Tag Archive: Birmingham


Billy Elliot – Birmingham Hippodrome – 24 April 2017

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April 28, 2017

When deciding to review this show, I was dreading what I might have to write. You see, never have I attended a show with so much favourable feedback as in the case of Billy Elliot. My God, everybody loved it, giving rave reviews. But what if it was another dud for me? That certainly happened with the Commitments.

No such fears. From the opening segment with The Stars Look Down, I was drawn into the stage. And this was no mean feat as I wasn’t in the best position to appreciate the view and acoustics back in Row T of the stalls.

With a book and lyrics by Lee Hall, plus music from Elton John, the show is based on the 2000 film of the same name. Billy Elliot tells of a 12-year-old boy set against the backdrop of the 1984 miners’ strike. Rather than attending boxing lessons, Billy stumbles into a ballet class and finds he has a love of the dance.

Now the writer in me first looks to the script, and this one was epic. Clever, natural dialogue which slaps you in the face when you least expect. Best line of the show. “Susan Parks, you look like a spastic starfish.” Oh yes, how I love blatant political incorrectness. And the music and dance was … fantastic. This is a show which truly ticked all the boxes.

Of the musical numbers, Shine stood out immediately. Then we had the spectacular of Solidarity with Billy and the Ballet girls amidst the conflict between miners and police. One, however, which really entertained was Expressing Yourself with the dancing dresses. At the start to Act Two, I can’t emphasise how much I loved Merry Christmas, Maggie Thatcher. Thatcher masks, puppets, and finally, a giant ogress nemesis of the 1980s miners. And my favourite song lyric. “Oh, my darling, oh, my darling, oh, my darling Heseltine. You’re a tosser, and a wanker, and you’re just a Tory swine.” Sung by children. Brilliant.

On the dance front, we were treated to an amazing segment of Swan Lake in which Billy dances with his older self. Electricity was as it says in the name – electric. Towards the end, we had the poignant farewells as the miners return to work and Billy says his goodbyes. Many a tear in the house. Then the finale topped off a great evening of spectacular choreography, voice and performance.

On the night, Billy was played by Haydn May with Amy Rhiannon Worth as Mrs Wilkinson. Dad was Martin Walsh, Tony (Scott Garnham), Grandma (Andrea Miller), Mr Braithwaite (Daniel Page), Michael (Elliot Stiff) and Debbie (Lilly Cadwallender).

Billy Elliot was directed by Stephen Daldry with choreography, Peter Darling and musical supervision from Martin Koch . The producer was Sally Green.

So, everybody else loved it, and as much as I enjoy being the dissenting voice, I can’t on this occasion. Billy Elliot was out of this world.

 

Cheers.

 

Antony N Britt

 

 

 

Antony N Britt

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Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017

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April 19, 2017

This May, Aldridge Musical Comedy Society (AMCS) make a welcome return to the Prince of Wales Theatre, Cannock for a magnificent celebration of fifty years as a society. The show is Fabulous at 50 and never has a title been so apt. Last year, AMCS put on two well-received productions of the highest standard in Thoroughly Modern Millie and Once Upon a Time. You can expect Fabulous at 50 to be no different.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017

Great voices, breathtaking dance and good humour, Fabulous at 50 features numbers from Les Misérables, Oklahoma, All Shook Up, Oliver, Rent and many more. Direction for Fabulous at 50 is in the safe hands of Julie Lamb with choreography by Sarah Hemming and musical direction – Mark Bayliss. Julie, who is also chairperson of the society, spoke about the show, “I’m so proud to be celebrating the 50th anniversary of AMCS and feel very honoured to be directing such a talented group of people on this special occasion.”

Making a return to the stage is society president, Paula Garratt, who appeared in AMCS’ first ever production – Calamity Jane. “When I started with AMCS 50 years ago,” Paula said, “I never thought I would be lucky enough to join this great company on stage in celebration of those 50 years. I am very proud of everyone associated with the society.”

AMCS currently has a core of 30 members and are always on the lookout for more of all ages. Rehearsing in Aldridge every Wednesday, the society, in addition to two shows a year, also perform for charity functions and care homes.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017 © Antony N Britt 2017

And the shows continue. With Smokey Joe’s Café (Nov 2017) and West Side Story (May 2018) already confirmed, the next fifty years is underway. But not until this current celebration is complete and from experience, AMCS guarantee the 50th anniversary show will be nothing less than Fabulous.

