Tag Archive: Crescent Theatre


Be our guest! Be our guest! 
Put our service to the test. 
Tie your napkin ’round your neck, Cherie, 
and we’ll provide the rest.

Another great welcome from Script Youth Musical Theatre Company and another fantastic production. And this was their biggest yet, now in the main auditorium of The Crescent Theatre, Birmingham. Now, it seems that only a few weeks ago I was reviewing another Script production in Legally Blonde Jr. And that is down to the company having a younger section in recent times. This means that the talent is always coming through when it reaches full potential. And this is even more important when you consider a number on stage in Beauty and the Beast were taking part in what would certainly be an emotional final performance before leaving for pastures new.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

This is the classic love tale brought to life with the music of Alan Menken, lyrics from Howard Ashman and Tim Rice with a book by Linda Wolverton. Featuring well known songs such as Be Our Guest, No Matter What, Gaston and that tale as old as time, Beauty and the Beast (Title Song), the story is possibly more famous as the 1991 Disney film. But make no mistake, the stage musical is far superior and nobody I have seen has done it better than Script.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Playing Belle was Erin Phillips who was excellent in the lead role. Amazing voice and perfectly at home and confident throughout. Samuel McCormack played the Beast well, commanding the stage with authority but also showing the vulnerability the character needed. If I Can’t Love Her was amazing. Finlay Laidlaw was the arrogant Gaston who shone particularly during his own-named song. Always a good performance from the long-standing member. And the same can be said for Evie Rice in her final show. I have seen Evie many times and each role is as diverse from the last as could be possible, showing the skill of the character actor. This time it was Lefou, falling and being thrown about stage continuously in a comic fashion that Evie rose to admirably. I also need to break away from cast complements to add that she was also responsible for the design and creation of the main costumes, as part of her final year at the prestigious Birmingham Ormiston Academy (BOA).

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Also shining, if you forgive the pun, was Kian Haden as Lumiere who shared excellent comic moments with the equally superb Aimee Whillis as Cogsworth. Playing Mrs Potts was Chloe Mason whose delivery of the title song was superb. A special mention to a new member in the fabulous Oliver Malkin who had the unenviable task of spending nearly all of the show in a teacup on a trolley as Chip. The rest of the brilliant principals were Zachariah Scrivens (Maurice), Jess Lewis (Madame De La Grande Bouche), Amelia Green (Bookseller), Calvin Gunn (Monsiuer D’Arc) and finally, Louise Heard as Babette, whose lovely smile throughout was infectious.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

A huge shout out to the main dancers interpreting the great choreography of Kelly McCormack. These were Effie Jobling, Isabelle Round, Darci Rice and Lexie Shaw. I have to say, the performance of Be Our Guest was one of the best dance numbers that I have seen for a long time. The rest of the named cast were Frankie Donahue (Narrator), Baily Latusek (Baker), and Leo Stubbington (Young Prince). But equally as important is the ensemble which no show can do without. These were Maia Johnson, Corey Mayne, Holly Hardcastle, Dean Donnelly, Grace Bishop, Charlotte Redman, Nevada Grizzle-Francis, Isla Thorp, Dotty Twigg, Scarlette Williams and Heidi Haskins. Please correct me if I have missed anyone or spelled names wrong.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

The rest of the production team were Louise Farmer (Director) and Tom Wells (Musical Direction) who can be enormously proud of what was one of the best from Script to date. Although some students are leaving, the future still looks secure with the talent awaiting. And that is great news for future productions of Into the Woods Jr. (Nov 2025), Six – Teen Edition (July 2026) and Charlie and the Chocolate Factory (September 2026). I highly recommend.

Beauty and the Beast — The Crescent Theatre, Birmingham — 13 September 2025

Cheers.

Antony N Britt

*Photos taken from social media.

Always a joy to watch Birmingham Youth Theatre and I have become a regular at their wonderful pantomimes over the past few years. This time it was Snow White, and the fun and talent were there for all to see. Adapted by Adam Swift and Paul Delaney from an original script from the talented Joe Logan, this version had a twist at the end which I totally approved of in terms of who Snow ended up with. So much better than the cliched endings that most have with heroines being rescued by the male prince (Ugh!). I also loved the dark humour which crept in at places, particularly the dance featuring the dead creature killed seconds before. Only now being propped up by two live ones. Oh yes, we love off the wall ideas.

