Tag Archive: Rock


I had never seen Garbage before. I did come perilously close a few years ago as they were due to support Blondie, but when that Covid-affected gig was rearranged, Garbage were unavailable. Therefore, once I heard they were touring again I was at the front of the queue. Unfinished business, you see.

Garbage — The Halls, Wolverhampton — 17 July 2024

Garbage; an American/Scottish combination with lead singer, Shirley Manson hailing from Edinburgh, and a Wisconsin trio of Duke Erikson (Guitar/Keys), Steve Marker (Guitar/Keys) and Butch Vig (Drums). Also, on tour we had Ginger Pooley (of Smashing Pumpkins) on Bass and backing vocals. Their musical style has been described widely from Alternative or Electropop, to Post-Grunge. I like to think of them simply as a banging rock band who would make any road-trip pass quickly. They are one of the best bands of the last 30 years. Heck, you don’t get a Bond Movie theme tune gig unless you’re at the top of your game.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

I at once warmed to Manson during her between songs speeches. Tales of mental illness and one reference of being the person the family never knew what to do with. Yes, by the end, I had quite the affinity, even empathising with Manson’s continuous pacing in a circle on numerous occasions. Opening with #1 Crush and Godhead, we then had two of my favourites in I Think I’m Paranoid and Cherry Lips (Go Baby Go). I have got to say, it’s not often you get a show which grips and rocks you from beginning to end, but this one did.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Great numbers continued to come: Special, The Men Who Rule the World, Hammering in My Head and The Creeps, before the poignant Bleed Like Me and arguably their most recognisable tune outside of fandom in Stupid Girl. There was a Siouxsie and the Banshees cover of Cities in the Dust before unleashing the 30-year-old debut single, Vow. Wow! We also had When I Grow Up, Push It and one of the most kick-ass songs of all time in Why Do You Love Me? Garbage then departed the stage, returning after a few minutes for the encore we all knew was going to happen. There, we were treated to a further two monsters in Milk and Only Happy When It Rains.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

It’s easy for the uneducated to think of Garbage as solely being Shirley Manson, but this is a team, each member, plus Pooley, giving it all. Manson told the crowd that this was the 6th time playing at The Halls in Wolverhampton, although remarking that the place looked a whole lot better since its recent revamp. Understatement of the year to all of us who knew the Wolverhampton Civic. But reference was also made to their advancing years. Manson is 57 and the rest of the band even older. Commenting on not knowing what the future holds, Manson said this gig might turn out to be the last they ever play at the venue, but they really hope not, and that they may be back one day. We hope so too.

Garbage — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Cheers

Antony N Britt 

Every now and then you go to see a band you like and come across a gem that you have never heard of before. This was the case at The Halls in Wolverhampton when I turned up to watch Garbage.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Lucia and the Best Boys hail from Glasgow and have been around about 8 years, so we were told, and released their debut album, (Burning Castles) last year. I am led to believe this new material was a departure from earlier guitar shredding tunes with grunge influences. Now, the more elemental electro pop music draws from experiences growing up, mixing with empowerment and a blast of Scottish heritage. The result is a hypnotic sound unleashing the forces of nature with an air of mysticism and magic to enchanting indie-rock. More importantly, they deliver excellent songs in both music and lyrics.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Launching their small support set with When You Dress Up, the appropriately titled Haunt You Back followed before my favourite song of the night in Angels Cry Too. All three came from the Burning Castles album before a new song in Picking Petals. This, as with the album songs, plus, So Sweet I Could Die which followed was written in the far north of Scotland on the Isle of Lewis, in a little croft which seems to have inspired the new sounds. This information was relayed by lead singer, Lucia Fairfull who also told as to how they came to be supporting Garbage. This was a combination of fandom, mutual respect and admiration, plus a fair amount of social media networking. And I am so glad of this because otherwise I would never have discovered this wonderful band.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024 © Antony N Britt 2024

Joining Fairfull on stage were Ally Scott, Christopher Ballantyne and Adam Campbell. Lucia and the Best Boys ended their set with Forever Forget and Perfectly Untrue to massive applause from those who had initially come only to see Garbage. However, like myself (who has already bought the back catalogue), these new admirers will join the fan club and continue to follow their progress.

Lucia and the Best Boys — The Halls, Wolverhampton — 17 July 2024

Cheers

Antony N Britt 

Last time I saw Foo Fighters it was an emotional experience, with the then recent and (still to this day) devastating loss of Taylor Hawkins. And it was on that day two years ago that Josh Freese opened the drumming of main set. Therefore, out of all the guest artists, it was no surprise when it was announced who the new full-time drummer would be.