Fabulous at 50 is on 18 to 20 May 2017 (1930 start). Prince of Wales Theatre, Cannock.

Tickets available from AMCS (01543 480626) or Box Office (01543 578762).

Adults £12. Concession £10 and Under 16s £8.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017

Cheers.

Antony N Britt

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Brendan Cole: All Night Long – Birmingham Symphony Hall – 24 March 2017

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April 14, 2017

I’ll admit it now. I know nothing about dance, as my society’s choreographer will testify. I can’t tell a Cha Cha from a Paso Doble. Therefore, you may wonder how I can comment on and review a dance show? Well, there must be others out there like me, so what’s in a show like this for the uneducated? The answer – plenty of entertainment.

Brendan Cole: All Night Long – Birmingham Symphony Hall – 24 March 2017

So, an evening with Strictly Come Dancing’s, Brendan Cole. We had a spectacular opening of a Samba to the song which titled the show – All Night Long. Then followed the Cha Cha with Love Potion Number 9. I was initially worried that being on a stage and not a dance floor, someone might fall off, which then promptly happened when Mr Cole slid at the end of a number and ended in the lap of a woman in the front row. Mind you, I don’t think she minded.

And it wasn’t just Brendan Cole. He was superbly supported by five dancers who went it alone in such routines like I Can’t Stand the Rain, of which the ladies costumes were, ahem, interesting. Certainly had the few men in the audience captivated.

And that’s another thing. About 90% of the audience were women, and of the males I could see, all were older than me. Now, being the youngest man at a gig isn’t something which happens to me a lot these days, but I didn’t feel left out. A Rumba (Fields of Gold), Quickstep (Nine to Five) and Jive (Tell Her About It). All captivated as did the spectacular Argentine Tango to Skyfall.

In between some routines were non-dance songs from singers and the band, the singers being, Iain Mackenzie and Julie Maguire. Musical arrangements were overseen by pianist, Barry Robinson. The cast of dancers for the tour were: Faye Huddleston, Crystal Main, Matt Harris, Craig Jones, Victoria Burke, Sallyrose Beardall and Michael Johnson.

But it wasn’t all about dancing. On the night, we heard tales of the Strictly show with many of the anecdotes referring to politician, Ed Balls, the surprise novelty hit of the previous series. Also, expected quips about fellow dancer and friend of Cole, Anton Du Beke.

So how did the show satisfy an ignoramus? Well, I loved it, and apart from worrying about the women’s dresses igniting during the Paso Doble, my entertainment lasted all night long.

Brendan Cole: All Night Long – Birmingham Symphony Hall – 24 March 2017

Cheers.

Nick

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The Commitments – The New Alexander Theatre, Birmingham – 15 March 2017

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March 27, 2017

I went into The Commitments blind. I’ve not seen the film, or read the book, so at least I could evaluate this show on its own merits. And, oh, how disappointed I was. However good the earlier incarnations are supposed to be, The Commitments does not translate well to stage.

The Commitments – The New Alexander Theatre, Birmingham – 15 March 2017

Straight from a lukewarm opener in Proud Mary which totally failed to make an impression, I was treated to a lacklustre Act One in which not a single number grabbed me. There was no flow or rhythm, and not only with the music. Too many characters diluted performances, giving no standout acting. Fast dialogue with little cohesion made the whole thing a mess. I like to be drawn into proceedings, feel as though I’m on stage and part of the wonderful theatre process. Not with The Commitments.

And Act Two was little better. After an hour of a first half which dragged, there were at least a few performances to make me sit up and take note now. But not many. (I Can’t Get No) Satisfaction was the first to make me really want to applaud, as was the case with Papa Was a Rolling Stone. These instances, however, were too few during the show.

I think the main issue was the flawed script which production had to work with. The book written by original author, Roddy Doyle, is poor with characters lacking anything which would make me want to warm to them. Basically, I didn’t care about any and even in the case of the unlikable, that’s criminal in writing, to have gained no empathy. Also, little use of choreography meant there weren’t any plus points to be salvaged in that department, either.

Only when we reached the encore/finale did the talents of those on stage have a chance to shine once free from the bindings of the awful script. However, Mustang Sally and best of the night – River Deep, Mountain High were too little, too late. Many of the audience were fed up by then and there was nothing to be salvaged. Even the premier number, Try a Little Tenderness, didn’t live up to expectations. Asked to get to their feet with hands in the air, roughly 30% of the audience obliged, when it should have been everybody.

Playing the part of Deco on this occasion was Ben Morris with Andrew Linnie (Jimmy), and former Coronation Street star, Kevin Kennedy as Jimmy’s Da. It was a shame for Kennedy to have such an underused and irrelevant role, his only purpose seeming to be to shout, “Turn that shite off,” every now and again. I wish they had turned it off.

Supporting were: John Curran (Billy/Dave), Padraig Dooney (Dean), Sam Fordham (Mickah), Christian James (Outspan), Alex McMorran (Joey the Lips), Peter Mooney (Derek), Amy Penston (Natalie), Leah Penston (Imelda), Christina Tedders (Bernie) and Rhys Whitfield (James).

The Commitments was directed and choreographed by Caroline Jay Ranger with musical direction – Alan Williams.

I did feel for the cast, as I’m sure on another day, their talents will shine. But not in The Commitments.

The Commitments – The New Alexander Theatre, Birmingham – 15 March 2017

Cheers.

Nick

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Thoroughly Modern Millie – New Alexander Theatre – 13 February 2017

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March 1, 2017

This show is personal to me because less than 12 months ago, I performed in Thoroughly Modern Millie with my own local theatre company. So how did the professionals measure up?

Well, the first thing to note was looking at the programme, I saw one of the Chinese duo was being played by someone from Hong Kong. Now having spent six months learning lines in Mandarin, I reckon that was cheating.

I jest. The show was great. Straight from the off we had vibrant energy and good fun.

Thoroughly Modern Millie – New Alexander Theatre – 13 February 2017

Playing the part of Millie Dillmount was Strictly Come Dancing’s, Joanne Clifton. What can I say? Well performed with good vocals and fantastic dance. Nothing, though, that I wouldn’t expect from one who had just partnered the winner in the recent series.

The other billed star was soap actress, Michelle Collins, who played the villainess, Mrs Meers. Now I do actually like Ms Collins, but I wasn’t particularly wowed on this occasion. There was a lack of character and not enough differentiation between the American accent (which wasn’t convincing to start with) and the fake Chinese. It seems a regular downside for me, seeing the big name stars not living up to the hype. She was still good, but not up there with others in the show, particularly Katherine Glover as Miss Dorothy,

There was excellent direction and choreography on the night, but I’d anticipated this when learning Racky Plews was at the helm. This is the third Plews outing for me in a year and all have been of a high standard. Amazing for me, also, was how good a sound was produced by only having a seven-piece band under the direction of Rob Wicks. Overseeing everything was Executive Producer, David King.

Also on stage for the tour are: Sam Barrett (Jimmy Smith), Jenny Fitzpatrick (Muzzy Van Hossmere), Damian Buhagiar (Ching Ho), Andy Yau (Bun Foo), Catherine Mort (Miss Flannery) and Graham MacDuff (Trevor Graydon III). The latter stole a good part of Act Two and it’s amazing how a drunk scene can do this.

It’s hard to pick a stand out number as I am so familiar with all of them. Therefore, I’ll simply say, Gimme Gimme, Speed Test, Forget About the Boy, and all the rest were top quality, too.

Couple of niggles. No Mamma appearance at the end, and Muqin could have been more OTT.

Still, a great night out, and plenty of goosebumps reliving my own experience of last May. So did the pros do it justice? Certainly, in my opinion.

 

Cheers.

 

Nick

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Cinderella – Dormiston Mill Theatre – 20 January 2017

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February 15, 2017

The pantomime is a great tradition and I’m always looking for companies I’ve not seen before. Therefore, when the two factors combine, I end up in places like the Dormiston Mill Theatre, Sedgley, watching Rainbow Pantomimes’ production of Cinderella.

Cinderella – Dormiston Mill Theatre – 20 January 2017

First off, a niggle at the audience. I watch loads of shows and people always forget to applaud the overture (and even more so, exit music). The band have worked damned hard, so give them appreciation, folks.

