Archive for February, 2024


There’s a place for us. 
Somewhere, a place for us. 
Peace and quiet and open air. 
Wait for us. 
Somewhere.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

I have never been a fan of Bernstein, Sondheim and Laurents’ West Side Story. Hated the 1961 film (although enjoyed the 2021 remake) and have always found the characters unlikable. I have even performed the show on stage, and still did not enjoy it. However, I loved this version from the wonderful Starcross Youth Theatre.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

What can I say? I see many amateur and youth companies and in Starcross, an exceptional quality of talent runs throughout. There were no weak areas in this production, time flying fast due to being captivated by what was on view. Of course, West Side Story is one of the best-known musicals going. A re-imaging of Romeo and Juliet set to gang warfare in 1950s New York. And as I have said, few characters in the show are likable, but still engaging all the same.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

Playing Tony was Brandon Harrison who once more shone in a lead role, excelling during Something Coming and Maria. Then, complimenting him as Maria herself in this performance was Christine Cross. A believable portrayal with added petulance and fight which brought more to Maria than just being perfect, which has often been the case in the role. Great control in voice, hitting the top notes during Tonight and One Hand, One Heart, in particular. Plus, excellent acting and dance.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

As Anita, we had the outstanding Kelsey Taylor. This is such a good role and Taylor totally gave it justice with A Boy Like That. Superb. In the part of Riff, Alex Hill was on form as the hot-headed leader of the Jets, as was his Shark counterpart, Bernardo (Dimitri McDonald). One other performance also standing out in the principals was Lily Cross as Action where I totally believed the anger issues shown in the characterisation. That moment where one person constantly grabs your attention each time they are on stage.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

The rest of the cast was made up by Noel Jeavons (Diesel), Tia Rafferty (A-Rab), Daisy Lunt (Baby John), Emmie Adcock (Snowboy), Callum Brothwood (Gee-tar), Sophie Spruce (Mouthpiece), Lucy Keates (Spiff), Lauren Downes (Anybody’s), Jack Harley (Chino), Jay McDonald (Pepe), Requane Wade (Luis), Mia Lombard (Anxious), Elle Fletcher-Brown (Nibbles), Grace Froggatt (Juano), Zadie Wilson-Smith (Toro), River Onions (Rosalia), Lexie Jennings (Consuella), Shayera McDonald (Francisca), Lottie Wilkes (Margarita), Lily-Grace Palmer (Estella), Scarlet Bennett (Graziella), Alexa Nutting (Velma), Darcy Harman (Minnie), Holly Hunter (Clarice), Harry Webb (Doc) and Jaime Nutting (Krupke).

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

The final cast member to be mentioned gets a special one as six years ago I played Shrank, so I took note and not only was Mitchell Griffiths strong and commanding as the Police Lieutenant, but I was also genuinely scared at times.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

On alternate performances some roles were changed, including Maria/Darcy Harman, Riff/Lucy Keates, Anita/Holly Hunter, A-Rab/Jack Harley, Pepe/Ellie Fletcher-Brown and Lily-Grace Palmer/Consuela, all swapping the roles with those I saw.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

This production pulled no punches, particularly staying faithful during that scene towards the end in Doc’s Drug Store. Shocking, yet not glorified. I must also credit some wonderful choreography, especially during the dream sequence, plus America and Dance at the Gym. There was so much to enjoy about this offering, and I do think Starcross has won me over into liking West Side Story now. And how can I finish without mentioning the epic Tonight Quintet? Heck, the whole show was amazing.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

At the helm in terms of production, direction and choreography were husband and wife team and Starcross founders, Belinda and Phil Cross MBE. The vocals were also on top form throughout, and this is a testament to the direction of Ben Batt in terms of music, with support from Ashleigh Foster. Especially so as due to West Side being ridiculously OTT and expensive to do with a live orchestra, backing tracks were used by Starcross. Most in the audience would not have been able to tell, and how brilliant it was that the timings were all spot on. Such a feat. As well as playing Maria on the night, Christine Cross also aided in production as well as choreography where the latter area was then supported by April Kruszynski, Emma Babiy and Brandon Harrison.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

A thoroughly enjoyable night.

West Side Story — Arena Theatre, Wolverhampton — 17 February 2024

Cheers.

Antony N Britt

*Photos taken from Social Media.

I Have a Dream, a song to sing.
To help me cope, with anything.
If you see the wonder, of a fairy tale.
You can take the future, even if you fail.

Mamma Mia — Novello Theatre, London — 2 February 2024

Mamma Mia featuring the music of ABBA is undoubtedly one of the best feelgood musicals going, and I never pass an opportunity to see it. Now, I have also, in the past, never watched any of the TV reality talent shows where the object is to find the next West End star. However, when Mamma Mia – I Have a Dream aired towards the end of last year, I took an interest this time, considering the show. Then, when Stevie Doc and Tobias Turley (the two I had rooted for since Week One) won the final, I said to my then partner, “Let’s go and see them in their first week.”

Little background information. I have said “then partner” for a reason because an hour before curtain, sitting in Trafalgar Square, the lovely Michelle Orton said, “I do. I do, I do, I do, I do, I do,” in answer to my proposal for her to become Mrs Antony N Britt. So, engaged, front frow seats, Mamma Mia and two actors we had voted for on a TV show. What could spoil it?

Absolutely nothing.

Mamma Mia — Novello Theatre, London — 2 February 2024

This trip to Mamma Mia had the same energy as always; the same entertainment with excellent, well-known songs, plus the highs of what had happened to us immediately before.

