Tag Archive: review


Having worked before with all three writers involved in this production, I had no hesitation going to see one of the debut performances of Ghost Stories. This is a one act play (55 minutes) written by the partnership of Scott Cartwright and Joshua Coy in collaboration with Kieran Sketchley. Performed in a small, intimate venue, Ghost Series is a fully immersive experience where you believe you are in the woods with our players. The show consists of two characters and five voiceovers, which within the context of the setting, are creepy in the extreme.

Ghost Stories — Dingle Social Club — 26 October 2024

Teddy and Jasper go camping overnight in the woods to find the truth about recent bear attacks which have claimed the lives of children and their adult camp leader. Here they confront fears and memories of the past through storytelling around the campfire. This tests their friendship as they unlock the doors which have kept the horror and secrets of the past firmly hidden.

Scott Cartwright (Teddy) and Kieran Sketchley (Jasper) are both accomplished and professional performers and I was completely riveted by their delivery. Very good interaction between the two with great chemistry. The voices of the kids were provided by Ava Vaughan, Luke Green, Sophie McDonald and Maria Lee Vazquez with Brandon Ferguson as Camp Leader Ferguson. These voices blended well, fitting in perfectly with the setting.

Ghost Stories — Dingle Social Club — 26 October 2024

To have a performance containing just two onstage actors is challenging but the results here were a captivating scenario which had you gripped through many twists and turns right until the end. I particularly liked the injection of humour alongside the suspense, a method I always enjoy. Without giving too much away, a conclusion was used that I have often done myself, and that is the real horrors out there are not the monsters, but people themselves.

I also liked the pre-show exchanges which gave clues, foreshadowing much of what was to come. A thoroughly enjoyable afternoon’s entertainment and I have no hesitation in recommending any future productions of this, or any others from this talented writing team. One last observation; Teddy Bears Picnic really is a creepy song.

Ghost Stories — Dingle Social Club — 26 October 2024

Cheers

Antony N Britt

*Some photos taken from social media

I must admit, I find concerts boring and usually avoid them, preferring full shows which are more than one dimensional. However, knowing their high calibre, I had no hesitation going to see Bournville Musical Theatre Company and their showcase of Lights, Camera, Broadway! An excellent company and so well run, knowing just the right amount of audience members to cater for. You see, concerts by theatre companies are likely to only get a third of the numbers you would for, let’s say, Sister Act, so by scheduling two performances with a capacity of 200 –250, you are guaranteed sell outs. Far better than over optimism and half empty auditoriums. And that reflects with the feedback. A full auditorium is an energetic one, with passion to get the most out of the performers, and that was the case on this occasion.

Lights, Camera, Broadway! — Routh Hall, Bromsgrove — 5 October 2024

Lights, Camera, Broadway launched in great style with two rousing numbers from Sister Act in Bless Our Show and Raise Your Voice, and it never dropped after that. Full of songs from shows that I have seen, this really was a great compilation. Easy Street (Annie), I Have Confidence (Sound of Music), Some Enchanted Evening (South Pacific), Don’t Rain on My Parade (Funny Girl) and Suddenly Seymour (Little Shop of Horrors) all stand out in my memory. But that’s not to say others were less good as all were of the highest quality. Even so, I did have favourites of the evening.

Rhian Clements’ delivery of Watch What Happens from Newsies was the first time I had seen it done well in a concert. Perfect. Then, Young Frankenstein is probably my favourite show out of all showcased on this occasion, therefore, Together Again, performed by Josh Goodwin and Dan Guzman was always going to rate highly on my list. My favourite number of the evening was by Chloe Turner and Ellie Bruce with Apex Predator from Mean Girls. However, I can honestly say that the performance of the night must go to Rachel Fox singing a song that I actually dislike, but was nevertheless strong, emotional, note perfect and outstanding in every department. One Moment in Time from The Bodyguard.

Lights, Camera, Broadway! — Routh Hall, Bromsgrove — 5 October 2024

Also highlighted by full company was Ballad of Sweeney Todd, foreshadowing 2025’s main production from Bournville. I recommend it highly. Then, rounding off the night we had the company led excellently by Kristal Malin and Another Day of Sun from La La Land, a song I know well and was delivered equally so.

