Tag Archive: Music


Last time I saw Foo Fighters it was an emotional experience, with the then recent and (still to this day) devastating loss of Taylor Hawkins. And it was on that day two years ago that Josh Freese opened the drumming of main set. Therefore, out of all the guest artists, it was no surprise when it was announced who the new full-time drummer would be.

Foo Fighters — Villa Park — 27 June 2024

First off, get the negatives out of the way. Negatives! How can any Foo Fighters gig have a negative? Well, Villa Park for a start. I must have drawn the short straw out of the three stands of seating because the Doug Ellis Stand was poor. No food, warm drinks, 50+ queues for the each of the female toilets, most cramped seats in an arena ever, and a rear concourse where several thousand had to navigate and was about the width of my living room. People were getting crushed and having panic attacks, but I was suitably informed by a local, “You think this is bad, you should see it on match days.” The other downside was the sound being a bit iffy. A heck of a lot of feedback to the point I could barely understand a word Dave Grohl said all night. And we all want to hear the Grohl.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Kicking off with All My Life, we then entered more recent territory and songs which were not available or played at the tribute. No Son of Mine and Rescued tell us what every long-lasting fan would want to hear, that new material is as good as anything before. The staples then continued with The Pretender, broken by an interlude of Stairway to Heaven which Grohl threatened to play in full unless a little crowd disturbance ceased. Thankfully, the ploy worked, and we got a mix of hits and new material: Walk, Times Like These, Breakout and My Hero interspersed with La Dee Da, Nothing at All and Under You from the 2023 album, But Here We Are. Also, from that album we had The Teacher. 10-minutes’ long and a tribute to Dave Grohl’s mother who died shortly after Taylor.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Now, the Foos are known for having A-List guest stars at their gigs and this time it was local lad Geezer Butler of Black Sabbath fame (who used to live three streets away). Joining on bass, the crowd were treated to a full-blooded beast of a rendition of Paranoid. There was also another (and more poignant) guest in the form of Taylor Hawkins’ son, Shane Hawkins, last seen at his dad’s tribute in 2022. One month short of turning 18, the energy of his father was there for all to see during This Is a Call, and he looked and sounded as if he would be at home in any top band.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Monkey Wrench, Best of You, These Days and Learn to Fly were there, as was one of my favourites, The Sky is a Neighbourhood. One other song to note is Aurora, Taylor’s most loved Foo Fighters song which is played at all gigs now in tribute.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Rounding off the night was, as always, Everlong, and the crowd went wild. Sound issues and shitty stadium aside, it was a great night and Dave Grohl promised to be back. “As long as you guys keep turning up, we’ll keep playing.” I’ll settle for that. The world is not done with the Foo Fighters yet. Not by a long way.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Cheers.

Antony N Britt

Whatever happened to all the heroes?
All the Shakespearoes?
They watched their Rome burn
.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

50 years. This was my 23rd outing seeing The Stranglers and like every time for the past ten, I wonder if it will be my last. Sure, they’ve survived and thrived since the departure of Hugh Cornwell 34 years ago. And that’s a statement to their longevity itself, despite a small number who still believe that is when the band ended. Heck, even a recent episode of TV’s Mastermind had a contestant whose specialist subject was The Stranglers, but only 1974 to 1990. Come on, if they were real fans, they would acknowledge The Stranglers are as strong now as ever. Certainly better live with Baz Warne, currently with the band for 24 years (far longer than Cornwell) and playing to huge, sell-out crowds.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

They have also survived the 1990s doldrums, then survived the retirement of the late Jet Black, and finally, survived the death of Dave Greenfield which I thought they’d never get past. But there they still are. Entertaining and taking me to heaven. Like they have done throughout all the incarnations. And I have seen the lot. I know it will one day end, but as long as Jean-Jaques Burnell is willing and able, I hope to always have just one more tour. And along with Warne, Jim Macaulay and Toby Hounsham, JJ still delivers the magic, this time on tour taking more of the forefront than recent years in engaging with the audience.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

For the 50 Years in Black tour, there was no support, just two packed sets from the guys lasting well over two hours. Starting with Just Like Nothing on Earth, we then had for the first time of my hearing, the final track from The Gospel According to the Men in Black in Hallow to Our Craft. JJ dedicated The Raven to Dave and Jet before continuing in a wide spectrum of classics, all familiar and intimate to me and ending the initial set with Hanging Around and Down in the Sewer. Nice to see Toby take on DG’s role of vocals in Genetix as well.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

