Tag Archive: Writing


I’ve got to confess, I’ve never seen the movie, Footloose (shock, horror). And I dare not mention (even though I have) that I fell asleep during Dirty Dancing. However, this did not put me off going to see a stage version of the former at the New Alexander Theatre, Birmingham, especially as it was directed by Racky Plews whose American Idiot a couple of months ago rated highly with me.

Footloose – New Alexander Theatre – July 4 2016

Like American Idiot, Plews used a formula in Footloose of having all the musical instruments played by the actors on stage. Don’t know why, but it works. Not only that, nothing appeared incongruous with them blending in perfectly.

The initial shock of the night was that the billed star, 2002 Pop Idol Runner-Up, Gareth Gates, would not be appearing. He’d apparently been told to rest his voice for a week. I found that out later. Now I admit, I wouldn’t know a Gareth Gates song if somebody played one to me. Not so the rest of the audience, it seemed as a stunned silence ensued with the news going down like a lead balloon.

However, in typical British let’s back the underdog spirit, people soon warmed to Luke Thornton, a man with the unenviable task of appeasing the Gareth Gates Appreciation Society. Thornton delivered such an excellent portrayal of Willard, though, he received the biggest cheer at the end of the show.

So how did Footloose shape up? I enjoyed it and unlike a couple of previous trips to the theatre, the sound guys got it spot on this time. I’ve already mentioned Racky Plews and the similarities in approach to his other recent show. Footloose, likewise adopted a very abstract, but functional 3D use of the stage, if that makes sense. Utilising height as well as area space on the flat. I did feel the musical numbers waned towards the end, particularly those featuring the Reverend, but that was a minor niggle.

Musical highlights for me were Holding Out For a Hero, Somebody’s Eyes and of course, Footloose. It was also good to have an audience participation reprise at the end where we were invited to get up, clap and dance along to a medley of the more famous show numbers. Now as a performer myself (yes, deary), I always like to give a standing ovation for the hard working folk on stage, but it was great to see the rest of the audience doing so, likewise.

With no Gareth (sorry for keep mentioning the absentee), the biggest named star was Maureen Nolan (of the Nolan Sisters fame) playing Vi Moore. In the lead role of Ren we had Luke Baker with Hannah Price as Ariel Moore and Nigel Lister as the Reverend Shaw Moore (Shaw Moore? Really …???). Now I’ve already mentioned Luke Thornton who stole the show as Willard but coming close, in my opinion, was Joanna Sawyer who was excellent as Rusty.

Accompanying Racky Plews on the production team was Matthew Cole (Choreography), Sara Perks (Designer) and David Keech (Musical Director). Keech also provided drums on stage throughout the show from his cabin shack up on high.

So yet another show I have absolutely loved. Heck, I might even go and watch the film now.

Footloose – New Alexander Theatre – July 4 2016

Cheers.

Nick

So far in 2016 I have attended productions ranging from lavish shows at the Birmingham Hippodrome to an academy performance of Year 13 students (which to date remains my favourite of the year). With that display of upcoming talent in mind, I thought I would go one step further and see things at a much earlier state of development.

Artrix Theatre  - A Tale of the Railway - The Star Project

Founded in 2008, The Star Project allows children aged 4 to 18 to express themselves in musical theatre through the medium of singing, dance and acting. The project has three schools based across the Midlands region and A Tale of the Railway saw a coming together of these in a major production. Staged at the impressive Artrix Theatre, each school had the opportunity to shine with roles changing several times throughout the show, offering students the opportunity to give their own interpretation of the parts. And of course, with so many on view due to there being three schools, everybody had a chance.

A Tale of the Railway is the story of a young family who uproot and go to live by a country railway line, telling the adventures they enjoy and about all the people they meet. What was most evident was the absolute confidence from all the young people on stage. Confidence is one of the biggest hurdles to overcome in performing arts and it’s a credit to the Star Project management and teachers that everybody looked so comfortable. The singing was powerful, the dance, faultless, and the acting … well, nobody put a foot wrong from where I was sat.

It’s good to see talent nurtured from an early age and encouraging regarding the genesis of stars of tomorrow. If this amount of quality can be seen now, it only bodes well for the future.

