Tag Archive: review


I had never seen Garbage before. I did come perilously close a few years ago as they were due to support Blondie, but when that Covid-affected gig was rearranged, Garbage were unavailable. Therefore, once I heard they were touring again I was at the front of the queue. Unfinished business, you see.

Garbage — The Halls, Wolverhampton — 17 July 2024

Garbage; an American/Scottish combination with lead singer, Shirley Manson hailing from Edinburgh, and a Wisconsin trio of Duke Erikson (Guitar/Keys), Steve Marker (Guitar/Keys) and Butch Vig (Drums). Also, on tour we had Ginger Pooley (of Smashing Pumpkins) on Bass and backing vocals. Their musical style has been described widely from Alternative or Electropop, to Post-Grunge. I like to think of them simply as a banging rock band who would make any road-trip pass quickly. They are one of the best bands of the last 30 years. Heck, you don’t get a Bond Movie theme tune gig unless you’re at the top of your game.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

I at once warmed to Manson during her between songs speeches. Tales of mental illness and one reference of being the person the family never knew what to do with. Yes, by the end, I had quite the affinity, even empathising with Manson’s continuous pacing in a circle on numerous occasions. Opening with #1 Crush and Godhead, we then had two of my favourites in I Think I’m Paranoid and Cherry Lips (Go Baby Go). I have got to say, it’s not often you get a show which grips and rocks you from beginning to end, but this one did.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Great numbers continued to come: Special, The Men Who Rule the World, Hammering in My Head and The Creeps, before the poignant Bleed Like Me and arguably their most recognisable tune outside of fandom in Stupid Girl. There was a Siouxsie and the Banshees cover of Cities in the Dust before unleashing the 30-year-old debut single, Vow. Wow! We also had When I Grow Up, Push It and one of the most kick-ass songs of all time in Why Do You Love Me? Garbage then departed the stage, returning after a few minutes for the encore we all knew was going to happen. There, we were treated to a further two monsters in Milk and Only Happy When It Rains.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

It’s easy for the uneducated to think of Garbage as solely being Shirley Manson, but this is a team, each member, plus Pooley, giving it all. Manson told the crowd that this was the 6th time playing at The Halls in Wolverhampton, although remarking that the place looked a whole lot better since its recent revamp. Understatement of the year to all of us who knew the Wolverhampton Civic. But reference was also made to their advancing years. Manson is 57 and the rest of the band even older. Commenting on not knowing what the future holds, Manson said this gig might turn out to be the last they ever play at the venue, but they really hope not, and that they may be back one day. We hope so too.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Cheers

Antony N Britt 

Every now and then you go to see a band you like and come across a gem that you have never heard of before. This was the case at The Halls in Wolverhampton when I turned up to watch Garbage.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Lucia and the Best Boys hail from Glasgow and have been around about 8 years, so we were told, and released their debut album, (Burning Castles) last year. I am led to believe this new material was a departure from earlier guitar shredding tunes with grunge influences. Now, the more elemental electro pop music draws from experiences growing up, mixing with empowerment and a blast of Scottish heritage. The result is a hypnotic sound unleashing the forces of nature with an air of mysticism and magic to enchanting indie-rock. More importantly, they deliver excellent songs in both music and lyrics.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Launching their small support set with When You Dress Up, the appropriately titled Haunt You Back followed before my favourite song of the night in Angels Cry Too. All three came from the Burning Castles album before a new song in Picking Petals. This, as with the album songs, plus, So Sweet I Could Die which followed was written in the far north of Scotland on the Isle of Lewis, in a little croft which seems to have inspired the new sounds. This information was relayed by lead singer, Lucia Fairfull who also told as to how they came to be supporting Garbage. This was a combination of fandom, mutual respect and admiration, plus a fair amount of social media networking. And I am so glad of this because otherwise I would never have discovered this wonderful band.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Joining Fairfull on stage were Ally Scott, Christopher Ballantyne and Adam Campbell. Lucia and the Best Boys ended their set with Forever Forget and Perfectly Untrue to massive applause from those who had initially come only to see Garbage. However, like myself (who has already bought the back catalogue), these new admirers will join the fan club and continue to follow their progress.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024