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

Under the musical direction of Chris Corcoran, there were some great numbers delivered well by all the cast, and what better opening song to have than Mr Blue Sky, because you can’t beat a bit of ELO. Others which I loved included Don’t Stop Me Now, You and Me (But Mostly Me) and Dance the Night, but my personal favourite was the powerful end to Act One and Someone Gets Hurt. Then, a panto always needs a good finale and that was achieved with We Are Family. And you got the feeling that meant something to the cast, because societies like BYT are more than simply a means to putting on productions, they are a family, and it shows.

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

In the role of Snow White was the excellent Sharouq Al Saffar who was supported well by the comic lynchpin in Muddles, played by Gethin Renderson. On the Darkside, though, there were some memorable performances by Casey Michaela (Lucrecia), Sophie Ashford (Mirror) and the especially convincing Joseph Taylor as Fleshcreep. Also strong in the principals were Edgar Shirley (Prince), Daisy Wright (Sally), Evelyn Palmer (Narrator), Ava Parker (Little Snow), Alexander Lee (Billy), Alfie Phelan (Bobby), Freya Baylis (Youngster), Megan Allsop (Queen), plus Sophie Terry and Lucy Jones (Guards).

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

And then there be Dwarfs, played with fun and sensitivity by Amelia Rosado (Mopey), Bobby Hayward (Sloppy), Finlay Hall (Wheezy, complete with inhaler), George Beckett (Gok), Jessie Butler (Trumpy, with the inbuilt secret weapon), Talia Hockley (Cashful) and Maddy Sykes (“That’s so sad!” – Weepy). But we also had the dwarf Mums. These were Hannah Ashford, Anna O’Hara-Green, Martha McGrath, Ava Jones, Elizabeth Soffe, Georgie Dunn and Livvy Owen. Completing the Dance Troupe and Ensemble was Amelia Soffe, Amy Flanagan, Charlotte Foxhall, Eden Blayney, Erin Haran-Lewis, Grace Kelly-Vernon, Cerys Worthington, Ena Moreton, Oonagh Williamson, Ariana Rahman, Breah Grimley, Edina Bilham-Moore, Eva Campbell, Niamh McKeon, Shire Clarke, Sophia Chilton, Tayla Clarke, Thomas Harmon and Tiffany Clarke. Please tell me if I have mistakenly missed anyone.

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

I must applaud all the fabulous costumes, particularly for the two dames who were respectfully represented in this age of trans awareness. Choreography was by Emily Bullingham and Lydia Rose Hackett with the latter also directing this entertaining show. I must also commend an excellent Front of House, and it was nice to be invited to the Green Room during the break and catch up with some familiar faces.

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

Birmingham Youth Theatre return to The Crescent in July with Footloose. I highly recommend you get tickets.

Snow White — The Crescent Theatre, Birmingham — 11 January 2025

Cheers.

Antony N Britt

*Photos taken from social media: Paul Goode Photography.

The holidays will seem bittersweet 
while you’re alone in bed. 
But how can one girl ever compete 
with a magic fat guy in a flying sled?

So, the person who dislikes the whole Christmas shebang goes to see a show made famous by one of his most disliked actors in Will Ferrell. How was he going to cope? Quite easily when it is Script Youth Musical Theatre Company at the helm of the production. Yes, I know it wasn’t really my thing, but I had fun, all the same.

Elf — The Crescent Theatre, Birmingham — 21 December 2024

Elf, based on the 2003 film of the same name with music and lyrics by Matthew Sklar and Chad Beguelin, plus a book adapted from the movie courtesy of Thomas Meehan and Bob Martin. The setting is simple. A tale of Christmas, finding yourself and family love. Buddy the Elf discovers that he is human and after his mother died, he crawled into Santa’s sack one Christmas and arrived at the North Pole. Jeez, didn’t the police ever try to find him? At least have his face on a milk carton. However, knowing the truth, Buddy goes to New York to find his real father, who did not know he existed.