After a short break, the ante was well and truly upped, entering to the staple Waltz in Black before Who Wants the World, Dagenham Dave and Duchess. Then, Peaches, Golden Brown, Always the Sun, Something Better Change, Five Minutes and Tank, they were all there (Strangely, no Grip, though). We also had White Stallion from their most recent studio album, Dark Matters, as well as Relentless, which I believe is the most played post Hugh song at gigs these days.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

Then, returning for an encore which everybody knew would happen (besides, we know where they live), the band finished with the song billed as The Stranglers oldest track in Go Buddy Go before the regular finisher and No More Heroes. I am always thankful that I still do have my heroes and pray that continues just a little longer at least. What an amazing gig from an amazing band.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024

Cheers.

Antony N Britt.

I Have a Dream, a song to sing.
To help me cope, with anything.
If you see the wonder, of a fairy tale.
You can take the future, even if you fail.

Mamma Mia — Novello Theatre, London — 2 February 2024

Mamma Mia featuring the music of ABBA is undoubtedly one of the best feelgood musicals going, and I never pass an opportunity to see it. Now, I have also, in the past, never watched any of the TV reality talent shows where the object is to find the next West End star. However, when Mamma Mia – I Have a Dream aired towards the end of last year, I took an interest this time, considering the show. Then, when Stevie Doc and Tobias Turley (the two I had rooted for since Week One) won the final, I said to my then partner, “Let’s go and see them in their first week.”

Little background information. I have said “then partner” for a reason because an hour before curtain, sitting in Trafalgar Square, the lovely Michelle Orton said, “I do. I do, I do, I do, I do, I do,” in answer to my proposal for her to become Mrs Antony N Britt. So, engaged, front frow seats, Mamma Mia and two actors we had voted for on a TV show. What could spoil it?

Absolutely nothing.

Mamma Mia — Novello Theatre, London — 2 February 2024

This trip to Mamma Mia had the same energy as always; the same entertainment with excellent, well-known songs, plus the highs of what had happened to us immediately before.

Mamma Mia — Novello Theatre, London — 2 February 2024

Mamma Mia — Young girl getting married wants to know the identity of her father and according to her mothers’ diary, there are three potential suspects. Mamma Mia, I Have a Dream, Super Trouper, Take a Chance on Me, Lay All Your Love on Me, Does Your Mother Know … the list goes on. All instantly recognisable songs. Then there are the lesser so. Slipping Through My Fingers is beautiful and Under Attack is far better in this show than it ever was as an ABBA single.

Our two reality winners played Sophie and Sky and looked totally at home in the West End. Stevie Doc owned the stage from start to finish with excellent vocals and wonderful characterisation. She was the perfect Sophie and although not in the forefront of the show as much, Tobias Turley also grabbed his role and, in my opinion, made a better Sky than Dominic Cooper did in the 2008 film.

Mamma Mia — Novello Theatre, London — 2 February 2024

But it wasn’t just about Stevie and Tobias. Mazz Murray has played Donna Sheriden for a while now and you can see why. A commanding performance, especially during The Winner Takes it All. Supporting well, though, were Kate Graham (Tanya), Samantha Ivy (Rosie), Haydn Oakley (Sam), Stephen Beckett (Bill), Christopher Dickins (Harry), Jessie Odeleye (Ali), Izzy Cross (Lisa), Bradley Perret (Pepper), Chay Wills (Eddie) and John-Paul Birss (Father Alexander).

An excellent band was conducted by Mark Smith, and they really brought that live magic of ABBA to the stage. Forget avatars singing to pre-recorded tracks, go and see Mamma Mia instead. I must also mention the wonderful choreography of Anthony Van-Laast as (and I am sure I have said this before in earlier Mamma Mia reviews) Voulez-Vous is the most energetic and amazing dance sequence going in musical theatre.

Mamma Mia — Novello Theatre, London — 2 February 2024

This show always leaves you buzzing, and a magical end to a magical day. Plus, the icing on the cake was meeting our two Mamma Mia – I Have a Dream winners, Stevie and Tobias at the stage door. Brilliant.

Mamma Mia — Novello Theatre, London — 2 February 2024

Cheers.

Antony N Britt

* All Photos taken from Social Media and may not be exact representations of the cast from the performance reviewed.

Everybody wants a piece of the action. 
Everybody needs a main attraction. 
I’ve done what everybody needs. 
Satisfaction guarantees.