Cheers

Antony N Britt 

Ah, the intoxicating smell of the graveyard.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

I only saw The Addams Family a few weeks ago and although that production itself was quality, I knew that I would be equally entertained and enthralled by Starcross Theatre Company’s offering.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

I think I can honestly say out of the half dozen youth companies that I review and follow, I really don’t have a particular favourite standing above the others because there is outstanding quality in all. And that’s a good thing for theatre. But each have their own individual elements making the occasions special and Starcross’ standards could not get any higher, already being at the top of their game.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

The Addams Family is based on the characters of the 1960’s American sitcom and subsequent movies/series. Synopsis briefly. Daughter, Wednesday falls in love, wants to get married with a normal boy and two worlds collide. It’s a basic plot by Marshall Brickman and Rick Elice with good music from Andrew Lippa, but one which serves a purpose with a few short sketch-type segments thrown in.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

As was the case in their previous shows, Starcross split their cast so that, in this case, twenty of them get a shot at the ten principal roles. This is good for development, experience, and inclusivity and although I only saw one of the two versions, I am certain the other would have been equally as outstanding.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

On my viewing I had the amazing Brandon Harrison as Gomez, commanding the stage with great presence and excellent vocals. Brandon totally captured the spirit of Gomez, and it is a shame, due now to age and pursuing a theatrical career, that this was his last show with Starcross. Equally so was the always amazing Christine Cross as Morticia and the chemistry between her and Brandon will be hard to replace. The choreography and performance during Tango De Amor was incredible. Christine has now joined her parents on the production side and is described by them as taking on the mantle.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

Playing a fantastic Wednesday Addams was Holly Hunter who totally nailed Pulled while Jack Harley was tremendous with the comic relief offered by Fester, particularly during The Moon and Me. Grandma (who may or not actually be a relative) was Lauren Downes while Lurch was portrayed by Cole Bennett. Both were exceptional in their roles. Lucas was Callum Brothwood, Mal (Tia Rafferty) and Alice (Lily-Grace Palmer). Got to commend Lily-Grace on the execution of the total breakdown of inhibitions at the end of Act One.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

Now, I have saved Pugsley for last as although I don’t normally hark back to personal connections, I feel I must in the case of Alfie Jennings. In 2021, aged 8, Alfie took part along with sister Lexie (also in this show) in their debut stage roles during my production of Cinderella, and I have followed their progress ever since. I knew then both were something special and it is no surprise that in September, Alfie starts Year 7 at a leading and prestigious performing arts school. I must admit, my eyes were moist during his solo of What If?

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

Beginning with When You’re an Addams, The Addams Family is a great show for ensemble because you can create as many parts as you need in the form of the family ancestors, giving much stage time too. These were Scarlett Bennett (Bride), Lexie Jennings (Ballerina), Grace Froggatt (Viking), Lottie Wilkes (Flamenco Dancer), Sophie Spruce (Baseball Player), Ellie Fletcher Brown (Hippy {Loved the hippy costume}), Jay McDonald (Cowboy), Jaime Nutting (Chef) and Zadie Wilson-Smith (Cave Woman). Further ancestors were portrayed by those in the principal roles on alternative performances. These were Lily Cross (Bull Fighter/Gomez), Kelsey Taylor (Flapper/Morticia), Darcy Harman (Stewardess/Wednesday), Noel Jeavons (Monk/Fester), Daisy Lunt (Astronaut/Pugsley), Shayera McDonald (Nurse/Grandma), Dimitri McDonald (Pirate/Lurch), Alex Hill (Sailor/Lucas), River Onions (Nun/Alice) and Lucy Keates (Elizabethan/Mal).

