Tag Archive: Amber Davies


That is the elephant in the room. 
Well, is it relevant to assume 
That a man who wears perfume 
Is automatically, radically fey?

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

It would be an understatement to say I am no stranger to Legally Blonde the musical as I had already seen it eight times (but never watched the film — strange). So, what was it that made me book tickets well in advance? One person. Amber Davies. I had previously seen her in 9 to 5 and Pretty Woman and soon had her as my favourite musical theatre performer. And yet, she still gets bad press from a small quarter. Whether this is down to Love Island fame from years ago, I don’t know. C’mon, give the girl a break. She was trained in Musical Theatre long before that.

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

Okay, the tedious bit. Legally Blonde is a 2007 show with music and lyrics by Laurence O’Keefe and Nell Benjamin and a book from Heather Hach. It is based on the novel Legally Blonde by Amanda Brown and the 2001 film of the same name. It tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend, Warner.

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

The show itself is up with the best, and there is not a bad number in the song roll. My personal favourite this time was There Right There. If you know, you know. Having seen it so many times, I did notice a few tweaks with some of the derogatory stereotyping removed and more modern references replacing dated ones. The direction of Nikolai Foster and choreography from Leah Hill was outstanding, but you still need a good cast to pull it off.

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

James Lim really played his part and captured the spirit of Emmet well, as did in other roles: Karen Mavundukure (Paulette), Adam Cooper (Callaghan), Jamie Chatterton (Warner), Annabelle Terry (Vivienne), Jocasta Almgill (Brooke), Hannah Lowther (Margot), Rosanna Harris (Serena), Remi Ferdinand (Pilar), Ty-Reece Stewart (Kyle), Bradley Delarosbel (Carlos) and Keanna Bloomfield (Enid), as well as an excellent company of ensemble and swings. And sorry, this time, I refuse to credit the bloody dogs as the trainer wasn’t even mentioned in the programme. Ha!

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

Of the songs not already listed, I love Ireland, Bend and Snap and … just about all the rest of them. Excellent lighting, sound and set with a good orchestra conducted by Cerys McKenna topped an outstanding show.

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

Oh … have I missed someone?

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

Yes, the star of the show, the one I came to see. As always, Amber Davies was exceptional. Born to play Elle Woods, this was the best I have seen in the role. Excellent voice, strong acting, and superb dance, but not afraid to bring what I suspect is natural vulnerability. Amber has been through a lot in the past six months. Hate on social media during Strictly Come Dancing and more recently, criticism for the heinous crime of … getting ill. Take heart, Amber, for every keyboard critic, there are dozens that love you. You would not have sold out every show otherwise and had them queueing at the stage door in hundreds. And, have the satisfaction that for those in the minority of haters, you are still occupying a part of their sad little minds.

Legally Blonde — The Alexandra Theatre, Birmingham — 4 April 2026

Cheers.

Antony N Britt

*Photos taken from public domain and may not represent the performance reviewed.

Pretty woman, walkin’ down the street. 
Pretty woman, the kind I like to meet. 
Pretty woman, I don’t believe you, you’re not the truth. 
No one could look as good as you. 

So … Pretty Woman, a musical based on the 1990 film which followed a trend of being named after songs to boost popularity. I have never seen the film but am told the 2018 musical follows the plot closely. It centres on the relationship that develops between Vivian Ward, a free-spirited Hollywood prostitute, and Edward Lewis, a wealthy businessperson who hires her for a week to be his escort for several business and social functions.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

With a book by Garry Marshall and J.E. Lawton, plus music and lyrics from Bryan Adams and Jim Vallance, Pretty Woman draws heavily on the nostalgia and popularity of the original movie but also has a sound script which flows with decent songs. My only criticism would be that the plot is too simple with apparently less conflict between Vivian and Phillip Stuckey (Stuart Maciver) than the movie.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