From an early age, I was always into rock and one of the first bands to register as I began to take music seriously was The Sweet. Now, 50 years later, and with only one member remaining from the classic lineup, I tasted something Sweet for the second time.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

It’s a credit to Andy Scott that he doesn’t just roll out the old favourites. Sure, a lot were on view but also more recent and even new tracks from their forthcoming album. Yes, we all remember the Glam Rock images but there was always much more to Sweet than the commercial image promoted in the 70s with the (still marvellous) tunes from Nicky Chinn and Mike Chapman. Having moved away from their writers in the mid 70s, a bold direction after so much success, we saw the harder rock which is still being produced today.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Although Scott is the only remaining (and living) member of the most commercially successful lineup, this is still Sweet. The spirit is the same, the energy is the same, and the sound is the same. On vocals and guitar was Paul Manzi who after standing in for Tony O’Hora on tour in 2014, became a full-time member four years ago and boy can this guy front a band. Then, on bass, and outed by Scott as a West Bromwich Albion fan to the enemy in Wolverhampton, we had the excellent Lee Small. Completing the five-piece is Tom Cory (Keys and Guitar) and Adam Booth (Drums). Phenomenal.

The Action began with that very same-named banging tune and that action did not stop all night. New York Groove (from the acclaimed 2020 album, Isolation Boulevard) followed this before Hell Raiser, Burn on the Flame and The Six Teens. The latter two from the 1974 outing, Desolation Boulevard.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Mid set, Scott took a break, leaving the rest of the band to a trio of early hits in Co-Co, Funny Funny and Poppa Joe. After saying to the audience that when he heard them in rehearsals, they sounded so good he didn’t want to interfere, I did question the explanation as the last time I saw Sweet in 2005, I am sure these tunes were treated with derision. However, they went down a storm with the crowd, as did the run in to the end with Teenage Rampage, Wig Wam Bam, Little Willy, Love is Like Oxygen and Fox on the Run. Rounding off, Sweet gave the crowd what they were waiting for with a Blockbuster finale then a Ballroom Blitz of explosive proportions.

A new album is promised for 2024 with hopefully more shows on the road. Catch them while you can, Sweet still deliver.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023

Cheers.

Antony N Britt

I have become a great fan of Script Youth Musical Theatre Company in recent times; therefore, I had no hesitation going to see this short junior version of the West End hit, Frozen. We were in the smaller, Ron Barber Studio at The Crescent and with a company of 50, it was inevitable the four performances would be split into two casts. On my visit I saw Cast Anna with Cast Elsa being the ones I unfortunately missed. However, having been to a few shows by Script now, I am certain the Elsas would have been as equally amazing.

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

I am not going to dwell too much on the story. Princess with magical freezing powers flees her land to safeguard her people and is followed by her sister and friends who want to save her, plus enemies who are out to destroy her.

In the role of Elsa was the wonderful Evie Rice who never disappoints and excelled in Let it Go. As Anna, we had the equally amazing Aimee Whillis who duetted well with Evie during For the First Time in Forever. Aimie also shared the excellent Love is an Open Door alongside the marvellous Sam McCormack who played Hans. Elsewhere, we had a great rendition of Reindeers are Better than People from Finlay Laidlaw (Kristoff) and Lewis Ward-Bygrave (Sven) who also successfully undertook the task of working the reindeer puppet. Similarly, Ruby Edmonds did a fantastic job at the helm of everybody’s favourite snowman, Olaf and performed In Summer well. I also want to mention the younger Elsa’s (Poppy Kerr and Lilah Edmonds) and Anna’s (Matilda Cartwright and Maddie Howard).

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

With such a large amount of people involved, it’s impossible to give everybody the credit they deserve, so I shall simply scan the cast list of both groups. Producing Frozen Jr on my visit was Louise Farmer while choreography was shared between Molly Chamberlain and Maddie Fleming. The dancing had an especially high standard and in particular, Francesca Roberts stood out in flair and skill. Production for Team Anna, on other performances, was Louise Sall and Tim Rice (Producers) and Erin Mooney (Choreography).

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

The show was a short one at an hour, but that did not lessen the experience as you were taken to a magical land in such an intimate venue. It was also interesting to note that many on production and backstage were pupils past and present, and that some of the senior members attend the prestigious BOA Academy in Birmingham. A sign of this youth company having a high standard indeed. Script are back next summer with We Will Rock You at the Highbury Theatre in Sutton Coldfield. I recommend you check them out.

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

Cheers.

Antony N Britt 

*All photos taken from social media. 

