Archive for October, 2019


One of the most famous shows of the last thirty years with the role of Mrs Johnstone considered iconic. However, I had never seen Blood Bothers so needed to tick another off the list.

This is a tale of a mother who after having twins, gives one (Eddie) away to make ends meet. To stop her ever seeing Eddie, the adopting mother uses Mrs Johnstone’s superstitious nature to spin a tale, saying if ever the boys learn of each other’s identity, both will die. Of course, they do meet, become friends, fall out, and then reach an inevitable tragic conclusion.

I had little empathy with Mrs Johnstone, as it happens. Well, she gave away her son far too easy. Still, the lead was played well by 1970s singer, Lyn Paul, considered by many to be the definitive in the role. Very powerful and poignant vocals. I am so glad I saw her on this occasion.

Also billed at the top was Robbie Scotcher as the Narrator. He too gave an excellent performance, although I did find the inclusion of a narrator obtrusive at times. Then we had the twins; the rough-edged Mickey and more sheltered and studious Eddie, portrayed by Alexander Patmore and Joel Benedict respectively.

Now, the thing about Blood Brothers is that it is set when the twins are aged 7, 14, then through to 18 and beyond, with all their Act One scenes as juveniles. And as well as Patmore and Benedict tackled being 7-year-olds, I still found it cringing and embarrassing to watch at times. Women can get away with this far batter, as was shown by the excellent Danielle Corlass as Linda, but grown men pretending to be little kids … Noooooo! Then, supporting well on the night we also had Chloe Taylor (Mrs Lyons), Daniel Taylor (Sammy) and Tim Churchill (Mr Lyons) in addition to a good chorus.

My biggest praise for the show, as a writer, must go to the book by Willy Russell. Well-written, being funny and dark at the same time. It takes talent to turn a mood so quickly. However, if Russell’s script is top-drawer, the music is less so. I found the songs generic and dull, with the same tunes reprised too much. The most enjoyable for me was Kids’ Game with the more popular Tell Me it’s Not True, overrated (in my opinion). Other decent numbers included Easy Terms, My Child and Bright New Day, while on the other hand, Marilyn Monroe must be the most awful song I’ve heard in musical theatre (and it’s reprised to death).

Positives from Blood Brothers in addition to the script were the performances from the cast and band, whereas a major negative was the lack of dance (There is very little). Plus, the show has a dated feel to it, although that seems par for the course with Bill Kenwright directions, I’m afraid.

This review might suggest I hated Blood Brothers, and that’s not so. I did enjoy the show, but was not bowled over as one might expect. Still, I’ll give 7 out of 10 for a production which survives more on reputation than delivery.

Cheers.

Antony N Britt

Advertisements

Insurgent
NOUN
1. a person fighting against a government or invading force; a rebel or revolutionary. “an attack by armed insurgents”
synonyms:
rebel · revolutionary · revolutionist · mutineer · agitator · subversive ·
ADJECTIVE
1. rising in active revolt. “alleged links with insurgent groups”

The venue is The Flapper, formerly known as The Longboat once upon a time and a regular haunt of mine in the 1980s. But there is nothing 80s about Insurgent who are fresh and an exciting addition to the home of heavy metal in Birmingham.

With a new band you’d maybe expect rawness, but what you have with Insurgent is polished professionalism which gives the feel they’ve been at this for years. Maybe they have, but not collectively as Insurgent were founded by guitarist, Joe Rowley less than twelve months ago in the winter of 2018.

Some bands give a general feel of everything melding into one. This one, however, are nothing like that. There is a controlled blend of sound which you can listen to and isolate each instrument’s contribution, if you wish to do so. Jake Brettle (Bass) and Mike Tabone (Drums) compliment Rowley on guitar in excellent fashion. But then when you add the essential instrument of Katie Teitge on vocals, Insurgent turn into something special. And what a voice Teitge has with power and emotion at the same time. This was shown no better than during Colours Bleed.

It’s hard to comment on music you have no prior knowledge of but after an hour, I thought I knew Insurgent a good deal. Launching with My Sentence Awaits and Illusionary, the crowd were immediately into the band. In addition to the openers, we had the more thoughtful Dogma before eventually covering Slipknot’s, Duality. A brave move when you cover a well-known song, but Insurgent pulled it off with ease.

Finally, we were treated to the band’s debut single, Counterpart, which also went down a storm and is as good as anything else up there in the halls of rock.

The music and lyrics are written by Joe Rowley, but each member adds their own special elements to songs which have a wide outlook of general thoughts. Thoughts which appeal to more than just the heavy metal scene. I know it did with me.

Currently working on a follow-up single, Insurgent’s Facebook page describes themselves as creating new and exciting heavy metal music that aims to change the Birmingham music scene. Whether the current scene is good or bad, change is good and the world needs insurgents, and in this band, we have them. So, if you’re in the area, check them out and share the music. You won’t be disappointed.

Cheers.

Antony N Britt

%d bloggers like this: