Tag Archive: Cannock


Somebody once said to me that there were better Queen tribute bands out there than Queen & Adam Lambert. Now, I rarely do tribute acts, apart from when you can no longer see the real thing like Queen. So, how did Supreme Queen measure up to the dazzling legacy and did it beat the modern-day incarnation of the band?

Well, visually, it took time because obviously, they were not Queen, but the sound! With a voice so like Freddy Mercury, lead singer, Scott Maley immediately had me believing I was listening to the real thing. And that, I guess, is what you need with tributes. For tributes are what they are and to be successful you do need to believe. After a few songs, I forgot the physical differences and I experienced legends of rock.

Starting off with One Vision and Tie Your Mother Down, Supreme Queen treated a packed audience to hit after hit: Seven Seas of Rhye, Keep Yourself Alive, It’s a Kind of Magic and Under Pressure were among 25 instantly recognisable classics. I was also overjoyed to hear the fast (and, superior) version of We Will Rock You.

The set in the main modelled itself on the stadium tour songs of the mid-1980s. I guess when you have such an enormous catalogue, things must give way. Therefore, sparse on the early albums and nothing from the final three. A shame, but it’s probably what the fans want. And to be there, the audience most definitely were fans of Queen. Such energy and enthusiasm from Supreme Queen transferred onto those watching. And not just the oldies who formed the majority. It was also good to see younger members; teenagers with parents next to me and three children all under eleven in front with their family. It was clear all were brought up on the band, gloriously indoctrinated and now having the time of their lives. Brilliant. You see, we form many of our tastes based on those of others. I, myself, was into Queen aged 10, all because my elder sister had Queen albums in 1973 while my classmates went on to like The Bay City Rollers, .

The show divided into two sets, allowing audience and band time to recuperate and then we had more of the same: I Want to Break Free, Another One Bites the Dust, Radio Ga Ga and, of course, Bohemian Rhapsody. Mimicking Queen shows of old, Supreme Queen ended with We Will Rock You (single version) and We Are the Champions.

What we also had were two long drum and guitar solos. Now, I’m not a fan of Brian May and Roger Taylor’s musical masturbations, but they were mainstays of the original shows throughout Queen’s career, so I can see why they’re included.

Supporting Scott Maley’s Mercury was Luke Timmins (Brian May), Alan Wallbanks (John Deacon) and Allan Brown (Roger Taylor). In addition, we had Ben Marshall as the keyboard player Queen didn’t have but contributing the pieces Freddy Mercury would play. All were excellent. Let’s face it, to pull off being convincing Queens, you’ve got to be damn good at what you do, and Supreme Queen were that and more.

A thoroughly wonderful night. I will be back. Long live Queen.

Cheers.

Antony N Britt

Due to a ridiculous schedule with my own production and other commitments these past few months, I’m way behind on publishing reviews, so sorry about that.

*****

Legally Blonde is one of the best musicals to appear in the 21st Century, popular with audiences and critics alike. However, it needs to be done well and fortunately for the people of Cannock, Brownhills Musical Theatre Company did exactly that.

This is a show I have seen a lot but also the smallest venue/stage I’ve witnessed it performed. I’m glad to say, nothing was lost. Much of that was due to the size of the cast. Many amateur societies struggle for members, so it was refreshing to see around forty on stage. The difference this makes to company numbers cannot be ignored. A huge wall of sound combined with great expression and interaction from all.

Legally Blonde tells the tale of Elle Woods (played superbly by Phillippa Mills) who goes to Harvard to pursue love, but instead finds herself, fresh love, and a new direction. It’s a great script by Heather Hack, alongside fantastic music and lyrics from Laurence O’Keefe and Neil Benjamin. And one of the main plusses is that Legally Blonde is filled with strong characters. In these, Adam Gregory excelled as Emmett while Charlotte Simcox shone in the role of Paulette. Her main number, Ireland, is such a good (tongue in cheek) number and always raises a laugh, as it did on this occasion.

Then we had the villain of the piece in Professor Callaghan with Chris Parry delivering a top-drawer performance in stage presence and during Blood on the Water. Also starring was Adam Merrall as Warner who cruelly dumps Elle at the beginning of the show during Serious. Then we had Stacey Ward (Vivienne), Charlottle Trigg (Brooke Wyndham) and Emma Wyatt (Enid Hoops). Supporting too, were Hattie Parry (Pilar), Louise Hewitt (Serena) and Claire Goodwin (Margot) – The Greek Chorus of Delta Nu. As I have said, it was a large cast, so I can’t name everyone. However, as I was needled the last time I reviewed this show for ignoring the dogs, on this occasion they were Humphrey and Stan. They behaved well.

