Tag Archive: art


Come with me and you’ll be 
in a world of pure imagination. 
Take a look and you’ll see 
into your imagination.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

Second sampling of this musical within the space of a few weeks, this time with the Peterbrook Players at the lovely Core Theatre in Solihull. This was my first experience of Peterbrook and I was not disappointed, the show a delight from start to finish.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

Briefly going over the plot again — Poorest family in the world with the most bone-idle grandparents in history are dependent on Charlie and his mother’s earnings to survive. I mean, have they never heard of social security? Anyway, famous chocolatier contrives for Charlie to gain entry to his factory while also seeking the four most horrible children in existence, just to teach them a lesson. What you get is a magical experience full of good songs and dance with a decent plot, based on the Roald Dahl book of the same name, also including some of the numbers from the 1971 movie, Willy Wonka and the Chocolate Factory.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

Oisin Kelly (in this performance) was Charlie, and he excelled with outstanding presence and voice. On alternating performances, Alfie El-Safti took on the role, so I will credit him too. Equally as excellent, Matt Barnard shone as the wizard-like Wonka, directing events as they unfolded on stage. Danielle Pancheri was particularly strong as Mrs Bucket. Grandpa Joe, who in the original film is for me the villain of the piece, is thankfully here more of a supporting hero for Charlie and he was played well by Andrew Alton. As the other bedridden wrinklies (I’m 62, I can get away with saying that) we had Alison Tumber (Grandma Josephine), Annette Whalley (Grandma Georgina) and Nick Tickner (Grandpa George), who added subtle humour at times. As for the four horrors with their respective parents, all were on top form. These included Iona Cameron (Augustus Gloop), Amelia Bickerton (Veruca Salt), Annie Stephenson (Violet Beauregarde), Jacob Young (Mike Teavee), Paula Whitehouse (Mrs Gloop), Rob Jervis (Mr Salt), Michael Stephenson (Mr Beauregarde) and Anna Gifford (Mrs Teavee). Completing the principals well were Melissa Goode (Cherry Sunday), Jude Maskell (Jerry Jubilee) and Ann Bloomer as Mrs Green with her barrow of pre-loved vegetables. All the above were complemented by a strong ensemble complete with juniors and adults both.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

The show was directed in both staging and musicality by Paula Whitehouse who can be very pleased with the results which included phenomenal voices throughout. The choreography was also top of the tree and this is a credit to Abi Harvey who had that responsibility. Good use of projected backdrops also worked well on top of impressive sets. However, what was clear above all else was just how enthusiastic the cast were, enjoying every minute. And how could they not be with such a polished performance which totally deserved the applause at the end.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

So concludes the second of two amateur productions of this musical, both which I enjoyed more than the professional tour a couple of years back. I am seeing another company’s offering of this show in the Autumn and after Peterbrook’s production, I can only look forward to it again.

Charlie and the Chocolate Factory — The Core Theatre, Solihull — 17 April 2026

Cheers,

Antony N Britt

*Photos taken from social media.

Do you believe in fairies?

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

Always one for a new musical, and in this case, based on a tale I know well. The Cottingley Fairies relates to events from the early 20th century about two girls who convinced the world (and in particular, Sir Arthur Conan Doyle) that fairies were real. I remember this from my youth and the magazine, The Unexplained, around 1980. It was in this publication that one of the girls, now elderly, revealed that they had faked the photos (No shit, Sherlock, if you forgive the pun, Sir Arthur). Having said that, it was still a magical idea and well suited for transformation onto the stage.

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

My first visit to the Patrick Studio at the Birmingham Hippodrome which I enjoyed, sat on the front row, fully immersed into the whole experience. With some excellent scenery and props, you really did feel like you were part of procedings. It was also my first time sampling British Youth Musical Theatre who worked with Clare Packham (Writer/Co-Lyricist) and Fintan Kealy (Composer/Co-Lyricist), who are part of Cameron Mackintosh’s Resident Writing Team Placement. The result — an intriguing and most enjoyable production.

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

Told mostly through song and dance movement, there was a real feel of folk with a fair bit of prog rock thrown in. This worked well concerning the subject matter and I loved the imagery of the fairies as they surrounded the characters in a dreamlike fantasy state. By the end, you really wanted the story to be true, and such was the effect, those fairies were real enough to me. I enjoyed how the older and younger versions of the two girls interacted, the audience getting a solid feel of a story being told by the elder ones. We had turmoil, poignancy of loss during wartime, and a fair bit of humour at times, all delivered well by an outstanding cast.

