Archive for January, 2026


* Apologies for the time it has taken to produce this review, I have been fully occupied with auditions for my own production but can now breathe once more. *

Welcome to the rock if you come from away. 
You probably understand about a half of what we say. 
They say no man is an island, but an island makes a man, 
especially when one comes from one like Newfoundland. 
Welcome to the rock.

Come From Away — The Core Theatre, Solihull — 1 November 2025

On September 11, 2001, USA came under attack from terrorists who had hijacked domestic airplanes and … the rest is well known. What wasn’t at the time was that 38 flights holding 7000 passengers were diverted to the small town of Gander in Newfoundland whose population doubled overnight. Come From Away is the story of those who landed, and the ones who helped.

Come From Away — The Core Theatre, Solihull — 1 November 2025

This is a musical I have been wanting to see for a long time; therefore, I was delighted to hear of this Solihull amateur premiere courtesy of Creators Theatre Company. A group only founded five years ago, but what I saw was a production of professional standards so high you would think you were in the West End.

Come From Away — The Core Theatre, Solihull — 1 November 2025

The stage at The Core had been transformed with rustic wood cladding, and you could smell it in the atmosphere, taking you to a destination far away. As for props, it was pretty much basic tables and chairs, used to great effect and worked so well imagination didn’t even come into it, such was the power of the performances in front of you. The cast was 16 who portrayed as well as their principal characters (and as described in the programme) — & Others. It’s hard to pick standouts as they were all magnificent and strong in delivery. However, I did enjoy the chemistry between Nick (Lloyd Scarsbrook) and Dianne (Jenne Collins) and the wackiness of Emily Holton as Bonnie the Vet. But as I have said, this was really a team effort with the rest of the cast being Adrian Wilson (Claude), Charlotte Boyer (Beulah), Alexandra Stait (Capt. Beverley Bass), Beth Jones (Janice), Solomon Smith (Bob), Izzy Owen (Annette), Daniel Summers (Kevin T.), Dominic Wilson (Kevin J.), Gabby Baldwin (Hannah), James Moore (Oz), Ravin Thakrar (Ali/Doug), Kate Davie (Crystal) and Gavin Whichello (Garth).

Come From Away — The Core Theatre, Solihull — 1 November 2025

This is a show about love and kindness, but it is also one which moves at a speed which doesn’t give the audience chance to catch breath, let alone those on stage. I’ve directed shows and yet I wouldn’t know where to begin with this one. Credit therefore must go to the fantastic production team of Richard Agg (Director), Chris Davies (Musical Director) and Suzanne Ballard Yates (Choreographer). The movement of the actors was coordinated in a way that I had never seen before, and every one mattered with those on stage all having the responsibility for scene and prop changes. The accents and aesthetics were authentic as well, and you genuinely felt you were there. Well, being in the front row, I certainly did. A totally immersive experience.

Come From Away — The Core Theatre, Solihull — 1 November 2025

It’s hard to pick standout songs because this is an epic from start to finish. The show is one act, lasting 100 minutes, and this added to the experience and pace. At the end, there was a standing ovation from all, and so deserved. One of the best productions I have seen on the local front for a long time.

Come From Away — The Core Theatre, Solihull — 1 November 2025

Cheers.

Antony N Britt

*Photos taken from social media.

* Apologies for the time it has taken to produce this review, I have been fully occupied with auditions for my own production but can now breathe once more. *

Thank you for the days,
those endless days, those sacred days you gave me.
I’m thinking of the days.
I won’t forget a single day, believe me.

Sunny Afternoon —The Alexandra Theatre, Birmingham — 25 October 2025

The Kinks, a band which led to thousands in the 1960s picking up a guitar and learning to play. And why not? Those opening chords of You Really Got Me are enough to get anyone hooked. Simple, if you know how, but so effective. And I had no hesitation going to see Sunny Afternoon with original music, lyrics and story by Kinks legend, Ray Davies and book from Joe Penhall. The show does what it says on the tin, basically; the story of the formation, success, and those behind the music. No band’s history is ever strife-free, and The Kinks were no exception. For those who thought rock sibling rivalry began with the Gallaghers in Oasis, then research the Kinks with Ray and Dave Davies.

Sunny Afternoon —The Alexandra Theatre, Birmingham — 25 October 2025

The first thing to note in this production is that most of the instruments are played onstage by the actors, adding to that rock gig feel. It is a format I have seen many times before and one which always works well. You really feel immersed in the experience, the music near pulling you up on stage and it is no surprise that the auditorium was rocking from start to finish. Well, it really got me, if you forgive the awful pun.