Finlay Laidlaw was magnificent as Buddy, complete with OTT exuberance, comic awareness, and good vocals in World’s Greatest Dad. Alongside him as the practical and initially no-nonsense Jovie was Emily Kate White who really impressed me in her first Script outing and gave me my favourite number of the show in Never Fall in Love (With an Elf). Samuel McCormack played Buddy’s reluctant dad with excellence while Evie Rice was equally as splendid in the role of his wife, Emily. I particularly loved the duet between her and onstage son Michael (Bailey Latusek) in I Believe in You.

Elf — The Crescent Theatre, Birmingham — 21 December 2024

This was a loveable show with a fabulous sound thanks to the vocal coaching of Sarah Jones and wonderful interpretation of Kelly McCormack’s choreography. The producer was Script Chair Louise Farmer who must have been delighted with the excellent results.

The remaining cast on this showing were Kian Haden (Santa), Corey James Mayne (Fake Santa), Nevada Grizzle Francis (Charlotte), Zachariah Scrivens (Mr Greenway), Frankie Donohoe (Shawanda), Claudia Edwards (Charlie), Molly Fitzpatrick (Manager), Izzy Round, Ophelia Ronney and Darci Rice (Elves), Mya Cartwright (Delo), Maddie Howard (Matthews), Jessica Lewis (Darlene), Dean Donnelly (Guard) and Calvin Gunn (Ensemble).

Now, I only saw one of two casts as like many youth productions, runs are split into two. I must therefore credit those I didn’t see, namely: Lewis Ward-Bygrave (Buddy), Niamh Scott-Walters (Jovie), Arlo Conway-Ford (Walter), Peyton Lockley (Emily), Poppy Kerr (Michael), Edward Lawlor (Santa), Robin Lawlor (Fake Santa), Amelia Green (Charlotte), Zachary Duke (Mr Greenway), Mae Gregory-Martin (Shawanda), Ava Faulkner (Charlie), Daniel George (Manager), Effie Rose, Kitty Scrivens, Isabella Byrne Drew and Lois-Ann Rollings (Elves), Tilly Cartwright (Delo), Lilah Edmonds (Matthews), Isla Thorp (Sarah), Gracie Reynolds (Chadwick), Leo Stubbington (Guard), Lily Read and Frankie Jordan (Ensemble). The creative team for these performances were Louise Sall and Tim Rice (Producers) with Erin Mooney and Aimiee Whillis (Choreography).

Elf — The Crescent Theatre, Birmingham — 21 December 2024

Always a lovely welcome and I cleaned up on the raffle. A wonderful company who return to The Cresent in July with Legally Blonde, the musical I have seen more than any other. Youth theatre is underrated and brilliant. Try keeping me away.

Cheers.

Antony N Britt

*Some photos taken from social media.

I saw my problems, and I’ll see the light 
We got a lovin’ thing, we gotta feed it right.

Grease – The Musical, at The Crescent Theatre, Birmingham. 28 to 30 November 2024

Grease most definitely is the word. The original musical adapted into the 1977 blockbuster film of the same name is on at The Crescent Theatre, Birmingham Thursday 28 to Saturday 30 November 2024. One of the most popular and feelgood shows of all time, this adaptation comes courtesy of The Arcadians Musical Theatre Company.

Arcadians have been delivering quality productions for over 50 years now, and Grease will be no exception. Therefore, expect lots of laughs with great vocals and harmony combined with excellent dance and acting of the highest quality. One thing is sure, an Arcadians audience always goes home happy and with mainstream theatre so expensive, this is a great alternative.

Grease – The Musical, at The Crescent Theatre, Birmingham. 28 to 30 November 2024

Written by Jim Jacobs and Warren Casey, Grease follows ten teenagers as they navigate the complexities of life. And, after a whirlwind summer romance, leather-clad greaser Danny and girl-next-door Sandy are unexpectedly reunited when she transfers to Rydell High for senior year. With numbers including Summer Nights, Hopelessly Devoted to You, We Go Together, Sandy and You’re the One That I Want, this is one show you won’t want to miss.