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

Nicole Cammack was exceptional as Young Frances (Bearing an uncanny likeness to the real one, too) as was Blaize Middleton in the role of Elsie. For their older counterparts, strong performances came from both Danielle Kelly-Honey (Frances) and Fern Mellor (Elsie). Supporting well though were Scott Hawthorne as the duped Conan Doyle, Gwen Pritchard-Thomas (Annie Griffiths), Zack Went (Edward Gardner), Isla Jones (Polly Wright) and Caitlyn Hamilton (Arthur Wright). However, an ensemble of more than 30 also played their part in the whole magical experience. At the helm in production were Ewa Dina (Director), Jacob Savage (Musical Director), and Hannah Fairclough (Choreographer). Credit must also be given to the amazing costumes and set (Lu Herbert), effective lighting (Rachel E Cleary) and solid sound (Sam Levy).

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

So, did I believe in fairies afterwards? Not exactly, but it is a nice idea. However, I did believe in British Youth Musical Theatre, and I shall be watching with interest in the future. Overall, a wonderful outing to Yorkshire of 100 years ago and a production I shall remember for a long time.

The Cottingley Fairies — Birmingham Hippodrome — 12 April 2026

Cheers.

Antony N Britt

*Photos taken from social media and the internet.

Life was good for a short while. 
Hot sweet nights days that were fine. 
Spent many hours just looking at you. 
Heart stopped beating for a moment or two. 
Long black veil now you are mine.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

Stranglers guitarist for 26 years with the latter twenty fronting many of the vocals; Baz Warne is a legend to those fans who are grateful for the longevity of the band. I am lucky that many of my favourites have lasted decades, producing new music and still touring, and The Stranglers lead the way in this, myself having seen them 23 times in all incarnations. Now that may seem a lot but judging by the Q&A session at the end, I am a mere novice as there are those whose attendance is in the hundreds and have followed them all over the world. In fact, Baz is on first name terms with many of these admirable souls.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

Following the 2025 release of his book, No Grass Grows on a Busy Street, Warne embarked on this tour (Convivial) which is described as a seated run of shows blending songs, conversation, and audience questions in an informal setting. Somewhere between a book tour and a gig with each night unfolding differently. I have deliberately avoided reading the book until now because I wanted to hear as much as I could fresh, and I was not disappointed. What is immediately clear is that Warne is a genuinely honest and open top guy.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

Interspersed between an excellent casual conversation with WCRFM’s Garry Foster, Warne treated a packed audience to seven acoustic songs. These were Long Black VeilPeachesBreatheAnd If You Should See DaveBear CageThe Lines and Goodbye Toulouse. All were excellent, and poignant in the tribute song as you could feel the emotion at the loss of Dave Greenfield from Covid in 2020 which followers still feel now. But there was also humour in abundance, especially with impersonations and tongue in cheek references to current and past band members. Some genuinely kind words were said about the songwriting of Hugh Cornwell, which is important as although the show goes on, and that era is long in the past, the legacy always needs recognising. I do think, though, the band are now better live than ever, and much of that is down to Baz Warne including the excellent standard of studio albums produced over the past couple of decades.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

What did we learn? A snapshot would be that Baz Warne loves Status Quo, his favourite cheese is Red Leicester and that former band member, John Ellis is a cunt. Overall, though, Baz comes across as humble and grateful to the fans, as we are to him. And in a photo opportunity at the end where he gave his time to all who queued, I told him after following The Stranglers since 1977, through times they could have folded, he has helped keep the magic alive. And for that, I can only say thank you.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

Cheers.

Baz Warne — Convivial — Wolverhampton Arts Centre — 7 March 2026

Antony N Britt

*Some photos blatantly stolen from Garry Foster’s Facebook page.

What have I been hiding from? 
The girl I was, the girl I used to be. 
Why have I been so afraid of everything 
when I could just be me? ~ Rise.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

One of the things I love about Smile Musical Youth Theatre, in addition to the top-quality productions, is their willingness to look outside the box in terms of show choices. For a relatively new company it would be easy to go for the tried and tested but after The Lightening Thief two years ago we now had The Great British Bake Off Musical.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

Not only had I not seen this show before (with a book and lyrics by Jake Brunger and music and lyrics from Pippa Cleary), but I have never experienced one second of the television competition of the same name. Talk about going into this blind. However, I do get the gist of the concept. People gather in a tent and bake cakes, each round eliminating one person until there is a winner. For this musical, we had eight contestants and four hosts, each scene divulging a little about their lives, loves and struggles. If I am honest, the plot is totally bonkers, but sometimes bonkers is good and this one worked to the point that I really enjoyed it. I particularly liked the chemistry between Gemma (Macy O’Donoghue) and Ben (Thomas Bastable), then throwing in the relationship between Ben and his young daughter, Lily (Eva Myers). However, due to the structure of the plot, all contestant characters also have their respective moments. These were Izzy Hale (Babs), Nancy Minaker (Izzy), Nathan Thevar-Ward (Hassan), Taylor Simner (Russell), Makena Straker-Sharpe (Francesca), and Charlie McRobert (Dezza), who is first to get the boot but humorously makes every effort (but failing) to return.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