But the rest of the show. We all know the story of Cinderella, and Rainbow did the classic tale justice. Exuberant enjoyment from the cast projected to those watching, straight from the start with opening number, Reach for the Stars. Yes, good acting combined with decent dance numbers had the crowd whooping it up. There were comic moments, in particular, the Ugly Sisters’ Face Cream scene, although what had me laughing most was an innocent and incredulous comment from a child sitting in front when we had a delay in changing scenery. “Mom, they’ve left the door …” Oh, the little things that amuse me.

Fabulous musical numbers, notably: She, So Close, I See the Light, Open Doors, Raining Men and Celebrate. By far the best for me, though, was the full company version of Timewarp. Not a song I particularly like, so credit for making it stand out.

Of the cast, Katie Randle (Cinderella), Katie Teitge (Prince Charming) and Amy Cooper (Buttons) were superb. Also, well supporting were Jake Millington (Dandini), Helen Hollis (Beryl), Jonathan Pountney (Cheryl), Gemma Wilson-Brown (Baroness), Sally Parker (Fairy Godmother), Ian Totney (Mouse) and Dan Cubberley (Major Domo/Bear).

Cinderella was directed by Gemma Simner with Choreography by Emma Bate. On the music front, there was excellent use of a four-piece band directed by and including, Danny Teitge. Great sound throughout.

The only criticism I have is at times, the flow of certain scenes slowed. Too many pauses on stage with nothing happening. Although this may have been down to the original script, there was a danger of lost interest.

Still, as I say, I enjoyed, as did the rest of the audience. And my God, there were some hyper kids in the front of the auditorium. Was there a shortage of Ritalin or something?

All in all, well done to Rainbow Pantomimes. Looking forward to the next one.

Cinderella – Dormiston Mill Theatre – 20 January 2017

Cheers.

 

Nick

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Once Upon a Time – The Artrix Theatre Bromsgrove – 6 December 2016

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January 7, 2017

Last summer I reported on A Tale of the Railway, a joint project between all three schools of The Star Project. The branches in Droitwich, Solihull and Barnt Green give children a chance to express themselves through musical theatre. This time, however, I was in the audience to witness Barnt Green go it alone.

Once Upon a Time – The Artrix Theatre Bromsgrove – 6 December 2016

There were two reasons for returning to The Star Project. Mainly, I was so impressed with my first experience of A Tale of the Railway, but also, I had myself taken part in Once Upon a Time a mere four weeks previous, and I was dying to see how it looked. I’m glad to say, I was not disappointed.

Written by Mark Nicholls, Once Upon a Time tells the story of what happens when villains turn the tables on the heroes and all the happy endings are reversed.

A more condensed version than my own, I still managed to get the same vibes from watching as opposed to being on stage. The feel-good factor came rushing back and I found myself laughing at all the jokes I’d heard for six months previous. This is a great testament to the young cast and teachers behind the project. A thoroughly enjoyable and professional production and more important, the kids looked like they had fun. There was great energy on stage as the show was brought to life before me once again. An excellent version of Let It Go ended Act One but my personal favourite of the night was All About the Bass.

The acting was what I expected after my previous experience, as was the dance. Once again, the singing of many was fantastic with voices defying their years. Okay, it’s a month later now but still sticking in my mind are performances by Genie, Jaffar, Evil Queen, Ugly Sisters, Charming and The Queen of Hearts. That’s not to devalue anyone else. They were all splendid. A special mention for poor little Ariel who had the unenviable task of contending with the most difficult costume ever (mermaid … having to slide on backside all evening), plus the fact she was unfortunately in line of fire for the fake snowstorm when it fell on stage. Well done for carrying on through adversity.

Once Upon a Time – The Artrix Theatre Bromsgrove – 6 December 2016

Barnt Green was the first Star Project, opening in 2008 with the children guided by the watchful eyes of Jo Edwards, Sarah Carter and the brilliant team of teachers. I often see the case of people who love musical theatre, never live their dream, then regret the lost years later. Here at The Star Project, talent can be nurtured from an early age, hopefully with development leading to more in adult life.

So, cheers for The Star Project Barnt Green. Well done, fabulously performed, and just good all round entertainment.