Tickets for Grease (Thursday 28 to Saturday 30 November, plus Saturday Matinee) are available from the box office here. So, the Crescent Theatre in Birmingham is the only place to be. Don’t settle for putting up the Christmas lights while Grandma tells her boring stories around the fireside; get along to Grease and relive those glorious summer nights.

Grease at The Crescent Theatre, Birmingham. It’s the One That You Want.

Ticket Link Here.

Grease – The Musical, at The Crescent Theatre, Birmingham. 28 to 30 November 2024

Cheers.

Antony N Britt.

Hey you, don’t watch that, watch this. 
This is the heavy, heavy monster sound. 
The nuttiest sound around. 
So if you’ve come in off the street, 
and you’re beginning to feel the heat 
Well, listen buster, you better start to move your feet 
to the rockin’est, rock-steady beat of Madness.

It’s back to the 80s, a time I grew up in, and I never need an excuse to listen to the music of Madness. Our House is a jukebox musical utilising the hits and more from the boys from Camden Town, all from their heyday. Through this music, book writer Tim Firth explores the themes of love, family, responsibility, and consequences.

Our House — The Crescent Theatre, Birmingham — 13 November 2024

This production was courtesy of St Alphege Musical Production Society (STAMPS) who are the second in recent times that I have seen who fell victim to the unfortunate closure of the Core Theatre in Solihull during 2023. Therefore, this show has been two years in the making, a situation many of us will know from Covid. And I cannot stress enough, it’s hard to pick up and continue when you have lost that initial flow. Thankfully, the results here were good in the wonderful story of Our House.

Teenager, Joe Casey breaks into a building where afterwards he has the decision to either give himself up or run. The story then splits into two scenarios, reminiscent of the film, Sliding Doors. The ghost of Joe’s criminal dad reveals the two paths where neither runs smooth. It is an enthralling journey, but each event is supported by the inclusion of top, easily recognisable tunes.

In the lead role of Joe Casey was Dylan Norris who commanded the part well. No mean feat, considering Joe’s life branches out in two ways and what we see is the characterisation of two totally different people. Playing Joe’s on-off love, Sarah was Melanie Bateman who really stood out. Excellent, particularly during NW5 and duetting with Dylan Norris in It Must Be Love.

Our House — The Crescent Theatre, Birmingham — 13 November 2024

Supporting well with often comic relief were the four friends who were Devlin Young (Emmo), Robert Bateman (Lewis), Katie Elliot (Billie) and Emily Holton (Angie). The latter three of these also combined on the choreography for which the results were excellent. Playing Joe’s mum was Sharon Tozer while Steven Young portrayed the ghostly conscience of his dad, appearing in linking scenes throughout. Then, the two bad guys, Reecey (Carl Hemming) and Mr Pressman (Paul Wozniak) were as menacing as meant to be due to the fine delivery of the actors. Out of the 14 remaining in the ensemble, I really enjoyed Emily Banks’ cameo as Mr Pressman’s receptionist, also showing two different personas for the parallel story arcs.

But you can’t have a production like Our House without that ensemble and some of the more memorable moments were the full chorus numbers, particularly during Act One in Baggy Trousers, Embarrassment and Tomorrow’s Just Another Day/Sun and the Rain. Into Act Two and on a personal note, this is where the show really takes hold and keeps you captivated, because I could not take my eyes off the stage. Best for me was The Sun and the Rain with more than a hint of Oliver’s, Who Will Buy?

We were treated at the end to a rousing finale of Primrose Hill/Our House and the audience went home happy, many around me overheard saying how great the show had been. I enjoyed it, particularly the second half. The only downside for me was the sound, more so at the start. Mics were not activated soon enough and not at all at times. Plus, the band deserved a better balance as their excellent results came across too quiet. Still, this did not lessen the enjoyment for me by the end of the evening.