Mamma Mia — Novello Theatre, London — 2 February 2024

Mamma Mia — Young girl getting married wants to know the identity of her father and according to her mothers’ diary, there are three potential suspects. Mamma Mia, I Have a Dream, Super Trouper, Take a Chance on Me, Lay All Your Love on Me, Does Your Mother Know … the list goes on. All instantly recognisable songs. Then there are the lesser so. Slipping Through My Fingers is beautiful and Under Attack is far better in this show than it ever was as an ABBA single.

Our two reality winners played Sophie and Sky and looked totally at home in the West End. Stevie Doc owned the stage from start to finish with excellent vocals and wonderful characterisation. She was the perfect Sophie and although not in the forefront of the show as much, Tobias Turley also grabbed his role and, in my opinion, made a better Sky than Dominic Cooper did in the 2008 film.

Mamma Mia — Novello Theatre, London — 2 February 2024

But it wasn’t just about Stevie and Tobias. Mazz Murray has played Donna Sheriden for a while now and you can see why. A commanding performance, especially during The Winner Takes it All. Supporting well, though, were Kate Graham (Tanya), Samantha Ivy (Rosie), Haydn Oakley (Sam), Stephen Beckett (Bill), Christopher Dickins (Harry), Jessie Odeleye (Ali), Izzy Cross (Lisa), Bradley Perret (Pepper), Chay Wills (Eddie) and John-Paul Birss (Father Alexander).

An excellent band was conducted by Mark Smith, and they really brought that live magic of ABBA to the stage. Forget avatars singing to pre-recorded tracks, go and see Mamma Mia instead. I must also mention the wonderful choreography of Anthony Van-Laast as (and I am sure I have said this before in earlier Mamma Mia reviews) Voulez-Vous is the most energetic and amazing dance sequence going in musical theatre.

Mamma Mia — Novello Theatre, London — 2 February 2024

This show always leaves you buzzing, and a magical end to a magical day. Plus, the icing on the cake was meeting our two Mamma Mia – I Have a Dream winners, Stevie and Tobias at the stage door. Brilliant.

Mamma Mia — Novello Theatre, London — 2 February 2024

Cheers.

Antony N Britt

* All Photos taken from Social Media and may not be exact representations of the cast from the performance reviewed.

Never again will she get the best of me. 
Never again will she take away my freedom. 
And we won’t forget the day we fought 
for the right to be a little bit naughty!

Matilda — The Cambridge Theatre, London — 1 February 2024 

Bit of an away trip for me (and my other half) in a London Theatre Weekend and although I love the local touring productions, there is something magical about being in the West End. The first of our two shows on the trip was Matilda, based on the 1988 Roald Dahl novel of the same name. With music and lyrics by Tim Minchin and a book from Dennis Kelly, I was eager for this, having enjoyed the film adaptation of the musical a year or so ago.

Matilda — The Cambridge Theatre, London — 1 February 2024 

The story is about a little girl whose parents don’t want her, has magical powers, and then gets sent to school where she faces horrors even worse than home. Many of Dahl’s works have dark themes and Matilda is no exception, with fear, bullying, tyrannical rule and abuse both in the home and from places of authority. But the result is a good one and a message to stand up against these issues and if a person can’t, then always be on hand to help those who are not able to do so themselves.

In the role of Matilda during our visit was Arabella Stanton, outstanding in every department, excelling with Naughty and especially during Quiet. Also starring was Kieran Hill as the terrifying Trunchbull while Lydia White gave a lovely performance in Miss Honey. Deborah Tracey complimented the library scenes with Matilda, adding offhand humour which worked well.

Matilda — The Cambridge Theatre, London — 1 February 2024 

As the terrible Wormwoods we had Ruairidh McDonald as Michael (Telly!) and Amy Ellen Richardson (Mrs Wormwood) who was superb with Nolan Edwards (Rudolpho) during Loud. Then, I must give an extra special mention to Rakesh Boury who was my favourite of the adults on view as Mr Wormwood. Totally commanded the stage and worked the audience well.

Matilda — The Cambridge Theatre, London — 1 February 2024 

Supporting well in the ensemble were Lauren Varnham (The Acrobat) and Sean Lopeman (The Escapologist) with Kane Oliver Parry, Gabrielle Davina Smith, Ronan Burns, Stan Doughty, Karina Hind and Roan Pronk. Ensemble also took on roles of the older children, which is something I hate, adults playing kids (ugh!), but I can understand the use of it. Sometimes.

Matilda — The Cambridge Theatre, London — 1 February 2024 

The rest of the kids, well, they were amazing, as I knew they would be. Sidhant Anand (Bruce), Coco-Lili Hodder (Lavender), Jake Durrant (Nigel), Lilian Guinoubi (Amanda), Elliott Marsden (Eric), Gina Harris-Sullivan (Alice), Kanon Narumi (Hortensia) and Joshua Wahab (Tommy) can all be proud of their performances.

Matilda — The Cambridge Theatre, London — 1 February 2024 

There are some brilliant songs in Matilda that will have you singing long after you have left the theatre: Miracle, School Song and This Little Girl are all superb, and that’s before you get to the amazing When I Grow Up and Revolting Children.

Matilda — The Cambridge Theatre, London — 1 February 2024 

Matilda was directed by Lewis Barnshaw with choreography from Tom Muggeridge. Musical supervision came from Laurie Perkins and Jodie Oliver-Howar (Children). An enjoyable musical, highly recommended and one that afterwards will have you feeling that little bit naughty.

Matilda — The Cambridge Theatre, London — 1 February 2024 

Cheers.

Antony N Britt 

*All photos taken from social media and are not necessarily representative of those performing 1 Feb 2024.