Production for Lights, Camera, Broadway was in the safe hands of Kristal Malin, who originated the idea, along with Stuart McDiarmid and Lily Moore, plus a whole host of choreographers. Musical direction was from the ever-consistent Chris Corcoran who oversaw and was part of a three-piece band which sounded so much more. Credit to Corcoran for this and the wonderful results in vocals, and I have no hesitation saying that in my opinion, he is the best MD in the Midlands (Apologies to the numerous MD’s that I have worked with and are my friends, but he is).

Lights, Camera, Broadway! — Routh Hall, Bromsgrove — 5 October 2024

Cheers.

Antony N Britt

*Photos blatantly taken from social media. 

“Papa, do you think I’m odd?” 
“My daughter odd, where did you get an idea like that?” 
“I don’t know, it’s just that, well, people talk.” 
“They talk about me, too.”

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Another new one for me in Menken’s Beauty and the Beast and performed by a company I was seeing for the first time as well in Queensbridge Musical Theatre Society. And I have to say, what a wonderful night out it was.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

I am not going to dwell on the plot, it’s Beauty and the Beast, one of the best-known classical fairy tales going. But this was the Alan Menken version, which piqued my interest as I have performed many a number from this show myself in concerts of the past, including No Matter What whose opening lyrics I reproduce above. Others of note include Belle, Gaston and Something There. Then, of course, are two that have become well known beyond this musical in Be Our Guest and Beauty and the Beast (aka Tale as Old as Time).

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

In the lead role we had Bethany Scott who was divine as Belle. Great characterisation, showing the balance between vulnerability and strength as well as excellent vocals, particularly during Home and A Change in Me. As the Beast, Ed Blann was in fine form. If I Can’t Love Her is a staple musical theatre song for singers to have in their repertoire, and Blann nailed it to perfection. Likewise, Jon Mulkeen was strong with powerful vocals as Gaston throughout and he was ably supported by poor sidekick, Lefou (Gareth Knipe). Belle’s father, Maurice, was a likeable portrayal by Steven Element and showed good chemistry with Belle during No Matter What.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Other captives of the castle were to be found in the servants, and these were used to good comic advantage, particularly Cogsworth and Lumiere, played by Paul Stait and Billy Stait respectively. Yes, father and son on stage, a sensation I know well but it did not end there as mother made three with Alex Stait as Mrs Potts. All were so good, in fact, there were no weak areas at all, in my opinion. Then we had Emily Cottrell as Babette with Hannah Thomas playing Madame De La Grande Bouche. Google translate the latter, and it will tell you much about the character. Finally, within the household, we had the sweet Chip (in an excellent trolley and hat costume), played on my visit by Joey Ryder with Ruby Buckley taking alternating performances. Deserved applause when it came.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Directing Beauty and the Beast was Jack Gregson with choreography from Evangeline Stait, then, Oscar Cooper-Spriggs was Musical Director who oversaw a 12-piece orchestra. All did their job well, based on the results on show for which they can be so pleased.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Queensbridge have faced adversity in recent times, having this show postponed due to issues with a previous theatre. But the show does go on, and we, the audience, are grateful for that. A thoroughly enjoyable evening. I will be back for more.

Beauty and the Beast — Artrix Centre, Bromsgrove — 2 October 2024

Cheers.

Antony N Britt 

*Photos taken from social media.

When I grow up 
I will be tall enough to reach the branches 
that I need to reach to climb the trees.
You get to climb when you’re grown up

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

I’m a huge fan of youth theatre, as my reviews show, and I had no hesitation about going to see Matilda Jr, even though I experienced the full version in the West End only a few months ago. And in Script Youth Musical Theatre Company, you know you are always going to be entertained with high quality. Now, Matilda Jr was an outing for the younger members of the company, with only one part played by someone outside the age bracket of 10 to 14. But the professionalism was still there for all to see.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

Based on Roald Dahl’s book, Matilda tells the story of a young girl who is thrown from the frying pan into the fire when her awful, unloving family send her to Crunchem Hall School under the tyrannical rule of Miss Trunchbull. In the title role of Matilda, we had Tilly Cartwright who was every bit as good as the child stars I saw in London during that performance. Just the right combination of sass and vulnerability, delivered with perfect vocals and great character.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

