Tag Archive: Sedgley


This was my second experience of Trinity Musical Theatre Company, having seen their offering of The Witches of Eastwick twelve months ago. So, would this year’s production also deliver satisfaction?

Return to the Forbidden Planet – Dormiston Mill Theatre – 4 November 2017

The first thing to note is the cast are already on stage as the audience enter the auditorium. A good effect which grabs your attention as soon as you hit the seats. An impressive set with costumes reminiscent of Sci-Fi films, one of which Forbidden Planet is famous. In particular, the clone-like appearance of the females which had me thinking of Gerry Anderson’s UFO series of the 1970s.

The show has a low-key opening with flight attendants giving a demonstration of safety precautions. Different, but amusing. Then we have countdown and blast off to the sound of Wipe Out. What caught me straight away was how full the stage was. This was much down to members of the Linzi G School of Dance. A great collaboration which not only sees additional energy and interaction on stage, it also gives pupils experience to add to the CV.

Any fan of rock and roll will love Forbidden Planet; the hits come one after another. Great Balls of Fire, Good Vibrations and Young Girl, to name a few. And a good way to end the show with a medley of tunes, culminating with the comic, Monster Mash.

This is a strange show for me because there is so much I don’t like to begin with. I’m not a fan of the clunky Shakespearian dialogue, neither do I like the cop-out reprise at the start of Act Two where you have a different conclusion to the previous scene, but that’s just the writer in me. The fact I have niggles with the original Bob Carlton script goes to show how good a job the cast and crew have done to get me still raving positive about what was before me.

On the night there were excellent performances from Mitch Bastable as Tempest, Beth Berwick-Lowe (Miranda) and Pat Lewis (Prospero). Also supporting well were Naomi-Leeanne Millard (Gloria), Steve Taylor (Ariel), Abigail James (Bosun) and Mark Moran (Cookie). Okay, Cookie was a trifle older than expected, but this was dealt with in a tongue-in-cheek way at the end of Teenager in Love.

All in all, a thoroughly enjoyable night out. The biggest compliment I can give, though is that on the way to the theatre, I had the London Cast Recording CD on in the car. Trinity’s performance was better. Production for the show was in the experienced hands of Andy Poulton with choreography by Lindsey Grant (of Linzi G fame) and musical direction from Dan Tomkinson.

Return to the Forbidden Planet – Dormiston Mill Theatre – 4 November 2017

Next year, Trinity turn their hands to The Wizard of Oz and on current evidence, it will be another great show.

Cheers.

Antony N Britt

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The pantomime is a great tradition and I’m always looking for companies I’ve not seen before. Therefore, when the two factors combine, I end up in places like the Dormiston Mill Theatre, Sedgley, watching Rainbow Pantomimes’ production of Cinderella.

Cinderella – Dormiston Mill Theatre – 20 January 2017

First off, a niggle at the audience. I watch loads of shows and people always forget to applaud the overture (and even more so, exit music). The band have worked damned hard, so give them appreciation, folks.

But the rest of the show. We all know the story of Cinderella, and Rainbow did the classic tale justice. Exuberant enjoyment from the cast projected to those watching, straight from the start with opening number, Reach for the Stars. Yes, good acting combined with decent dance numbers had the crowd whooping it up. There were comic moments, in particular, the Ugly Sisters’ Face Cream scene, although what had me laughing most was an innocent and incredulous comment from a child sitting in front when we had a delay in changing scenery. “Mom, they’ve left the door …” Oh, the little things that amuse me.

Fabulous musical numbers, notably: She, So Close, I See the Light, Open Doors, Raining Men and Celebrate. By far the best for me, though, was the full company version of Timewarp. Not a song I particularly like, so credit for making it stand out.

Of the cast, Katie Randle (Cinderella), Katie Teitge (Prince Charming) and Amy Cooper (Buttons) were superb. Also, well supporting were Jake Millington (Dandini), Helen Hollis (Beryl), Jonathan Pountney (Cheryl), Gemma Wilson-Brown (Baroness), Sally Parker (Fairy Godmother), Ian Totney (Mouse) and Dan Cubberley (Major Domo/Bear).

Cinderella was directed by Gemma Simner with Choreography by Emma Bate. On the music front, there was excellent use of a four-piece band directed by and including, Danny Teitge. Great sound throughout.

The only criticism I have is at times, the flow of certain scenes slowed. Too many pauses on stage with nothing happening. Although this may have been down to the original script, there was a danger of lost interest.

Still, as I say, I enjoyed, as did the rest of the audience. And my God, there were some hyper kids in the front of the auditorium. Was there a shortage of Ritalin or something?

All in all, well done to Rainbow Pantomimes. Looking forward to the next one.

Cinderella – Dormiston Mill Theatre – 20 January 2017

Cheers.

 

Nick

The Witches of Eastwick was my first experience of Trinity Musical Theatre Company. In fact, it was everybody’s as the company had recently been reborn from being a Gilbert and Sullivan Operatic Society to reflect more modern trends. So how did they fare?

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Well, I saw Witches of Eastwick in February performed by Year 13 students of Birmingham Ormiston Academy. Now some might class that as a school performance, but such was the excellence of young talent that day, I knew Trinity would have a lot to live up to.

Now the first thing I encountered in the show were glaring lights from the stage in the overture, shining onto the audience and I must admit, I had spots in front of my eyes for five minutes. However, it was a minor negative and from the opening number of Eastwick Knows, superbly introduced by Freya Poulton as Little Girl, I was reminded why Witches is one of my favourite musicals.

Good performances by the three, particularly in Make Him Mine and I Wish I May were all I would expect of a Professional Amateur Theatre Company. Playing Alex was Maggie Page with Phaedra Brickwood as Jane and Beth Berwick Lowe (Sukie). Each produced the power the roles needed, fully exceeding my expectations.

Then we had Mitch Bastable as Darryl Van Horn. A truly great role and Mitch did it justice. Enigmatic, great mannerisms; he was so Darryl Van Horn.

Supporting well were Tina Stephenson playing Felicia Gabriel, Pat Lewis (Clyde), Emily Fisher (Jennifer), David Ball (Michael) and Adam Dolan (Fidel).

It’s interesting seeing different productions. In February, the best chorus number was Dirty Laundry, which although good on this occasion, was outshone by Dance with the Devil. It’s a shame Loose Ends was omitted as was the case with the shorter version of Something, but it didn’t detract from my enjoyment.

Again, comparing to my earlier experience of the show, this time I got the full adult version, doing things maybe Year 13 students couldn’t. All in all, a great experience once more which hasn’t lessened my hankering to see the show again.

Witches of Eastwick was produced and directed by Ashely-Miles Wilkes, choreographed by Emilie Walters with musical direction from Karl Babarczi.

After 8o years as a G&S Operatic Society, I’d say Trinity made the transition into musical theatre with success, and long may it continue where I am sure I will be in attendance.

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Cheers.

 

Nick

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