On the presenting front, we had Grace Glover (Jim), Casey Michaela (Kim), Molly Bastable (Pam), and Max Thompson (Phil). The remaining cast were Violet Flynn-Jones, Amel ZegnaniEmelia FonesMeadow PowerLibby SandleIsabel BakerFrancesca BosleyHannah AllsopAmelia PerryCian GraysonLucas BarkerEvie RoperEsme CheadleJackson Tomkys and Stanley Flynn-Jones.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

Always difficult when not knowing any of the songs, but I particularly enjoyed Don’t Send Me HomeGrowBab’s Lament and Obviously. And even though I liked it, I’d Never Be Me Without You seriously freaked me out with the Phil masks, then Keep on Keeping On brought Act One to a close well. My favourites, though, were the beautiful My Dad and Rise, the latter which allowed everyone to experience the excellent vocals of O’Donoghue.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

The production team for Bake Off can be immensely proud of this product, these being Stacey Harris (Director), Joe Logan (Choreographer), Elliott Lingard (Musical Director), Sarah Jennings (Production Assistant/Vocal Coach), Freddie Perry (Assistant Director), Beth Gilbert (Assistant Choreographer), and Lois Houlihan (Assistant Musical Director). I must also commend the excellent use of marketing materials and gift stalls, plus the lovely welcome from Front of House.

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

Smile return in the summer, first with Seussical and then an intensive project produced over a short space of time in Carrie. I highly recommend both which should have you leaving with a smile. Ouch!

The Great British Bake Off Musical — Dormiston Mill Theatre — 31 January 2026

Cheers.

Antony N Britt

*Photos courtesy of Smile Musical Youth Theatre.

Time No More.

Tom’s Midnight Garden — Sutton Arts Theatre — 29 March 2025

I first read Tom’s Midnight Garden by Philippa Pearce back in 1974 after enjoying the three-part BBC adaptation. I also loved the 1999 film; therefore, I had no hesitation in going to see David Wood’s stage version at the lovely Sutton Arts Theatre. A nice friendly welcome by Front of House and I found myself on Row A1, so close I could have reached out and read the annuals by the bed where Tom’s brother, Peter, spends most of the play. Talk about immersive.

The plot. Set in the 1950s, while his brother has measles, Tom Long goes to stay at his aunt and uncle’s converted flat in what was once a large manor house. At night, when the clock in the communal hallway inexplicably strikes thirteen, Tom finds he can escape to a time 50 to 70 years earlier. There he meets a young girl, Hattie, but on each visit she is a different age. This continues until Hattie reaches adulthood and forgets what she thought of as being a ghost or imaginary friend.

Tom’s Midnight Garden — Sutton Arts Theatre — 29 March 2025

Directing was Louise Farmer who can be well proud of the results. These were made more memorable by an impressive set designed by Mike Nattrass which changed many times throughout. Therefore, further credit must go to the stage crew managed by Allan Lane and Evie Rice. Evie also controlled the Pincher the Dog puppet to favorable effect, and yes, when I first saw the publicity photograph below, I thought it was a real bloody dog!. Good lighting, sound and excellent costumes completed what was a polished production.

Tom’s Midnight Garden — Sutton Arts Theatre — 29 March 2025

In the role of Tom was Finlay Rowland who captured the character of the inquisitive boy well. Playing Hattie was Gracie Reynolds, and she was also strong, really bringing out childlike naivety and carefree spirit. As Aunt Gwen and Uncle Alan we had Becky Easen and Mark Nattrass delivering convincing performances. Then there was poor Peter, for whom Peter Barker had to spend much of the play under the bedcovers next to me, being driven mad by the aroma of my family size bag of M&M’s. Other prominent roles included Mrs Bartholemew (Valerie Tomlinson), Susan (Evie Rice), Aunt Grace (Katherine Vance), Abel (Jerome Pinnock-Glasgow), James (Kian Haden), Edgar (Ethan Jones) and Barty/Hubert (Samuel McCormack). Further parts were portrayed by Frankie Donahue, Nancy Wright, Amelia Ryan, Heidi Haskins and Lucy Darby.

Tom’s Midnight Garden — Sutton Arts Theatre — 29 March 2025

Tom’s Midnight Garden is a beautiful tale, and I loved every second of it, especially the timey wimey stuff and particularly the scene with the ice skates. In fact, my fiancée and I enjoyed it so much we watched the 1999 film version a few days later. The power of a good production.

Cheers.

Antony N Britt

*Photos taken from social media.