On the school staff, though, was Trunchbull, played with fire and brimstone by Maddie Howard who totally captured the intimidating presence and was genuinely frightening at times. Then, at the opposite pole was the pleasant mentor of Matilda in Miss Honey, beautifully portrayed by Gracie Reynolds who once again showed a pure but strong voice. Another adult friend to Matilda is Mrs Phelps the librarian, and in this role, Peyton Lockley was also strong. Mrs Phelps appears during interlude segments where Matilda tells the tale of the Escapologist (Lois Rollings) and the Acrobat (Poppy Kerr). Great gymnastic skills on show.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

But all Roald Dahl tales have baddies, with the Wormwood’s being arguably as nasty as Trunchbull. Wonderfully horrid and performed excellently by Darci Rice (Mrs Wormwood), Edward Lawlor (Mr Wormwood) and Robin Lawlor (Michael). Joining the Wormwoods was Arlo Conway-Ford as Rudolpho, the dance partner who had me in stitches with his moves around Miss Honey when she visits to family.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

But a performance is not just the sum of the principals, and every person counts. Therefore, all on top of their game and seemingly having the time of their lives were Niamh Mulligan (Lavender), Mae Gregory-Martin (Bruce), Millie Parsons (Hortensia), Kitty Scrivens (Sergi), Leo Stubbington (Eric), Frankie Donahoe (Alice), Polly Lewis-Avozdenovic (Amanda Thripp) and Izabel Devlin (Mechanic). As dancers, we had Isla Thorp and Amelia Green while the big kids were Ava Faulkner, Presley-Ann Owen, Effie Jobling and Izzy Round. Then, completing the ensemble, we had Phebe Roberts, Georgia Lewis, Melody Thompson, Isla-Rose Thompson, Dottie Twigg, Olivia Watkins, Lexi Roberts, Zachary Duke, Taylor Howard and Jade Owen.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

There are some magical numbers in this show: Miracle, Naughty, School Song, When I Grow Up and Revolting Children. But there was nothing at all revolting here. All were brilliant, and credit must go to the structure of Script and the production team of Louise Sall and Tim Rice on direction, with Erin Mooney working excellent choreography, plus good vocal coaching from Sarah Jones.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

I always get a great welcome from Script, and much of this is down to a marvelous Front of House led by Clare Russell. A great youth company throughout. When these kids grow up, they will be reaching for more than simply the tall branches, they will be attaining top roles in big companies, and even the professional stage.

Cheers.

Matilda Jr — The Crescent Theatre, Birmingham — 28 September 2024

Antony N Britt 

*Photos blatantly taken from social media. 

We could’ve been anything we wanted to be,
but don’t it make your heart glad. 
that we decided, a fact we take pride in. 
We became the best at being bad.

Back in 1976 I think I was the only person in my school class who didn’t go to the ABC Cinema in Walsall to see Bugsy Malone. Nowadays, I blame the autism. Come on, kids playing adults, with adults then dubbing the vocals coming out of the kids’ mouths. It was too weird, even for me, and I have never seen it since. However, due to a 70s upbringing of Tiswas and Multi Coloured Swap Shop on a Saturday morning, I saw enough clips to make my judgement and run screaming to hide behind the lava lamp.

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

But this was a youth theatre version, courtesy of Quarry Bank Musical Theatre Society Youth, therefore all was well. So how did Bugsy Malone fare? Well, the Alan Parker script is awful, and the music by Paul Williams, forgettable, but I kind of enjoyed it anyway, mainly due to the quality present on stage. This is an excellent youth company, make no mistake about that, and it was nice to see most of the kids who had performed in School of Rock a few months ago with the adult incarnation of this society.

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

The plot. Two rival gangs in New York shoot each other up with foam-spraying Splurge Guns. Amid this, Bugsy Malone, a smooth-talking man about town, falls for new singer, Blousey Brown. Intrigue and double-crossing commence, culminating in a chaotic free for all at the end which simply halts for no reason whatsoever. Now, even though I don’t like the show itself, I bet it was a blast throughout for the kids during the months of preparation, and even better once they successfully brought the product to the stage.