Foo Fighters — Villa Park — 27 June 2024

First off, get the negatives out of the way. Negatives! How can any Foo Fighters gig have a negative? Well, Villa Park for a start. I must have drawn the short straw out of the three stands of seating because the Doug Ellis Stand was poor. No food, warm drinks, 50+ queues for the each of the female toilets, most cramped seats in an arena ever, and a rear concourse where several thousand had to navigate and was about the width of my living room. People were getting crushed and having panic attacks, but I was suitably informed by a local, “You think this is bad, you should see it on match days.” The other downside was the sound being a bit iffy. A heck of a lot of feedback to the point I could barely understand a word Dave Grohl said all night. And we all want to hear the Grohl.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Kicking off with All My Life, we then entered more recent territory and songs which were not available or played at the tribute. No Son of Mine and Rescued tell us what every long-lasting fan would want to hear, that new material is as good as anything before. The staples then continued with The Pretender, broken by an interlude of Stairway to Heaven which Grohl threatened to play in full unless a little crowd disturbance ceased. Thankfully, the ploy worked, and we got a mix of hits and new material: Walk, Times Like These, Breakout and My Hero interspersed with La Dee Da, Nothing at All and Under You from the 2023 album, But Here We Are. Also, from that album we had The Teacher. 10-minutes’ long and a tribute to Dave Grohl’s mother who died shortly after Taylor.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Now, the Foos are known for having A-List guest stars at their gigs and this time it was local lad Geezer Butler of Black Sabbath fame (who used to live three streets away). Joining on bass, the crowd were treated to a full-blooded beast of a rendition of Paranoid. There was also another (and more poignant) guest in the form of Taylor Hawkins’ son, Shane Hawkins, last seen at his dad’s tribute in 2022. One month short of turning 18, the energy of his father was there for all to see during This Is a Call, and he looked and sounded as if he would be at home in any top band.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Monkey Wrench, Best of You, These Days and Learn to Fly were there, as was one of my favourites, The Sky is a Neighbourhood. One other song to note is Aurora, Taylor’s most loved Foo Fighters song which is played at all gigs now in tribute.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Rounding off the night was, as always, Everlong, and the crowd went wild. Sound issues and shitty stadium aside, it was a great night and Dave Grohl promised to be back. “As long as you guys keep turning up, we’ll keep playing.” I’ll settle for that. The world is not done with the Foo Fighters yet. Not by a long way.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Cheers.

Antony N Britt

Whatever happened to all the heroes?
All the Shakespearoes?
They watched their Rome burn
.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

50 years. This was my 23rd outing seeing The Stranglers and like every time for the past ten, I wonder if it will be my last. Sure, they’ve survived and thrived since the departure of Hugh Cornwell 34 years ago. And that’s a statement to their longevity itself, despite a small number who still believe that is when the band ended. Heck, even a recent episode of TV’s Mastermind had a contestant whose specialist subject was The Stranglers, but only 1974 to 1990. Come on, if they were real fans, they would acknowledge The Stranglers are as strong now as ever. Certainly better live with Baz Warne, currently with the band for 24 years (far longer than Cornwell) and playing to huge, sell-out crowds.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

They have also survived the 1990s doldrums, then survived the retirement of the late Jet Black, and finally, survived the death of Dave Greenfield which I thought they’d never get past. But there they still are. Entertaining and taking me to heaven. Like they have done throughout all the incarnations. And I have seen the lot. I know it will one day end, but as long as Jean-Jaques Burnell is willing and able, I hope to always have just one more tour. And along with Warne, Jim Macaulay and Toby Hounsham, JJ still delivers the magic, this time on tour taking more of the forefront than recent years in engaging with the audience.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

For the 50 Years in Black tour, there was no support, just two packed sets from the guys lasting well over two hours. Starting with Just Like Nothing on Earth, we then had for the first time of my hearing, the final track from The Gospel According to the Men in Black in Hallow to Our Craft. JJ dedicated The Raven to Dave and Jet before continuing in a wide spectrum of classics, all familiar and intimate to me and ending the initial set with Hanging Around and Down in the Sewer. Nice to see Toby take on DG’s role of vocals in Genetix as well.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

After a short break, the ante was well and truly upped, entering to the staple Waltz in Black before Who Wants the World, Dagenham Dave and Duchess. Then, Peaches, Golden Brown, Always the Sun, Something Better Change, Five Minutes and Tank, they were all there (Strangely, no Grip, though). We also had White Stallion from their most recent studio album, Dark Matters, as well as Relentless, which I believe is the most played post Hugh song at gigs these days.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024  

© Antony N Britt 2024

Then, returning for an encore which everybody knew would happen (besides, we know where they live), the band finished with the song billed as The Stranglers oldest track in Go Buddy Go before the regular finisher and No More Heroes. I am always thankful that I still do have my heroes and pray that continues just a little longer at least. What an amazing gig from an amazing band.