Legally Blonde has terrific numbers: Positive, So Much Better, What You Want, Bend and Snap and the title song, Legally Blonde (of which there are two equally good versions). However, my favourite is still the glorious There! Right There!

All shows need a good production team and Legally Blonde had theirs with Kelly Tye and Richard Tye (Directors), Alex Priestly (Musical Director) and Alex Woolliscroft (Choreography).

The last couple of years have been hard on theatre and local amateur companies. It was, therefore, a joy to see the audience appreciate the challenging work of cast and crew and display as much enjoyment as those on stage.

Theatre is back.

Cheers.

Antony N Britt

You are cordially invited to the Palace Ball in honour of Prince Charming (who has been ordered to find a wife by The King). Dressing up–optional. We want you to have the time of your life. Therefore, let the magic commence.

It’s pantomime time and Aldridge Musical Comedy Society (AMCS) are staging Cinderella at The Prince of Wales Theatre, Cannock. AMCS have a reputation for great shows and Cinderella is no exception.

Cinderella lives at Hardup Hall with her sister Bonnie, and three attractive, but not nice stepsisters named, Chardonnay. Spumante and Prosecco. Also at the Hall are the cook and part-time witch, Madame Lidl, plus Buttons, who tries to hold everything together.

Prince Charming, along with his assistant Dandini, searches for the girl he danced with at the Ball, but who vanished leaving nothing but a shoe. To complicate matters, the land is in a crime wave. Not only are the villains Deichmann and Brantano about, but also the notorious Ninja Cat, who keeps beating them to the spoils.

Will Cinderella have her happy ending? Does the prince find his bride? And how can a size 5 shoe fit only one person? With outstanding songs and laughter, the truth will out.

21 to 23 October 2021 (1930) plus Saturday Matinee (1430).

To welcome you back to live theatre, AMCS are offering Cinderella at vastly discounted prices, an unbeatable offer for this classic tale audiences have enjoyed for years.

£10 Adults & £7 Under 16s

Tickets are available from the Box Office on 01543 578762 or online at https://boxoffice.wlct.org/event_description.aspx?eventid=1051

Cinderella is my latest work, combining once again my love of musical theatre and writing. It’s been a long hard road for theatre, and we would love to see audiences return. Plus, it hasn’t been easy rehearsing, with full removal of restrictions yet to happen. So, socially distanced groups of six it has been, then taking to the outdoors to learn the dances. Well, the show must go on.

Cheers.

Antony N Britt

Just who the hell is Alan Menken? Let Aldridge Musical Comedy Society (AMCS) enlighten you.

The Little Mermaid, Hercules, Beauty and the Beast, Hunchback of Notre Dame, Aladdin, Little Shop of Horrors and Pocahontas are just some of the shows by this wonderful songwriter and composer. Tunes from these and many more, including AMCS’s 2020 production of Sister Act will be featured in a showcase concert at The Prince of Wales Theatre, Cannock at the end of November.

AMCS have been producing quality shows for over 50 years and Magic of Menken will be no exception. With a talented cast, AMCS also benefit from having Mark Bayliss as Musical Director (Directing/Producing this time around too) and Sarah Beckett in charge of choreography. These are two people most companies can only dream of having so expect great vocals and harmony combined with excellent dance: Be Our Guest, Zero to Hero, I See the Light and Topsy Turvy, to name but a few.

One thing is sure, an AMCS audience always goes home happy and with mainstream theatre so expensive, this is a great alternative.

Magic of Menken is on 28 to 30 November 2019 (1930 start) at the Prince of Wales Theatre, Cannock. Prices are £14/Adult with Concessions and Under 16s/£12.

Tickets are available by calling 07588 141841 or the Box Office on 01543 578762. Alternatively, you purchase online.

BUY TICKETS ONLINE HERE

Cheers.

Antony N Britt.

The sun has got his hat on. Hip hip hip hooray!

This May, the NODA nominated Aldridge Musical Comedy Society (AMCS) return to The Prince of Wales Theatre, Cannock with a classic musical in Me and My Girl.

