Tag Archive: George Styles


Never land that’s the secret of flying. Never land, nothing equals the thrill.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

I’m always harping on about the secret to success in amateur theatre. Well, Bilston Operatic Company certainly had that in Styles and Drewe’s Peter Pan. Three Ps: The right Product in the right Place with the right Publicity. Another couple of Ps with Peter Pan, there’s added family appeal. Parents bring their kids to shows like Peter Pan, enjoying the experience so much, they do return.

Peter Pan: A Musical Adventure is a 1996 reimagining of J.M Barrie’s original 1904 play. With music and lyrics from George Styles and Anthony Drewe plus a book by Willis Hall which is still faithful to the original, I need no explanation of plot. Really … who doesn’t know Peter Pan?

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

I really like this version and the main reason is the score. Styles and Drewe are epic, probably the best musical theatre song writing collaborations in recent times. Catchy tunes with emotion and depth. However, I do think Willis Hall’s book needs bringing up to date with 21st century attitudes. Make Peter Pan less egotistical and Wendy certainly more feminist as opposed to her lot in life being there to cook and clean for males.

Peter Pan, is of course, a magical story, whatever format it takes, and in this show you had the perfect opener with a full chorus and There’s Something in the Air Tonight. Talk about goosebumps, but nothing you would not expect from Styles and Drewe. Even so, this song needs to be done right and with swirling fog and ethereal mystery, Bilston’s voices were magnificent.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

Leading the way as the boy who never grew up was Fergus Edwards, and no surprise to find he is a student at the prestigious Birmingham Ormiston Academy. The performance was out of this world; a fine singing voice up there with the professionals. The same for Maddy Evans who captured the character and innocence of Wendy Darling perfectly. The duets in The Cleverness of Me and One Big Adventure were wonderful, and Neverland is just a magical number. The latter also included 12-year-old Joseph Dowen as John and Jett Austin-Richards at an amazing 7 years old playing Michael. Such confidence and stage presence from ones so young. Amazing.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

Narrating we had Amy Frost as the storyteller, eventually revealed to be grown-up Wendy who duetted lovely with Lydia Hackett as Mary Darling in Just Home. Hackett also set the scene early on with Just Beyond the Stars which was tremendous. Supporting also as George Darling was Jon Dempsey who portrayed well the consequences of his children’s disappearance, inducing what was basically a personal breakdown.

And then there be pirates … Ahhh! Captain Hook is such an iconic role; one I had fortune to play once upon a time, and Dan Smith had the voice, the presence, and overall charisma to make you believe he was Hook. When I Kill Peter Pan was especially good, mixing humour with menace at the end of Act One. But you can’t have Hook without Smee, and I have to say Zachary Hollinshead is up there with the best and made himself the audiences’ favourite. Yes, it’s in the character as written but you need talent to complete the task and Hollinshead had that in abundance. A Pirate with a Conscience with Hook and Rose-Tinted Eyepatch which included all the pirates were top-drawer on the night. The same could be said for Good Old Captain Hook – a rousing ensemble number which showed good characters and chemistry. We also had excellent dancers in the indigenous inhabitants of Neverland (Natives, Mermaids and Wolves) led wonderfully by Issy Checketts (Tiger Lily) during Crocodile and Tiger Lily/Siren Song.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

Now, I’m a great advocate of kids in shows, for they are the future, and the audiences love them. Fortunately, in Peter Pan, there are so many opportunities for these to shine. The Lost Boys were magnificent and even included a couple of girls in their number. This is great for inclusivity as in the past I have despaired when shows like this and Oliver have restricted the junior numbers to male only, just because an original script says so.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022

Peter Pan was produced and choreographed by Laura Canadine with assistance from Amy Evans while an eight-piece orchestra delivered an auditorium of sound with musical direction in the hands of Gareth Howard.

Wow! I’ve gone way more than my usual 500-word reviews which reflects how much positivity I have to say about this production. It did look expensive with no cost spared and while the cynic may think the company have endless money thrown at them, I disagree. Although the programme had a page filled with patrons and financial support, this is simply good business for which Bilston Chair, Brenda Arnold can be proud.

So, an enormous success which looks to be repeated next year in Chitty Chitty Bang Bang. Family show, lots of kids, and well-known songs. Bilston surely have that succesful formula nailed and I for one can’t wait.

Peter Pan: A Musical Adventure — The Grand Theatre, Wolverhampton — 10 November 2022 

Cheers.

Antony N Britt

  • Some photos blatantly stolen from Bilston Operatic Society’s Instagram page.

If I became you, and you became me, and we became one another.

Identical — Nottingham Playhouse — 12 & 13 August 2022

It’s unusual to give my overall impression in the first paragraph of a review, but the fact I went to see Identical twice in two days will let you know how much I enjoyed this brand new, feelgood musical. 

George Stiles and Anthony Drewe are probably the best song-writing team currently in Musical Theatre and with a book by Stuart Paterson and direction in the hands of Trevor Nunn, Identical was always going to exceed expectations.