The show was directed and choreographed by Star Project Director, Jo Edwards with Project Manager, Sarah Carter as Assistant Director. At the end of the show, after much deserved ovations and presentations, the audience were treated to a reprise of the project’s recent performance in London. A few weeks earlier, many of the students had the opportunity to tread the boards at none other than Her Majesty’s Theatre in the West End, the very arena where Phantom of the Opera has been staged for 30 years. By the evidence I saw, this would not be the only time pupils from The Star Project will grace that famous stage.

It is an understatement to say I was impressed. I have never applied star ratings when doing reviews, but if I were to rate the Star Project, they would be a Five Star Project.

The Star Project has schools in Barnt Green, Droitwich and Solihull and can be found at this link.

The Star Project

Cheers.

Nick

The stage was alive in Birmingham with the Sound of Music in the form of Rodgers and Hammersteins’ world famous show.

The Sound of Music – Birmingham Hippodrome, 25 June 2016

As one of my favourite musical films, I did wonder how seeing the live version would compare. Yes, it is different, of course, with no place on stage for the Austrian mountains. There is also the matter of songs excluded from the 1965 film and a slightly different order of others. No matter. After all, the stage version came first and unlike the film, each performer in front of me sang their own lines.

Having recently seen a magnificent set at the same venue for Mary Poppins, The Sound of Music was the complete opposite in comparison. The barest of backdrops and a sparse scattering of props was in keeping with a small cast. However, this did not distract from the experience. The performances on stage were exceptional enough that any superficial extras were not needed.

So how did a live version of a popular film match up? Excellent, as it happens. I loved the numbers, How Can Love Survive and No Way to Stop It and cannot understand why they were omitted from the film in the first place. Also, I do prefer the more sympathetic characterisation of Elsa, the Baroness and that Rolf helps the family escape at the climax of the show.

As well as the songs already mentioned, other musical highlights for me were Do-Re-Mi, So Long, Farewell and Something Good.

Portraying the part of Maria was The Voice Runner Up, Lucy O’Byrne with Andrew Lancel (more familiar as DI Manson in The Bill) as Captain Von Trapp. Max Detweiler was played by Duncan Smith, Elsa Schraeder by Lucy Van Gasse, Liesl by Annie Holland with Jan Hartley as The Abbess. There were also good performances by all of the children on duty which topped off a fine day, indeed.

The Sound of Music was produced by Bill Kenwright, directed by Martin Connor with musical direction from David Steadman and Tim Whitting. Choreography was by Bill Deamer with Gary McCann on Design.

So was it a case of so long and farewell when I left the theatre as I considered my verdict? Well, unlike recent shows I’ve seen, I haven’t been motivated to play the London Cast CD since. I felt the show was a little let down by the meagre set and maybe the whole thing could have been more dynamic, but the cast pulled it round. And I’d say it was still an enjoyable experience which I would happily see another version of in the future.

The Sound of Music – Birmingham Hippodrome, 25 June 2016

Cheers.

Nick

 

I have to admit to being highly pleased when opening my July copy of Writing Magazine to find Dead Girl Stalking had been shortlisted for Self-Published Book of the Year. Okay, so I didn’t win or come runner up, but to get in the top eight, having had my work judged and praised by the writing industry is reward itself.

Dead Girl Stalking © Antony N Britt

Many thanks to the panel, and to magazine editor, Jonathan Telfer for the fantastic write up.

Front Cover - Writing Magazine July 2016Writing Magazine July 2016

Writing Magazine July 2016Writing Magazine July 2016

Dead Girl Stalking – Available to Buy on Amazon

Buy Writing Magazine – July 2016

Cheers.

Nick

I have to admit to some trepidation when venturing to watch American Idiot. You see, I’m a huge Green Day fan and not only that, the original CD on which this show is based is among my top five favourite albums of all time. And I also enjoy the Broadway Cast version, too, so the event had a lot to live up to

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

The first disappointment, however, was the audience. I was in the middle circle which was only a third full. Then came the opening. On an impressive set which reflects the theme of the show, American Idiot should have burst into action, blasting me from my seat. It didn’t. The title track was … well, too quiet. I expected the sound to near burst my ears from such a fantastic number, but I was left a little deflated. Now this had nothing to do with the performance, more that I felt the sound people had got it totally wrong. The sound did improve, thankfully, as the show went on, in spite of a further complication when Tunny’s microphone failed to work for the entire of Are We The Waiting.

