Tag Archive: Writing


I have to admit to being highly pleased when opening my July copy of Writing Magazine to find Dead Girl Stalking had been shortlisted for Self-Published Book of the Year. Okay, so I didn’t win or come runner up, but to get in the top eight, having had my work judged and praised by the writing industry is reward itself.

Dead Girl Stalking © Antony N Britt

Many thanks to the panel, and to magazine editor, Jonathan Telfer for the fantastic write up.

Front Cover - Writing Magazine July 2016Writing Magazine July 2016

Writing Magazine July 2016Writing Magazine July 2016

Dead Girl Stalking – Available to Buy on Amazon

Buy Writing Magazine – July 2016

Cheers.

Nick

I have to admit to some trepidation when venturing to watch American Idiot. You see, I’m a huge Green Day fan and not only that, the original CD on which this show is based is among my top five favourite albums of all time. And I also enjoy the Broadway Cast version, too, so the event had a lot to live up to

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

The first disappointment, however, was the audience. I was in the middle circle which was only a third full. Then came the opening. On an impressive set which reflects the theme of the show, American Idiot should have burst into action, blasting me from my seat. It didn’t. The title track was … well, too quiet. I expected the sound to near burst my ears from such a fantastic number, but I was left a little deflated. Now this had nothing to do with the performance, more that I felt the sound people had got it totally wrong. The sound did improve, thankfully, as the show went on, in spite of a further complication when Tunny’s microphone failed to work for the entire of Are We The Waiting.

Now this might sound like a disaster of a show but two things swung it round. The magnificence of the Green Day numbers and the dynamic performance of the cast. After the initial problems, I was soon on the edge of my seat in excited anticipation for each song. Highlights for me were, Letterbomb, Extraordinary Girl, 21 Guns and Homecoming.

Okay, the story on stage is pretty thin and often confusing unless you already know what is going on, but American Idiot is more about bringing the music to life. And the show did just that.

Playing the lead of Johnny was English singer/songwriter, Newton Faulkner who delivered an excellent performance. Former X-Factor finalist, Amelia Lily also shone as Whatsername as did Alexis Gerred and Steve Rushton as Tunny and Will, respectively. The role of Johnny’s alter-ego, St Jimmy was undertaken with power by Lucas Rush. For my visit, two of the cast stepped up in their understudy roles with neither giving anything short of marvellous. Alice Stokoe was perfect in the part of Heather as was Karina Hinds as Extraordinary Girl.

I also have to mention the band of Robert Wicks, Alex Machisone, Tommaso Varvello and Nick Kent who along with Steve Rushton, faithfully reproduced the Green Day magic. American Idiot was directed and choreographed by Racky Plews with musical supervision from Richard Morris.

It’s a testament to a show with regard to how much of an impact it makes on you. I have attended performances where I have left the theatre and not thought a lot about it for a while afterwards. This was not the case regarding American Idiot. For nearly a week, I had the Broadway CD playing in my car, then the original Green Day album, followed by Broadway again.

Yes, American Idiot left it’s mark.

It’s not over till you’re underground.

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

Nick

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

I have to admit, when buying tickets for this, I’d never heard of Birmingham Ormiston Academy (BOA) before and at £10 a seat, I wondered what level of performance I should expect. Despite the excellent value in price, though, I still guessed it would be good, but never expected how good.

Over the past few months I have seen The Lion the Witch and the Wardrobe at the newer Birmingham Repertory Theatre, and Jesus Christ Superstar (starring Glenn Carter) at the Hippodrome. I can honestly say, this production of The Witches of Eastwick knocked both those offerings out the building in terms of enjoyment.

The Witches of Eastwick – My new favourite show, and all thanks to the wonderful production team, orchestra and more important, the talented Year 13 musical theatre students of BOA.

An academy in performing arts for ages 14 to 19, BOA have the cream of the region and it was obvious from the outset, you’ve got to be damn good to get into this school.

My interest in The Witches of Eastwick had been piqued while taking part myself in a concert featuring two of the numbers, and I wanted to see what the entire show had to offer.

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

Loosely based on the novel of the same name by John Updike, but having more in common with the 1987 film, The Witches of Eastwick tells of three women searching for the man of their dreams. Pooling energy together, their dreams do come true, but they also get more than they bargained for.