Always willing to experience new music, I recently came across Dead Pony, downloaded all I could, and they have been my go-to listen ever since. With that fact when I saw they were also playing in Birmingham, I was in for tickets. I had never been to The Sunflower Lounge, either, which was the smallest room I have been at for a gig in over 40 years. But that’s cool, or at least I wish the room had been more so. Yes, also the hottest gig I have ever stood through (beating The Stranglers at KK’s Steel Mill last year), but there was still an intimacy within the euphoria.

Dead Pony — The Sunflower Lounge — September 17 2023

Dead Pony hail from Glasgow and are full of catchy rock tunes and in lead singer, Anna Shields, boast a voice at the top with the best. On guitar we then had Blair Crichton who also writes the bulk of excellent compositions. Completing a classic rock band line-up are Liam Adams on bass and Euan Lyons with the drums.

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

The band name may raise an eyebrow or two, but I like the reasoning. It stands for the end of innocence and as Anna states in their bio, a pony is what many children aspire to own. But its death signals the end of that childhood.

“A horse – a pony – is one of the most beautiful, majestic creatures on the planet, and there’s something really tragic about the idea of it lying there dead.”

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

However, while Dead Pony might appeal in the main to younger generations with relevant messages, they also have the attention and love from this (near) 60-year-old.

Sirens signalled their arrival and opening number, Bullet Farm which shot the crowd into top gear from the off. This was soon followed by recent release, Cobra then the title track of their 2022 EP, War Boys. Now, I always say there should be a rule that if you are going to cover a famous track, you need to blow the original out the water. DP do just that to Nellie Furtado’s Maneater. Not an artist I have ever listened to and probably won’t when their songs can be so much better elsewhere.

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

A couple of new tracks, About Love and Rainbow (from the announced debut album next year) preceded one of my favourites in All Dressed Up for Nothing. To be honest, all the songs are bangers: Sharp Tongues, Mana and Zero simply didn’t let the atmosphere drop. And then you had MK Nothing with the audience lost in the rapture. Finally, 23, Never Me rounded off the set on a high. Fantastic night out. Do check out Dead Pony, you will not regret it.

This was a gig well-received by all in the burning, tight space, and so they should have been. Dead Pony are the business and now need the exposure to be deservedly recognised as something great.

Dead Pony — The Sunflower Lounge — September 17 2023

Cheers.

Antony N Britt 

Postscript: Opening for Dead Pony were Oxford’s, South Arcade. Formed in 2021 and fronted by Harmony Cavell, South Arcade ooze energy and rocking tunes. I had never heard of them before but once the evening was over, I downloaded all six tracks I found on Amazon. These included Bigger Than Anything, Danger and Unaware, all played on the night. Unfortunately, I was unable to be there for their quick return to The Sunflower Lounge three days later. But another band to add to the catalogue and one I will see and hear more of in the future.

South Arcade — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

Cheers.

Antony N Britt

** Apologies for the delay with this review. Personal issues have put me behind ** 

“Throughout all the years I’ve been making music, if you get on a tour bus with a bunch of musicians, eventually the conversation will go to Sparks.” ~ Beck (The Sparks Brothers — 2021).

Sparks — The Halls, Wolverhampton — 22 June 2023

A major one from the tick list, and far overdue as it’s 50 years since Sparks first entered my radar. I mean, I have 26 albums and listen to them all, so this one was special.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Sparks have always been ahead of their time, influencing many bands, probably without those bands realising it. And never ones to play safe either, as was shown at The Halls in Wolverhampton. Yes, it would be easy to rely on more commercially successful numbers, but when you have a career with a duration as Sparks, averaging an album every two years, it’s an insult to Ron and Russell Mael to expect them to only stick to songs popular between 1973 and 1979.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

What you get from Sparks is a full spread of repertoire. Only This Town Ain’t Big Enough for Both of Us is represented from their biggest album, Kimono My House. But that doesn’t matter, because those present are diehard fans who for them the most recent is as important as the first. This was shown by the atmosphere as even the ageing legs amid a sea of grey hair eventually got up on mass, dancing in the seats and aisles. And nice to see the audience allowed to do this without stewards asking them to sit down as some venues do. Although I suspect this was probably due to the fact there were very few stewards. I certainly couldn’t find one to direct me to my seat when I first arrived at the recently revamped Wolverhampton Civic Hall.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Entering the stage, Russell began with the question So May We Start, from the motion picture, Annette before launching into the title track from the amazing latest album, The Girl is Crying in Her Latte. Also from this were five others, proving the outstanding quality and originality is still there. Nothing is as Good as They Say it Is makes my top ten Sparks tunes already, and We Go Dancing is classic Sparks. The final track of the album also ended the main set, appropriately titled, Gee, That Was Fun. I cannot stress how good this latest album is. It’s been on loop in my car for weeks now. Go and buy/download it, you will not be disappointed.