Now this might sound like a disaster of a show but two things swung it round. The magnificence of the Green Day numbers and the dynamic performance of the cast. After the initial problems, I was soon on the edge of my seat in excited anticipation for each song. Highlights for me were, Letterbomb, Extraordinary Girl, 21 Guns and Homecoming.

Okay, the story on stage is pretty thin and often confusing unless you already know what is going on, but American Idiot is more about bringing the music to life. And the show did just that.

Playing the lead of Johnny was English singer/songwriter, Newton Faulkner who delivered an excellent performance. Former X-Factor finalist, Amelia Lily also shone as Whatsername as did Alexis Gerred and Steve Rushton as Tunny and Will, respectively. The role of Johnny’s alter-ego, St Jimmy was undertaken with power by Lucas Rush. For my visit, two of the cast stepped up in their understudy roles with neither giving anything short of marvellous. Alice Stokoe was perfect in the part of Heather as was Karina Hinds as Extraordinary Girl.

I also have to mention the band of Robert Wicks, Alex Machisone, Tommaso Varvello and Nick Kent who along with Steve Rushton, faithfully reproduced the Green Day magic. American Idiot was directed and choreographed by Racky Plews with musical supervision from Richard Morris.

It’s a testament to a show with regard to how much of an impact it makes on you. I have attended performances where I have left the theatre and not thought a lot about it for a while afterwards. This was not the case regarding American Idiot. For nearly a week, I had the Broadway CD playing in my car, then the original Green Day album, followed by Broadway again.

Yes, American Idiot left it’s mark.

It’s not over till you’re underground.

Green Day’s American Idiot – New Alexander Theatre, Birmingham – 13 May 2016

Nick

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

I have to admit, when buying tickets for this, I’d never heard of Birmingham Ormiston Academy (BOA) before and at £10 a seat, I wondered what level of performance I should expect. Despite the excellent value in price, though, I still guessed it would be good, but never expected how good.

Over the past few months I have seen The Lion the Witch and the Wardrobe at the newer Birmingham Repertory Theatre, and Jesus Christ Superstar (starring Glenn Carter) at the Hippodrome. I can honestly say, this production of The Witches of Eastwick knocked both those offerings out the building in terms of enjoyment.

The Witches of Eastwick – My new favourite show, and all thanks to the wonderful production team, orchestra and more important, the talented Year 13 musical theatre students of BOA.

An academy in performing arts for ages 14 to 19, BOA have the cream of the region and it was obvious from the outset, you’ve got to be damn good to get into this school.

My interest in The Witches of Eastwick had been piqued while taking part myself in a concert featuring two of the numbers, and I wanted to see what the entire show had to offer.

The Witches of Eastwick – The Old Rep Theatre, Birmingham – 18 March 2016 Birmingham Ormiston Academy (BOA)

Loosely based on the novel of the same name by John Updike, but having more in common with the 1987 film, The Witches of Eastwick tells of three women searching for the man of their dreams. Pooling energy together, their dreams do come true, but they also get more than they bargained for.

The enigmatic Daryll Van Horne arrives and soon seduces all three, causing destruction, and eventual death along the way. The women realise what it is they have created and decide they have to put things right and send Daryll back from where he came.

Looking at the programme, the pen pictures tell me there were two casts. I learned that these were basically the A and B teams. I don’t know if there was any significance in these categories, or that it was simply a way of dividing to give the students an equal opportunity over the course of the run. As it was, I saw the B cast and if the A lot were meant to be the primary, then they must have been something extra special because the B team I witnessed were out of this world.

Once you got over the fact that, yes, the majority of parts are meant to be played by older people, you soon became lost in the show. In fact, I’d forgotten how old they really were halfway through the opening. Sitting in Row B, I think I spent the entire show leaning forward with chin in hand, mesmerised by what I saw on stage. Not an easy task to keep me from fidgeting throughout a performance.

I imagine it must be hard to pull off characterising much older parts, especially the males, but Jack Sanders did a fantastic job with his portrayal of Daryll. And then you had the witches, themselves. Wow! To get one good voice is great, but all three? Talulla Wheatley (Alex), Heather Foster (Jane) and Lydia Gardiner (Sukie) were all amazing. Incredible voices and fantastic harmonies with great acting to top it off. Then you also had the supporting principles and an ensemble which brought their numbers onto another scale, Dirty Laundry, in particular. And what an opening we had!

