Tag Archive: Blogging


Everybody loves Abba … don’t they?

When it was first suggested I go and see Mamma Mia, I thought, great, another evening where I’m among a 10% male minority of an audience. But hey, off I went and even bought a flower garland to wear in order to feel more at home.

So where do I start? I mean, I admit I’d been listening to the soundtrack CD for over a week so I was really looking forward to the show. I only hoped it would live up to the hype and my own expectations. As it turned out, I was not to be disappointed.

Okay, there was the downside that being in a predominantly female audience on Row C, I still managing to sit behind the biggest guy in the theatre. Even so, it didn’t spoil things – much.

From the onset there was a dynamic energy from the cast and orchestra with music played at a volume making you feel as if you were part of proceedings. A basic set was acceptable as what was in front of it meant you were hardly ever looking at the background.

And you had the music of Abba. Yes, hit after hit after hit, the songs fitting well with the storyline. I also cannot compliment the well written script of Catherine Johnson enough. Fast paced and genuinely funny.

Musical highlights for me were Take a Chance on Me, Thank You for the Music, Mamma Mia and Under Attack. The latter of these was sung with an excellent choreographed dream sequence which began Act Two in perfect fashion.

So the cast. Playing the role of Donna was Sara Poyzer with Jacqueline Braun and Emma Clifford as Rosie and Tanya (respectively) – Donna’s old performing colleagues. It was these two, in my opinion, who had the most impact on the show, delivering the best songs and bringing the comedy to the front. Sophie was portrayed by Lucy May Barker with Phillip Ryan as Sky. Sophie’s three potential father’s were Sam Carmichael (Richard Standing), Harry Bright (Tim Walton) and Bill Austin (Christopher Hollis). Completing the main cast were Micha Richardson (Ali), Blaise Colangelo (Lisa), Louis Stockil (Pepper) and Sam Robinson (Eddie).

Mamma Mia was directed by Phyllida Lloyd with choreography by Anthony Van Last and musical direction, Richard Weeden.

On completion of the bows, the audience rose to their feet and joined in with the encore which included the classic Waterloo.

So did I enjoy myself? Well, the proof is the fact that I’m still playing the CD in the car.

Mamma Mia – Birmingham Hippodrome

Cheers.

Nick

I was privileged the other week to be a witness to Shout – The Mod Musical. Shout was the debut show from Third From The Right Productions, and a successful production it was at that. Well, in terms of audience enjoyment.

Shout – Rowley Learning Campus – July 30 2016

Shout tells the story of the 1960s through lives of five women, all of whom have their ongoing struggles. Throughout the show, the five send letters to Gwendoline Holmes, an advice columnist for Shout Magazine who responds in consistent fashion … with useless advice. For instance, recommending new a hairstyle or manicure as remedies for domestic abuse.

Shout was a novel show which had me tapping the beat all the way to the standing (dancing) ovation at the end. Musical highlights were: To Sir With Love, One Two Three, Those Were the Days, Don’t Sleep in the Subway, These Boots are Made for Walkin’ and one of my favourite Sixties songs, Downtown. Interspersed between these were sometimes poignant, but often, funny vignettes and monologues. These ranged from discovering sexuality, dealing with a wife-beater, learning the side effects of the pill, and one girl’s most embarrassing moment in forgetting a word to a song while performing on stage. “Down – Town! It’s the name of the bloody song!

Third From The Right are a new company who aim to bring quality, but lesser known musical theatre to a wider audience, appealing to all ages.

Performing were: Amy Pearson (Red Girl), Natalie Baggott (Blue Girl), Jo Foley (Orange Girl), Kaz Luckins (Green Girl) and Gaynor Whitehouse (Yellow Girl). Gaynor was also responsible for choreography. Completing the all female cast was Jeni Hatton as Gwendoline Holmes.

Directing Shout was Jez Luckins with musical direction from Chris Corcoran.

So with a statement of wanting to bring the lesser known musicals into a wider domain, did Shout do it for me? Well, I’d certainly go and see it again. Well done, Third From The Right.

Third From The Right Productions

Cheers.

Nick

 

 

So far in 2016 I have attended productions ranging from lavish shows at the Birmingham Hippodrome to an academy performance of Year 13 students (which to date remains my favourite of the year). With that display of upcoming talent in mind, I thought I would go one step further and see things at a much earlier state of development.