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

This was an outstanding show, full of colour, energy, and movement throughout. Direction and choreography were perfect, and this was down to the long-standing team of Belinda and Phil Cross MBE who run Starcross. Musical direction was in the safe hands of Ben Batt with vocal support from Ashleigh Foster. I must also highlight the great costumes too.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

It is always a struggle for companies like Starcross to survive and hopefully they will continue for a long time. The talent of the future are the kids of today and theatre needs places like Starcross. Here endeth the lesson.

The Addams Family — Arena Theatre Wolverhampton — 13 July 2024

Cheers

Antony N Britt

*Photos taken from social media

Up where they walk, up where they run. 
Up where they stay all day in the sun. 
Wanderin’ free, wish I could be, 
part of that world.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

You might think that seeing so many youth productions I would become accustomed and end up taking them all for granted. However, with each one, something fresh always comes along which then completely blows me away.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

I have been watching Birmingham Youth Theatre for years now and have seen some extraordinary talent depart and new emerge. And it is when you become a regular attendee that you witness the progression of that talent. Always with a warm welcome, BYT this time offered Alan Menken’s, The Little Mermaid. Not a show I have seen before but familiar with many of the songs, and not through Disney either. I have been involved in many in concerts of my own, and suddenly realised at times, Oh yes, it’s that one.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Full of colour and energy with excellent vocals, choreography and direction, this performance flowed so well it was over before you could catch breath. Always a good sign when you don’t even have to check how long Act One has been going. I have said in recent reviews about the quality of amateur and youth societies and would yet again recommend the same. They are up there with the best shows, and cheap to watch. Win win!

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

The Little Mermaid. Classic tale of a fishy princess who trades her soul for love but regains it through that love itself. Menken’s score is a good one and with lyrics by Howard Ashman and Glenn Slater, plus a book from Doug Wright, it is one of the best musicals around. And BYT totally did the show justice.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Bit of an odd one this time with cast; many of the programme listings only gave first names, so I shall respect that and credit as printed.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Ariel was played by Eva Phelan who captured the spirit of the character from the start and was perfect during Part of Your World. In the role of Prince Eric was David Morrison who I have seen develop over the past couple of years and the vocals have now reached a marvellous level with the delivery of Her Voice excellent indeed. Supporting well was the roller-skating Flounder (Shire C), the extremely red lobster, Sebastian (Andrew Morrison) and my favourite character of the show, Scuttle the Seagul (Lucie).

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

But then there be baddies and strife, and Sharouq A was decidedly evil as Ursula, supported well by Casey Michaela (Flotsam) and Livy Owen (Jetsam). I enjoyed Daddy’s Little Angel but still prefer the song it appears to have now replaced — I Want the Good Times Back. However, Sharouq’s rendition of Poor Unfortunate Souls was up with some of the best that I have seen.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

In King Triton’s (Alex) palace we had Grimsby (Gethin Randerson) and six sisters for Aurora in the form of Lola Swoffer (Aquata), Daisy Wright (Andrina), Cerys Worthington (Arista), Lucy J (Atina), Sophie T (Adella) and Sophie Ashford (Allana). The number, She’s in Love particularly rocked with great vocals and energy and was my favourite song of the night.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Rounding off the named cast were Luke (Chef Louis), Finn H (Pilot), Ava Jones (Winward) and Anna (Leeward). And no production can work without an ensemble and here I pay tribute to Alex Lee, Amelia R, Amelia Soffe, Ava, Aya, Bella, Breah Grimley, Eden Blaney, Edina, Ella Peirce, Emily, Erin Louise, Eva Campbell, George B, Georgie D, Hannah A, Jess, Loaira Carvalhido-Gilbert, Marni, Martha McGrath, Meg Allsop, Niamh, Oonagh W, Sophia C, Tabitha Vlok, Talia, Tayla and Thomas. Please message me if I’ve accidentally missed anyone out.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

