Before going to see 9 to 5, I only knew three things about the show: Two songs and the fact it’s famous for Country and Western songwriter, Dolly Parton. And as the show kicks off, we get to see two of those with a video intro from Dolly before launching the title song, 9 to 5. A nice touch, but not needed as the cast straight from the start have the audience’s full attention with excellent song and dance, full of energy and perfected skill.
I had a special interest in this show, however, as Here for You was one of the first numbers I ever sang solo in my own stage exploits during a concert. Sitting centre of the stalls on row B, I got almost as good a view of Doralee (Ahem!) as when I was on stage.
Now, twenty minutes into the show and with both songs I was familiar with having already gone, I wondered if it had peaked for me. Not a chance. It does always help if I know songs, but such was the calibre of delivery, it didn’t matter. Around Here, Backwoods Barbie, Heart to Hart, Change It and Shine Like the Sun were all amazing. Great vocals with equally matching choreography.
Set in the 1980s, 9 to 5 is the tale of three women fighting their boss for equality, and leading the pack, former Eternal star, Louise Redknapp was outstanding as Violet. Then we had Amber Davies playing Judy and I have to say, what a shining performance, especially during Get Out and Stay Out. But how can anyone fit into the heels of Dolly Parton? Well, Georgina Castle did, and Dolly would be proud. The trio really worked well together and looked a close-knit team
Supporting well, though were Lucinda Lawrence as the devoted assistant, Roz, to the sexist Franklin Hart Jnr (Sean Needham). And we also had Christopher Jordan Marshall (Joe), Jemima Loddy (Missy), and finally, Laura Tyrer as the gloriously alcoholic Margaret.
9 to 5 is simply a fantastic feelgood show, full of laughs included in a good script from Patricia Resnik. But credit to the production on this tour who made the whole experience unforgettable. Jeff Calhoun (Director), Lisa Stevens (Choreographer) and Mark Crossland (Musical Director) led a great team.
A good indicator of how much I enjoy a show is if I immediately purchase an original cast recording. And I have (Well, streamed it, at least). This is a show not just for fans of Dolly Parton, but everyone. One of the best I’ve seen and appreciated by the entire audience on my visit.
Cheers.
Antony N Britt - Author 