Tag Archive: Glenn Slater


Failing guitarist, Dewey Finn, takes a job under false pretenses in an exclusive and expensive private school. He then teaches his class to play rock music and forms a band with them to win a prestigious competition.

Yes, I love rock, and I love musical theatre, therefore it is no surprise that I adore School of Rock. Closely based on the 2003 film of the same name, this is the best feelgood musical going these days. The notion that dreams come true, and you really can do anything if you try. It lifts the audience to their feet, and not just in the finale. With a cracking script from Julian Fellowes, lyrics courtesy of Glenn Slater and music by Andrew Lloyd Webber, you have the instant recipe for an outstanding show.

I first saw it in the West End but this UK tour for me was even better. Perhaps knowing the songs so well, I was singing and moving in my seat throughout. Also revelling in admiration for the kids who do play their own instruments. Such talent from all.

In the title role, and totally at home as the hapless Dewey Finn was Jake Sharp. Outstanding with the strongest of performances and excelling in all numbers. Alongside, playing school principal Rosalie Mullins was Rebecca Lock who delivered Where Did the Rock Go? and Queen of the Night in great fashion. Supporting well, though were James Bisp as the much put-upon Ned Schneebly with Amy Oxley portraying the domineering Patty.

And then there were the pupils of the School of Rock. What can I say? The twelve on show during this viewing were out of this world. Harry Churchill (Zack on Lead Guitar), Angus McDougal (Lawrence on Keys), Chloe Marler (Katie on Bass) and Eva McGrath (Freddy {Fredrica} on drums). I’ve only ever known Freddy as the male originally intended but Eva was brilliant as the student who struggled to achieve. I had great empathy for her.

Leading the vocal section was Angel Lucero as shy Tomika and she delivered a powerhouse of a performance in Teacher’s Pet supported well by Lily Rose Martin (Marcy) and Elisha Kerai (Shonelle).

As a huge fan of The Voice Kids, it was a surprise and joy to see 2019 finalist Keira Laver as school swot, Summer. And Keira was amazing leading the class during one of my favourite numbers, Time to Play. Completing the class of excellence were Riotafari Gardner (James – Security), Ava Masters (Sophie the roadie with the killer pigtails), Alex Shotton (Mason on Lights) and Logan Matthews (Billy the costume drama queen).

Credit is due to a fantastic production team including Laurence Connor (Director), Joann M. Hunter (Choreography) and Michael Riley (Musical Direction).

In addition to the songs already mentioned, there are others of top-drawer quality: When I Climb to the Top of Mount Rock, the beautiful If Only You Would Listen, You’re in the Band and the awesome Stick it to the Man.

I have favourites in musical theatre which change constantly. I can honestly say, though, leaving The New Alexander, I have never enjoyed myself in a theatre as much as I did on this occasion. Buzzing madly and still on a high days later. School of Rock is touring the UK until the end of summer and if you only go and see one musical in 2022, make it The School of Rock.

Cheers.

Antony N Britt

My second helping of Sister Act in just over a year, primarily as a research trip as I may be doing it in 2020. However, Sister Act is also a fabulous show and I looked forward to seeing Willenhall Musical Theatre Company’s production.

Sister Act – The Dormiston Sports and Arts Centre – 11 April 2019 Photo © Antony N Britt

Sister Act is the story of Deloris Van Cartier, on the run from her crime boss boyfriend after she witnesses a murder. Having to give evidence against him, Deloris seeks sanctuary in a convent, disguised as a nun with Mother Superior the only member of the order who knows her identity. With music from Alan Menken and lyrics by Glenn Slater, plus book courtesy of Cheri and Bill Steinkellner, this is a fast-paced comedy which ticks the right boxes in terms of music, laughs and all-round entertainment.

In the lead role of Deloris was Laura Autumn Rai who gave the perfect performance in this iconic role. With powerful voice and great timing, she owned this part. Then we had Juliet O’Brien, again giving all you’d expect and more as Mother Superior. Playing Mary Robert was Abbie Rai whose character grows in confidence during the show. Nothing confidence-growing about Abbie’s performance though as hers was stand-out all through the night. In the part of Eddie, we had Daniel Haddon. Daniel, as on two previous occasions I have seen him on stage, showed what a fantastic character actor he is. All three have been so diverse you only have the credits to tell you it was the same person. Also getting their characters spot-on were Rachel Chadwick (Sister Mary Patrick) and Nikki Rai (Sister Mary Lazarus). The talent runs deep at Willenhall.

