One day I dream that there will be
a new world waiting there for me.
Where the dark clouds will fade from view.
And the sun will come shining through.
I have waited a long time for this premiere, having first heard songs from the show back in 2019 on Lucy Thomas’ debut album, and several more on later releases. With a book and lyrics by Chris Broom, Rosie tells the true story of Edwardian Gaiety Girl, Rosie Boote and I have to say, this semi-staged performance was a delight from start to finish. Lucy Thomas has long been the muse of Broom, and I can see why. Yes, I will say it. Lucy Thomas has the best voice I have ever heard. Then with such strong numbers in the show, the experience was an emotional one.
The story begins in Ireland with a young Rosie (Santi Cohen) delivering One Day, a song so beautiful it has been in my head ever since. Then, after the death of her father, Rosie is sent to live in a convent while her mother returns to her stage career. And it is here, during Dear Lord, We Thank You for This Day that Young Rosie departs to be replaced in adult form by the magical Lucy Thomas. The narrative then moves through song and dialogue with the outstanding numbers, Suddenly and Starlight, reflecting Rosie’s journey to be a star of the stage. Scandal follows as she falls in love and eventually marries high society figure, Geoffrey Taylour, much to the chagrin of his mother and even the King. However, love conquers all and (as they say) the rest is history.
This has been a long project over ten years for Broom and many changes have been made in that time, most recently, the sublime Gentle Breeze moved and now sung by Taylour, also portrayed with excellence by Will Callan. The duets between Callan and Thomas (who have worked together many times over the years) were truly out of this world. Supporting well, though, were Desmonda Cathabel (Lily Turner), Sally Ann Triplett (Lady Emily Taylour), Connor Carson (James Walker), and Madelana Alberto (Annie Boote) among a strong cast. Credit must also go to Musical Director, Yshani Perinpanaygam for bringing Broome’s excellent score to the stage as does Cressida Carre for direction and choreography. The only slight criticism I would have of the entire production would be a couple of instances in plot. Although I thought the script professionally written, I felt there needed to be more conflict and hurdles to overcome, as it all panned out as though Rosie’s troubles solved themselves. However, this is a minor matter which could be easily rectified with an increase in subplot between Lily and James, and the two coming to rectify the communication problems created by Lady Taylour.
I am honoured to have been present at this amazing experience, seated in the second row and can only hope that Rosie goes onto a greater stage. I don’t normally give out stars, but I would award Rosie top marks, even though the script still needs work. The desire to improve never ends. But from my own personal enjoyment, Rosie is up with the best.
Cheers.
Antony N Britt
*Some photos taken from social media.
Antony N Britt - Author 