The Stranglers: Fifty Years in Black — The Halls, Wolverhampton — 16 March 2024

Cheers.

Antony N Britt.

Everybody wants a piece of the action. 
Everybody needs a main attraction. 
I’ve done what everybody needs. 
Satisfaction guarantees.

From an early age, I was always into rock and one of the first bands to register as I began to take music seriously was The Sweet. Now, 50 years later, and with only one member remaining from the classic lineup, I tasted something Sweet for the second time.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

It’s a credit to Andy Scott that he doesn’t just roll out the old favourites. Sure, a lot were on view but also more recent and even new tracks from their forthcoming album. Yes, we all remember the Glam Rock images but there was always much more to Sweet than the commercial image promoted in the 70s with the (still marvellous) tunes from Nicky Chinn and Mike Chapman. Having moved away from their writers in the mid 70s, a bold direction after so much success, we saw the harder rock which is still being produced today.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Although Scott is the only remaining (and living) member of the most commercially successful lineup, this is still Sweet. The spirit is the same, the energy is the same, and the sound is the same. On vocals and guitar was Paul Manzi who after standing in for Tony O’Hora on tour in 2014, became a full-time member four years ago and boy can this guy front a band. Then, on bass, and outed by Scott as a West Bromwich Albion fan to the enemy in Wolverhampton, we had the excellent Lee Small. Completing the five-piece is Tom Cory (Keys and Guitar) and Adam Booth (Drums). Phenomenal.

The Action began with that very same-named banging tune and that action did not stop all night. New York Groove (from the acclaimed 2020 album, Isolation Boulevard) followed this before Hell Raiser, Burn on the Flame and The Six Teens. The latter two from the 1974 outing, Desolation Boulevard.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023 © Antony N Britt 2023

Mid set, Scott took a break, leaving the rest of the band to a trio of early hits in Co-Co, Funny Funny and Poppa Joe. After saying to the audience that when he heard them in rehearsals, they sounded so good he didn’t want to interfere, I did question the explanation as the last time I saw Sweet in 2005, I am sure these tunes were treated with derision. However, they went down a storm with the crowd, as did the run in to the end with Teenage Rampage, Wig Wam Bam, Little Willy, Love is Like Oxygen and Fox on the Run. Rounding off, Sweet gave the crowd what they were waiting for with a Blockbuster finale then a Ballroom Blitz of explosive proportions.

A new album is promised for 2024 with hopefully more shows on the road. Catch them while you can, Sweet still deliver.

Sweet — Wulfrun Hall, Wolverhampton — 2 December 2023

Cheers.

Antony N Britt

Always willing to experience new music, I recently came across Dead Pony, downloaded all I could, and they have been my go-to listen ever since. With that fact when I saw they were also playing in Birmingham, I was in for tickets. I had never been to The Sunflower Lounge, either, which was the smallest room I have been at for a gig in over 40 years. But that’s cool, or at least I wish the room had been more so. Yes, also the hottest gig I have ever stood through (beating The Stranglers at KK’s Steel Mill last year), but there was still an intimacy within the euphoria.

Dead Pony — The Sunflower Lounge — September 17 2023

Dead Pony hail from Glasgow and are full of catchy rock tunes and in lead singer, Anna Shields, boast a voice at the top with the best. On guitar we then had Blair Crichton who also writes the bulk of excellent compositions. Completing a classic rock band line-up are Liam Adams on bass and Euan Lyons with the drums.

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

The band name may raise an eyebrow or two, but I like the reasoning. It stands for the end of innocence and as Anna states in their bio, a pony is what many children aspire to own. But its death signals the end of that childhood.

“A horse – a pony – is one of the most beautiful, majestic creatures on the planet, and there’s something really tragic about the idea of it lying there dead.”

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

However, while Dead Pony might appeal in the main to younger generations with relevant messages, they also have the attention and love from this (near) 60-year-old.