Artrix Theatre  - A Tale of the Railway - The Star Project

Founded in 2008, The Star Project allows children aged 4 to 18 to express themselves in musical theatre through the medium of singing, dance and acting. The project has three schools based across the Midlands region and A Tale of the Railway saw a coming together of these in a major production. Staged at the impressive Artrix Theatre, each school had the opportunity to shine with roles changing several times throughout the show, offering students the opportunity to give their own interpretation of the parts. And of course, with so many on view due to there being three schools, everybody had a chance.

A Tale of the Railway is the story of a young family who uproot and go to live by a country railway line, telling the adventures they enjoy and about all the people they meet. What was most evident was the absolute confidence from all the young people on stage. Confidence is one of the biggest hurdles to overcome in performing arts and it’s a credit to the Star Project management and teachers that everybody looked so comfortable. The singing was powerful, the dance, faultless, and the acting … well, nobody put a foot wrong from where I was sat.

It’s good to see talent nurtured from an early age and encouraging regarding the genesis of stars of tomorrow. If this amount of quality can be seen now, it only bodes well for the future.

The show was directed and choreographed by Star Project Director, Jo Edwards with Project Manager, Sarah Carter as Assistant Director. At the end of the show, after much deserved ovations and presentations, the audience were treated to a reprise of the project’s recent performance in London. A few weeks earlier, many of the students had the opportunity to tread the boards at none other than Her Majesty’s Theatre in the West End, the very arena where Phantom of the Opera has been staged for 30 years. By the evidence I saw, this would not be the only time pupils from The Star Project will grace that famous stage.

It is an understatement to say I was impressed. I have never applied star ratings when doing reviews, but if I were to rate the Star Project, they would be a Five Star Project.

The Star Project has schools in Barnt Green, Droitwich and Solihull and can be found at this link.

The Star Project

Cheers.

Nick

The stage was alive in Birmingham with the Sound of Music in the form of Rodgers and Hammersteins’ world famous show.

The Sound of Music – Birmingham Hippodrome, 25 June 2016

As one of my favourite musical films, I did wonder how seeing the live version would compare. Yes, it is different, of course, with no place on stage for the Austrian mountains. There is also the matter of songs excluded from the 1965 film and a slightly different order of others. No matter. After all, the stage version came first and unlike the film, each performer in front of me sang their own lines.

Having recently seen a magnificent set at the same venue for Mary Poppins, The Sound of Music was the complete opposite in comparison. The barest of backdrops and a sparse scattering of props was in keeping with a small cast. However, this did not distract from the experience. The performances on stage were exceptional enough that any superficial extras were not needed.

So how did a live version of a popular film match up? Excellent, as it happens. I loved the numbers, How Can Love Survive and No Way to Stop It and cannot understand why they were omitted from the film in the first place. Also, I do prefer the more sympathetic characterisation of Elsa, the Baroness and that Rolf helps the family escape at the climax of the show.

As well as the songs already mentioned, other musical highlights for me were Do-Re-Mi, So Long, Farewell and Something Good.

Portraying the part of Maria was The Voice Runner Up, Lucy O’Byrne with Andrew Lancel (more familiar as DI Manson in The Bill) as Captain Von Trapp. Max Detweiler was played by Duncan Smith, Elsa Schraeder by Lucy Van Gasse, Liesl by Annie Holland with Jan Hartley as The Abbess. There were also good performances by all of the children on duty which topped off a fine day, indeed.

The Sound of Music was produced by Bill Kenwright, directed by Martin Connor with musical direction from David Steadman and Tim Whitting. Choreography was by Bill Deamer with Gary McCann on Design.

So was it a case of so long and farewell when I left the theatre as I considered my verdict? Well, unlike recent shows I’ve seen, I haven’t been motivated to play the London Cast CD since. I felt the show was a little let down by the meagre set and maybe the whole thing could have been more dynamic, but the cast pulled it round. And I’d say it was still an enjoyable experience which I would happily see another version of in the future.

The Sound of Music – Birmingham Hippodrome, 25 June 2016

Cheers.

Nick

 

I have to admit to being highly pleased when opening my July copy of Writing Magazine to find Dead Girl Stalking had been shortlisted for Self-Published Book of the Year. Okay, so I didn’t win or come runner up, but to get in the top eight, having had my work judged and praised by the writing industry is reward itself.

Dead Girl Stalking © Antony N Britt

Many thanks to the panel, and to magazine editor, Jonathan Telfer for the fantastic write up.