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

Playing Bugsy was Jackson Fryer who had great stage presence and was ably complimented by Eliza May Plant as Blousey Brown. In the role of Fat Sam we had Finn Dyas-Harrold with Daniel Cwiertak as rival, Dandy Dan. Tallulah, a character made famous in the original film by a young Jodie Foster, was portrayed superbly here by Lily Grace Wooldridge who led the cast well in the Act Two opener, My Name is Tallulah. Other principals included Liam Cox (Fizzy), Noah Tromans (Cagey Joe), Finlay Hassell (Leroy), Martha Crump (Smolskey) and Sofia Nicol (O’Dreary).

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

But youth theatre is a team effort, and every member counts. Therefore, the rest of the cast were Amelia Cox, Amelia Elizabeth, Beth Pearce, Bonnie Wilson, Charlotte Carter, Connie Davies, Connie Perks, Daisy May Sandel, Dylan Henry, Ellie Southwell, Erin Hennessey, Fabiana Bennett, Felicity Oakley, Georgia Loughton, Georgia Riga, Giovanna Cutts, Hallie Smith, Izzy Pankhurst, Jack Head, Jayden Palmer, Katy Clarke, Kersten Davies, Lilybell Greaves, Lola Wilson, Louise Perks, Maggie Head, Masie Harrison, Maria Riga, Naomi Thompson, Noah Jeavons, Olivia Cwiertak, Olivia Ward, Oscar Wilkinson, Seb Roach, Sienna Capewell and Sofia Iantosca.

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

So, you don’t have to like a show in the first place to have had a good time, and the kids made this so. Amazing talent throughout performing on a great set. Also, excellent musical direction and band led by Nick Jeavons, then direction and stunning choreography from Zoe Russell, with Niamh Hadley assisting on the choreography. Has this production banished my early teenage nightmares? Not quite, but QBMTS Youth went a long, long way.

Bugsy Malone — Stourbridge Town Hall — 20 September 2024

Cheers.

Antony N Britt

*Photos blatantly taken from social media.

Oh, oh, oh, 
woke up today, 
feeling the way I always do

But that was before I went to the Hippodrome in Birmingham to see the touring production of Hairspray. I have always been a fan, right from when I saw the original John Waters movie starring Rikki Lake and the late Divine.

Hairspray — Birmingham Hippodrome — 18 September 2024

It’s 1962 and Tracy Turnblad auditions to be a dancer on the Corny Collins Music Show and after initially being rejected due to body image, she makes the cut and instigates a revolution for racial integration. It seems abhorrent now, the views of that time, but that’s how life was, in fact, even worse than what is portrayed in this show.

Hairspray is a musical which launches at full throttle with the excellent Good Morning Baltimore, Nicest Kids in Town, Mama I’m a Big Girl Now and I Can Hear the Bells. And there is always the fun Welcome to the 60’s. But that does not mean to say everything is 10 out of 10. When you’ve seen it before, You’re Timeless to Me seems overly long and begins to grate, and the supposed ad-libs do appear scripted. Likewise, the two Motormouth numbers, although well performed, are boring and forgettable. Pity. This included the end of Act One tune in Big, Blonde and Beautiful which had me checking the time while I tried desperately not to nod off.

Hairspray — Birmingham Hippodrome — 18 September 2024

However, after what seemed a sad lull either side of the interval, things picked up again and Without Love certainly makes the grade. The title track, however, is a bit of a damp squib and Cooties must rank as one of the worst tracks in Musical Theatre. But then you get the awesome You Can’t Stop the Beat, or as I have heard it described, You Can’t Stop to Breathe. And I can concur with that, having performed the song in panto, and this offering was as energetic as anything I have seen recently. I felt exhausted just watching.

Hairspray — Birmingham Hippodrome — 18 September 2024

In the lead role as Tracy, Alexandra Emmerson-Kirby was outstanding in all areas. Great voice, stage presence and impressive dance. Of course, the top professional dancer on show was Joanne Clifton in a role (as Velma Von Tussle) which usually does not have many opportunities to utilise dance as much as others, but Drew McOnie’s choreography rectified that, as well as being top drawer throughout.

Hairspray — Birmingham Hippodrome — 18 September 2024

Playing Edna Turnblad was Neil Hurst who gave the part everything you would expect and more. Move over John Travolta, this was the real deal as Edna. I know the character is drag and meant tongue in cheek, but I have always found the best attempts at cross-gender are the ones where you just accept the switch because it seems so natural, and you don’t even give it thought that a man is portraying a woman.