Sparks — The Halls, Wolverhampton — 22 June 2023

Russell stays energetic as ever at 74 years old while Ron is still deadpan (almost throughout) at 77. I only hope I’m still behaving that way when I reach the same age.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Music That You Can Dance To, All That, Angst in My Pants, Balls and When I’m With You are all top tunes. Then there is When Do I Get to Sing My Way from 1994s Gratuitous Sax & Senseless Violence. Awesome track. The Number One Song in Heaven brought the house down and My Baby’s Taking Me Home was just phenomenal.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

An incredible, feel-good show. I’m so glad to have finally seen this amazing duo (albeit with fantastic backing band) and wonder will I ever get the chance again? I truly hope so.

Sparks — The Halls, Wolverhampton — 22 June 2023 © Antony N Britt 2023

Cheers.

Antony N Britt

The proof of longevity with pop and rock bands is when they can still sell out arena tours after decades of doing so. Over 40 years in this case as Duran Duran blasted off in 1981 with Planet Earth and have been in orbit ever since.

Duran Duran — Utilita Arena — 5 May 2023

I am fortunate to have seen them four times now, each at various stages and incarnations during their existence and with 15 studio albums behind them, the quality shows no sign of declining.

Duran Duran — Utilita Arena — 5 May 2023

Billed as the Future Past Tour, only three songs (Invisible, Give it All Up and Anniversary) from the 2021 album of the same name were performed. The rest of the set, in contrast, drew heavily on the early 1980s and nothing else post 1995. But I guess it’s what many of the fans want and even some classics from the height of fame didn’t get a run including Union of the Snake. It goes to show, when you have such an enormous popular catalogue, you can’t fit it all in, even in two hours.

Duran Duran — Utilita Arena — 5 May 2023

The 80s were additionally represented with banging tunes such as The Reflex, View to a Kill, Wild Boys, Notorious and Is There Something I Should Know? In contrast, the handful of 90s tunes were the amazing Ordinary World, Come Undone and one of the best cover versions ever — White Lines (Don’t Do It).

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

So, focusing on the origins, what was good for the ageing fans who were there at the very start was the inclusion of non-album classics from the first two albums, some of which may not have been played live for a long time. Opening with Night Boat from the debut 1981 Duran Duran (Which I bought at the time and still have on vinyl) before Friends of Mine in addition to the singles Planet Earth, Girls on Film and Careless Memories. Then from Rio, we had Lonely in Your Nightmare and Last Chance on the Stairway as well as hits, Hungry Like the Wolf, Save a Prayer, and of course, Rio itself.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

42 years after first hearing it, Simon Le Bon’s voice is as good as ever and more controlled as well. The rest of the main lineup still retain charisma, despite advancing years. Roger Taylor has an abundance of energy; John Taylor is still the heartthrob and even Nick Rhodes has a certain … Je ne sais quoi. Also on stage was Dominic Brown on lead guitar, plus saxophonist, Andy Hamilton with backing singers, Anna Ross and Rachael O’Conner.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Duran Duran were supported by Lia Lia, who was excellent and Jake Shears … who wasn’t (Worst cover version in the history of music with Comfortably Numb). All in all, though, a great night, even if a faulty spotlight did blind the audience stage right for much of the evening and all through Jake (bloody) Shears. Despite that blip, there is still mileage in Duran Duran and they are well worth the money when they tour again.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Cheers.

Antony N Britt

Being only 13 at the time of Marc Bolan’s death in 1977, I never got the chance to see T.Rex live, but I have always been a fan, which is strange because it has taken me until now to experience T.Rextasy.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Regular readers will know I have only recently entered the world of tribute bands, and even then, when the real thing is no longer accessible. However, I have often heard T.Rextasy being regarded as the best tribute band out there. Then finally, hearing a glowing recommendation a couple of years back from my favourite punk rock poet, Attila the Stockbroker, I decided now was the time.

