Tag Archive: WBOS


Now is the time to seize the day. 
Stare down the odds and seize the day. 
Minute by minute, that’s how we win it. 
We will find a way. 
But let us seize the day.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

I had never seen Newsies before this showing, although I was familiar with several of the numbers, having performed or used them in concerts and pantomimes of my own. With the music of Alan Menken (Lyrics by Jack Feldman) and book from Harvey Fierstein, Newsies tells the tale of young paper vendors and their fight for decent pay, held back from them by the greedy newspaper owner.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

This was my second sampling of West Bromwich Operatic Society Youth (WBOS Youth) and with the calibre of cast and links to the senior incarnation of this company, I knew I was in for a treat. I see a lot of youth theatre, and this was as polished as any professional production. I can honestly say that there was not one single weak area in any of the performances.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

In the lead role of Jack Kelly, Melvin Umah excelled in all areas. Good acting and strong vocals, particularly during Santa Fe. Alongside him was Grace Boden as Katherine and she too gave a stunning performance and totally nailed Watch What Happens. I know how difficult that song is to master and time correctly and have seen it done both brilliantly and terrible in the past. Fortunately, Grace was the former. Amazing.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

Sometimes in junior versions pre-existing songs from the full show are omitted and replaced with others, and this was the case with Just a Pretty Face. Led by Casey Michaela (who I saw recently for Birmingham Youth Theatre in the Snow White Panto) as Medda, this was a wonderful number with great vocals complemented by equally amazing backing and dance from Athena Paskin (Ada), Macy Pickett (Olive) and Holly Edwards (Ethel). Completing the principals were Jordan Obrien (Pulitzer), Freddie and Oscar Wetherall (Davey and Les), and Jack Keasley who gave a heartwarming performance as Crutchie and delivered a fine rendition of Letter from the Refuge.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

The remainder of this brilliant cast were Isabelle Butt, Cameron Simms, Charlie McRobert, Isabelle Hale, Amara Dyer, Alice Moth, Harry Hemingbrough, Lola Wooldridge, Jack Mullen Hughes, Jackson Fryer, Honor Whitehouse, Ettie Bailey, Imogen Jeffs, Ayda Whitehouse, Dougie Goule, Gracie Richards, Maddison Ashmore, Phoebe Bird, Laney Murray, Anaya Patel, Robyn Harrison, Ava Figures, Layla Griffiths, Elsie Hogan, Amber Parkes, Izzy Evans, Eliza Flavell, Seth Foster and Heidi Gottschall. Please contact me if I have either missed a name or gotten one wrong. There were an awful lot of Newsies to list, and my eyes are getting old.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

On top of the outstanding solo numbers there are some incredible company tunes, and this is where Newsies rocks. Carrying the Banner set the tone from the off and The World Will Never Know continued that. But it is the massive duo of King of New York and Seize the Day which had the audience punching the air. At the finale, after Once and for All, the audience were on their feet, and rightly so.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

Costumes and makeup were excellent while backstage controlled a simple set which changed smoothly whenever it needed to. The director of Newsies was Emma Wetherall with choreography from Claire Flavell and musical direction by Amber Seddon.

Newsies Jr. — Dormiston Mill Theatre — 10 May 2025

This was a marvelous show; however, I am unfortunately in London for a West End Weekend at the time of WBOS Youth’s next production of West Side Story. If I were not, I would certainly be in attendance. I do, however, recommend you all are.

Cheers.

Antony N Britt

*Photos taken from social media and may not be from the showing reviewed.

Love never dies.
Love will continue.
Love keeps on beating.
When you’re gone.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

It was a bold move from Andrew Lloyd Webber to create a sequel to possibly the greatest musical of all time but in the past, Love Never Dies has been met with criticism. So, as someone who had never seen this show, how did it fare against the mammoth Phantom of the Opera? Seriously, it can’t, but allow for a few minor niggles (and one major) and you have an incredible show. That is, if it is done well. I am, therefore, happy to say that West Bromwich Operatic Society (WBOS) did exactly that.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

A few months ago, I was in the same theatre watching the UK tour of Jesus Christ Superstar. This was better by far. The sheer professionalism and quality from those who don’t get paid for doing their craft was out of this world. I’m trying not to use a cliche here, but seriously, you could not deny that this production was West End quality. And I see an awful lot of shows a year to make that claim.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