In the title role of Vivian, we had Amber Davies. I like Amber Davies. I recall going into 9 to 5 a few years back, only hearing second-hand of the Love Island connection and being wowed by the fully theatre trained talent she is. An impressive performance in acting and voice, excelling particularly in Anywhere But Here and I Can’t Go Back. Edward, on this occasion was played by understudy, Ben Darcy but (as I have found on many occasions of seeing the understudy) was outstanding, including perfect renditions of Something About Her and You and I.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

As Happy Man/Mr Thompson, we had TV Presenter and Strictly Come Dancing winner, Ore Oduba who many in the audience had come to see. Happy to say he was excellent in the role although I do have to draw issue with the unnecessary references to Strictly. Come on, this is musical theatre, not panto, and it wasn’t all about one principal. Equally strong was Natalie Paris as Kit De Luca, also giving a good showing with Oduba and Ensemble during Never Give Up on a Dream. And I must give a special mention to Noah Harrison who stood out strong in many scenes featuring his comic character, Giulio.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

Other good numbers included You’re Beautiful, Long Way Home and Together Forever. Finally, after the bows, we got the full cast rendition of the title song, which has no relevance to the plot whatsoever, other than feelgood factor but was welcome and well-delivered.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

Pretty Woman was directed and choreographed by Jerry Mitchell with the UK tour responsibilities in the hands of Dominic Shaw and Matt Jones. Global Musical Supervisor was Will Van Dyke while Griff Johnson led an excellent orchestra.

A decent enough show. Not sure I would see it again for a while but overall, a good night out, especially due to Amber Davies.

Pretty Woman — New Alexandra Theatre, Birmingham — 20 October 2023

Cheers.

Antony N Britt

* Photos blatantly taken from social media.

Before going to see 9 to 5, I only knew three things about the show: Two songs and the fact it’s famous for Country and Western songwriter, Dolly Parton. And as the show kicks off, we get to see two of those with a video intro from Dolly before launching the title song, 9 to 5. A nice touch, but not needed as the cast straight from the start have the audience’s full attention with excellent song and dance, full of energy and perfected skill.

I had a special interest in this show, however, as Here for You was one of the first numbers I ever sang solo in my own stage exploits during a concert. Sitting centre of the stalls on row B, I got almost as good a view of Doralee (Ahem!) as when I was on stage.
Now, twenty minutes into the show and with both songs I was familiar with having already gone, I wondered if it had peaked for me. Not a chance. It does always help if I know songs, but such was the calibre of delivery, it didn’t matter. Around Here, Backwoods Barbie, Heart to Hart, Change It and Shine Like the Sun were all amazing. Great vocals with equally matching choreography.
Set in the 1980s, 9 to 5 is the tale of three women fighting their boss for equality, and leading the pack, former Eternal star, Louise Redknapp was outstanding as Violet. Then we had Amber Davies playing Judy and I have to say, what a shining performance, especially during Get Out and Stay Out. But how can anyone fit into the heels of Dolly Parton? Well, Georgina Castle did, and Dolly would be proud. The trio really worked well together and looked a close-knit team
Supporting well, though were Lucinda Lawrence as the devoted assistant, Roz, to the sexist Franklin Hart Jnr (Sean Needham). And we also had Christopher Jordan Marshall (Joe), Jemima Loddy (Missy), and finally, Laura Tyrer as the gloriously alcoholic Margaret.
9 to 5 is simply a fantastic feelgood show, full of laughs included in a
a script from Patricia Resnik. Admitted, the script left a bit to be desired at times, particularly as men are only used as plot devices, then discarded. But credit to the production on this tour who made the whole experience unforgettable. Jeff Calhoun (Director), Lisa Stevens (Choreographer) and Mark Crossland (Musical Director) led a great team.
A good indicator of how much I enjoy a show is if I immediately purchase an original cast recording. And I have (Well, streamed it, at least). This is a show not just for fans of Dolly Parton, but everyone. One of the best I’ve seen and appreciated by the entire audience on my visit.

Cheers.
Antony N Britt.