Set in the 1930s, Me and My Girl tells the story of the noble residents of Hareford Hall and their search for a new heir. That lucky person is common cockney, Bill Snibson, however, the Duchess of Dene, who has the task of imposing tradition onto Bill, does not approve of Bill’s girl, Sally Smith. He must learn to live within the rules or retire back to Lambeth with an annuity.

With a musical score by Noel Gay, plus book from L.Arthur Rose and Douglas Furber, the show enjoyed colossal success in the 80s and 90s following script revisions by Stephen Fry. Me and My Girl is still funny today with instantly recognisable songs: The Lambeth Walk, The Sun Has Got His Hat On, Love Makes the World Go Round, Leaning on a Lamppost and Once You Lose Your Heart. These are but to name but a few. Adding to that, great dance routines which audiences will love.

Now in their 52nd year, AMCS are known for delivering quality and professional shows which go beyond the remit of amateur dramatics. At the directorial helm this time is long-serving member, Julie Lamb. She is supported in production in excellent fashion by the trusted team of Sarah Beckett (Choreography) and Mark Bayliss (Musical Direction).

Tickets are on sale now and you can get them by calling 07588 141841 or direct from the box office (01543 578762). Alternatively, they can be purchased online at this link.

Me and My Girl is on 16 to 18 May 2019 (1930 start) with an additional Saturday 18 May Matinee (1430 start). Prices for evening shows are £15/Adult, £12/Concession and £10/under 16s. Matinee prices are £12/Adult, £10/Concession and £10/under 16s.

Next time that you’re Cannock way, any evening, any day, you’ll find us all, doing the Lambeth Walk. Oi!

Me and My Girl Prince of Wales Theatre, Cannock – 16 to 18 May 2019 AMCS

Don’t miss out.

Cheers.

 

Antony N Britt.

It’s pantomime time and Aldridge Musical Comedy Society (AMCS) are staging Sleeping Beauty at Great Wyrley. AMCS have a reputation for great shows and Sleeping Beauty is no exception. Fantastic voices and dance, plus an original script by local writer Antony N Britt (Yes … me). Being an author and loving amateur dramatics, it was only a matter of time before the two worlds collided. And this is it!

Sleeping Beauty - The Pantomime  (Coming to Great Wyrley – 22 to 24 November 2018)

The show is full of great numbers which will have you clapping and tapping your feet until the end. Songs include: Tragedy, Colour My World, These Boots Are Made for Walking, Dear Future Husband, Electricity, Walking on Sunshine, Once Upon a Dream, Girls Just Want to Have Fun, Hot Stuff, Electricity and … the list goes on.

AMCS have produced exceptional pantomimes in the past and I’m overjoyed at the opportunity to continue that tradition. Writing Sleeping Beauty took five months. One to concoct a matter of fact plot, then four more to complete the script. It’s a mammoth workload, also being in the show, but the temptation was too hard to resist. And what a joy to be not only directing but appearing alongside my fellow members whom I’m proud of every single one.

Assisting me with direction is Julie Lamb while I’m also thankful to be working alongside the exceptional Sarah Beckett (Choreography) and Mark Bayliss (Musical Direction)

The show is at Great Wyrley High School Theatre from 22 to 24 November (1930 evenings with an additional 1420 matinee on Saturday 24 November).

Tickets are available by phoning 0798446400. Alternatively, you can go online to Stagestubs at this link.

Prices are £13/Adult, £10/Concessions and £7/Under 16s. We also offer a family ticket (2 adults/2 children) for £35.

Great entertainment for all the family.

 Sleeping Beauty - The Pantomime  (Coming to Great Wyrley – 22 to 24 November 2018)

Cheers.

 

Antony N Britt

My only other encounter with Lollipop Theatre Arts was earlier this year when I attended their presentation of Me and My Girl.  But what could I expect this time? The Addams Family was a single performance resulting from a summer school. I learned afterwards, the kids had begun from reading initial scripts, auditions, then rehearsals to a full show in just nine days. I mean, come on, they were brilliant last time, but can you really pull off a show in nine days?

The Addams Family - Great Wyrley High School Theatre - August 17 2018. (Photo used with kind permission from Lollipop Theatre Arts)

The opener, When You’re an Addams, was outstanding. One of the best-delivered first numbers I’ve ever seen. And it was then I knew I was in for a treat.