The enigmatic Daryll Van Horne arrives and soon seduces all three, causing destruction, and eventual death along the way. The women realise what it is they have created and decide they have to put things right and send Daryll back from where he came.

Looking at the programme, the pen pictures tell me there were two casts. I learned that these were basically the A and B teams. I don’t know if there was any significance in these categories, or that it was simply a way of dividing to give the students an equal opportunity over the course of the run. As it was, I saw the B cast and if the A lot were meant to be the primary, then they must have been something extra special because the B team I witnessed were out of this world.

Once you got over the fact that, yes, the majority of parts are meant to be played by older people, you soon became lost in the show. In fact, I’d forgotten how old they really were halfway through the opening. Sitting in Row B, I think I spent the entire show leaning forward with chin in hand, mesmerised by what I saw on stage. Not an easy task to keep me from fidgeting throughout a performance.

I imagine it must be hard to pull off characterising much older parts, especially the males, but Jack Sanders did a fantastic job with his portrayal of Daryll. And then you had the witches, themselves. Wow! To get one good voice is great, but all three? Talulla Wheatley (Alex), Heather Foster (Jane) and Lydia Gardiner (Sukie) were all amazing. Incredible voices and fantastic harmonies with great acting to top it off. Then you also had the supporting principles and an ensemble which brought their numbers onto another scale, Dirty Laundry, in particular. And what an opening we had!

I have to say I already had a liking for I Wish I May but at the climax to Act One when Alex, Jane and Sukie send their spirits soaring skyward and fly, I wanted to get to my feet and give a standing ovation there and then. But I thought, behave, there’s still the second act to come yet.

As well as those already mentioned, I loved every number in the show, in particular, the three seduction numbers, each different in their own way. Now I’m not into narcotics, and the strongest thing I’ve ever smoked is a piece of salmon, but even I craved a cigarette after Waiting for the Music.

Since watching, I’ve had the Original London Cast CD on repeat in the car. This is all testament to the BOA cast and production team. A mention, of course, has to go to Director – Rian Holloway, Musical Director – Michelle King, Choreographer – Lee Crowley and Company Manager – Amy Rutter. I hope those credits are right, I got them from the back of the programme. Also, hats off to the rest of the band and crew who made this occasion for me – magic.

Cheers.

Nick

I am now officially announcing the release of my debut novel, Dead Girl Stalking which is available to buy in both print and electronic form from Amazon.

Filled with horror, suspense, sex and conflict, Dead Girl Stalking is a paranormal thriller which tells a story of desire, consequence and retribution for those both alive and dead.

The first date ended with her death; the second was more terrifying. He wants to end their relationship; the dead have other ideas.

When teenager Melvin Stone is not being bullied at school, he suffers from voices inside his head which have tormented him much of his life. Melvin’s life is thrown further into turmoil when the girl of his dreams is killed in a tragic accident. For any young adult, witnessing this would be traumatic enough but over the next four years he is plagued by the recurring presence of the dead girl. Whether spirit or in his own troubled mind, this malevolent tormentor now haunts Melvin’s every move.

You can buy Dead Girl Stalking in either digital or print from Amazon by following the link below.

Buy Dead Girl Stalking

It is also currently being stocked by Southcart Books – Walsall. A great indie bookshop who continue to support local writers.

Alternatively still, as the Ice Cream Man says, ‘Stop me and buy one.’ If you’re in town, that is.

Cheers.

Nick

 

This Halloween – Saturday 31 October, I shall be appearing at Southcart Books, Lower Hall Lane, Walsall for the 2nd annual Southcart Scarefest.

Free admission, free food and a multitude of horror writers to entertain you. And hundreds of books to browse and buy. What more could you want from Walsall’s only independent bookshop who continue to support local talent.

Hopefully, last minute proofing and delivery permitting, I shall have copies of my debut novel, Dead Girl Stalking on sale.

So if you’ve nothing else on, pop on down and see me and the rest. In fact, if you have got something on, cancel it. We’re a better bet. I’m on at 1230, just before the food, so perfect timing.

Southcart Scarefest 2015

Cheers.

Nick

How long?

It’s been a year since I did a Roast. I know when reviving this column I said I would only do it occasionally, but a whole year …! Does this mean I don’t get out much any more?