Our House — The Crescent Theatre, Birmingham — 13 November 2024

Directing Our House was the already mentioned Robert Bateman, combining production duties with a leading role. I can empathise, having been in that position myself. He can be well proud of his cast and crew, as can Phil Ypres-Smith who led and was part of the 7-piece band. The band themselves were on stage throughout on gantries at each side, a method I have always enjoyed in both professional and amateur productions. And about that term, amateur, I always find there is nothing of the sort. These are professional performances by people who pay and turn up for the pleasure. And that pleasure and commitment always gives impressive results as seen at the Crescent Theatre during Our House.

Our House continues at the theatre for the rest of the week, and you can get tickets HERE. 

Cheers.

Antony N Britt  

When I grow up 
I will be tall enough to reach the branches 
that I need to reach to climb the trees.
You get to climb when you’re grown up

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

I’m a huge fan of youth theatre, as my reviews show, and I had no hesitation about going to see Matilda Jr, even though I experienced the full version in the West End only a few months ago. And in Script Youth Musical Theatre Company, you know you are always going to be entertained with high quality. Now, Matilda Jr was an outing for the younger members of the company, with only one part played by someone outside the age bracket of 10 to 14. But the professionalism was still there for all to see.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

Based on Roald Dahl’s book, Matilda tells the story of a young girl who is thrown from the frying pan into the fire when her awful, unloving family send her to Crunchem Hall School under the tyrannical rule of Miss Trunchbull. In the title role of Matilda, we had Tilly Cartwright who was every bit as good as the child stars I saw in London during that performance. Just the right combination of sass and vulnerability, delivered with perfect vocals and great character.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

On the school staff, though, was Trunchbull, played with fire and brimstone by Maddie Howard who totally captured the intimidating presence and was genuinely frightening at times. Then, at the opposite pole was the pleasant mentor of Matilda in Miss Honey, beautifully portrayed by Gracie Reynolds who once again showed a pure but strong voice. Another adult friend to Matilda is Mrs Phelps the librarian, and in this role, Peyton Lockley was also strong. Mrs Phelps appears during interlude segments where Matilda tells the tale of the Escapologist (Lois Rollings) and the Acrobat (Poppy Kerr). Great gymnastic skills on show.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

But all Roald Dahl tales have baddies, with the Wormwood’s being arguably as nasty as Trunchbull. Wonderfully horrid and performed excellently by Darci Rice (Mrs Wormwood), Edward Lawlor (Mr Wormwood) and Robin Lawlor (Michael). Joining the Wormwoods was Arlo Conway-Ford as Rudolpho, the dance partner who had me in stitches with his moves around Miss Honey when she visits to family.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

But a performance is not just the sum of the principals, and every person counts. Therefore, all on top of their game and seemingly having the time of their lives were Niamh Mulligan (Lavender), Mae Gregory-Martin (Bruce), Millie Parsons (Hortensia), Kitty Scrivens (Sergi), Leo Stubbington (Eric), Frankie Donahoe (Alice), Polly Lewis-Avozdenovic (Amanda Thripp) and Izabel Devlin (Mechanic). As dancers, we had Isla Thorp and Amelia Green while the big kids were Ava Faulkner, Presley-Ann Owen, Effie Jobling and Izzy Round. Then, completing the ensemble, we had Phebe Roberts, Georgia Lewis, Melody Thompson, Isla-Rose Thompson, Dottie Twigg, Olivia Watkins, Lexi Roberts, Zachary Duke, Taylor Howard and Jade Owen.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

There are some magical numbers in this show: Miracle, Naughty, School Song, When I Grow Up and Revolting Children. But there was nothing at all revolting here. All were brilliant, and credit must go to the structure of Script and the production team of Louise Sall and Tim Rice on direction, with Erin Mooney working excellent choreography, plus good vocal coaching from Sarah Jones.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

I always get a great welcome from Script, and much of this is down to a marvelous Front of House led by Clare Russell. A great youth company throughout. When these kids grow up, they will be reaching for more than simply the tall branches, they will be attaining top roles in big companies, and even the professional stage.

Cheers.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

Antony N Britt 

*Photos blatantly taken from social media. 