The plot. Ten years after the events at the Paris Opera House, Christine Daae travels to New York with husband Raoul, and young son, Gustave. There they are reunited with Madame Giry and her daughter, Meg. It was these two who aided the Phantom in escaping all those years ago and now together, run Phantasma, a Coney Island amusement park.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

Let’s get those negatives out the way. The opening is slow, and you have three numbers in the first fifteen minutes before anything happens. Also, some songs, such as Bathing Beauty, however good, have no relevance. Then the biggest gripe. The Phantom, once an epitome of mystery is normalised into humanity. Despite this, the show does stand well on its own merits, and I enjoyed it. To be honest, I found it even darker (if that can be possible) than Phantom.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

As The Phantom himself, Dan Smith gave a five-star performance, particularly in ’Til I Hear You Sing. An amazing voice and equally so in stage presence. Matching that was Molly-Anna Riley as Christine who excelled during the title song, Love Never Dies. Tye Harris was Raoul, now married to Christine and he also played his part to perfection, especially during Devil Take the Hindmost with Smith’s Phantom. But there has been addition to the events of Paris in Christine’s ten-year-old son, Gustave. What can I say? The performance of Elijah Critchley was out of this world in voice and acting throughout, most clear during The Beauty Underneath.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

The Giry’s were portrayed superbly by Holly White (Meg) and Sarah Moors (Madame), and they duetted well in Only for You and Mother, Did You Watch? Rounding off the principals were a trio of oddball characters who were the definitive of creepy. These were Adam Partridge (Gangle), Tasheka Coe (Fleck) and Connor Welch (Squelch) whose Coney Island Waltz was outstanding in leading the ensemble.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

And it is those often unsung (forgive the pun) performers in the ensemble who also gave it all. Each time they featured, scenes were full of quality and every move mattered. This is a credit to the production of Simon Pugh (Director), Ian Room (Musical Director) and Claire Flavell (Choreographer). Of course, there will have been far more involved in bringing this show so successfully to the stage, and they can all be proud of the result. A perfect production in all departments.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

Cheers.

Antony N Britt.

*Photos taken from social media.

Take me to heaven, 
Take me to kingdom come. 
I’ll take any vow.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Sister Act, a show close to my heart after portraying a former gangster in it alongside my son and fiancée, who played a nun. But this was Sister Act Jr, at a length of 75 minutes, an hour less than the version I’m used to. If I’m honest, the loss of time did not matter as all the relevant scenes were there and only a couple of numbers dropped, including the boring When I Find My Baby, which was a blessing (Forgive the pun).

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

This was my first time watching West Bromwich Operatic Society Youth Theatre and I’m delighted to have found another gem of a company. I am a big advocate of youth in theatre, and it often goes overlooked with ignorance that it may be like school productions in an assembly hall. Not the case and I shall continue to spread the word so these wonderful groups go beyond the expected audiences of family and friends.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Set to the music of Alan Menken, Sister Act is the story of Deloris, a singer who witnesses a murder at the hands of gangster boyfriend, Curtis and goes into hiding in a convent. There, she not only teaches the nuns to sing, but also learns valuable lessons about herself. In the lead as Dolores was Isabella Hale who shone throughout with all the sass the role requires and delivered numbers such as Take Me to Heaven and Sister Act in fine fashion. A great all-round performance.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Also strong as Mother Superior was Grace Paskin, giving us ironic humour as the reluctant saviour and excelling during Here Within These Walls. Then we had Amelia Moors playing the novice nun, Mary Robert who totally nailed The Life I Never Led. In the role of Officer Eddie Souther was Jake Dale, and going on the amount of applause coming from nearby, I think I was seated near a close family member who would have been rightly proud during I Could Be That Guy.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Due to the show being shorter (as mentioned) from the adult version, the consequence was that you had more percentage of comic relief from Monsignor O’Hara and Jack Mullen-Hughes rose to the task perfectly. Sadly, for me, though, because this was a junior version, a lot of the gangster scenes were diluted or cut, meaning you had less Curtis (Lucas Nijhof-Clarke), Joey (Tristan Marwa), TJ (Oscar Wetherall), Pablo (Freddie Wetherall) and Ernie (Nathan Thevar-Ward). All played their parts superbly, though, and we got a cheeky stripped-back Lady in the Long Black Dress (Oh, the memories).