Well, I do, I just have so many other things to occupy my time, namely trying to polish up my novel, Dead Girl Stalking so I can release on Amazon. But this doesn’t mean I no longer observe the bizarre around me. Take the incident after my writing breakfast in town the other day.

A bit of bother over a hover

Sunday Roast - Hoverboard 1

Have you seen these things? I hadn’t but they are apparently the latest craze to hit the streets. They’re nicknamed hover-boards, and when I say a craze, I don’t simply mean fad. Craze could be applied to the state of mind of the user, because you must be crazy to ride around on one.

Take the couple I came across after leaving my breakfast venue.

IMAG0266

Young man in baseball cap with cute young girl on his arm. Or was it the other way round? You see the man was on one of these hover-boards, being motorised around town. However, every time he wanted to turn, his girlfriend had to guide him in the right direction.

Mate, you looked ridiculous. It was as if she were taking her pet for a walk. His body never moved an inch, all the time thinking he was the man, and so cool. But if the girlfriend had let go of his hand, I suspect street cred would have dropped quicker than he did as he tumbled to the ground.

However, he didn’t as girlfriend guided her puppy around corners and finally helped him across the road, all the time doing the work while he didn’t flex a muscle.

But then we had the ultimate joke. Do you know where Hoverman went after I took the photograph? He turned right and entered a bloody gym!

Arrrggghhh! Perhaps if he’d walked for once in his life and didn’t use a hover-board, he wouldn’t need to go to a gym!

And then there’s the name – hover-boards. But they don’t even bleeding well hover!!! They have wheels and are quite clearly rolling along the ground.

Hover-boards, for Christ’s sake. Watch people move effortless. Or in the case of my home town, wait five seconds until you hit an uneven pavement and go arse over tit.

People who play with odd shaped balls

Sunday Roast - World Cup Rugby

So it’s the Rugby World Cup (sense the underwhelmed tone) and I have to say, I’m not interested.

It’s not the game I hate, I simply don’t understand it. What I also despise is the culture surrounding the sport. All this male bonding, arm in arm on pub tables singing, Swing Low, Sweet Chariot, coming for to carry them home because they’re too pissed to drive. You’ve also got to admire the irony of middle class white folk singing a black spiritual about gaining freedom from slavery.

Anyway, I kind of grasp the principle of getting the ball (Ball!! A ball is a spheroid) from one end of the field to the other. What I can’t fathom are details such as penalties given for no other reason than the referee thought it was time he awarded one. And the referees, themselves are an enigma. They watch all this carnage on the field and do nothing, then some person taps an opponent on the shoulder to say, ‘Pardon me, Claude,’ and he gives a bloody foul. Baffling. It’s stop/start all the way through the game with possession passing at random. And scrums … don’t get me started on scrums. What the bleeding frig are they all about? It’s like a bizarre game of twister.

Twister - Sunday Roast

But who do we have to blame for this stupid game? Yes, Mr William bloody Webb Ellis (Now you know why I’m good at quizzes … Huh!). You see, in 1823, during a game of football while at Rugby Posh School, Ellis allegedly picked up the ball and ran.

William Webb Ellis

Well, isn’t that just typical. When you were at school, wasn’t there always one tosspot who due to the fact they were shit at soccer, would start either bouncing the ball around like a basketball, or run with it in order to disguise their own inadequacies at the sport.

And so we have Rugby, a game created by somebody who thought themselves the bees knees at being class comic, but was, in fact, a total twat.

*** Appendices***

(i) Rugby ~ A game for people who aren’t skilful enough to play football.

(ii) Football ~ A game for those unable to understand the rules of cricket.

Nothing is free in this life

Do any older folk remember the free gifts you used to get in your cereal packets? Little plastic figures of Sooty and Sweep, or Doctor Who collectable cards such as these.

Dec 1 - Doctor Who Wheatbix

They made breakfasts worthwhile and got the kids eating because what they really wanted was for Mum and Dad to buy a new packet as soon as possible in order to get another gift.

Now, however, the term free with your cereal is used very creatively. Take Kellogs, for example.

I purchased a packet of cornflakes the other day and saw the words, Get you Free Bowl on the back of the box.

img018 (1280x1251) (640x626)

Great … Free gift. Just like old times. But hang on a minute. On closer inspection, I noticed the facts.