Hairspray — Birmingham Hippodrome — 18 September 2024

Other cast members included Michelle Ndegwa as Motormouth, Dermot Canavan (Wilbur), Solomon Davy (Link Larkin), Katlo (Little Inez), Declan Egan (Corny Collins), Freya McMahon (Penny), Shemar Jarrett (Seaweed) and Allana Taylor (Amber).

Musical direction for Hairspray was from Richard Atkinson while the show was directed by Paul Kerryson and Brenda Edwards. This production is touring well into Spring of 2025 and despite a few niggles from me, is still worth the time.

Hairspray — Birmingham Hippodrome — 18 September 2024

Cheers.

Antony N Britt

*Photos taken from social media and may not be representative of the performance reviewed.

The hills are alive with the sound of music. 
With songs they have sung for a thousand years.

It might not have been the hills in Birmingham, but certainly was the case that The New Alexandra Theatre was alive with The Sound of Music. Yes, the Richard Rodgers and Oscar Hammerstein classic with book by Howard Lindsay and Russel Crouse — it’s a production which needs no introduction.

The Sound of Music — New Alexandra Theatre — 17 August 2024

The previous evening, I had been to see the overrated and totally underwhelming Hamilton and within the first few minutes of The Sound of Music, the horror of the day before was blown away by incredible vocals, great dance, excellent chorus and outstanding all round talent.

The Sound of Music — New Alexandra Theatre — 17 August 2024

Leading the way was Molly Hopkins as Maria where during those opening bars of the title track, I almost thought that it was Julie Andrews’ actual voice I was hearing, it was that good. Excellent in all areas, Hopkins was a perfect Maria. But she also needs her love interest to make the show what we know, and Cree Henson was equally up to the task as Captain Von Trapp. A great combination.

The Sound of Music — New Alexandra Theatre — 17 August 2024

In the Von Trapp children we had Bessy Hingley (Liesl), Jake Miles (Friedrich), Evie O’Malley (Louisa), Logan Meers (Kurt), Sophie Ballentyne (Brigitta), Frankie Foulger (Marta) and Lilly Jones (Gretl). All were tremendous with standards consistently high throughout and again, great chemistry. And they looked like they were enjoying and seizing the moment as well.

The Sound of Music — New Alexandra Theatre — 17 August 2024

Playing Max Detweiler and Elsa Schraeder were Kieran Powell and Molly Ann Bache respectively. Extremely polished and they also got to perform the two great numbers sadly cut from the film in How Can Love Survive and No Way to Stop It. Then we get to the nuns of the Abbey. These were led magnificently by Ella Blair as Mother Abbess who shone in all her numbers, especially the iconic Climb Every Mountain. Also, in the convent were Rebecca McGregor-Black (Sister Berthe), Liv Glenny (Sister Margaretta), Emily-Violet Haywood (Sister Sophia) and Holly Boden (Sister Hilda). Additionally supporting well in the principals were Samuel Ryan (Franz), Eden Wedgbrow (Frau Schmidt) and Aiden Cooney (Rolf). I could go on and list the entire cast, they were so good, but with their numbers being almost 70, I don’t think my eyes could cope with all the cross-referencing this time to make sure I’ve spelt them correctly.

The Sound of Music — New Alexandra Theatre — 17 August 2024

The producers of Sound of Music were Victoria Ellery-Jones, Becky Peers and Hannah Whitfield. The Director and choreographer was Pollyanna Turner with assistance on choreography from Olivia Wicks while Chris Newton oversaw Musical Direction.

The Sound of Music — New Alexandra Theatre — 17 August 2024

What also stood out in this marvellous show was the use of ensemble. Now, I have been on company committees during show selections and the argument against what would almost certainly be a sellout is that there is not much for the chorus to do in Sound of Music. This production proved the opposite. It’s amazing what you can achieve with creativity and that stage buzzed with life throughout. Favourite number of the night was the full company Lonely Goatherd. So much to see and digest, you didn’t know where to focus at times.