Stand outs for me were Wednesday’s Growing Up, Just Around the Corner, Crazier Than You, What If? Live Before We Die and the exceptional The Moon and Me. Top track on the night, though, was Pulled, sung by the excellent Abbey Laycock (Wednesday Addams).

Of course, that’s not to say there weren’t other top performances. In fact, I couldn’t see a weak-link. Youth can be misinterpreted as inexperienced at times, but there was nothing of the kind here. Any of these artistes would be welcome in mine or any other company treading the boards.

Of the other principles, Thomas Gould played Gomez with a stage presence to be proud of. Supporting as his other half, Morticia, was Katie Hayes, who I can also not praise enough. And then we had Tom Horton as Fester. This kid will go far if he wants to. A natural entertainer. Other excellent showings came from Sasha Donoghue (Pugsley), Millie Cooper (Grandma), Emily Smith (Mal), Amy Horton (Alice) and Alex Jeffreys (Lucas). A special mention must also go to Florie Miles (Lurch) who apart from creating a great character, had the difficult task of keeping a straight face throughout.

Supporting well were a troop of dancers and ensemble who looked as if they were having a great time (Loved the corpse bride outfit).

The Addams Family was directed by Lucy-Ellen Parker with choreography from Helen Stone and musical direction of a good orchestra by Matthew Davis.

Asking about the summer school (I still couldn’t quite get into my head – nine days), I was told the cast are there every day, then return home to cram-up. And it showed. This did not have the look of a holiday project, more a polished production which had been months in the making. Perhaps there is something to be said for this type of method. With the intenseness of the shorter period, there is less chance of forgetting what you have learnt than with a weekly schedule spanning months. You’d have expected rawness, and mistakes, but none were obvious to me. And for the rest of the audience, it was pure faultless entertainment.

So twice now I’ve seen Lollipop who really deserve a bigger audience. And I’m sad I was on my own this time as I want to share them with my friends. Spread the message, folks. This is a great company.

The Addams Family – Great Wyrley High School Theatre – August 17 2018

Cheers.

Antony N Britt

The Jets are gonna have their day – tonight. The Sharks are gonna have their way – tonight.

But which gang will triumph? Well, you can find out when the wonderful Aldridge Musical Comedy Society (AMCS) return to The Prince of Wales Theatre, Cannock with the legendary musical, West Side Story.

West Side Story – Prince of Wales Theatre, Cannock – 16 to 19 May 2018 Aldridge Musical Comedy Society AMCS

Set in the Upper West Side of New York in the 1950s, the two warring gangs are thrown into turmoil when former Jet leader, Tony, falls in love with Maria, sister of Bernardo, leader of the Sharks. Inspired by Shakespeare’s Romeo and Juliet, Arthur Laurents book brings an urban touch to the story. With music by Leonard Bernstein and lyrics from Stephen Sondheim, it’s no wonder West Side is as popular today as in 1957 when first on Broadway.

Instantly recognisable are the songs: Somewhere, Tonight, I Feel Pretty, America and Maria. Add to that spectacular dance routines and you have a show the audience will be talking about for a long time.

Now beyond their 50th year, AMCS are known for delivering quality and professional shows which go beyond the remit of amateur dramatics. At the directorial helm is Sarah Beckett, doubling up with her usual role of choreographer while as musical director, Mark Bayliss leads a 19-piece orchestra.

West Side Story – Prince of Wales Theatre, Cannock – 16 to 19 May 2018 Aldridge Musical Comedy Society AMCS

The show is going to be massive. Tickets are selling fast but you can still get some by calling the ticket secretary on 07984 465400 or the box office (01543 578762). Alternatively, tickets can be purchased via StageStubs at this link.

West Side Story is on 16 to 19 May (1930 start). Prices are £15/Adult, £12/Concession and £10/under 16s.

Tonight, tonight, won’t be just any night …

Don’t miss out.

Cheers.

Antony N Britt.

I love Me and My Girl, and I’ve had good experiences of youth theatre in the past. Therefore, when I saw the show was being performed by Brewood’s Lollipop Theatre Arts, I had no hesitation in giving them a try. Particularly so because my society, Aldridge Musical Comedy Society, are doing the show next year.

Me and My Girl – Prince of Wales Theatre, Cannock – 26 March 2018

Lollipop cater for kids 6 to 18, and the full range were on show on the first of two nights.