On the creative team, Vivienne Morrison as Director/Choreographer can be incredibly pleased at yet another perfect production which was one of the best I have seen. Aiding well on production, though, were Maddison Clarke and Luke Griffiths with the former also co-choreographing outstanding movement from the specialised dancers in the show. Finally, Chris Corcoran was at the helm with musical direction which led to further good numbers including Under the Sea, Positoovity, Kiss the Girl and If Only, of which the quintet version blew me away.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

I must also commend the excellent costumes and use of a video screen backdrop which worked well. So, another successful production from a wonderful youth company. BYT return early 2025 with the annual pantomime and this time it is Snow White. I shall certainly be there, and so should you.

The Little Mermaid — Crescent Theatre Birmingham — 12 July 2024

Cheers.

Antony N Britt

*Photos taken from social media and taken by Paul Goode Photography.

I have become a regular attendee at Script Youth Musical Theatre Company productions, therefore, combining them with the music of Queen was just a win-win situation for me.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

We Will Rock You — The music of Queen with a script by Ben Elton has been doing the rounds for ages now and when I first saw it professionally a couple of years back, I was underwhelmed by Elton’s book. Now, this production was a youth edition, adapted by Marc Tumminelli, and as a result, some of the more padded out dialogue had been cut. So, in contrast to those professionals in 2022, Script’s offering flowed seamlessly throughout.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Plot. A not so far distant future where music and people’s minds have been eradicated by control of the internet. It is therefore up to a few rebellious youths to re-discover the lost genres of music. And it’s rock music, not just any old music. Favourite lines of the show:

We can do it a cappella if necessary. NO! It’s never necessary.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Kian Haden had the massive job of taking on Galileo and was out of this world, and the same can be said for Aimie Whillis playing Scaramouche. The duet of Who Wants to Live Forever was sublime. Both leads were strong in every department. Then, equally supporting well was Louise Heard as Killer Queen, delivering a powerful rendition of Another One Bites the Dust. Completing the bad guys was Finlay Laidlaw as Khashoggi who gave a truly villainous performance, up with the best. Seven Seas of Rhye was outstanding.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Evie Rice was Ozzy alongside Sam McCormack in the role of Brit. Both teamed up for an incredible outing for I Want it All. Completing the frontline principals was Ruby Edmonds who showed she had moved into a different league twelve months on from School of Rock where she learned guitar for that show. Guitar solos were extremely good, including a classic in the finale of Bohemian Rhapsody.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Massive credit must also go to the fantastic dancers under the choreography team of Mollie Chamberlain and Maddie Fleming. Script’s dancers are always perfect with innovative ideas and delivery. These were Lexie Shaw, Lewis Ward-Bygrave, Izzy Round, Lola Weir-Phillips, Francesca Roberts, and Darci Rice.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Completing the cast were Calvin Gunnharrold (Ringo), Corey Mayne (Michael), Mya Cartwright (Aretha), Ollie Dawes (P Puff Diddy Daddy), Jess Lewis (Sixx), Lilah Edmonda (Bruce), Zachariah Scrivens (Paul), Daniel George (Guard), Dean Donnelly (Guard), Molly Fitzpatrick (Quatro) and Nevada Grizzle-Francis (Teen Queen).

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

My favourite number of the night was No-One But You (Only the Good Die Young). And that’s where I went all emotional. You see, nothing breaks me. Well, barely anything, anyway. But beautiful vocals going with screen images of dear departed rock legends got me. I was wavering throughout, seeing Bolan, Bowie, and Kurt Cobain, and then Taylor Hawkins appeared on screen, and I was gone.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

I could not see a band, or anything credited for music in the programme, so I assume backing tracks were used. Not always easy but the vocals were brilliant. I must also commend the wonderful costumes, credited to the wardrobe exploits of Jo Rice and Vicky Round. Overall, a production up with anything I have seen from Script so far, and anywhere else, for that matter. Producer, Louise Farmer can be well proud of her cast and crew. Here’s to the next one.