Up where they walk, up where they run. 
Up where they stay all day in the sun. 
Wanderin’ free, wish I could be, 
part of that world.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

You might think that seeing so many youth productions I would become accustomed and end up taking them all for granted. However, with each one, something fresh always comes along which then completely blows me away.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

I have been watching Birmingham Youth Theatre for years now and have seen some extraordinary talent depart and new emerge. And it is when you become a regular attendee that you witness the progression of that talent. Always with a warm welcome, BYT this time offered Alan Menken’s, The Little Mermaid. Not a show I have seen before but familiar with many of the songs, and not through Disney either. I have been involved in many in concerts of my own, and suddenly realised at times, Oh yes, it’s that one.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Full of colour and energy with excellent vocals, choreography and direction, this performance flowed so well it was over before you could catch breath. Always a good sign when you don’t even have to check how long Act One has been going. I have said in recent reviews about the quality of amateur and youth societies and would yet again recommend the same. They are up there with the best shows, and cheap to watch. Win win!

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

The Little Mermaid. Classic tale of a fishy princess who trades her soul for love but regains it through that love itself. Menken’s score is a good one and with lyrics by Howard Ashman and Glenn Slater, plus a book from Doug Wright, it is one of the best musicals around. And BYT totally did the show justice.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Bit of an odd one this time with cast; many of the programme listings only gave first names, so I shall respect that and credit as printed.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Ariel was played by Eva Phelan who captured the spirit of the character from the start and was perfect during Part of Your World. In the role of Prince Eric was David Morrison who I have seen develop over the past couple of years and the vocals have now reached a marvellous level with the delivery of Her Voice excellent indeed. Supporting well was the roller-skating Flounder (Shire C), the extremely red lobster, Sebastian (Andrew Morrison) and my favourite character of the show, Scuttle the Seagul (Lucie).

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

But then there be baddies and strife, and Sharouq A was decidedly evil as Ursula, supported well by Casey Michaela (Flotsam) and Livy Owen (Jetsam). I enjoyed Daddy’s Little Angel but still prefer the song it appears to have now replaced — I Want the Good Times Back. However, Sharouq’s rendition of Poor Unfortunate Souls was up with some of the best that I have seen.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

In King Triton’s (Alex) palace we had Grimsby (Gethin Randerson) and six sisters for Aurora in the form of Lola Swoffer (Aquata), Daisy Wright (Andrina), Cerys Worthington (Arista), Lucy J (Atina), Sophie T (Adella) and Sophie Ashford (Allana). The number, She’s in Love particularly rocked with great vocals and energy and was my favourite song of the night.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Rounding off the named cast were Luke (Chef Louis), Finn H (Pilot), Ava Jones (Winward) and Anna (Leeward). And no production can work without an ensemble and here I pay tribute to Alex Lee, Amelia R, Amelia Soffe, Ava, Aya, Bella, Breah Grimley, Eden Blaney, Edina, Ella Peirce, Emily, Erin Louise, Eva Campbell, George B, Georgie D, Hannah A, Jess, Loaira Carvalhido-Gilbert, Marni, Martha McGrath, Meg Allsop, Niamh, Oonagh W, Sophia C, Tabitha Vlok, Talia, Tayla and Thomas. Please message me if I’ve accidentally missed anyone out.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

On the creative team, Vivienne Morrison as Director/Choreographer can be incredibly pleased at yet another perfect production which was one of the best I have seen. Aiding well on production, though, were Maddison Clarke and Luke Griffiths with the former also co-choreographing outstanding movement from the specialised dancers in the show. Finally, Chris Corcoran was at the helm with musical direction which led to further good numbers including Under the Sea, Positoovity, Kiss the Girl and If Only, of which the quintet version blew me away.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

I must also commend the excellent costumes and use of a video screen backdrop which worked well. So, another successful production from a wonderful youth company. BYT return early 2025 with the annual pantomime and this time it is Snow White. I shall certainly be there, and so should you.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Cheers.

Antony N Britt

*Photos taken from social media and taken by Paul Goode Photography.

Workin’ 9 to 5. 
What a way to make a livin’. 
Barely gettin’ by. 
It’s all takin’ and no givin’.

9 to 5 at The Crescent Theatre, Birmingham. 24 & 25 May 2024

Friday 24 May at 1930 marks the end of the 9 to 5 week for many, and what better way to wind down than with a trip to 1979 and the music of Country Legend, Dolly Parton.