Identical is based on Erich Kastner’s 1949 novel, Lisa and Lottie which was more famously adapted into a treasured movie of mine and many other childhoods in Disney’s The Parent Trap. However, set in Munich and Vienna, Identical follows Kastner’s original plot closely.

Of course, unlike the Disney films with Hayley Mills (1961) and Lindsey Lohan (1998), to have actors in a dual role on stage is near impossible. That is why production auditioned over 100 sets of identical twins (now three years ago, before Covid occurred) resulting in the successful trio in this premiere run at Nottingham and Salford.

Identical — Nottingham Playhouse — 12 & 13 August 2022
Kyla and Nicole Fox – Friday August 12 2022.

Lisa and Lottie meet at summer camp (“She’s got your face!”) and realise they are twin sisters during the beautiful, tear-jerking You’re My Sister. Working out they were separated at birth, their parents taking one each, the girls swap places in an excellent number of punch the air proportions in If I Became You.

Once the girls return from camp, the changes are noticeable. Lottie has forgotten how to cook, gets in a fight at school, and becomes a terrible student, while Lisa will no longer eat her favourite food, becomes a model student and can now miraculously play the piano. However, no one suspects the girls are not who they claim to be, and the situation complicates when Father announces he is to marry a famous ballet dancer.

The first thing to notice is the wonderful set with video projections creating a magical stage, complete with rustling leaves, flying birds and later, moving cars in the city. So much credit, therefore, must go to Douglas O’Connell (Video Designer), Robert Jones (Set Design) and Johanna Town (Lighting). However, it is an all-round combination that makes Identical so good. Script, songs, musical direction (Caroline Humphries), choreography (Matt Cole) and especially the performances. And none more so than the leading twins.

I have already mentioned that me and my partner liked it so much, we returned for a second helping at the Saturday Matinee. Therefore, we saw two out of the three Lisas and Lotties: Friday was Kyla and Nicole Fox while Saturday saw the roles played by Eden and Emme Patrick. Not only could I not separate the twins on stage, but it was also likewise with their respective performances as both sets were excellent. Out of this world in every number. Obviously, I didn’t get to see the third (Savannah and Sienna Robinson) but having viewed a West End Live Performance on YouTube, I know they would have been of an equally high standard. 

Identical — Nottingham Playhouse — 12 & 13 August 2022 
Eden and Emme Patrick – Saturday 13 August 2022

But there were also top performances from the adults. Emily Tierney was magnificent as Lisalotte, especially during the title track, Identical while James Darch was equally so with Tierney during Fear Only Makes the Wolf Bigger and Safely Back Home with You.

Supporting well though were Louise Gold (Roza/Miss Muthesius) and Michael Smith-Stewart (Dr Strobl) who duetted in a lovely number, It’s Not for Me to Say. And there was David Bardsley (Franz) and Ellie Nunn (Miss Ulrike), the latter opening the show with In the Summer. A massive shout out, though, must go to Gabrielle Lewis-Dodson as Miss Gerlach. Her duet/argument with Lottie in What He Doesn’t Need was for me, the best number. And I kind of felt sorry for Miss Gerlach as unlike the films, her character isn’t as scheming, and she really doesn’t do an awful lot wrong. Still, a happy conclusion it will be and for that to happen, both parents must reunite, along with the sisters.

Identical — Nottingham Playhouse — 12 & 13 August 2022
Savannah and Sienna Robinson – The twins I didn’t get to see.

Identical is a wonderful show of magical proportions which not only appeals to audiences of today, but also captures the spirit of musicals of old. Next to me on one performance was a man twenty or so years my senior (and that does not happen often these days). He laughed and enjoyed as much as the kids who filled a good percentage of the auditorium. And it is those kids who are so important.

Theatre in the 21st Century needs shows like Identical, as well as similar in School of Rock and Matilda. Children will go along with families and enjoy them so much, they will come back. And there you have your musical theatre audience for the next generation.

As I have said, this was an all-round smash for me, as you can tell by the fact this review is double the length of my usual. Therefore, credit to all adult ensemble members: Rico Bakker, Hannah Cauchi, Paige Fenlon, Rosie Glossop, Dominic Adam Griffin, Jordan Isaac and Rutendo Mushonga. And the young cast: Parrine Long, Kirsten Muzvuru, Poppy Pawson and Helena Middleton who were on show for me with Winter Jarrett Glasspool, Daisy Jeffcoat, Saffia Layla and Isabelle Larrey at other performances. And well done to the Nottingham Ensemble of children, plus Louby as Pepi the Dog.

I really hope Identical becomes the hit it deserves as in my opinion, it’s up there with Mary Poppins and Annie in terms of magical family entertainment.

The show has now finished at Nottingham but moves to The Lowry in Salford. Friday 19 August to Saturday 3 September 2022. I cannot recommend it highly enough.

Identical — Nottingham Playhouse — 12 & 13 August 2022

Cheers.

Antony N Britt 

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