Tag Archive: New Alrexandra


First, an admission. I only initially went to see Hayley Mills. A huge fan of hers growing up and The Parent Trap being in my Top Ten favourite films of all time. However, a play is a play and there are other aspects to satisfy an appetite for Theatre, and I have always liked Rula Lenska and Paul Nicholas, so that was a bonus.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

The Best Exotic Marigold Hotel is a new stage adaption of the 2011 film of the same name, and that itself, based on Deborah Moggach’s 2004 book, These Foolish Things. It’s a story about a group of British pensioners who move to a run-down retirement home in India, managed by an eager young man and his mother. With underlying themes of ageing, reflection and never being too old, this is a feelgood play with so much life. I particularly liked the lines about not feeling old in mind. I can empathise with that at 59. Bodies may get frail, but you still feel 21 inside.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

An impressive set of the hotel interior from Colin Richmond was supplemented when needed by pop-up additions which were not obtrusive. And I was also impressed with the sound, courtesy of Mic Pool with an excellent musical backing score by Kuljit Bhamra MBE. What I was also pleased with on the sound was the use of microphones. I commented in a recent review about their absence and having the contrast just a week later highlighted the difference to both atmosphere and enjoyment in a large venue. To top everything off, direction at the hands of Lucy Bailey was perfect, enabling the audience to enter the world of The Best Exotic Marigold Hotel.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

Hayley Mills. What can I say? Like watching an old friend. And that is exactly what a successful career does. Makes you familiar. And the never grow old philosophy even worked here as it was just like stepping back in time to witness Endless Night or any other of the multitude of films featuring her. An outstanding performance as Evelyn. And the same can be said for Rula Lenska (of the sultry voice as Madge) and Paul Nicholas (Douglas), showing that recognisable crafty smile which should have been trademarked years ago. Still quality and certainly not ready for the retirement home yet.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

This production also had an excellent supporting cast consisting of Tiran Aakel (Mr Gupta/Fernandes), Eileen Battye (Jean), Richenda Carey (Dorothy), Andy de la Tour (Norman), Kriss Dosanjh (Jimmy/Sadhu/Waiter), Shila Iqbal (Sahani), Karena Jagpal (Kamila), Rekha John-Cheriyan (Mrs Kapoor), Nishad Moor (Sonny), Marlene Sidaway (Muriel) and Anant Varman (Mohan/Tikal). Each gave everything, allowing you to really bond and understand the characters.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

The Best Exotic Marigold Hotel is a wonderfully crafted story which is poignant but has you laughing when you least expect. A fantastic night out, rounded off by waiting for the first time in my life outside a stage door. Come on, I’ve said Hayley Mills is one of my all-time favourites; when else would I get a chance?

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

And I am happy to say she is as lovely in real life as she appears on stage and screen, making a fans’ dream come true with an autograph and photo.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

I also collared the equally nice Rula Lenska, too.

The Best Exotic Marigold Hotel — New Alexander Theatre, Birmingham — 24 February 2023 

Cheers.

Antony N Britt

For many years I had promised myself I would see The Mousetrap, the longest running play in the West End. However, for me, the venue wasn’t the St Martin’s Theatre, London, but The New Alexandra in Birmingham with the play on tour.

Now, being a writer, I am also a prolific reader and have sampled nearly half of Agatha Christie’s catalogue to date. Therefore, I had an advantage in suspecting the murderer as soon as they made their entrance. I was proved right, as it turned out, but like a good detective, didn’t show my hand until it mattered. Assume nothing.

The plot involves a young couple, Molly and Giles Ralston, preparing for the opening of their guest house venture at Monkswell Manor. Numerous guests arrive, surrounded by the news of a murder in London. At the end of the first act, one of their number is also murdered and Sergeant Trotter, who appears before the manor is cut-off by heavy snowfall, investigates. And we get the usual Christie drama of multiple clues, false leads and sub-plots.

I am not going to reveal more as you are asked at the end, not to, and who am I to spoil the fun.

Using one set, The Mousetrap is a bit slow at the start and very little of relevance occurs until near the end of Act One, just before the murder. However, the characters and plot are set up well and you form a real attachment to the Manor’s owners and guests. What I liked was a good use of humour, essential in something as dark as a murder mystery, in my opinion, so as not to make the experience totally gloomy.

Topping the bill was a national treasure of British film and theatre in Susan Penhaligon as the ultra-critical Mrs Boyle. I have to say, it was a joy to witness someone I have watched in films and TV over the years and for me, the most memorable being in Doctor Who’s, The Time Monster, way back in 1972.

Supporting well, though, were David Alcock (Mr Paravicini), Geoff Arnold (Sgt Trotter), Nick Biadon (Giles Ralston), John Griffiths (Major Metcalf), Harriett Hare (Mollie Ralston) and Saskia Vaigncourt-Strallen (Miss Casewell). Finally, we had Lewis Chandler as Christopher Wren who gave a superb performance. Wren is a flamboyant character with many opportunities to shine, but Chandler took and exceeded all of them. The production was directed by Gareth Armstrong.

Christie’s writing desk at Greenway. Who knows, perhaps The Mousetrap was written here.

All in all, a good show. Yes, I guessed whodunnit! And yes, there are plot holes, but I thoroughly enjoyed it. A lovely night out.

Cheers.

Antony N Britt

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