Based on the film of the same name and with a rip-roaring score, 9 to 5 is the ultimate feelgood musical which tells the story of three women pushed to extremes. Concocting a plan to turn the tables on their sexist, egotistical boss, will they manage to reform their office, or will it all go wrong when the CEO pays an unexpected visit?

The Arcadians Musical Theatre Company have been delivering quality productions for over 50 years and 9 to 5 will be no exception. Therefore, expect lots of laughs with great vocals and harmony combined with excellent dance and acting of the highest order. One thing is sure, an Arcadians audience always goes home happy and with mainstream theatre so expensive, this is a great alternative.

9 to 5 is on at The Crescent Theatre, Brindley Place, Birmingham. Friday 24 May (1930) and Saturday 25 (1430 & 1930).

Tickets available from the box office here.

9 to 5 at The Crescent Theatre, Birmingham. 24 & 25 May 2024

Cheers

Antony N Britt.

Ah, the intoxicating smell of the graveyard.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Forever the champion of local productions, I am always delighted when I see one where you can’t tell the difference between amateur societies who pay for the pleasure, and the professionals, who get paid for it. And this was the case with Bournville Musical Theatre Company (BMTC) and their offering of The Addams Family.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

I have an admission. The Addams Family is not high on my list of favourite musicals. I find Marshall Brickman and Rick Elice’s story basic at best with sub plots that don’t go anywhere. And in the past, I have been underwhelmed by some of Andrew Lippa’s songs which come across as fillers and don’t move the plot along. However, the fact I still enjoyed The Addams Family shows BMTC did their job. Amateur or professional? If you didn’t already know, an audience would have believed this production was part of a major tour due to the quality being of the highest standard. Everything 100% throughout with no negatives from cast and crew.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Let’s start by meeting the family. John Morrison starred as Gomez and was instantly at home in the role, bringing us a character so recognisable and more of a Gomez than Luis Guzman whose portrayal in the hit TV series, Wednesday, I didn’t warm to. Joining Morrison at the top of their game was Lily Moore who played the vampish Morticia, also capturing her character. It says it all when you have witnessed these actors perform before, but don’t see them now, only the personalities they are creating. That was also the case with Lewis Doley who truly was Fester. All the mannerisms and persona were there. One of the best characterisations I have seen in a long time.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Now, I had never seen Meg Donovan in a full show before, but it was obvious as to the huge amount of work and skill that went in to being Wednesday Addams. So more difficult bearing in mind how much the character has been on TV in the past year. This was an excellent performance. Then, as Lurch, we had Randy Johnson who had the unenviable task of having to keep still and straight faced for much of the time, but the fact that the audience loved and reacted to this character showed just how well the job was done. Rounding off the family were a couple more Morrison’s in Viv (Grandma) and Andrew (Pugsley). Again, excellent in all areas.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

The plot of this show is that Wednesday is in love and wants to introduce her boyfriend to the family. And that’s it. But to do this you need to have a boyfriend, therefore, meet the parents. Stuart McDiarmid slotted into being Lucas Beineke with ease, giving a polished performance. Likewise, Phil Snowe was great as the father, Mal, displaying the horrified realisations of what are we getting ourselves into? Finally, in the principals, Lisa Colvin-Grieve was outstanding as Alice Beineke, a character who goes through a huge transformation and loses the plot. So entertaining.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

A major plus of this show is that the scope for ensemble is endless. With the inclusion of ancestors, who get a good deal of stage time, each individual production can create their own ancestors and all cast are accommodated. Here, each played their parts well, and were creepy indeed, decked out in white with likewise faces.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Stand out numbers in the show include When You’re an Addams, Pulled, Let’s Live Before We Die, The Moon and Me and a special shout out to Pugsley’s What If? Then the Full Discloser scene rounds off Act One perfectly. My favourite moment in the show is when Gomez and Morticia both realise they thought Grandma was each other’s mother, and that she may not be related to them after all.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

In production, this was Chloe Turner’s first time as director after years being in a leading role or choreography, and what an excellent job she made of it. Always something going on with movement and delivery spot on. It was also a family affair with Chloe’s sister, Sadie Lovelady once again taking the helm in choreography and keeping the highest standards that BMTC audiences have come to expect over the years. Finally, Chris Corcoran was there as musical director, as always producing incredible sounds with the cast and 12-piece band.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

There are only a handful of tickets available for the remaining performances. Therefore, don’t delay and grab them now, while you can.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Cheers.

