sets ending with an encore of ELO’s biggest hit, Mr Blue Sky. By now, everyone was long on their feet and ELO Encounter departed to a massive flow of applause. It was nice to see some of the band in the foyer afterwards to thank the audience. A nice touch and familiarity which goes down well.

ELO Encounter are touring the UK throughout the remainder of 2022 and all next year. There are alternative tributes to ELO, but these have my recommendation. Look no further if you’re thinking of seeing one. 

ELO Encounter—The Crescent Theatre Birmingham—16 September 2022

Cheers.

Antony N Britt 

Debbie Harry is nearly 77. Seventy-seven, God-dammit! I don’t know if that makes her old or me feel it. You see, 45 years ago, when I first discovered Blondie, I was barely fourteen years old myself. Once again, I am blessed that Blondie, like many of my favourite rock bands, are still about. I must have good taste for longevity. Okay, so due to Chris Steins’ ill-health, there were only two original members on stage: Debbie Harry and the brilliant Clem Burke on drums. But we also had Glen Matlock on bass, which was a bonus for me and the rock alumni of 1977.

Kicking off where it all began with X-Offender, a packed arena went back in time and unless you were in the first few rows (as I was) you’d be hard pressed to believe you were not seeing the band at their height during that era.

Harry hasn’t lost it a bit. Sure, after a handful of numbers, the heels had to come off as in her own words, she needed to get serious. But to still do a high-energy set lasting almost two hours is incredible.

We listened to hit after hit, but inexplicably, not Denis. That didn’t matter, and it was only afterwards I realised it had been omitted. There are so many more in the catalogue to rave about. Not just the early years, but from the post 1998 revival: Maria, My Monster, What I Heard, Long Time, Mother and best of all, one of my favourites, No Exit. All greeted with similar Rapture as the song of the same name.

But you also had the classics: Sunday Girl, Picture This, Dreaming, Call Me, Atomic, Heart of Glass … the list goes on. I was also overjoyed to hear Fade Away and Radiate in such an incredible set.

Save the best until last, Blondie finished with One Day or Another, a song so massive and popular, but never a single in the UK (until it charted digitally in 2013). This is the measure of a great song. No mainstream release but instantly recognisable.

The euphoria of the audience swept through the arena in one of the best gigs I have seen. Yes, even at that age, Harry rocks. Whereas myself and my partner (late 50s) hobbled back to the car afterwards, near unable to walk. Whatever Debbie Harry has, I’ll take some myself. Brilliant.

Cheers.

Antony N Britt

I must admit, I don’t listen to contemporary pop a great deal these days. In a world full of X-Idols who’ve got talent and a nice voice, I’m happy to stick to my rock roots. And I’m not alone. I often hear comments about older music on the lines of, “Well, it’s better than the rubbish you hear these days.” And in most cases, this is true. However, when you least expect it, somebody comes along to shake the foundations and offer something a bit different.Album Review – Billie Eilish: When We All fall Asleep, Where Do We Go?

It’s difficult to describe Billie Eilish’s style. I guess a magical blend of good tunes, music and voice, then that rare full house of meaningful lyrics which hit home not only to the teen generation, but older listeners like myself. It’s a case of, “I don’t know why I think this is fantastic, but I do.” And any artist with an endorsement from Dave Grohl is going to be worth a try.

Billie Eilish comes from an acting/musical family and along with brother, Phineas O’Connell, produced When We All Fall Asleep, Where Do We Go? The album is a follow-up to numerous singles and EP, Don’t Smile at Me. Okay, perhaps EP is a misrepresentation for that first offering has a duration greater than most Beatles albums. At 17, Billie is the youngest artist to go direct to number 1 in the UK album charts. She comes across as a free spirit, an individual, and how can you not love someone whose middle name is Pirate?

Recorded in the home bedroom, the album has everything. From the kick-ass opening of Bad Guy, we are taken on a journey which states you’re going to have as much fun listening to it as they did in the making. An incredible use of multi-track vocals is nowhere better displayed than Xanny which states Eilish has never had or will have need for drugs. The previously released single, You Should See Me in a Crown, is massive in terms of impact as is the melancholy, When the Party’s Over. And then we have Bury a Friend, surely one of the best songs of the decade. This is not to say album tracks don’t match up. All the Good Girls Go to Hell could be played on repeat all day long as is also the case with My Strange Addiction and Ilomilo.

If you check out YouTube, there is video of the full set of a recent gig in London and you can see the effect on the young audience there. But I enjoyed watching it as well. Here we have a person with something to say, and long may she continue saying it.

Album Review – Billie Eilish: When We All fall Asleep, Where Do We Go?

Cheers.

Antony N Britt.