We Will Rock You — Highbury Theatre, Birmingham —6 July 2024

Cheers.

Antony N Britt

*Photos taken from social media and originally produced by Studio 55 Photography

Sandwiched in-between a rehearsal of my own and an evening show I had already booked, my fiancée and I found ourselves with three hours to kill and I remembered Steve Hughes from Hughes Media recommending Spotlight Youth Productions. I must admit, I was intrigued by the billed show — The Diary of Horace Wimp, as it could only refer to the 1979 ELO song of the same name.

The Diary of Horace Wimp — Norton Canes School — 6 July 2024

This show is an original concept (We like original scripts) by Steve Groves with musical content selected by Groves and musical director, Ian Windsor. Directing was Andrew Cox and Michelle Windsor with Nigel Anderson as producer. And the plot followed pretty much the song in question where poor Horace, in a dead-end job, meets the love of his life. More turmoil and strife follow before an inevitable happy ending. The songs themselves all came from UK Midlands based bands and (more often than not) an era I grew up in. The script really stood out to me as a writer, and it is something I, having been there myself, would have been proud of.

From the opening bars of Black Sabbath’s Paranoid, I was hooked. Size of a Cow (Wonder Stuff), Rio (Duran Duran) A Message to You (Specials), Ordinary World (Duran Duran again and loved it), plus a plethora of ELO tunes such as Mr Blue Sky, Rock and Roll is King and the title of the show, The Diary of Horace Wimp. This latter was a good example of an incredible amount of energy which on top of the obvious high talent on display, was clear throughout. I remember turning to my fiancée after about 20 minutes and just saying with a wide beam, “I love this.” They even resurrected a hit from my long-forgotten memory dump of 1984 with Stephen ‘Tin Tin’ Duffy’s, Kiss Me. I also enjoyed the psychedelic dreamers, particularly during Flowers in the Rain (The Move). Great costumes throughout as well.

In the lead roles were Ben Coleman as Horace and Lottie Carter playing Rio. Both were excellent and duetted well for a lovely rendition of Slade’s, How Does it Feel? Then, supporting strongly were Nadine Hewitt and Immy Green as the narrators, Jess Walker (Barbara Wimp), Jake Sylvester (Harry), Sadie Groves (Henrietta), Leyshon Simms (Hugo), Becky Cartwright (Rev. Eileen), Mabel Deakin (Rosetta), Freya Gould (Rosie), Stella Franklin (Reagan), Ellie Coleman (Donna), Joel Parker-Pearson (Dave), Isla Mason (Doris), Alfie Stokes (Mr Brent), Emily Hughes (Ms Tinsley) and Lucas Pearson (Dream Horace). Finally, there was Nancy Arnold who gave a fabulous lead in my favourite number of the show — Xanadu.

A few years ago, another youth company thanked me for naming the entire cast and said how much it meant to the kids. Talk about Rod – Ones – Back. Still, here goes, and please message me if I miss someone or get a name wrong. Come on, there are over 50 of them! So, also brilliant were Mellisa Connaire, Emilia Dodd, Hanna Ellison, Casey Godwin, Heidi Gottschall, Courtney Guy, Belle Hales, Evie Johnson, Scarlett Palij, Ffion Pountain, Nellie Stokes, Dol Taylor, Emily Weaver, Isabelle Allport, Macy Bate, Miyah Bate, Maisy Dennis, Amelia Critchley, Grace Elson, Danni Hackett, Evie-Mae Jakes, Freya Longdon, Paloma Shelley, Mariama Trawally, Jess Deakin, Amelia Exton, Lucy Gouge, Iona Gould, Ben Mason, Riley Morris, Victor Parker, Ayva Redmond and Harriet Weaver. Phew!