Front Cover - Writing Magazine July 2016Writing Magazine July 2016

Writing Magazine July 2016Writing Magazine July 2016

Dead Girl Stalking – Available to Buy on Amazon

Buy Writing Magazine – July 2016

Cheers.

Nick

I have to admit to some trepidation when venturing to watch American Idiot. You see, I’m a huge Green Day fan and not only that, the original CD on which this show is based is among my top five favourite albums of all time. And I also enjoy the Broadway Cast version, too, so the event had a lot to live up to

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

The first disappointment, however, was the audience. I was in the middle circle which was only a third full. Then came the opening. On an impressive set which reflects the theme of the show, American Idiot should have burst into action, blasting me from my seat. It didn’t. The title track was … well, too quiet. I expected the sound to near burst my ears from such a fantastic number, but I was left a little deflated. Now this had nothing to do with the performance, more that I felt the sound people had got it totally wrong. The sound did improve, thankfully, as the show went on, in spite of a further complication when Tunny’s microphone failed to work for the entire of Are We The Waiting.

Now this might sound like a disaster of a show but two things swung it round. The magnificence of the Green Day numbers and the dynamic performance of the cast. After the initial problems, I was soon on the edge of my seat in excited anticipation for each song. Highlights for me were, Letterbomb, Extraordinary Girl, 21 Guns and Homecoming.

Okay, the story on stage is pretty thin and often confusing unless you already know what is going on, but American Idiot is more about bringing the music to life. And the show did just that.

Playing the lead of Johnny was English singer/songwriter, Newton Faulkner who delivered an excellent performance. Former X-Factor finalist, Amelia Lily also shone as Whatsername as did Alexis Gerred and Steve Rushton as Tunny and Will, respectively. The role of Johnny’s alter-ego, St Jimmy was undertaken with power by Lucas Rush. For my visit, two of the cast stepped up in their understudy roles with neither giving anything short of marvellous. Alice Stokoe was perfect in the part of Heather as was Karina Hinds as Extraordinary Girl.

I also have to mention the band of Robert Wicks, Alex Machisone, Tommaso Varvello and Nick Kent who along with Steve Rushton, faithfully reproduced the Green Day magic. American Idiot was directed and choreographed by Racky Plews with musical supervision from Richard Morris.

It’s a testament to a show with regard to how much of an impact it makes on you. I have attended performances where I have left the theatre and not thought a lot about it for a while afterwards. This was not the case regarding American Idiot. For nearly a week, I had the Broadway CD playing in my car, then the original Green Day album, followed by Broadway again.

Yes, American Idiot left it’s mark.

It’s not over till you’re underground.

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

Nick

I didn’t know what to expect about Mary Poppins. With the reputation built of being spectacular and so many friends lauding praise, I wondered if the show would live up to the hype.

One of my reservations came from listening to the 2005 Original London Cast Recording CD release which although full of many of the well known Sherman tunes from the 1964 film, still fell flat in my opinion. However, a live performance is a different matter so I was interested to see if a little theatre magic would explode from the stage. It stood a chance having being devised by Cameron Mackintosh, a producer whose shows have never let me down.

Mary Poppins – Birmingham Hippodrome – 11 April 2016

I needn’t have worried. From the opening number I witness to over two hours of dynamic energy from a wonderful cast. Also, possibly the best set I have ever seen including a house on Cherry Tree Lane which unfolded before your eyes.

There seemed to be so much going on, you dared not switch attention for a second. During Jolly Holiday, the lighting altered on the backdrops so many times in a myriad of colours, you’d be forgiven for thinking they’d changed the entire set mid song.

Yes, the old favourites were there: A Spoonful of Sugar, Feed the Birds, Let’s Go Fly a Kite and Chim Chim Cher-re. In addition to these, you also had the bigger song and dance numbers, particularly Supercalifragilisticexpialidocious and the immense Step in Time. Rather Bert than me climbing the side of the stage before walking upside down from a great height as he went over the rooftops. Also, the newer live numbers came across better than the recording I’d heard, In particular, Practically Perfect and Anything Can Happen.

I was informed on arrival that the part of Mary Poppins would that night be played by an understudy. However, there was no disappointment. Jennifer Davison delivered with such power you’d be hard pressed to think she hadn’t been doing it for the entire run. Also supporting was Matt Lee as Bert, Milo Twomey as George Banks and Rebecca Lock as his wife, Winifred. Jane and Michael were played with enthusiasm in this performance by Madeline Banbury and Regan Garcia.