Sunny Afternoon —The Alexandra Theatre, Birmingham — 25 October 2025

A Well Respected ManDead End StreetDedicated Follower of FashionStop Your SobbingWhere Have All the Good Times Gone, I Go to SleepI’m Not Like Everybody Else, and of course, Sunny Afternoon. And it doesn’t stop there. The massive Waterloo SunsetAll Day and All of the NightLolaTired of Waiting and finally, an acapella version of Days. Now I am not a fan of that medium, but this worked, signifying the parting between the band and their management team.

Immense on stage were Danny Horn (Ray Davies), Oliver Hoare (Dave Davies), Harry Curley (Peter Quaife) and Zakarie Stokes (Mick Avory). Supporting well, though were Lisa Wright (Rasa) Phil Corbitt (Mr Davies), Sorrel Jordan (Mrs Davies), Alisdair Craig (Larry Page), and Ben Caplan (Eddie Kassner) among others.

Sunny Afternoon —The Alexandra Theatre, Birmingham — 25 October 2025

Sunny Afternoon did its job for me. The next day I had The Kinks coming through the Bluetooth Speaker, reliving the show. They were (and still are) a great band. Many who may not be that familiar with the The Kinks will be surprised just how many songs they know when they hear them. I’ve seen a few jukebox musicals and this was the best of them all. Touring the UK until May 2026, so there are plenty of opportunities to inhale a part of musical history. I highly recommend it.

Sunny Afternoon —The Alexandra Theatre, Birmingham — 25 October 2025

Cheers.

Antony N Britt

*Photos taken from the public domain and may not be representative of the performance reviewed.

* Apologies for the time it has taken to produce this review, I have been fully occupied with auditions for my own production but can now breathe once more. *

My third trip to The Core Theatre in as many weeks and this time to see a musical version of one of my favourite films of its era in The Full Monty. I have also always been impressed by St Augustine’s Musical Theatre Company in the past, therefore, whatever the production, I knew I’d be treated to a top drawer offering. And I was not disappointed.

The Full Monty — The Core Theatre, Solihull — 11 November 2025

The plot. Six out of work men try to make money and regain some pride by attempting to emulate a group of male strippers who are popular in the local town. This musical is based on the 1997 hit film of the same name, with the major difference being that Sheffield UK is replaced with Buffalo, New York. And here I must admit that I felt the story lost the heart of the original template. It was a good story, don’t get me wrong, and the plot adheres closely to that of the bleak North of England, but the substitute added nothing, in my opinion.

The Full Monty — The Core Theatre, Solihull — 11 November 2025

But as I say, it was still good and St Augustine’s did it proud with a strong cast in all areas. Clandestine women in the auditorium, roaring on the stripper during the opening was a clever touch and got the audience energised from the off. In the role of Jerry, we had James Gough, and you felt the struggles he was going through in efforts to be a good father. I then enjoyed Chris Lambeth as Dave with his dry humour and irony; one of life’s labourers for whom nothing ever goes right. I also thought the chemistry and growing relationship between Malcolm (Harvey Grant) and Ethan (Alex Fraser) was handled well with sensitivity and this particularly showed during You Walk With Me where they come out, declaring love for one another. Light moments were also provided by the long-suffering Harold (Jon Laight) and ageing Noah/Horse (Patison Harrigan). For the wives, we had sterling performances from Nicola Siviter (Georgie), Sophia Gough (Pam) and Sue Burrows (Vicki). Plus, credit is also due to Tobias Warrender and Owen Horsley who played Jerry and Pam’s son, Nathan on alternating performances. I only saw one but am sure both were equally excellent.

The Full Monty — The Core Theatre, Solihull — 11 November 2025

As far as the songs go, I can’t say they were the greatest numbers in musical theatre, but Jeanette’s Showbiz Number led by Kate Buckley-Dyer sets Act Two into motion well and I enjoyed Breeze Off the River and Big-Ass Rock. The Director/Producer for The Full Monty was Veronica Walsh with Michelle King as Musical Director leading a splendid 12-Piece orchestra and Cassie Rivett in charge of wonderful choreography.

The Full Monty — The Core Theatre, Solihull — 11 November 2025

Of course, anybody who knows the original film will recall how it ends, with our heroes going all the way in naked glory. Do you see anything? Well, I couldn’t from Row K as it was all done in the best possible taste, as Kenny Everitt used to say. Strategically placed lights at just the right time did the job. Probably not a show I would see again due to what I have already mentioned, but I will return to see St. Augustine’s. A very talented amateur company with professional productions.

The Full Monty — The Core Theatre, Solihull — 11 November 2025

Cheers.

Antony N Britt

*Photos taken from social media.