This was a wonderful show, made even more special, having gone into it blind, by seeing some children of those I have performed alongside over the years, and even a couple of kids I directed in my pantomimes and performed with. Credit must also go to Ian Windsor (Keys) and his band of James Windsor (Drums), Steve Parker-Pearson (Guitar) and Chris Pearson (Bass). Last week, I watched Geezer Butler (Black Sabbath) play Paranoid with The Foo Fighters in front of tens of thousands, and this offering kicked as much ass.

Spotlight return next January with Aladdin and having found yet another marvellous youth company, I promise I shall be back.

Cheers.

Antony N Britt

Last time I saw Foo Fighters it was an emotional experience, with the then recent and (still to this day) devastating loss of Taylor Hawkins. And it was on that day two years ago that Josh Freese opened the drumming of main set. Therefore, out of all the guest artists, it was no surprise when it was announced who the new full-time drummer would be.

Foo Fighters — Villa Park — 27 June 2024

First off, get the negatives out of the way. Negatives! How can any Foo Fighters gig have a negative? Well, Villa Park for a start. I must have drawn the short straw out of the three stands of seating because the Doug Ellis Stand was poor. No food, warm drinks, 50+ queues for the each of the female toilets, most cramped seats in an arena ever, and a rear concourse where several thousand had to navigate and was about the width of my living room. People were getting crushed and having panic attacks, but I was suitably informed by a local, “You think this is bad, you should see it on match days.” The other downside was the sound being a bit iffy. A heck of a lot of feedback to the point I could barely understand a word Dave Grohl said all night. And we all want to hear the Grohl.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Kicking off with All My Life, we then entered more recent territory and songs which were not available or played at the tribute. No Son of Mine and Rescued tell us what every long-lasting fan would want to hear, that new material is as good as anything before. The staples then continued with The Pretender, broken by an interlude of Stairway to Heaven which Grohl threatened to play in full unless a little crowd disturbance ceased. Thankfully, the ploy worked, and we got a mix of hits and new material: Walk, Times Like These, Breakout and My Hero interspersed with La Dee Da, Nothing at All and Under You from the 2023 album, But Here We Are. Also, from that album we had The Teacher. 10-minutes’ long and a tribute to Dave Grohl’s mother who died shortly after Taylor.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Now, the Foos are known for having A-List guest stars at their gigs and this time it was local lad Geezer Butler of Black Sabbath fame (who used to live three streets away). Joining on bass, the crowd were treated to a full-blooded beast of a rendition of Paranoid. There was also another (and more poignant) guest in the form of Taylor Hawkins’ son, Shane Hawkins, last seen at his dad’s tribute in 2022. One month short of turning 18, the energy of his father was there for all to see during This Is a Call, and he looked and sounded as if he would be at home in any top band.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Monkey Wrench, Best of You, These Days and Learn to Fly were there, as was one of my favourites, The Sky is a Neighbourhood. One other song to note is Aurora, Taylor’s most loved Foo Fighters song which is played at all gigs now in tribute.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Rounding off the night was, as always, Everlong, and the crowd went wild. Sound issues and shitty stadium aside, it was a great night and Dave Grohl promised to be back. “As long as you guys keep turning up, we’ll keep playing.” I’ll settle for that. The world is not done with the Foo Fighters yet. Not by a long way.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Cheers.

Antony N Britt

Alright, yes, I confess that my actual name is Dewey Finn, yes indeed. 
And although you should know I’m not licensed to teach, I promise you, I can read.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

School of Rock is about living your dreams, and for the performers themselves, those dreams are fulfilled while taking part. This show has everything. A great, funny script by Julian Fellows, a cracking score from Andrew Lloyd Webber and Glenn Slater … and rock. What more can you wish for?