My only two criticisms would be that one, I thought some of Julian Fellows’ scripted dialogue was a little laborious at times. However, that wasn’t a fault of the production and with everything happening in front of you, it was forgotten most of the time. The other was that the vocal amplification appeared weak to start with. Whether this was rectified or I just got used to it is unknown. It wasn’t an issue later on.

All in all, a wonderful experience right until the end where the magical nanny flies above the audience, disappearing into the sky (or rather an exit in the theatre ceiling).

So did I enjoy after my original uncertainty? Absolutely. In fact, I would go as far as to say it was supercalifragilisticexpialidocious.

Mary Poppins – Birmingham Hippodrome – 11 April 2016

Cheers.

Nick

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

I have to admit, when buying tickets for this, I’d never heard of Birmingham Ormiston Academy (BOA) before and at £10 a seat, I wondered what level of performance I should expect. Despite the excellent value in price, though, I still guessed it would be good, but never expected how good.

Over the past few months I have seen The Lion the Witch and the Wardrobe at the newer Birmingham Repertory Theatre, and Jesus Christ Superstar (starring Glenn Carter) at the Hippodrome. I can honestly say, this production of The Witches of Eastwick knocked both those offerings out the building in terms of enjoyment.

The Witches of Eastwick – My new favourite show, and all thanks to the wonderful production team, orchestra and more important, the talented Year 13 musical theatre students of BOA.

An academy in performing arts for ages 14 to 19, BOA have the cream of the region and it was obvious from the outset, you’ve got to be damn good to get into this school.

My interest in The Witches of Eastwick had been piqued while taking part myself in a concert featuring two of the numbers, and I wanted to see what the entire show had to offer.

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

Loosely based on the novel of the same name by John Updike, but having more in common with the 1987 film, The Witches of Eastwick tells of three women searching for the man of their dreams. Pooling energy together, their dreams do come true, but they also get more than they bargained for.

The enigmatic Daryll Van Horne arrives and soon seduces all three, causing destruction, and eventual death along the way. The women realise what it is they have created and decide they have to put things right and send Daryll back from where he came.

Looking at the programme, the pen pictures tell me there were two casts. I learned that these were basically the A and B teams. I don’t know if there was any significance in these categories, or that it was simply a way of dividing to give the students an equal opportunity over the course of the run. As it was, I saw the B cast and if the A lot were meant to be the primary, then they must have been something extra special because the B team I witnessed were out of this world.

Once you got over the fact that, yes, the majority of parts are meant to be played by older people, you soon became lost in the show. In fact, I’d forgotten how old they really were halfway through the opening. Sitting in Row B, I think I spent the entire show leaning forward with chin in hand, mesmerised by what I saw on stage. Not an easy task to keep me from fidgeting throughout a performance.

I imagine it must be hard to pull off characterising much older parts, especially the males, but Jack Sanders did a fantastic job with his portrayal of Daryll. And then you had the witches, themselves. Wow! To get one good voice is great, but all three? Talulla Wheatley (Alex), Heather Foster (Jane) and Lydia Gardiner (Sukie) were all amazing. Incredible voices and fantastic harmonies with great acting to top it off. Then you also had the supporting principles and an ensemble which brought their numbers onto another scale, Dirty Laundry, in particular. And what an opening we had!

I have to say I already had a liking for I Wish I May but at the climax to Act One when Alex, Jane and Sukie send their spirits soaring skyward and fly, I wanted to get to my feet and give a standing ovation there and then. But I thought, behave, there’s still the second act to come yet.

As well as those already mentioned, I loved every number in the show, in particular, the three seduction numbers, each different in their own way. Now I’m not into narcotics, and the strongest thing I’ve ever smoked is a piece of salmon, but even I craved a cigarette after Waiting for the Music.

Since watching, I’ve had the Original London Cast CD on repeat in the car. This is all testament to the BOA cast and production team. A mention, of course, has to go to Director – Rian Holloway, Musical Director – Michelle King, Choreographer – Lee Crowley and Company Manager – Amy Rutter. I hope those credits are right, I got them from the back of the programme. Also, hats off to the rest of the band and crew who made this occasion for me – magic.

Cheers.

Nick

How long?

