Tag Archive: Bournville Musical Theatre Company


This was the third time I’d seen Bournville Musical Theatre Company in action and like the previous two occasions, I was not disappointed. Hollywood on Broadway featured songs originally from films which had subsequently been turned into shows. And there was much to love. Having seen many of those on the set list, I already knew I’d be in for a good time. But not only ones I was familiar with. Last year, Bournville introduced me to School of Rock and I enjoyed it so much, I purchased the soundtrack and recently saw the West End production. This time, my Amazon account has seen both Heathers and Shrek added to the basket.

Hollywood on Broadway – Dovehouse Theatre, Solihull – 29 October 2017

A fun intro with video montage of both film and stage set the scene. And use of a three-piece band produced a great sound, making one believe  we had more musicians than there actually were.

Opening with three numbers from Footloose, namely the title song, Learning to be Silent and The Girl Gets Around, we were soon in full swing. And then there was an excellent performance by Rachel Fox with I Have Nothing from The Bodyguard. Highlight of Act One for me was Freak Flag from Shrek. So much energy, so much fun.

A year ago I was in Thoroughly Modern Millie and despite seeing it twice since, I never tire and enjoyed Forget About the Boy and solos from Peter Holmes (What do I Need with Love) and Sophie Wood (Gimme Gimme). Also, we had tunes from Little Mermaid including Fathoms Below (Male Chorus), Part of your World (Natalie Buzzard) and Poor Unfortunate Soul (Lily Moore). Another lovely song on the day was With You from Ghost, delivered well by Claire Brough.

Act One ended on a high with an ad for next year’s show, Legally Blonde. Featuring first, Adam and Rhian Heeley with Serious, we then had the energetic Bend and Snap. And then into Act Two with a chorus of 42nd Street.

I’ve mentioned already that I’m intrigued by Heathers and this is due to the song, Candy Store. Then to contrast the previous fast pace, we had the poignant Seventeen from Jonny Stoker and Lily Moore.

One the best bits for me in Act Two were three numbers from Witches of Eastwick, featuring much of the cast. I’ve seen Witches twice in the last couple of years and it was a pleasure to revisit.

What I enjoy most in theatre are character parts and two stand out performances showcased this. Chloe Turner with What’s Wrong with Me from Singin’ in the Rain and Karen Lane with He Vas My Boyfriend from Young Frankenstein.

The show then ended with a retro trip and medley from Saturday Night Fever, leaving the audience in no doubt, they’d been entertained. Apologies for not naming everybody, but it’s impossible to do so. However, I will pay tribute to the fact all played a great part.

Hollywood on Broadway was directed by Sadie Turner with musical direction from Chris Corcoran.

Hollywood on Broadway – Dovehouse Theatre, Solihull – 29 October 2017

Cheers.

Antony N Britt

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This was my second experience of Bournville Musical Theatre Company, having witnessed their concert, Through the Decades, last year. Therefore, I hoped I would also be well entertained with a full show at the prestigious Crescent Theatre.

The Pajama Game – The Crescent Theatre, Birmingham – 6 June 2017

The theatre itself is a fine setting, even if my seat, F2, did collapse as I sat on it, meaning I had to move forward to an empty one. But these things happen, especially to me, and I should expect it by now.

With music and lyrics by Richard Adler and Jerry Ross, The Pajama Game tells of the Sleep-Tite Factory and the workers’ fight  for a pay rise. The conflict plays out aside a love story between new factory superintendent, Sid Sorokin and the head of the grievance committee, Babe Williams, both acted superbly with powerful vocals from Steve Kendall and Rhian Clement.

Kicking off the show was a good overture by the band who shone all night, although I feel we could have done with some lighting on the house curtains to heighten anticipation of what was to come. Then, after a brief introduction and title song from character, Vernon Hines (the excellent, John Morrison), the company pulled audience attention further onto the stage with Racing with the Clock. In fact, it was the combination of chorus vocals and choreography in this number, plus Hernando’s Hideaway and especially Once a Year Day, which stood out. So much movement and background activity going on, there was no chance of getting bored. And boredom was never an option because in the words of time management obsessive, Hines; “Tempus fugit, tempus fugit.” Time literally did fly as before I knew it, the first act ended for a quick drink and an eager return to the auditorium for more of the same. Pajama Game is a fast-moving show which seems a lot shorter than it is. And that’s a great testament to the original script of George Abbott and Richard Bissell.