School of Rock — Brierley Hill Civic Hall — 8 June 2024

It’s the story of Dewey Finn, an unsuccessful rock artist who after being sacked by his band, poses as a teacher to pay the rent. Once at Horace Green School, he discovers his pupils are musically talented and engineers a plan for them to compete in the Battle of the Bands. Really, it’s grooming and corruption of minors at the highest degree, but also a plot which works well, all very tongue-in-cheek farce.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

I made the vow a few years ago to see School of Rock at every opportunity and this time it was the excellent Quarry Bank Musical Theatre Company delivering the goods. Always a challenge, QBMTC perform in a venue I acoustically hate, but the power of rock truly overcame that this time.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

In the role of Dewey was Carl Cook who had the enormous task of being centre stage for over 80% of the time (There is a reason I know this). Leading the cast well, Cook gave us When I Climb to the Top of Mount Rock as well as joining the kids in the massive numbers, Stick it to the Man and School of Rock (Teacher’s Pet) among others. Alongside him as Rosalie Mullins, the headmistress, we had the fabulous Sarah Coussens whose offering of Where Did the Rock Go was amazing. Then, supporting in fine fashion were Tom Robinson as Ned and Bryany Palmer playing Patty.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

But the real standouts for this show are the kids, especially those playing instruments live. These were Finlay Hassall (Zack), Adam Porter (Freddie), Kersten Davies (Katie) and Maria Riga (Lauren) in the band. Then, in the other roles we had Daisy May Sandel (Summer), Connie Davies (Tomika), Charlotte Carter (Sophie), Lilybell Greaves (Shonelle), Dylan Henry (Billy), Sofia Nicol (Marcy), Eliza May Plant (Maddison) and Jett Richards (Mason). All excellent and as good as any professional production. In fact, my top tunes this time were Time to Play and If Only You Would Listen.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

The director was Mike James with choreography from Attiye Passey and musical direction by Chris Passey. Having seen this show many times, I still find something new, and I found the arm waving by the kids during Math is a Wonderful Thing funny, showing just how far into loving the deception they are.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

There were not many negatives for me, but the addition of dancers into some songs kind of metaphorically photobombed the moments, especially during Where Did the Rock Go. However, in a show with very little for a larger adult cast, I can appreciate the need to give everybody stage time. Overall, the audience will have gone home happy and I’m probably being over picky, knowing Scholl of Rock so well.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

This is an incredible show and I defy anyone not to love it. And QBMTC certainly delivered the goods.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

Cheers.

Antony N Britt

*All photos taken from social media.

They call you Lady Luck, 
but there is room for doubt.
At times, you’ve had a very unladylike way of running out.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

With the music and lyrics of Frank Loesser and a book by Jo Swerling and Abe Burrows, Guys and Dolls is based on two short stories by Damon Runyon. Hailed as the perfect musical comedy, this show gambles with luck and love under the lights of Broadway.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Now, I’ll kick off this review by speaking about the original template companies work with. I am known for giving honest feedback and in my opinion, Guys and Dolls has one of the dullest scripts in musical theatre, compounded with a forgettable score and numbers which add nothing to an already weak and embarrassingly dated plot. But that’s all I shall say negatively because any more would detract from the wonderful performances and professionalism of Tinkers Farm Opera.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

And what a company they are. Top quality offerings from all the cast with outstanding vocals, excellent dance and acting of the highest order. In the role of Sky Masterson was Richard Cooper who was commanding in presence and shone particularly during Luck be a Lady, which is easily the most recognisable tune in the show. As love interest, Sarah Brown, we had Gabby Baldwin, equally as strong and excelling during If I Were a Bell.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Tony Newbold played henpecked gambler, Nathan Detroit, adding comedic instances and duetting well with Bethan Siviter-Coupland in Sue Me. I was particularly impressed with Siviter-Coupland’s portrayal of Miss Adelaide, and she reminded me of Madeline Kahn at times in approach. Comic relief was also given by Tyrone Howell (Nicely-Nicely Johnson), Luke Plimmer (Benny Southstreet) and Raymond Turrell (Harry the Horse). Each equipped themselves admirably and Howell especially led an excellent ensemble well during Sit Down, You’re Rockin’ the Boat.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Rounding off the principals in good fashion was Geoff Westwood as Arvide Abernathy, and I was interested to read from the programme notes that he only entered the world of musical theatre just short of his 69th birthday. To me, that is what amateur theatre is all about. Joining a family where it is never too late with the dream that you can do anything if you want it.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Direction, including choreography was in the hands of Emma Harley with musical direction overseen by Simon Wilkinson, fronting an impressive orchestra. Production can be immensely proud of the end results, especially as the audience went home happy after much deserved applause.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Guys and Dolls can be an expensive show to stage and has been the financial death of two companies that I know of in the past. I hope in this instance, the rewards were worth it because Tinkers Farm deserve to thrive. They return to the musical stage in Stourbridge in 2025 with Mel Brook’s The Producers. This is a musical I like and knowing it will be in the safe hands of this excellent company, I shall certainly be there.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Cheers