The Star Project runs weekly with special workshops during school holidays. The next is a two-day event during February half term, titled Musical Madness. Details can be found at the Star Project’s website.

Cheers.

Nick

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Through the Decades – The Austin Social Club – 16 October 2016

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November 2, 2016

I was recently privileged to witness a journey through the years, courtesy of Bournville Musical Theatre Company. And Through the Decades was just that. A showcase of not only several eras in pop, rock and musical theatre, but also an example of how music has evolved during those times.

Through the Decades – The Austin Social Club – 16 October 2016

This was my first experience of the Bournville company and I was not disappointed.

From the opening rock and roll of the 1950s, I found myself captivated, tapping away and singing along (and not always silent, I may add) to the numbers performed on stage.

Good use of a three-piece band: Keyboard, drums and bass, provided all the sound needed. Combine that with great singing, dance and characterisation, you had a fabulous show before you.

Each section was introduced by a video consisting of films representing the relevant decade before launching into their opening number.

Of the songs, themselves, I’d have too long a list if I named all I enjoyed. Therefore, I’ll have to rely on the first which spring to memory.

A mix together of You’re my World and All I See is You were exceptional as was the case with the harmonies of Mr Sandman. For the 70s we had a Grease set of which Hopelessly Devoted to You, shone. Act One ended with a company number of Bohemian Rhapsody, and it shows you’re good if you pull that one off.

Into Act Two and a song from one of my favourite musicals in One Day More (Les Miserables). It was then I found myself further surprised. You see, I consider myself more a rock person. However, I was completely drawn in by fabulous performances of Total Eclipse of the Heart, She’s the One and Torn (one of my favourites of the night). Then we had Bournville’s very own Spice Girls. Now come on, I’ve said I’m into rock, and I’ve never taken any notice of the Spice Girls. But I liked these ones.

Probably, for me, the most powerful number was a combination of the Adele songs, Turning Tables and Rolling in the Deep. And that’s where I come back to what I said at the start. Whereas my eras are more late 70s to early 80s, it’s interesting to see how much music has evolved since the 1950s. Despite not being my type of music, there seems to be greater depth and complexity about more recent offerings. I guess we’re always discovering techniques that it’s inevitable a new generation will improve. And that’s a good thing. I enjoy the past, but don’t want to live it again.

Rounding off the show were two numbers from School of Rock. Great. A bit of rock. I’d not heard these songs before but having done so courtesy of Bournville Musical Theatre Company, I went online and ordered the original cast recording CD the next day. And I’ll probably be making a trip to the West End, too.

So well done to all, especially Rachel Fox (Producer), Chris Corcoran (Musical Direction), and Kris Evans, Helen Gauntlett, Karen Lane, Chloe Turner, Sadie Turner (Choreography).

At the start of Act One, we had a preview of the companies next show, The Pajama Game. On this performance, it will be well worth going to see.

Through the Decades – The Austin Social Club – 16 October 2016

Cheers

Nick

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Once Upon a Time (The Panto) – Coming to Great Wyrley High School Theatre – 10 to 12 November 2016

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September 29, 2016

Have you ever wondered what would happen if happy endings were reversed and heroes suffered while the wicked reigned supreme? Well, Aldridge Musical Comedy Society (AMCS) have the answer with a hilarious return to the world of panto in Once Upon a Time. Here we see the fairytale good guys pitting their wits in order to defeat familiar arch nemesis’ yet again.

Next year, AMCS will celebrate 50 years as a society and have been performing quality productions throughout that time. Once Upon a Time will be no exception.

With an original script by Mark Nicholls (whose 2010 production of Dick Whittington won a NODA award for best pantomime), the show features song after song which will have you singing all the way to Neverland. Great voices, exceptional acting and brilliant dance. Numbers include: Toxic, Let it Go, Somebody to Love, You Can’t Stop the Beat, Uptown Funk and a marvellous rendition of Cell Block Spell Block Tango.

In addition to the direction of Mark Nicholls, Once Upon a Time features music arranged by Mark Baylis, choreography from Sarah Hemming and costumes, Sarah Carter.

Once Upon a Time is on at the Great Wyrley High School Theatre: Thursday 10, Friday 11 and Saturday 12 November (1930 start) with additional matinee on Saturday 12 November (1430 start).

