Tag Archive: Grease


What came first, the stage or the movie? That’s a question sometimes asked when attending a performance which has been showcased in both mediums. And it might surprise a few that Grease was on Broadway six years before the 1978 Newton-John/Travolta film, such is the iconic status of that version. As with Annie recently, I had seen neither. Okay, I probably have seen most of Grease, one way or another in bits during the million and one times it’s been on TV, but this was a first for me, viewing from start to finish.

So how did it start? Quite well actually. In a predominantly female audience, we had a good opening with Grease is the Word by the company before the legendary Summer Nights. However, for me, this summer night didn’t get going until the energetic and brilliantly choreographed Greased Lightening. A great showcase by all involved; it was amazing.

But then we had a series of lulls. The show did drop several times with a risk of the audience losing interest. As a writer, I immediately saw that some of this was the script, but also the energy on stage fell too. These lapses were only temporary, though, and it wasn’t long before things picked up again. The script is nearly fifty years old now, so maybe it’s time for an update to give a more contemporary feel in terms of language and structure.

The same can be said for Act Two which did not become exciting until Hand Jive. In fact, the several preceding minutes were mostly irrelevant. Which is a crime. You really must make every word count.

It really lifted, though, with my number of the night, Hopelessly Devoted to You. This was sung with passion and quality by Martha Kirby (Sandy) who gave a five-star performance throughout the evening.

In the opposite lead role was Dan Partridge who delivered a softer Danny than might have previously been seen. He did well, though, and it’s nice to vary things with a different interpretation.

Playing Kenickie, we had the excellent Louis Grant, more in tone of what I would expect of a Danny. Also giving a good showing was Rhianne-Louise McCaulsky as the formidable Rizzo.

The above were well supported by numerous T-Birds and Pink Ladies. But I did have one criticism here. All the male and female characters in the respective groups seemed … generic, with little distinction between them, which was a shame.

Then came Teen Angel. On the night we had TV presenter and Strictly Come Dancing winner, Ore Oduba. This is a cameo role, but I have to say, I do love Beauty School Dropout.

Other numbers of the night to note included: There Are Worse Things I Could Do, You’re the One That I Want, Sandy and the rousing We Go Together.

The director for Grease was Nikolai Foster with musical direction from Neil MacDonald. I cannot praise enough, though, the choreography from Arlene Phillips. No more than expected from one of her experience, but what the show needed anyway.

All in all, a decent, likeable offering, but probably not one I’d see again.

Cheers.

Antony N Britt

I was recently privileged to witness a journey through the years, courtesy of Bournville Musical Theatre Company. And Through the Decades was just that. A showcase of not only several eras in pop, rock and musical theatre, but also an example of how music has evolved during those times.

Through the Decades – The Austin Social Club – 16 October 2016

This was my first experience of the Bournville company and I was not disappointed.

From the opening rock and roll of the 1950s, I found myself captivated, tapping away and singing along (and not always silent, I may add) to the numbers performed on stage.

Good use of a three-piece band: Keyboard, drums and bass, provided all the sound needed. Combine that with great singing, dance and characterisation, you had a fabulous show before you.

Each section was introduced by a video consisting of films representing the relevant decade before launching into their opening number.

Of the songs, themselves, I’d have too long a list if I named all I enjoyed. Therefore, I’ll have to rely on the first which spring to memory.

A mix together of You’re my World and All I See is You were exceptional as was the case with the harmonies of Mr Sandman. For the 70s we had a Grease set of which Hopelessly Devoted to You, shone. Act One ended with a company number of Bohemian Rhapsody, and it shows you’re good if you pull that one off.

Into Act Two and a song from one of my favourite musicals in One Day More (Les Miserables). It was then I found myself further surprised. You see, I consider myself more a rock person. However, I was completely drawn in by fabulous performances of Total Eclipse of the Heart, She’s the One and Torn (one of my favourites of the night). Then we had Bournville’s very own Spice Girls. Now come on, I’ve said I’m into rock, and I’ve never taken any notice of the Spice Girls. But I liked these ones.

Probably, for me, the most powerful number was a combination of the Adele songs, Turning Tables and Rolling in the Deep. And that’s where I come back to what I said at the start. Whereas my eras are more late 70s to early 80s, it’s interesting to see how much music has evolved since the 1950s. Despite not being my type of music, there seems to be greater depth and complexity about more recent offerings. I guess we’re always discovering techniques that it’s inevitable a new generation will improve. And that’s a good thing. I enjoy the past, but don’t want to live it again.

Rounding off the show were two numbers from School of Rock. Great. A bit of rock. I’d not heard these songs before but having done so courtesy of Bournville Musical Theatre Company, I went online and ordered the original cast recording CD the next day. And I’ll probably be making a trip to the West End, too.

So well done to all, especially Rachel Fox (Producer), Chris Corcoran (Musical Direction), and Kris Evans, Helen Gauntlett, Karen Lane, Chloe Turner, Sadie Turner (Choreography).

At the start of Act One, we had a preview of the companies next show, The Pajama Game. On this performance, it will be well worth going to see.

Through the Decades – The Austin Social Club – 16 October 2016

Cheers

Nick

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