I have to say I already had a liking for I Wish I May but at the climax to Act One when Alex, Jane and Sukie send their spirits soaring skyward and fly, I wanted to get to my feet and give a standing ovation there and then. But I thought, behave, there’s still the second act to come yet.

As well as those already mentioned, I loved every number in the show, in particular, the three seduction numbers, each different in their own way. Now I’m not into narcotics, and the strongest thing I’ve ever smoked is a piece of salmon, but even I craved a cigarette after Waiting for the Music.

Since watching, I’ve had the Original London Cast CD on repeat in the car. This is all testament to the BOA cast and production team. A mention, of course, has to go to Director – Rian Holloway, Musical Director – Michelle King, Choreographer – Lee Crowley and Company Manager – Amy Rutter. I hope those credits are right, I got them from the back of the programme. Also, hats off to the rest of the band and crew who made this occasion for me – magic.

Cheers.

Nick

I am now officially announcing the release of my debut novel, Dead Girl Stalking which is available to buy in both print and electronic form from Amazon.

Filled with horror, suspense, sex and conflict, Dead Girl Stalking is a paranormal thriller which tells a story of desire, consequence and retribution for those both alive and dead.

The first date ended with her death; the second was more terrifying. He wants to end their relationship; the dead have other ideas.

When teenager Melvin Stone is not being bullied at school, he suffers from voices inside his head which have tormented him much of his life. Melvin’s life is thrown further into turmoil when the girl of his dreams is killed in a tragic accident. For any young adult, witnessing this would be traumatic enough but over the next four years he is plagued by the recurring presence of the dead girl. Whether spirit or in his own troubled mind, this malevolent tormentor now haunts Melvin’s every move.

You can buy Dead Girl Stalking in either digital or print from Amazon by following the link below.

Buy Dead Girl Stalking

It is also currently being stocked by Southcart Books – Walsall. A great indie bookshop who continue to support local writers.

Alternatively still, as the Ice Cream Man says, ‘Stop me and buy one.’ If you’re in town, that is.

Cheers.

Nick

 

This Halloween – Saturday 31 October, I shall be appearing at Southcart Books, Lower Hall Lane, Walsall for the 2nd annual Southcart Scarefest.

Free admission, free food and a multitude of horror writers to entertain you. And hundreds of books to browse and buy. What more could you want from Walsall’s only independent bookshop who continue to support local talent.

Hopefully, last minute proofing and delivery permitting, I shall have copies of my debut novel, Dead Girl Stalking on sale.

So if you’ve nothing else on, pop on down and see me and the rest. In fact, if you have got something on, cancel it. We’re a better bet. I’m on at 1230, just before the food, so perfect timing.

Southcart Scarefest 2015

Cheers.

Nick

How long?

It’s been a year since I did a Roast. I know when reviving this column I said I would only do it occasionally, but a whole year …! Does this mean I don’t get out much any more?

Well, I do, I just have so many other things to occupy my time, namely trying to polish up my novel, Dead Girl Stalking so I can release on Amazon. But this doesn’t mean I no longer observe the bizarre around me. Take the incident after my writing breakfast in town the other day.

A bit of bother over a hover

Sunday Roast - Hoverboard 1

Have you seen these things? I hadn’t but they are apparently the latest craze to hit the streets. They’re nicknamed hover-boards, and when I say a craze, I don’t simply mean fad. Craze could be applied to the state of mind of the user, because you must be crazy to ride around on one.

Take the couple I came across after leaving my breakfast venue.

IMAG0266

Young man in baseball cap with cute young girl on his arm. Or was it the other way round? You see the man was on one of these hover-boards, being motorised around town. However, every time he wanted to turn, his girlfriend had to guide him in the right direction.

Mate, you looked ridiculous. It was as if she were taking her pet for a walk. His body never moved an inch, all the time thinking he was the man, and so cool. But if the girlfriend had let go of his hand, I suspect street cred would have dropped quicker than he did as he tumbled to the ground.

However, he didn’t as girlfriend guided her puppy around corners and finally helped him across the road, all the time doing the work while he didn’t flex a muscle.

But then we had the ultimate joke. Do you know where Hoverman went after I took the photograph? He turned right and entered a bloody gym!

Arrrggghhh! Perhaps if he’d walked for once in his life and didn’t use a hover-board, he wouldn’t need to go to a gym!