Great value and entertainment for all the family. Tickets are £13/Adults, £11/Concessions, £7/Children with a Family Ticket (2+2)/£35. Tickets available by calling 01543 480626 or 07794 539271.

So come along and meet Cinderella, Prince Charming, Aladdin, Mad Hatter, Sleeping Beauty, Belle and many more defeat the combined might of Jaffar, Evil Queen, Maleficent, Ursula, Gaston and the Queen of Hearts. Plus, a little comic collaboration along the way from Captain Hook, Smee and the Ugly Sisters.

Has anyone ever read you a fairytale
and taken you to places, magical.
Where homes are made of gingerbread
and skies are always blue.
Where pumpkins turn to coaches
and wishes all come true.

Once Upon a Time (The Panto) – Great Wyrley High School Theatre – 10 to 12 November 2016

Cheers.


Nick

* Once Upon a Time Lyrics – Mark Schoenfeld & Barri McPherson

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Chitty Chitty Bang Bang – Birmingham Hippodrome – 11 September 2016

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September 22, 2016

Reading this, you’ll probably think I hated Chitty Chitty Bang Bang. But you’d be wrong. I guess the problem I had was high expectations as this is one of my favourite childhood films. Another complication is that this year I have seen a large amount of productions, some of which have been out of this world. Therefore, the benchmark had been set.

Chitty Chitty Bang Bang – Birmingham Hippodrome – 11 September 2016

My initial impression was that the set was a little dull. Seeing Mary Poppins earlier this year explode into a myriad of colours, I was hoping for something of the same. Not so, unfortunately. Then there was the actual performance of the lead roles. I found delivery of lines to be stilted and have to say, I was disappointed with Lee Mead as Caractacus Potts. Although an excellent singer, his acting, at times, was wooden. Similarly, Phil Jupitus (Baron Bomburst) and Claire Sweeny (Baroness Bomburst) were nothing to shout about, seeming to go through the motions. So much for the big names in the production. Of the billed principals, only Carrie Hope Fletcher gave a five star performance as Truly Scrumptious.

I will say, on the other hand, Henry Kent and Lucy Sherman as Jeremy and Jemima were both excellent, the latter showing a strong professional voice for her age. The kids really put the adults to shame at times with their energy.

I’ve spoken about the set already but also felt the car was a let down. In addition, technical faults had the wings failing to open at the climax of Act One. I know it’s hard to make believe a car can fly, but this one didn’t come close. And speaking of things not being realistic, what the flip was that all about with the tin dog?

Another failure of the show was the poor use of the Child Catcher (Matt Gillett). Very limited in appearances and the song Kiddy-Widdy-Winkies, totally cut. I will say, I’m not sorry about the song as although I’m a fan of creepy, I find Kiddy-Widdy-Winkies to be perversely disturbing. However, the production could still have done more with the character. Also missing in action was the number, Us Two/Chitty Prayer where Jeremy and Jemima sing for help and are rescued. Not a massive song, I admit, but important all the same and a real Daddy, my Daddy tear jerker. What you had instead was Grandpa Potts more or less saying, ‘Hey, I found these two locked in a dungeon.’ Rubbish cop out.

Still, there were good moments of song and dance, notably Me Ol’ Bamboo, Truly Scrumptious, Posh! and Chitty Chitty Bang Bang, itself. My favourite overall, though, was Teamwork, especially the performance of the children in the sewers. On the down side, I found The Bombie Samba, although well choreographed, nothing more than a filler and wanted to shout out, get on with it!

Also appearing were Andy Hockley (Grandpa Potts), Ewen Cummins (The Toymaker), Sam Harrison (Boris) and Scott Paige (Goran). The two spies added great comic moments, helped by a good script.

Chitty Chitty Bang Bang was produced by John Stalker, directed by James Brining, choreographed by Stephen Mear with musical direction from Andrew Hilton.

As I mentioned at the start, it wasn’t the case that I hated the show, I did actually enjoy it, but it could have been so much better. I felt I was simply watching a show when what I really wanted was to experience it.

Chitty Chitty Bang Bang – Birmingham Hippodrome – 11 September 2016

Cheers.


Nick

 

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