I have a confession to make. I had never seen Phantom of the Opera until this experience. Sure, I’m familiar with the Andrew Lloyd Webber music, having played the soundtrack for years and have also seen the 2004 film version. However, I always thought the first time I saw Phantom it should be at its traditional home of Her Majesty’s Theatre in the West End. That was until I discovered it being performed local to me by Birmingham Ormiston Academy (BOA).
Now, I’m no stranger to BOA, having seen and reviewed two of their Year 13 productions in The Witches of Eastwick (2016) and Sister Act (2018). Both were of the highest quality, talent surpassing the years of those on stage. Therefore, when I searched out this years’ offering, I had no hesitation in breaking my promise of waiting for London. I knew I’d be in for a treat with BOA and boy, I was not disappointed.
As before, the academy provides four performances with the cast split into A and B (Two each). The fact they can produce this with two entirely different casts of the same calibre makes it more amazing. I won’t go over the plot as really, if you’re reading this, you should know it. What I want to do is laud as much praise as I can on the remarkable BOA students.
In the role of The Phantom on the night we had Llewellyn Graham who captured the role with mystery, character and great voice. Then, speaking of voice, we had our Christine Daaé. OMG! Colleen Curran was amazing. I have witnessed leading ladies in professional shows who were not as good. An outstanding performance. I was on the edge of my seat during Think of Me with goosebumps on my arms, it was so magical. See you in the West End one day, Colleen. Equally, Rhiannon Street as Carlotta owned the stage with her presence. A fabulous voice and acting which totally exploited the character the way it needed. Then, playing Raoul was Sam Astbury who complimented his love interest in great fashion. Much good chemistry between the two.
An interesting take on the original tale saw André and Firmin played by in Kitty Hosty and Libby Clifford respectively. I know these are generally male roles, but these two worked so well, providing much comedy in a wonderful double act. Rounding off the principals were Niamh Slater (Madame Giry), Katherine Lester (Meg) and Leo Carl Abad (Piangi). Each once more than attained the high standards of others on stage. And that went for the rest of the cast too, which was massive. Wonderful ballet routines added to great sound from the chorus during musical numbers with lots of interaction and characterisation.
Then we had the effects. Yes, the chandelier came down (and made everybody jump, even though I suspect half the audience knew it was coming). Also, there was good use of the set for the signature number where The Phantom takes Miss Daeé into the catacombs. A successful use of doubles also made this appear like the long journey down into the depths it’s meant to be. Mood and magic were consistent throughout until that final scene where The Phantom disappears into his chair, leaving Meg Giry alone on stage with the mask. Both chilling and beautiful.
Of the musical numbers, there are many highlights: Phantom of the Opera, Music of the Night, All I Ask of You, Masquerade, Wishing You Were Somehow Here Again, The Point of No Return … Hell, I could list the lot.
In charge of production was Dan Branch with musical direction of a good band by Daniel Summers. Choreography was from Lee Crowley, assisted by Lucy Jennings and Georgie Meller.
I began by saying this was my first experience of the show. My partner, who accompanied me, has seen it both in the West End and on tour. Her verdict was that this surpassed both. These student productions are not just for parents to watch and credits towards an education, they are welcome inclusions in any theatre schedule. I thoroughly recommend them to be checked out. I know I’ll certainly continue to do so.
* Post to this review being published, I’m informed all production and tech were completed by students too, making the entire process more amazing. Full details kindly supplied by Heather in the comments section below. Thank you.
Cheers.
Antony N Britt
Many thanks to BOA for providing cast names for this article.
Antony N Britt - Author 
I second EVERYTHING you have said, but want to add on – Production!
Do you realise that BOA’s own Production pathway students put this show together?
They designed and made the royal boxes, the moveable steps, the boat, the candelabra, the angel, the mausoleum, the masks. They sourced costumes and props (made many of them too). Designed the sound and lighting and ran the shows during performances. The atmosphere and effects they created added to the immense talent provided by the cast and often gave me goosebumps, especially the boat scene. There are students within Production who also have a bright future ahead of them.
Thank you for this information. I wasn’t aware of that. And it does make the whole process more amazing.
It’s always nice to see Phantom performed by different groups. I’ve had the pleasure of seeing it performed live three times: by the U.S. Tour cast in St. Louis back in 2006, by the Las Vegas cast at Phantom: The Las Vegas Spectacular back in 2007 (sadly, this theater is no longer there) and just last November by the 2018 U.S Tour cast in Nashville. Each cast has its own special way of performing the roles.
Nice review! Very detailed and thorough.
Thank you. Yes, this was a very special performance.