Antony N Britt. 

*Photos taken from social media.

Love never dies.
Love will continue.
Love keeps on beating.
When you’re gone.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

It was a bold move from Andrew Lloyd Webber to create a sequel to possibly the greatest musical of all time but in the past, Love Never Dies has been met with criticism. So, as someone who had never seen this show, how did it fare against the mammoth Phantom of the Opera? Seriously, it can’t, but allow for a few minor niggles (and one major) and you have an incredible show. That is, if it is done well. I am, therefore, happy to say that West Bromwich Operatic Society (WBOS) did exactly that.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

A few months ago, I was in the same theatre watching the UK tour of Jesus Christ Superstar. This was better by far. The sheer professionalism and quality from those who don’t get paid for doing their craft was out of this world. I’m trying not to use a cliche here, but seriously, you could not deny that this production was West End quality. And I see an awful lot of shows a year to make that claim.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

The plot. Ten years after the events at the Paris Opera House, Christine Daae travels to New York with husband Raoul, and young son, Gustave. There they are reunited with Madame Giry and her daughter, Meg. It was these two who aided the Phantom in escaping all those years ago and now together, run Phantasma, a Coney Island amusement park.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

Let’s get those negatives out the way. The opening is slow, and you have three numbers in the first fifteen minutes before anything happens. Also, some songs, such as Bathing Beauty, however good, have no relevance. Then the biggest gripe. The Phantom, once an epitome of mystery is normalised into humanity. Despite this, the show does stand well on its own merits, and I enjoyed it. To be honest, I found it even darker (if that can be possible) than Phantom.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

As The Phantom himself, Dan Smith gave a five-star performance, particularly in ’Til I Hear You Sing. An amazing voice and equally so in stage presence. Matching that was Molly-Anna Riley as Christine who excelled during the title song, Love Never Dies. Tye Harris was Raoul, now married to Christine and he also played his part to perfection, especially during Devil Take the Hindmost with Smith’s Phantom. But there has been addition to the events of Paris in Christine’s ten-year-old son, Gustave. What can I say? The performance of Elijah Critchley was out of this world in voice and acting throughout, most clear during The Beauty Underneath.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

The Giry’s were portrayed superbly by Holly White (Meg) and Sarah Moors (Madame), and they duetted well in Only for You and Mother, Did You Watch? Rounding off the principals were a trio of oddball characters who were the definitive of creepy. These were Adam Partridge (Gangle), Tasheka Coe (Fleck) and Connor Welch (Squelch) whose Coney Island Waltz was outstanding in leading the ensemble.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

And it is those often unsung (forgive the pun) performers in the ensemble who also gave it all. Each time they featured, scenes were full of quality and every move mattered. This is a credit to the production of Simon Pugh (Director), Ian Room (Musical Director) and Claire Flavell (Choreographer). Of course, there will have been far more involved in bringing this show so successfully to the stage, and they can all be proud of the result. A perfect production in all departments.

Love Never Dies — Grand Theatre, Wolverhampton — 4 May 2024

Cheers.

Antony N Britt.

*Photos taken from social media.