It’s been a year since I did a Roast. I know when reviving this column I said I would only do it occasionally, but a whole year …! Does this mean I don’t get out much any more?

Well, I do, I just have so many other things to occupy my time, namely trying to polish up my novel, Dead Girl Stalking so I can release on Amazon. But this doesn’t mean I no longer observe the bizarre around me. Take the incident after my writing breakfast in town the other day.

A bit of bother over a hover

Sunday Roast - Hoverboard 1

Have you seen these things? I hadn’t but they are apparently the latest craze to hit the streets. They’re nicknamed hover-boards, and when I say a craze, I don’t simply mean fad. Craze could be applied to the state of mind of the user, because you must be crazy to ride around on one.

Take the couple I came across after leaving my breakfast venue.

IMAG0266

Young man in baseball cap with cute young girl on his arm. Or was it the other way round? You see the man was on one of these hover-boards, being motorised around town. However, every time he wanted to turn, his girlfriend had to guide him in the right direction.

Mate, you looked ridiculous. It was as if she were taking her pet for a walk. His body never moved an inch, all the time thinking he was the man, and so cool. But if the girlfriend had let go of his hand, I suspect street cred would have dropped quicker than he did as he tumbled to the ground.

However, he didn’t as girlfriend guided her puppy around corners and finally helped him across the road, all the time doing the work while he didn’t flex a muscle.

But then we had the ultimate joke. Do you know where Hoverman went after I took the photograph? He turned right and entered a bloody gym!

Arrrggghhh! Perhaps if he’d walked for once in his life and didn’t use a hover-board, he wouldn’t need to go to a gym!

And then there’s the name – hover-boards. But they don’t even bleeding well hover!!! They have wheels and are quite clearly rolling along the ground.

Hover-boards, for Christ’s sake. Watch people move effortless. Or in the case of my home town, wait five seconds until you hit an uneven pavement and go arse over tit.

People who play with odd shaped balls

Sunday Roast - World Cup Rugby

So it’s the Rugby World Cup (sense the underwhelmed tone) and I have to say, I’m not interested.

It’s not the game I hate, I simply don’t understand it. What I also despise is the culture surrounding the sport. All this male bonding, arm in arm on pub tables singing, Swing Low, Sweet Chariot, coming for to carry them home because they’re too pissed to drive. You’ve also got to admire the irony of middle class white folk singing a black spiritual about gaining freedom from slavery.

Anyway, I kind of grasp the principle of getting the ball (Ball!! A ball is a spheroid) from one end of the field to the other. What I can’t fathom are details such as penalties given for no other reason than the referee thought it was time he awarded one. And the referees, themselves are an enigma. They watch all this carnage on the field and do nothing, then some person taps an opponent on the shoulder to say, ‘Pardon me, Claude,’ and he gives a bloody foul. Baffling. It’s stop/start all the way through the game with possession passing at random. And scrums … don’t get me started on scrums. What the bleeding frig are they all about? It’s like a bizarre game of twister.

Twister - Sunday Roast

But who do we have to blame for this stupid game? Yes, Mr William bloody Webb Ellis (Now you know why I’m good at quizzes … Huh!). You see, in 1823, during a game of football while at Rugby Posh School, Ellis allegedly picked up the ball and ran.

William Webb Ellis

Well, isn’t that just typical. When you were at school, wasn’t there always one tosspot who due to the fact they were shit at soccer, would start either bouncing the ball around like a basketball, or run with it in order to disguise their own inadequacies at the sport.

And so we have Rugby, a game created by somebody who thought themselves the bees knees at being class comic, but was, in fact, a total twat.

*** Appendices***

(i) Rugby ~ A game for people who aren’t skilful enough to play football.

(ii) Football ~ A game for those unable to understand the rules of cricket.

Nothing is free in this life

Do any older folk remember the free gifts you used to get in your cereal packets? Little plastic figures of Sooty and Sweep, or Doctor Who collectable cards such as these.

Dec 1 - Doctor Who Wheatbix

They made breakfasts worthwhile and got the kids eating because what they really wanted was for Mum and Dad to buy a new packet as soon as possible in order to get another gift.

Now, however, the term free with your cereal is used very creatively. Take Kellogs, for example.

I purchased a packet of cornflakes the other day and saw the words, Get you Free Bowl on the back of the box.

img018 (1280x1251) (640x626)

Great … Free gift. Just like old times. But hang on a minute. On closer inspection, I noticed the facts.