Step 1: Buy three promotional packs of cornflakes to collect the tokens.

Okay, so how is that free?

Step 2: Go online and enter the codes from inside the boxes.

Right …. that’s assuming you have internet, otherwise you’ll have to go to an internet café, pay a charge and buy a medium latte while you register for your free cereal bowl.

Step 3: Pay £2 postage.

Arrggghhhh! That’s not fucking free!!!

Then after choosing your bowl (Step 4) in this exceptionally quick and simple way of getting something for nothing, you come across the final hurdle.

Step 5: Wait for your bowl to be delivered, noting that the packet states this will take up to 90 days.

What!!! For heavens sake. You can buy bowls from a supermarket for a quid. Heck, I could even join a pottery class, learn how to mould clay and make a bloody cereal bowl in less than 90 days if I wanted.

Jeez!

Well, that warps up this roast

I shall bid you farewell and at this rate, see you this time next year.

Cheers.

Nick

 

Diagnosis

Nights like these,
they are the worst.
I know where I should be.
Free.
But I’m not.
I’m here.

Two weeks,
four days,
eighteen hours
and seventeen minutes,
give or take.
Who’s counting?

I wait for the release,
even though I know it’s not coming.
When will it end,
this illness?
Another day,
still no sign.

Understand the diagnosis
and accept there’s no cure.
Raise a glass
to heal the pain,
but it’s too strong.
So I sit alone
and listen to the walls talk.

Nightmare

© Antony N Britt 2010

Warning!

Being a writer has its drawbacks, and one of these are the questions which come from non-writers. Made in innocence, but annoying all the same in a way only writers will understand. Therefore, I shall explain a few so you’ll know in future why my face is turning purple.

1. Never under any circumstance try to tell a writer what would be a good idea for a plot.

I have this great idea for a story. I think you should write it.’

No, if it’s that good, maybe you should write it. After all, it’s your idea and who better to see it to fulfillment. That’s the polite way of replying. The other is to scream through clenched teeth that of course I’ll write your story, because after years of doing it well, I have no more bloody ideas of my own.

2. ‘Don’t despair, JK Rowling had numerous rejections before she was published.’

Fuck off! Never use the JK word. We all know how many rejections she had, so don’t mention it. There are writers with far more skill than the wizard’s creator but much about being successful is due to luck. Unless you’re a celebrity who can write a novel in wax crayon on the back of a napkin and still get it published, I’m afraid you’re in the slush pile, ever hoping an agent will allocate thirty seconds to read the first page of your book.

3. In response to telling somebody you’ve had a story published.

That’s good. Did you get paid?’

Okay, this is a common one. I’m always being asked it. As if making money from my writing makes it more valid. But really …. do I go around asking people what they earn for a living? No. Whatever you make from producing porn is your business. Hey, it’s a free country.

However, I will clear this up and the answer is, yes. Sometimes. Often it’s zero, but I have earned anything from £1.68 total royalties for a failed anthology to £250 with a short story. It depends who you are submitting to.

4. And another one I hate …

It’s said, everybody has a novel in them.’

No they bloody well don’t, otherwise everybody would write a novel. It’s probably the case that we all have an idea, but only when you’ve a final draft of 75,000 plus words, do you have that novel. Grrrrr.

5. The final main one is often directly after somebody you know has read your work for the first time. Now I like to receive praise, but not accompanied by a look of astonishment.

Hey, this is actually really good.’

Jesus, don’t sound so surprised. I’ve been doing this years and actually – yes, I am bloody good at it.

Those are the main ones, but of course there are others.

Q – Why don’t you write something more cheerful?

A – I mostly write dark fiction and had this comment on my novel. Hell, yes! Let’s make bullying, sexual assault, decapitation and psychotic episodes into a comedy.

Q – ‘Where do you get your ideas from?’

A – Erm … my mind.

Q – ‘Have you had anything published?’

A – Because apparently, you’re not a proper writer until this has happened. Yes, I have, about thirty short stories and poems, plus numerous articles. But even if I hadn’t, it wouldn’t mean I’m not a writer.

Q – ‘Are your characters based on real people?’

A – Of course, because I have no imagination of my own. Okay … cue the arrival of the sarcasm police. NO! Theyre all my ideas. It’s what I do.