Sirens signalled their arrival and opening number, Bullet Farm which shot the crowd into top gear from the off. This was soon followed by recent release, Cobra then the title track of their 2022 EP, War Boys. Now, I always say there should be a rule that if you are going to cover a famous track, you need to blow the original out the water. DP do just that to Nellie Furtado’s Maneater. Not an artist I have ever listened to and probably won’t when their songs can be so much better elsewhere.

Dead Pony — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

A couple of new tracks, About Love and Rainbow (from the announced debut album next year) preceded one of my favourites in All Dressed Up for Nothing. To be honest, all the songs are bangers: Sharp Tongues, Mana and Zero simply didn’t let the atmosphere drop. And then you had MK Nothing with the audience lost in the rapture. Finally, 23, Never Me rounded off the set on a high. Fantastic night out. Do check out Dead Pony, you will not regret it.

This was a gig well-received by all in the burning, tight space, and so they should have been. Dead Pony are the business and now need the exposure to be deservedly recognised as something great.

Dead Pony — The Sunflower Lounge — September 17 2023

Cheers.

Antony N Britt 

Postscript: Opening for Dead Pony were Oxford’s, South Arcade. Formed in 2021 and fronted by Harmony Cavell, South Arcade ooze energy and rocking tunes. I had never heard of them before but once the evening was over, I downloaded all six tracks I found on Amazon. These included Bigger Than Anything, Danger and Unaware, all played on the night. Unfortunately, I was unable to be there for their quick return to The Sunflower Lounge three days later. But another band to add to the catalogue and one I will see and hear more of in the future.

South Arcade — The Sunflower Lounge — September 17 2023  © Antony N Britt 2023

Cheers.

Antony N Britt

The proof of longevity with pop and rock bands is when they can still sell out arena tours after decades of doing so. Over 40 years in this case as Duran Duran blasted off in 1981 with Planet Earth and have been in orbit ever since.

Duran Duran — Utilita Arena — 5 May 2023

I am fortunate to have seen them four times now, each at various stages and incarnations during their existence and with 15 studio albums behind them, the quality shows no sign of declining.

Duran Duran — Utilita Arena — 5 May 2023

Billed as the Future Past Tour, only three songs (Invisible, Give it All Up and Anniversary) from the 2021 album of the same name were performed. The rest of the set, in contrast, drew heavily on the early 1980s and nothing else post 1995. But I guess it’s what many of the fans want and even some classics from the height of fame didn’t get a run including Union of the Snake. It goes to show, when you have such an enormous popular catalogue, you can’t fit it all in, even in two hours.

Duran Duran — Utilita Arena — 5 May 2023

The 80s were additionally represented with banging tunes such as The Reflex, View to a Kill, Wild Boys, Notorious and Is There Something I Should Know? In contrast, the handful of 90s tunes were the amazing Ordinary World, Come Undone and one of the best cover versions ever — White Lines (Don’t Do It).

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

So, focusing on the origins, what was good for the ageing fans who were there at the very start was the inclusion of non-album classics from the first two albums, some of which may not have been played live for a long time. Opening with Night Boat from the debut 1981 Duran Duran (Which I bought at the time and still have on vinyl) before Friends of Mine in addition to the singles Planet Earth, Girls on Film and Careless Memories. Then from Rio, we had Lonely in Your Nightmare and Last Chance on the Stairway as well as hits, Hungry Like the Wolf, Save a Prayer, and of course, Rio itself.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

42 years after first hearing it, Simon Le Bon’s voice is as good as ever and more controlled as well. The rest of the main lineup still retain charisma, despite advancing years. Roger Taylor has an abundance of energy; John Taylor is still the heartthrob and even Nick Rhodes has a certain … Je ne sais quoi. Also on stage was Dominic Brown on lead guitar, plus saxophonist, Andy Hamilton with backing singers, Anna Ross and Rachael O’Conner.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Duran Duran were supported by Lia Lia, who was excellent and Jake Shears … who wasn’t (Worst cover version in the history of music with Comfortably Numb). All in all, though, a great night, even if a faulty spotlight did blind the audience stage right for much of the evening and all through Jake (bloody) Shears. Despite that blip, there is still mileage in Duran Duran and they are well worth the money when they tour again.

Duran Duran — Utilita Arena — 5 May 2023 © Antony N Britt 2023

Cheers.