Now, memory had the part of Monsignor O’Hara as being rather dull. However, Roger Stokes brought it to life, raising the comic aspect and thus making Monsignor a great deal more fun to watch. Adrian Smith was excellent as Curtis Jackson. Good voice and marvellous stage presence. And then the henchmen: Will Phipps (Joey), James Totney (TJ) and Dom Napier (Pablo). These three had my number of the night with Lady in the Long Black Dress.

Supporting well among a talented and enthusiastic cast we also saw Abbie Sellick (Tina), Megan Rai (Michelle), Jennie Rullan (Mary Theresa), Simon Williams (Ernie), Alex Jeffreys (Copper) and Carol Ann Burgess (Sister Mary Martin).

Further songs I enjoyed were Take Me to Heaven, When I Find My Baby, I Could Be That Guy, The Life I Never Led, Sister Act, Spread the Love Around and Raise Your Voice. And then there was It’s Good to Be a Nun. I’ll never understand why How I Got the Calling was dropped in favour of Good to Be a Nun, but Nun does the same thing and is still fun.

Directing Sister Act for Willenhall was Alf Rai who can be proud of his cast. Equally, Gladstone Wilson brought forth a wonderful wall of sound in terms of vocals and band. Finally, choreography was at the top of the league in the hands of Lindsey Grant.

At the end of the performance, a packed audience (not bad for a Thursday) rose to their feet for an ovation, which was good, because Willenhall Musical Theatre Company had earned it.

Sister Act – The Dormiston Sports and Arts Centre – 11 April 2019

Cheers.

Antony N Britt

It’s been a year since I first heard the soundtrack to this and my annual West End weekend was never going to involve any other show.

School of Rock the Musical – New London Theatre – Saturday 7 October 2017

School of Rock the Musical is a stage version of the 2003 Jack Black film of the same name. The plot follows closely to the original so fans of the film will not be disappointed. However, what makes the musical special is a fantastic soundtrack and performances by a cast playing their own instruments.

There is a decent opening with the No Vacancy number, I’m Too Hot for You. However, the show kicks into top gear when Dewey Finn takes centre stage with When I Climb to the Top of Mount Rock. Playing the hapless Finn on this occasion was Stephen Leask. Billed as Alternate Dewey, Leask takes some shows each week and I was glad I caught one of these because his performance was out of this world.

There is so much to love about School of Rock. The struggles of life as a child while growing up, excellently portrayed during, If Only You Would Listen. It’s a great story and throw in a kick ass soundtrack and you have the hit this show has become.

Top numbers for me in addition to those already mentioned include: You’re in the Band, Time to Play, Teacher’s Pet and Where Did the Rock Go? However, my favourite is always going to be Stick it to the Man.

The cast were amazing. Leask as Dewey Finn, I’ve mentioned already, but then we had Florence Andrews (Miss Mullins), Oliver Jackson (Ned Schneebly) and Michelle Francis (Patti). And there were the kids. Oh my God! They were fantastic. Such talent, not only in song and dance, but those who played the band instruments blew the audience away. I really hope I’ve got the names right in this review but if I haven’t, feel free to correct me.

In the role of the bossy Summer was Stella Hayden whose lead in Time to Play kicked off Act Two perfectly. As for the band, Santiago Cerchione played guitarist, Zack with Milano Preston (Lawrence on Keys), Jacob Swan (Freddy on Drums) and Eliza Cowdrey (Katie on the Bass). And Katie … loved the hard face to the audience. Finally, giving great vocals, we had Nerys Obeng as Tomika.

Music for School of Rock was by the legend that it Andrew Lloyd Webber with lyrics from Glenn Slater and the book provided by Julian Fellows. Directing was Laurence Conner with choreography from Joann M Hunter and musical direction, Matt Smith. Special mention for the grown-up band who helped make the entire experience … rock.

It would have been nice to put cast names to characters and Dewey did introduce them in an energetic finale, but do you think I’m going to waste time writing them down when there was so much energy on stage.

School of Rock the Musical – New London Theatre – Saturday 7 October 2017

Yes, I said at the start, I’d waited a while to see this, and was not disappointed. The only downside now is that School of Rock is reportedly remaining in London until early 2019 at the very least. Damn … I was hoping for a tour. Looks like I’ll have to make another trip to the capital then.

School of Rock the Musical – New London Theatre – Saturday 7 October 2017

Cheers.

Antony N Britt

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