The Sound of Music — New Alexandra Theatre — 17 August 2024

Now, this production was The Alexandra Theatre’s 2024 Stage Experience, and I have left that information until last for a purpose. Take in all the wonderful observations above, then realise that this was rehearsed and put together with the final team in two weeks. Amazing. Also nice to see a few familiar faces from local youth companies. This was a top performance from all involved which had goosebumps rising in an audience who showed their appreciation with a near 100% and well-deserved standing ovation at the end.

The Sound of Music — New Alexandra Theatre — 17 August 2024

Cheers.

Antony N Britt

*Photos taken from social media and may not be representative of the performance reviewed.

I knew absolutely nothing about this show going into it, not having read the book by Rick Riordan, nor seen the 2010 film of the same name. However, I was delighted to attend after a lovely invitation from Joe Logan to see Smile Musical Youth Theatre’s Production of The Lightning Thief: The Percy Jackson Musical. Smile are a new youth company with Lightning Thief only their third show after Pinocchio Pantomime and We Will Rock You.

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

Now, with a company who only began recently, one would be forgiven for not expecting a great deal, but that was not the case with Smile. Honestly, such was the quality in all departments, you would have thought it was an organisation of long-standing achievement. This was displayed by the cast, production, and the simple art of welcome to the event by Front of House where programmes, raffles and merchandise were all on sale with a Smile. See what I did there? No? Oh, forget it. But on with the show.

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

Percy Jackson is an ordinary teenager who discovers he is a Demigod when his mother is killed, and he is himself drawn into the world of Greek Mythology. There, he is accused of stealing Zeus’ lightning bolt so aided by allies, he sets off on a quest to retrieve it and redeem his name. It’s your typical mythical journey, encountering monsters in adventures reminiscent to the likes of Clash of the Titans and Jason and the Argonauts. With a book by Joe Tracz and music from Rob Rockiki, it is an entertaining romp for all.

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

I have got to say I loved Sam Broomhall-Tighe as the reluctant hero who really does not want to be where he has ended up, but whose laid-back approach was well captured in delivery. Excellent in all areas, especially during Good Kid. Playing opposite was Tiffany Steventon as Annabeth who was magnificent singing My Grand Plan. I also enjoyed the performance of Thomas Bastable as Grover, Percy’s friend who goes with them on the quest. Also strong in the principals were Freddie Perry (Luke), Ruby Blount (Sally), Josh Mills (Mr D), Noa Bailey Cartwright (Mr Bruner) and Erica Steventon (Katie). And I particularly loved the angsty attitude of Clarisse who was portrayed by Lauren Slater.

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

One thing I approved of was that everybody had a fair share of stage time (inclusivity rules), and all were named characters. As I have said, the cast were strong throughout, therefore I shall credit the remainder in the order they appear in the programme: Eva Grace Mahay (Silena), Lola-Jo Harper (Ares), Hannah Allsop (Aunty Em), Isabel Landa (Mrs Dodds), Emelia Smith (Charon), Cat Allsop (Hades), Taylor Simner (Gabe), Charlie McRobert (Kronos), Kyra Jepson (Thalia), Tillei Case (Bus Driver), Tegan Lynch (Minotaur), Andgelle Batchelor-Foster (Bianca), Grace Glover (Janis Joplin), Amelia Perry (Dodds Sister), Katelyn Harper (Dodds Sister), Makena Straker-Sharpe (James Brown), Libby Sandle (Passenger), Erin Grehan (Passenger), Shyian Chyna Miriam Staple (Newscaster), Kamile Kazlauskaite (Echidna), Shayla Elise Gordon (Conductor) and Georgia Haynes (Little Annabeth).

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

The vocals in this production were excellent and credit must go to Ella Dare (Musical Director) and Sarah Jennings (Vocal Coach and Production Assistant). Also on production was Olivia Jefferson as Rehearsal Assistant with overall charge being Joe Logan as director and choreographer. And I must say, the result of that choreography was outstanding of high professional quality. It was also nice to see some familiar faces from Birmingham Youth Theatre’s past shows, a company where Joe Logan mastered his skills to the point he could branch out on his own. And what a fantastic job he has done. Smile return next January at Gospel Oak School Theatre with Joe Logan’s self-penned version of Hansel and Gretel. I shall be there.

The Lightning Thief: The Percy Jackson Musical — Dormiston Mill Theatre — 27 July 2024

Cheers

Antony N Britt

*Photos taken from social media.