Me and My Girl tells the story of Bill Snibson, the long-lost heir to the Hareford fortune. However, when the family discover Bill is a cockney of no standing, sparks begin to fly.

The score is from Noel Gay and book originally by L. Arthur Rose and Douglas Furber (although it has been updated by Stephen Fry and Mike Ockrent). A funny and entertaining show filled with well-known songs throughout, there isn’t a dull moment.

First impressions of Lollipop … My God, they’re so young! Yes, I know it’s a youth company, but the opening chorus of A Weekend at Hareford was delivered with such a professional sound, you might have thought otherwise.

In the lead role was Tom Horton who totally captured the character of Bill Snibson with superb comic timing. Most impressive in a demanding role was Tom’s ability to carry on, ad-libbing on a couple of occasions when lines slipped the mind. The improvisation added to the enjoyment.

Also on the opening night we had a shining star for the future in Florie Miles. Playing Sally Smith, so good were Florie’s vocals, I did think it was an older actress to begin with. Then I saw the cast photo and realised her years and saw a maturity which went way beyond them. Once You Lose Your Heart was equal to the version on The London Cast Recording. Florie would be at home in an adult company.

Additionaly excellent were Abbey Laycock (Duchess of Dene), Alex Jeffrey’s (Sir John Tremayne), Katie Hayes (Lady Jaqueline), Emily Smith (Gerald), Jake Watkins (Parchester), Sam Green (Charles), Isaac Brant (Sir Jasper Tring), James Shaw (Lord Battersby) and Amy Horton (Lady Battersby). I must also acknowledge, on 27 March, Sally Smith was to be played by Millie Cooper.

Me and My Girl has so many great numbers: Thinking of No One But Me, The Family Solicitor, Me and My Girl, Leaning on a Lamp, to name but a few. And that’s before you get to The Lambeth Walk and The Sun Has Got His Hat On.

Direction was from Lucy-Ellen Parker and Grace Bradshaw with choreography by Helen Stone and Isobel Burgess. In charge of musical direction was Matthew Davis with lighting – Dan Bywater.

Watching a youth show, it’s always good to witness the next generation of musical theatre in the making, but more important, seeing the kids enjoy themselves. A thoroughly entertaining night from a company I would strongly recommend for future productions.

Me and My Girl – Prince of Wales Theatre, Cannock – 26 March 2018

Cheers.

Antony N Britt

This May, Aldridge Musical Comedy Society (AMCS) make a welcome return to the Prince of Wales Theatre, Cannock for a magnificent celebration of fifty years as a society. The show is Fabulous at 50 and never has a title been so apt. Last year, AMCS put on two well-received productions of the highest standard in Thoroughly Modern Millie and Once Upon a Time. You can expect Fabulous at 50 to be no different.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017

Great voices, breathtaking dance and good humour, Fabulous at 50 features numbers from Les Misérables, Oklahoma, All Shook Up, Oliver, Rent and many more. Direction for Fabulous at 50 is in the safe hands of Julie Lamb with choreography by Sarah Hemming and musical direction – Mark Bayliss. Julie, who is also chairperson of the society, spoke about the show, “I’m so proud to be celebrating the 50th anniversary of AMCS and feel very honoured to be directing such a talented group of people on this special occasion.”

Making a return to the stage is society president, Paula Garratt, who appeared in AMCS’ first ever production – Calamity Jane. “When I started with AMCS 50 years ago,” Paula said, “I never thought I would be lucky enough to join this great company on stage in celebration of those 50 years. I am very proud of everyone associated with the society.”

AMCS currently has a core of 30 members and are always on the lookout for more of all ages. Rehearsing in Aldridge every Wednesday, the society, in addition to two shows a year, also perform for charity functions and care homes.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017 © Antony N Britt 2017

And the shows continue. With Smokey Joe’s Café (Nov 2017) and West Side Story (May 2018) already confirmed, the next fifty years is underway. But not until this current celebration is complete and from experience, AMCS guarantee the 50th anniversary show will be nothing less than Fabulous.

Fabulous at 50 is on 18 to 20 May 2017 (1930 start). Prince of Wales Theatre, Cannock.

Tickets available from AMCS (01543 480626) or Box Office (01543 578762).

Adults £12. Concession £10 and Under 16s £8.

Aldridge Musical Comedy Society (AMCS) Fabulous at 50 – Prince of Wales Theatre, Cannock – 18 to 20 May 2017

Cheers.

Antony N Britt

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