Comment – ‘I thought about writing a novel once.’

My reply – ‘Really, so did I.’

Comment – ‘To be honest, I don’t read.’

My reply – ‘You do know you can get lessons for that.’

And finally, the classic …

Comment – ‘I wish I had the time to write stories.’

My reply – … Well, there isn’t one. I’ve normally walked off by now, returning to my tedious day of doing nothing as I have all the time in the world to do it.

Okay, so I jest a little, but do think before you release these utterances. Writing is bloody hard, and to be good at it takes years. Unless, of course, you are Katie Price or some other Z-List celebrity, then you can simply pay some poor unheard of writer to do it for you.

April 15 - Writer

Cheers.

Nick

A question I’m often asked about writing is how do I come up with my ideas?

May 20 Question

Now I don’t want to appear arrogant, but that’s never been a problem. You see, there’s a trick, and it’s one I’ll share.

The ideas and inspiration are everywhere you look, and that’s what you have to do – look. And listen.

The most insignificant observation could be the spark which ignites the idea which will evolve into a poem, short story, or even a novel.

Consider the first short story I had published. Second Best featured brothers of European nobility in Ivan and Emil. Taking part in a writing group, I was confronted by several objects and challenged to create a story from them. Now one item was a cloth jester toy. Now already known for writing the macabre online, I was drawn to this fellow but while some might concoct tales of cheer concerning a toy, my first thought was that this thing could choke a person if swallowed. And that’s exactly what I did in my story. After a short lifetime of bullying at the hands of older brother, Ivan, little Emil could take no more and Ivan had his comeuppance as the jester toy was rammed down his throat, thus choking him to death. Okay, there was more to the story than just that, but I often get the ending first and simply have to write the story to reach the conclusion.

Subsequently, I’m always on the lookout for ideas and find them when I least expect.

An encounter in a bookshop, a memorial bench, characters in my street (sorry neighbours), a ghost hunt. All have been the inspiration which led to short stories I’ve had published since. Some of them major competition winners.

The reality is, anything you see or hear could be turned into a story. As I look in my notebook, I see a recent entry written while watching, The Antiques Roadshow. It was a few weeks ago when one of the experts tried to value a piece of wood with Indian carvings. It was part of a much larger piece but the mystery was in the fact it had been found buried in a back garden.

Wow! It opened all sorts of questions. What was it, why was it buried in the back garden, and how long had it been there? They didn’t know the answer on the show and neither do I at the moment, but I will one day. At least in a story.

Other jottings include:

The stumbling drunk more concerned with getting to Yates’ bar than stopping to wait for his friends.

The second step from the bottom of the theatre auditorium which makes a noise when you tread on it.

The fresh iron burn on my new carpet being in exactly the same place as one made by the previous occupants on the old carpet.

The overheard comment. “It’s amazing the noises you hear within the silence.”

The sepia photograph of Victorian children. All smiling, bar one. Why?

And only today as I drove past a cemetery. In the middle of the road, rolling down the hill was a blue ball and not a soul in sight.

All of the above will at some point be used, I just have to come up with the scenario to do so. However, having had the ideas, you have to make sure you don’t forget them. Therefore, always carry something to note down what you see.

Cheers.

Nick

After a self imposed exile, I have at last got four new pieces out which are fortunately all contained in one volume.

Winter Festivals is anthology put together by the Walsall Writers’ Circle which I am privileged to be a member (Actually, that reminds me, I haven’t paid my subs but in my defence, I haven’t been available to attend a meeting this autumn to do so).

Winter Festivals covers a wide range of topics such as Christmas, Samhain, Yelda, New Year and Diwali in the form of short stories, articles and poems.

My own pieces are:

A short story about ritual sacrifice in ancient times, titled – Burnt Offerings.

Two poems – Christmas Lights in November, and Christmas Cheer.

And an atheists observation – Christmas, Bah Humbug!

Saturday – November 8 at 1100, there is an official launch at Southcart Books, Lower Hall Lane, Walsall where I shall be reading Burnt Offerings (at about 1110). This is a chance to come and hear a selection of the pieces, speak to the authors and of course, buy the book. If you can’t get down on the day, you can buy the book now, either in print, or download the ebook.

Winter Festivals

Purchase Winter Festivals Anthology.

Cheers.

Nick