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

And we had an array of nuns including Beth Higgitt (Mary Patrick), Emily Hemingbrough (Mary Lazarus), Isabelle Butt (Mary Martin of Tours), Lola Wooldridge (Mary Celeste), Eliza Rose Flavell (Mary Irene), Honor Whitehouse (Mary Stephen) and Ayda Whitehouse (Mary Theresa). Each performed to a high standard, and I enjoyed Bless Our Show, Sunday Morning Fever, Raise Your Voice and Good to be a Nun amongst others. Supporting, all the rest of the cast must have doubled up as nuns at some point, and these included dancers, Athena Paskin (Michelle), Imogen Jeffs (Tina), Eva-Grace Mahay (Elle) and Janie Patel (Nina). Excellent movement and singing in the opening number.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

The rest of the ensemble included Cameron Simms (Cop) and Jordan O’Brien (Newscaster). Then, Harry Hemingbrough (Angry Street Person) was among the Street People who were Fabulous Baby in that number. These were Lola Bennett, Amara Dyer, Holly Edwards, Isobelle Evans, Elsie Hogan, Millie Jones, Emily McNally, Ena Moreton, Anaya Patel, Macy Pickett, Kiran Thevar-Ward and Emily Wilson. I hope I have not missed anyone out or got a name wrong; tell me if I have. There are a lot to list and much cross-referencing, but all deserve a mention. What was clear throughout was the exceptional standards, and even the youngest looking cast members were all precise in dance and reaction.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

At the helm of Sister Act Jr was Emma Wetherall in directing with Claire Flavell doing Choreographer and Dan Hardy overseeing musical direction. This was a good afternoon out and I look forward to WBOS Youth’s next production of Annie later this year.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Cheers.

Sister Act Jr — Dormiston Mill Theatre — 13 April 2024

Antony N Britt

*Photos taken from social media.

You just call out my name, 
and you know, wherever I am, 
I’ll come runnin’ 
to see you again.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

Last year I saw Beautiful – The Carole King Musical for the first time and such was the enjoyment on that occasion, I had no hesitation in seeing the regional premier of the show by an amateur company. I say amateur for formality only, for this showing from West Bromwich Operatic Society (WBOS) was anything but amateur. I also must praise the choice of venue. I Know WBOS have filled larger theatres than The Mill but while I criticised another local company recently for playing to a half-full New Alexandar, this was exactly right for half a dozen performances of Beautiful.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

Beautiful tells the story of songwriter/singer, Carole King from the origins of a partnership with husband Gerry Goffin to an even greater (in my opinion) solo career in the 70s and beyond. Writing songs for giants of music such as The Drifters, The Shirelles and Little Eva, King is best known for the 1971 solo release, Tapestry. Mixed in the tale, there is an interesting subplot featuring the friendly rivalry with fellow songwriters, Cynthia Weil and Barry Mann.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

In the lead role we had a phenomenal performance from Kim Graystone, and I cannot stress enough the workload this part entails. Okay, not in every scene but near enough and with a vocal outing to rival the professionals twelve months ago. Supporting well, though, we had Dan Smith (Gerry Goffin), Emma Wetherall (Cynthia Weil), Callum Rogers (Barry Mann) and Greg Yates (Donny Kirschner). Beautiful also boasted a large company who are too many to mention but were all the highest quality.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

And the songs themselves would make a great hits compilation including, Will You Love Me Tomorrow, Take Good Care of My Baby, On Broadway, We Gotta Get Out of This Place and The Locomotion. All from the catalogue of King/Goffin/Weil/Mann. And in the Tapestry era we had You’ve Got a Friend, It’s Too Late, I Feel the Earth Move, (You Make me Feel Like) A Natural Woman and the title of the show itself, Beautiful.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

This was an excellent show and those in the thick of things in terms of production can be immensely proud of their cast and crew. Directing Beautiful was Simon Pugh with choreography by Claire Flavell and musical direction from Matthew Hall.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

WBOS return May 2024 at The Wolverhampton Grand with Love Never Dies. Well worth a look.

Beautiful – The Carole King Musical — The Mill Theatre, Sedgley — 14 October 2023

Cheers

Antony N Britt

*Images blatantly taken from social media.