Wearing my Bolan silhouette t-shirt, I was excited and not disappointed when the time travel journey began and I returned to my pre-teen years with Raw Ramp, followed at once by Electric Boogie. Then came the classic New York City and Token of My Love before one of my own personal favourites, Metal Guru.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Fronted by Danielz on vocals and Lead Guitar, it is a case of close your eyes and it’s the real T.Rex. However, as Danielz says on the website bio, “No-one can ever take Marc’s place, no-one could ever be that naive. Treat T.Rextasy as a band of today, playing Marc’s music as faithfully as possible and recreating that special energy and performance.” I can’t argue with that. Tremendous. The band has been in existence for over 30 years and completing the line-up were Neil Cross (Rhythm Guitar), Rob Butterfield (Bass) and Phil Wilson (Drums).

In an audience of predominately over 60s, it was hard to get everyone on their feet. Whether this was due to rock gigs being alien to them or just inability because of age (It will come to us all) is anybody’s guess. Still, enough did break into dance to create an appreciative response, although I did move a few feet to my left and stood on the auditorium steps so as not to get in peoples’ way.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

The hits kept coming: Telegram Sam, Ride a White Swan, Children of the Revolution, Jeepster, 20th Century Boy, Deborah, I Love to Boogie, Get it On and many more (as it would say on a 1970s K-Tel advert). The night ended with a rousing and full of audience participation version of Hot Love. The fact I had lost my voice by then said job done.

The only criticism I would have of the night was The Prince of Wales enforcing a no photo/video rule. Come on, this is rock and roll, not a theatre company performing My Fair Lady. Bands don’t have a problem as it’s good publicity for social media. Fortunately, I ignored the rules as usual and got a few clandestine shots.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

But what a fantastic gig. I highly recommend T.Rextasy and will catch them again sooner rather than later. The legacy of Bolan and T.Rex is immense. Over 50 years old and not dated a bit. If a contemporary band wrote and performed this set as new today, nobody would blink an eyelid. But for now, let’s give thanks to Danielz and T.Rextasy for keeping the magic alive.

And also — Keep a little Marc in your heart.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Cheers.

Antony N Britt

I need to start by saying that 80-year-old war songs are not my thing. Heck, I even performed in a Wartime/VE Day celebratory showcase once and still, that genre wasn’t my thing. Even more; I loathe Christmas, so attending D-Day Darlings on December 23 did not bode well for me. But that doesn’t mean I can’t write objectively, and if anything, offer an honest appraisal with no personal bias.

D-Day Darlings — Cornbow Hall, Halesowen — 23 December 2022

A Google search tells you The D-Day Darlings are a choir. A bit of a short sell, if I’m honest, because on the evidence I saw, they are so much more than that. Performers with song and dance, humour and audience interaction. Excellent voices with a professionalism delivering an amazing sound welcomed by all, including me, as it turned out.

Launching off the wartime tunes with The Dam Busters, many staple songs were there to follow: White Cliffs of Dover, Pack Up Your Troubles, It’s a Long Way to Tipperary, Keep the Home Fires Burning, I’ll be Seeing You, A Nightingale Sang in Berkley Square, Somewhere Over the Rainbow and the ultimate Vera Lynne tribute — We’ll Meet Again. There were original numbers as well, including a lovely number titled, Mary, which shows versatility in branching out from the traditional. And I do admit to liking a bit of Glen Miller, so I especially enjoyed In the Mood.

D-Day Darlings — Cornbow Hall, Halesowen — 23 December 2022

And Christmas was well and truly represented: Little Donkey, Chestnuts Roasting on the Open Fire and White Christmas were all performed with excellence and received with deserved applause. Best of all, though, of yuletide fun, was a version of Santa Baby with (ahem!) audience engagement which brought the house down.

D-Day Darlings — Cornbow Hall, Halesowen — 23 December 2022

The Darlings rose to fame as the UKs premier wartime act after reaching the finals of Britain’s Got Talent in 2018 and now boast over 28,000 Facebook followers. The show I attended was also near full consisting of all ages, bearing out that there is still a definite market for this product.

D-Day Darlings — Cornbow Hall, Halesowen — 23 December 2022

On the night, The D-Day Darlings were founder member, Katie Ashbey supported by Emily Jane Brooks, Nichola Roberts, Kylie Bates and Jessica Hudson. All were wonderful with both formal, colourful and Christmassy costumes. I was the designated driver for my partner on this evening and originally only attended on the promise of a Ghost Hunt of my choice. But don’t tell her — I still enjoyed myself. The outfit are touring again in 2023 and I highly recommend a trip to see them. You may find you like it.

D-Day Darlings — Cornbow Hall, Halesowen — 23 December 2022

Cheers.

Antony N Britt