Other enjoyable numbers included, I’m Not at All in Love, I’ll Never Be Jealous Again, Her Is, Small Talk, Hey There and Seven and a Half Cents. I’d have to say, though, my favourite of the night was Think of the Time I’ll Save. Well written comedy mixed with good choreography.

There were further comedic scenes and many of my favourites involved the duo of Hines and Gladys, for whom Natalie Buzzard gave an outstanding performance as Gladys. My main love in a personal acting sense is when I create or interpret a character, and Natalie did just that, truly becoming Gladys.

Now I’ve mentioned dance, but special acclaim must go to showpiece number, Steam Heat. This was a routine which certainly raised the temperature in the auditorium, courtesy once more of Natalie Buzzard along with Sarah Sheppard, Peter Holmes, Helen Gauntlett, Sophie Wood, Kai Murai and Verity Smith.

I can’t list everybody involved but giving fantastic support to the leads were Kris Evans (Prez), Jill Hughes (Mabel), Karen Lane (Mae), Jonathan Eastwood (Hasler), Rebecca Lowe (Poopsie), Chloe Turner (Brenda), John Clay (Pop), Phil Snow (Max), Adam Slack (Charley), Phil Holloway (Joe), and an energetic ensemble.

The Pajama Game was well directed by Ann-Louise McGregor with stunning musical direction from Chris Corcoran and sublime choreography by Sadie Turner.

The main thing to note, the cast looked like they enjoyed it and it’s always a cert that if you can project that, the audience will have a fantastic time too. I know I did.

The Pajama Game – The Crescent Theatre, Birmingham – 6 June 2017

The Pajama Game is on at the Crescent Theatre, Birmingham until Saturday 10 June with tickets still available at this link.

Cheers.

Antony N Britt

I was recently privileged to witness a journey through the years, courtesy of Bournville Musical Theatre Company. And Through the Decades was just that. A showcase of not only several eras in pop, rock and musical theatre, but also an example of how music has evolved during those times.

Through the Decades – The Austin Social Club – 16 October 2016

This was my first experience of the Bournville company and I was not disappointed.

From the opening rock and roll of the 1950s, I found myself captivated, tapping away and singing along (and not always silent, I may add) to the numbers performed on stage.

Good use of a three-piece band: Keyboard, drums and bass, provided all the sound needed. Combine that with great singing, dance and characterisation, you had a fabulous show before you.

Each section was introduced by a video consisting of films representing the relevant decade before launching into their opening number.

Of the songs, themselves, I’d have too long a list if I named all I enjoyed. Therefore, I’ll have to rely on the first which spring to memory.

A mix together of You’re my World and All I See is You were exceptional as was the case with the harmonies of Mr Sandman. For the 70s we had a Grease set of which Hopelessly Devoted to You, shone. Act One ended with a company number of Bohemian Rhapsody, and it shows you’re good if you pull that one off.

Into Act Two and a song from one of my favourite musicals in One Day More (Les Miserables). It was then I found myself further surprised. You see, I consider myself more a rock person. However, I was completely drawn in by fabulous performances of Total Eclipse of the Heart, She’s the One and Torn (one of my favourites of the night). Then we had Bournville’s very own Spice Girls. Now come on, I’ve said I’m into rock, and I’ve never taken any notice of the Spice Girls. But I liked these ones.

Probably, for me, the most powerful number was a combination of the Adele songs, Turning Tables and Rolling in the Deep. And that’s where I come back to what I said at the start. Whereas my eras are more late 70s to early 80s, it’s interesting to see how much music has evolved since the 1950s. Despite not being my type of music, there seems to be greater depth and complexity about more recent offerings. I guess we’re always discovering techniques that it’s inevitable a new generation will improve. And that’s a good thing. I enjoy the past, but don’t want to live it again.

Rounding off the show were two numbers from School of Rock. Great. A bit of rock. I’d not heard these songs before but having done so courtesy of Bournville Musical Theatre Company, I went online and ordered the original cast recording CD the next day. And I’ll probably be making a trip to the West End, too.

So well done to all, especially Rachel Fox (Producer), Chris Corcoran (Musical Direction), and Kris Evans, Helen Gauntlett, Karen Lane, Chloe Turner, Sadie Turner (Choreography).

At the start of Act One, we had a preview of the companies next show, The Pajama Game. On this performance, it will be well worth going to see.

Through the Decades – The Austin Social Club – 16 October 2016

Cheers

Nick

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