I had never seen Garbage before. I did come perilously close a few years ago as they were due to support Blondie, but when that Covid-affected gig was rearranged, Garbage were unavailable. Therefore, once I heard they were touring again I was at the front of the queue. Unfinished business, you see.

Garbage — The Halls, Wolverhampton — 17 July 2024

Garbage; an American/Scottish combination with lead singer, Shirley Manson hailing from Edinburgh, and a Wisconsin trio of Duke Erikson (Guitar/Keys), Steve Marker (Guitar/Keys) and Butch Vig (Drums). Also, on tour we had Ginger Pooley (of Smashing Pumpkins) on Bass and backing vocals. Their musical style has been described widely from Alternative or Electropop, to Post-Grunge. I like to think of them simply as a banging rock band who would make any road-trip pass quickly. They are one of the best bands of the last 30 years. Heck, you don’t get a Bond Movie theme tune gig unless you’re at the top of your game.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

I at once warmed to Manson during her between songs speeches. Tales of mental illness and one reference of being the person the family never knew what to do with. Yes, by the end, I had quite the affinity, even empathising with Manson’s continuous pacing in a circle on numerous occasions. Opening with #1 Crush and Godhead, we then had two of my favourites in I Think I’m Paranoid and Cherry Lips (Go Baby Go). I have got to say, it’s not often you get a show which grips and rocks you from beginning to end, but this one did.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Great numbers continued to come: Special, The Men Who Rule the World, Hammering in My Head and The Creeps, before the poignant Bleed Like Me and arguably their most recognisable tune outside of fandom in Stupid Girl. There was a Siouxsie and the Banshees cover of Cities in the Dust before unleashing the 30-year-old debut single, Vow. Wow! We also had When I Grow Up, Push It and one of the most kick-ass songs of all time in Why Do You Love Me? Garbage then departed the stage, returning after a few minutes for the encore we all knew was going to happen. There, we were treated to a further two monsters in Milk and Only Happy When It Rains.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

It’s easy for the uneducated to think of Garbage as solely being Shirley Manson, but this is a team, each member, plus Pooley, giving it all. Manson told the crowd that this was the 6th time playing at The Halls in Wolverhampton, although remarking that the place looked a whole lot better since its recent revamp. Understatement of the year to all of us who knew the Wolverhampton Civic. But reference was also made to their advancing years. Manson is 57 and the rest of the band even older. Commenting on not knowing what the future holds, Manson said this gig might turn out to be the last they ever play at the venue, but they really hope not, and that they may be back one day. We hope so too.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Cheers

Antony N Britt 

Every now and then you go to see a band you like and come across a gem that you have never heard of before. This was the case at The Halls in Wolverhampton when I turned up to watch Garbage.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Lucia and the Best Boys hail from Glasgow and have been around about 8 years, so we were told, and released their debut album, (Burning Castles) last year. I am led to believe this new material was a departure from earlier guitar shredding tunes with grunge influences. Now, the more elemental electro pop music draws from experiences growing up, mixing with empowerment and a blast of Scottish heritage. The result is a hypnotic sound unleashing the forces of nature with an air of mysticism and magic to enchanting indie-rock. More importantly, they deliver excellent songs in both music and lyrics.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Launching their small support set with When You Dress Up, the appropriately titled Haunt You Back followed before my favourite song of the night in Angels Cry Too. All three came from the Burning Castles album before a new song in Picking Petals. This, as with the album songs, plus, So Sweet I Could Die which followed was written in the far north of Scotland on the Isle of Lewis, in a little croft which seems to have inspired the new sounds. This information was relayed by lead singer, Lucia Fairfull who also told as to how they came to be supporting Garbage. This was a combination of fandom, mutual respect and admiration, plus a fair amount of social media networking. And I am so glad of this because otherwise I would never have discovered this wonderful band.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Joining Fairfull on stage were Ally Scott, Christopher Ballantyne and Adam Campbell. Lucia and the Best Boys ended their set with Forever Forget and Perfectly Untrue to massive applause from those who had initially come only to see Garbage. However, like myself (who has already bought the back catalogue), these new admirers will join the fan club and continue to follow their progress.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024

Cheers

Antony N Britt