Tag Archive: Birmingham Rep


As mentioned in my last review, I am not a fan of the last couple of weeks in the calendar year, so to attend two Christmas themed productions in those final few days of 2022, was a fete above and beyond the call. However, like the week before, I thoroughly enjoyed my outing which this time consisted of Nativity! The Musical.

Nativity! The Musical — Birmingham Rep — December 30 2022

Mr Madden, a teacher at St Bernadette’s Primary School is forced to organise the annual nativity play. After a war of words with rival, Mr Shakespeare, from Oakwood School, he vows to bring Hollywood to Coventry in the form of his former girlfriend, Jennifer, who is supposedly a high-flyer in Tinseltown. However, Jennifer’s status is not as grand as she once made out and adding the bizarre and extrovert antics of teaching assistant, Mr Poppy into the mix, Mr Madden has his hands full.

Nativity! The Musical — Birmingham Rep — December 30 2022

Yes, Nativity! The Musical is Christmas, all gift-wrapped and unashamedly full of seasons’ cheer. But even though this is the draw which brings the kids and their families in, it is an enjoyable show. And that’s the important thing. Many of these families may never have even sat in a theatre before. However, after such a good time, the hope is they now develop a feel for the art and will return next year, maybe going onto other theatre offerings in the meantime.

Nativity! The Musical — Birmingham Rep — December 30 2022

A full company opening of Here Comes Santa Claus is followed by sometimes cheesy, but nevertheless, feelgood tunes in Five Star Review/Better Than You, St Bernadette’s, Hollywood Are Coming and especially, Sparkle and Shine which also features at the end of Act One and then in a finale reprise. I particularly enjoyed the Oakmore Nativity (Herod the Rock Opera) with the homage to Jesus Christ Superstar’s guitar riffs. And then there was the St Bernadette’s Nativity: Nazareth, One Look and Good News were all excellent before the story wrapped up with Have Yourself a Merry Little Christmas and She’s the Brightest Star.

Nativity! The Musical — Birmingham Rep — December 30 2022

Then there are also principal numbers. Ben Lancaster (superbly playing Mr Poppy) shines in Very First Day at School as does Billy Roberts (Mr Maddens) and Daisy Steere (Jennifer) duetting with Wrapped in a Rainbow. And the villain of the piece, the gloriously evil Mr Shakespeare (Matthew Rowland) stood out with Hollywood Never Came.

Nativity! The Musical — Birmingham Rep — December 30 2022

Supporting well in the adult cast were Ralph Bogard, Jamie Chapman, Jemma Churchill, Tom Hext, Sydney Isitt-Ager, Cameron Johnson, Callum Train, Eliza Waters and Louie Wood. But I must give a huge shout out to the talented youngsters for whom many, this will have been the biggest production of their lives so far. Over the run they were split into two groups, but I’ll give them all the recognition they fully deserve.

The children of St Bernadette’s were Ava Ayodeji, George Bakel, Frankie Bradbury, Ava Carty-Jones, Madison Davis, Hattie Disney, Matilda Flower (playing the tiniest but brightest star), Seth Foster, Isaac Fox, Felix Holt, Ava Hupperdine-Perrin, Molly Jin, Sophie John, Kyrelle Lammy, Mac Manumbre, Oliver Milchard, Darcie Morris, Alexandra Ngwenya, Mischa Palor, Abigail Salt, William Stafford and Ziame Stewart. Whereas those from Oakmore featured Willow Adamson, Toby-Jay Amphlett, Bronte Ashmore, Zara Bench, Beatrice Carpenter, Amelia Katie Connor, Thomas Cox, Amelie Davison, Alyssa Dewar, Ivy Edwards, Betsy Fahey, Ayana Freckleton, Effie Gell, Isla Granville, Ocean-Flower Hemmings, Jessica Howell, Alfie JenningsNia King, Ava Knight, Will North Lewis, River Mahjouri, Annabel Parsons, Zara Pearson, Max Reekie, Gerline Rosales, Frankie Stephens, Eboni Rae’ Thomas-Witter, Amelia Uma Thompson, Isla-Belle Trimble, Ryley Trimble, Daniel Webley and Iman Wilkins.

Nativity! The Musical — Birmingham Rep — December 30 2022

Debbie Isitt is the writer/musical composer of the show and directed the production. Co-Composer, on the other hand was Nicky Ager and the Associate Choreographer, Rebecca Locus. Musical direction came from Joshua Griffith while orchestral supervision was from George Dyer.

Nativity! The Musical, like Christmas, is over now. However, if as the main subject, it reappears again at the end of this year, I’d certainly recommend giving it a go.

Nativity! The Musical — Birmingham Rep — December 30 2022

Cheers.

Antony N Britt

My only other experience of a Birmingham Rep festive production was three years ago with a very lacklustre (and far too arty) The Lion, The Witch and The Wardrobe. So, how did The Wizard of Oz compare?

The Wizard of Oz – Birmingham Repertory Theatre – 13 January 2019

In his programme notes, director Liam Steel states he didn’t want the production to be a carbon copy of the 1939 MGM musical (No problem there) while saying something about the world today. Now, I am a big advocate of updating films, TV, or stage shows into modern versions, but this wasn’t achieved here. With no clear vision, what we had was a mismatch of old and new which couldn’t decide what it wanted to be.

Yes, the cast were talented, and visual effects, despite being ambitious, paid off, especially the phantoms in the forest. But that’s where greatness ended. This was the end of the run and you would expect the cast to want to bow out with a bang. What you got, though, was a feeling of those on stage going through the motions.

One of the main problems is the original template which the team had to work with. The script is dull, my God, and I don’t mean mildly, either. Clunky dialogue was delivered too fast at times and I was thankful for the subtitles. And perhaps the memory cheats but I can’t remember the film being this boring. There are no sub-plots with scenes overly drawn out, making this a very long trip to the Emerald City. Into Act Two, with surreal moments meeting the Jitterbugs and Winkies (Yes … I know), this wasn’t enough to stop one of my party falling asleep.

Performances were okay but I had little or no empathy with the characters. When watching a stage performance I like to be drawn into that world, something which should come easy with The Wizard of Oz. But I had none of that.

I expected the show to be colourful and fast-paced. Instead it was drab and tedious. Costumes appeared to have come from a charity shop and whether this was an intentional concept, all it succeeded was to give the impression of cheap. And why was the Lion dressed to look like an Oompa Loompa?

One other point, we had a lovely little dog playing Toto in Kansas, however, when transported to Oz, the live dog was replaced by a puppet. Nice idea but the puppet did nothing bar hang around in the background looking neither funny or clever.

Something of interest to also note: We are told at the end Miss Gulch has broken her arm (or leg. By now I didn’t care). Well, if that’s the case, she still has the court order and is free to come and kill Toto when she recovers.

Musical direction was by George Dyer. However, I felt the orchestra was subdued at times and lost underneath the vocals. Also, there seemed little choreography. Very disappointing.

Playing Dorothy (whose Kansas accent disappeared after twenty minutes) was Chrisara Ago. Other cast members included Kelly Agbowu (Lion), Ed Wade (Scarecrow), Dillion Scott-Lewis (Tin Man), Lorna Laidlaw (Wizard), Jos Vantyler (Wicked Witch of the West), Thomas Vernal (Oz Guard) and Shanay Holmes (Aunty Em).

So, a second chance at the Rep for a festive show and a second dud. Don’t think I’ll try again.

The Wizard of Oz – Birmingham Repertory Theatre – 13 January 2019

Cheers.

 

Antony N Britt

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