Step 1: Buy three promotional packs of cornflakes to collect the tokens.

Okay, so how is that free?

Step 2: Go online and enter the codes from inside the boxes.

Right …. that’s assuming you have internet, otherwise you’ll have to go to an internet café, pay a charge and buy a medium latte while you register for your free cereal bowl.

Step 3: Pay £2 postage.

Arrggghhhh! That’s not fucking free!!!

Then after choosing your bowl (Step 4) in this exceptionally quick and simple way of getting something for nothing, you come across the final hurdle.

Step 5: Wait for your bowl to be delivered, noting that the packet states this will take up to 90 days.

What!!! For heavens sake. You can buy bowls from a supermarket for a quid. Heck, I could even join a pottery class, learn how to mould clay and make a bloody cereal bowl in less than 90 days if I wanted.

Jeez!

Well, that warps up this roast

I shall bid you farewell and at this rate, see you this time next year.

Cheers.

Nick

 

Warning!

Being a writer has its drawbacks, and one of these are the questions which come from non-writers. Made in innocence, but annoying all the same in a way only writers will understand. Therefore, I shall explain a few so you’ll know in future why my face is turning purple.

1. Never under any circumstance try to tell a writer what would be a good idea for a plot.

I have this great idea for a story. I think you should write it.’

No, if it’s that good, maybe you should write it. After all, it’s your idea and who better to see it to fulfillment. That’s the polite way of replying. The other is to scream through clenched teeth that of course I’ll write your story, because after years of doing it well, I have no more bloody ideas of my own.

2. ‘Don’t despair, JK Rowling had numerous rejections before she was published.’

Fuck off! Never use the JK word. We all know how many rejections she had, so don’t mention it. There are writers with far more skill than the wizard’s creator but much about being successful is due to luck. Unless you’re a celebrity who can write a novel in wax crayon on the back of a napkin and still get it published, I’m afraid you’re in the slush pile, ever hoping an agent will allocate thirty seconds to read the first page of your book.

3. In response to telling somebody you’ve had a story published.

That’s good. Did you get paid?’

Okay, this is a common one. I’m always being asked it. As if making money from my writing makes it more valid. But really …. do I go around asking people what they earn for a living? No. Whatever you make from producing porn is your business. Hey, it’s a free country.

However, I will clear this up and the answer is, yes. Sometimes. Often it’s zero, but I have earned anything from £1.68 total royalties for a failed anthology to £250 with a short story. It depends who you are submitting to.

4. And another one I hate …

It’s said, everybody has a novel in them.’

No they bloody well don’t, otherwise everybody would write a novel. It’s probably the case that we all have an idea, but only when you’ve a final draft of 75,000 plus words, do you have that novel. Grrrrr.

5. The final main one is often directly after somebody you know has read your work for the first time. Now I like to receive praise, but not accompanied by a look of astonishment.

Hey, this is actually really good.’

Jesus, don’t sound so surprised. I’ve been doing this years and actually – yes, I am bloody good at it.

Those are the main ones, but of course there are others.

Q – Why don’t you write something more cheerful?

A – I mostly write dark fiction and had this comment on my novel. Hell, yes! Let’s make bullying, sexual assault, decapitation and psychotic episodes into a comedy.

Q – ‘Where do you get your ideas from?’

A – Erm … my mind.

Q – ‘Have you had anything published?’

A – Because apparently, you’re not a proper writer until this has happened. Yes, I have, about thirty short stories and poems, plus numerous articles. But even if I hadn’t, it wouldn’t mean I’m not a writer.

Q – ‘Are your characters based on real people?’

A – Of course, because I have no imagination of my own. Okay … cue the arrival of the sarcasm police. NO! Theyre all my ideas. It’s what I do.

Comment – ‘I thought about writing a novel once.’

My reply – ‘Really, so did I.’

Comment – ‘To be honest, I don’t read.’

My reply – ‘You do know you can get lessons for that.’

And finally, the classic …

Comment – ‘I wish I had the time to write stories.’

My reply – … Well, there isn’t one. I’ve normally walked off by now, returning to my tedious day of doing nothing as I have all the time in the world to do it.

Okay, so I jest a little, but do think before you release these utterances. Writing is bloody hard, and to be good at it takes years. Unless, of course, you are Katie Price or some other Z-List celebrity, then you can simply pay some poor unheard of writer to do it for you.

April 15 - Writer

Cheers.

Nick