Antony N Britt

* Photos taken from social media.

First show of 2024 and it’s the wonderful Birmingham Youth Theatre offering the classic tale of Sleeping Beauty. Written by Stephen Duckham, the show was an overwhelming success with cast and crew deserving everything given in appreciation by sell-out audiences.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Yes, Sleeping Beauty, and I’m not going to dwell on the plot because if you don’t know the traditional story, you should. The main thing, though, which was obvious on watching, was the continuing emergence and development of newer members as many of those we have become accustomed to have now passed the upper age limit. Sad in a way, but great for the future as the newer generations move up a notch with more experience. It is a pleasure to see the progress when you follow over the years.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

With the cast at 40 plus in numbers, there was much to love and admire from the production team of Vivienne Morrison (Director), Kennedy Glews (Choreography), Chris Corcoran (Musical Direction) and Maddison Clarke (Production Assistant). Such large numbers to work with and do so successfully. And a special shout out to the latter mentioned, Maddison, who has made the jump from performing member to production.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Playing Sleeping Beauty (Aurora) was Livy Owen who excelled during Gift from a Friend and Another Love. However, Sleeping Beauty needs her charming prince and Luke Griffiths was equally strong as Prince Michael, teaming up with Owen for A Thousand Years as well as solo outings with Don’t Wanna Miss a Thing and Unstoppable. Also standing out was Harrison Doherty who as Nanny Nora gave one of the best Pantomime Dame characterisations that I have seen in a long while, teaming well with David Morrison who continued wonderfully where he left off last year as the comic foil, this time Barney. Great interaction and audience involvement from both.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Villain of the piece, Eva Phelan was outstanding in the role of Carabosse, aided well by Megan Allsop who worked the Raven puppet. I Put a Spell on You ranked as one of the best numbers of the night. But there were so many others who shone. As Lord Chamberlain we had Saran Sambhi with Daisy Wright (Fairy Queen) leading a trio of magic in the Fairies; Moonbeam (Bea Roberts), Sunlight (Sophie Terry) and Stardust (Lucy Holcroft). And I particularly enjoyed the comic chemistry between Kitty Smart (Queen Sybil) and Gethin Randerson (King Septimus).

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Other named characters were Hans (Andrew Morrison), Bruce (Luke Holcroft), Lance (Edgar Shirley), Chardonnay (Emily Green), Merlot (Shire Clarke), Shiraz (Marni Carroll), Grigio (George Beckett), Zinfinndel (Finn Hill) and Beast of the Forest (Lucy Jones). All were magnificent, as were the dancers made up by Ava Jones, Bella Hoppner, Chyna Smith, Ella Pierce, Masie Cotterill, Shorouq Al Saffar, Sophie Swann and Tabitha Vlok. It was also pleasing for me to see the dancers give a little cameo in the forest with the moving trees used so well last year (Yes, we love the trees). Completing the ensemble was Anna O’Hara-Green, Breah Grimley, Edina Bilham-Moore, Ena Moreton, Freya Baylis, Georgie Dunn, Hannah Ashford, Niamh McKeon, Oonagh Williamson, Sophia Chilton and Talia Ellahawi.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

The night ended in marvellous style with the full company giving it all during Walking on Sunshine. In 2018, I produced and directed my own version of this tale, and guess what song I also ended with? Great Minds.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Sleeping Beauty had it all: Professionalism, energy, and lots of talent. The main thing, though, was that it looked like everyone had fun. And that’s half the job. BYT is a fantastic company, well led and with a bright future. They return to The Crescent Theatre in July for Menken’s, The Little Mermaid. I have no doubt it will be amazing and highly recommend you join us, Under the Sea.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Cheers.

Antony N Britt