And then there’s the name – hover-boards. But they don’t even bleeding well hover!!! They have wheels and are quite clearly rolling along the ground.

Hover-boards, for Christ’s sake. Watch people move effortless. Or in the case of my home town, wait five seconds until you hit an uneven pavement and go arse over tit.

People who play with odd shaped balls

Sunday Roast - World Cup Rugby

So it’s the Rugby World Cup (sense the underwhelmed tone) and I have to say, I’m not interested.

It’s not the game I hate, I simply don’t understand it. What I also despise is the culture surrounding the sport. All this male bonding, arm in arm on pub tables singing, Swing Low, Sweet Chariot, coming for to carry them home because they’re too pissed to drive. You’ve also got to admire the irony of middle class white folk singing a black spiritual about gaining freedom from slavery.

Anyway, I kind of grasp the principle of getting the ball (Ball!! A ball is a spheroid) from one end of the field to the other. What I can’t fathom are details such as penalties given for no other reason than the referee thought it was time he awarded one. And the referees, themselves are an enigma. They watch all this carnage on the field and do nothing, then some person taps an opponent on the shoulder to say, ‘Pardon me, Claude,’ and he gives a bloody foul. Baffling. It’s stop/start all the way through the game with possession passing at random. And scrums … don’t get me started on scrums. What the bleeding frig are they all about? It’s like a bizarre game of twister.

Twister - Sunday Roast

But who do we have to blame for this stupid game? Yes, Mr William bloody Webb Ellis (Now you know why I’m good at quizzes … Huh!). You see, in 1823, during a game of football while at Rugby Posh School, Ellis allegedly picked up the ball and ran.

William Webb Ellis

Well, isn’t that just typical. When you were at school, wasn’t there always one tosspot who due to the fact they were shit at soccer, would start either bouncing the ball around like a basketball, or run with it in order to disguise their own inadequacies at the sport.

And so we have Rugby, a game created by somebody who thought themselves the bees knees at being class comic, but was, in fact, a total twat.

*** Appendices***

(i) Rugby ~ A game for people who aren’t skilful enough to play football.

(ii) Football ~ A game for those unable to understand the rules of cricket.

Nothing is free in this life

Do any older folk remember the free gifts you used to get in your cereal packets? Little plastic figures of Sooty and Sweep, or Doctor Who collectable cards such as these.

Dec 1 - Doctor Who Wheatbix

They made breakfasts worthwhile and got the kids eating because what they really wanted was for Mum and Dad to buy a new packet as soon as possible in order to get another gift.

Now, however, the term free with your cereal is used very creatively. Take Kellogs, for example.

I purchased a packet of cornflakes the other day and saw the words, Get you Free Bowl on the back of the box.

img018 (1280x1251) (640x626)

Great … Free gift. Just like old times. But hang on a minute. On closer inspection, I noticed the facts.

Step 1: Buy three promotional packs of cornflakes to collect the tokens.

Okay, so how is that free?

Step 2: Go online and enter the codes from inside the boxes.

Right …. that’s assuming you have internet, otherwise you’ll have to go to an internet café, pay a charge and buy a medium latte while you register for your free cereal bowl.

Step 3: Pay £2 postage.

Arrggghhhh! That’s not fucking free!!!

Then after choosing your bowl (Step 4) in this exceptionally quick and simple way of getting something for nothing, you come across the final hurdle.

Step 5: Wait for your bowl to be delivered, noting that the packet states this will take up to 90 days.

What!!! For heavens sake. You can buy bowls from a supermarket for a quid. Heck, I could even join a pottery class, learn how to mould clay and make a bloody cereal bowl in less than 90 days if I wanted.

Jeez!

Well, that warps up this roast

I shall bid you farewell and at this rate, see you this time next year.

Cheers.

Nick

 

Diagnosis

Nights like these,
they are the worst.
I know where I should be.
Free.
But I’m not.
I’m here.

Two weeks,
four days,
eighteen hours
and seventeen minutes,
give or take.
Who’s counting?

I wait for the release,
even though I know it’s not coming.
When will it end,
this illness?
Another day,
still no sign.

Understand the diagnosis
and accept there’s no cure.
Raise a glass
to heal the pain,
but it’s too strong.
So I sit alone
and listen to the walls talk.

Nightmare

© Antony N Britt 2010