Antony N Britt

Being only 13 at the time of Marc Bolan’s death in 1977, I never got the chance to see T.Rex live, but I have always been a fan, which is strange because it has taken me until now to experience T.Rextasy.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Regular readers will know I have only recently entered the world of tribute bands, and even then, when the real thing is no longer accessible. However, I have often heard T.Rextasy being regarded as the best tribute band out there. Then finally, hearing a glowing recommendation a couple of years back from my favourite punk rock poet, Attila the Stockbroker, I decided now was the time.

Wearing my Bolan silhouette t-shirt, I was excited and not disappointed when the time travel journey began and I returned to my pre-teen years with Raw Ramp, followed at once by Electric Boogie. Then came the classic New York City and Token of My Love before one of my own personal favourites, Metal Guru.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Fronted by Danielz on vocals and Lead Guitar, it is a case of close your eyes and it’s the real T.Rex. However, as Danielz says on the website bio, “No-one can ever take Marc’s place, no-one could ever be that naive. Treat T.Rextasy as a band of today, playing Marc’s music as faithfully as possible and recreating that special energy and performance.” I can’t argue with that. Tremendous. The band has been in existence for over 30 years and completing the line-up were Neil Cross (Rhythm Guitar), Rob Butterfield (Bass) and Phil Wilson (Drums).

In an audience of predominately over 60s, it was hard to get everyone on their feet. Whether this was due to rock gigs being alien to them or just inability because of age (It will come to us all) is anybody’s guess. Still, enough did break into dance to create an appreciative response, although I did move a few feet to my left and stood on the auditorium steps so as not to get in peoples’ way.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

The hits kept coming: Telegram Sam, Ride a White Swan, Children of the Revolution, Jeepster, 20th Century Boy, Deborah, I Love to Boogie, Get it On and many more (as it would say on a 1970s K-Tel advert). The night ended with a rousing and full of audience participation version of Hot Love. The fact I had lost my voice by then said job done.

The only criticism I would have of the night was The Prince of Wales enforcing a no photo/video rule. Come on, this is rock and roll, not a theatre company performing My Fair Lady. Bands don’t have a problem as it’s good publicity for social media. Fortunately, I ignored the rules as usual and got a few clandestine shots.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

But what a fantastic gig. I highly recommend T.Rextasy and will catch them again sooner rather than later. The legacy of Bolan and T.Rex is immense. Over 50 years old and not dated a bit. If a contemporary band wrote and performed this set as new today, nobody would blink an eyelid. But for now, let’s give thanks to Danielz and T.Rextasy for keeping the magic alive.

And also — Keep a little Marc in your heart.

T.Rextasy — The Prince of Wales Theatre, Cannock — 26 February 2023

Cheers.

Antony N Britt

But on my tombstone when I go, just put “Death by Rock and Roll.” 

I have followed this band since the start over a decade ago but until now had never seen The Pretty Reckless live. Thankfully rectified at the O2 Academy, Birmingham.

The Pretty Reckless — O2 Academy Birmingham — 30 October 2022

The Pretty Reckless perform Hard Rock/Post Grunge with a decent amount of Country thrown into some numbers for good measure. Fronted by the powerful vocals of Gossip Girl actor, Taylor Momsen, The Pretty Reckless also feature Ben Phillips (Lead Guitar), Mark Damon (Bass) and Jamie Perkins (Drums). And boy, do they rock.

The Pretty Reckless — O2 Academy Birmingham — 30 October 2022
Death by Rock and Roll

Launching straight into the title track of the most recent album, Death by Rock and Roll, The Pretty Reckless had the audience in their hands from the go. Since You’re Gone came next followed by Only Love Can Save Me Now, then, And So it Went. If it wasn’t already, the Academy erupted even further with the arrival of the band’s debut hit, Make Me Wanna Die with everyone joining in the chorus. The energetic Miss Nothing followed before Halloween had its celebration with my personal favourite, Sweet Things and Witches Burn with Broomsticks outro. The awesomeness continued with My Medicine, My Bones, Going to Hell and Heaven Knows. The latter featured a guitar solo, something I am never keen on, but I admit, Phillips was amazing. The main set ended with the sole offering from 2016’s Who You Selling For in Take Me Out. It could be that this album has a softer, country mood, and the show I experienced was, rock, rock, rock. Momsen herself interacted well with the audience showing a genuine pleasure at playing in Birmingham.

The Pretty Reckless — O2 Academy Birmingham — 30 October 2022

The band returned for one more number — Fucked Up World at a massive nine minutes long with another solo, this time drums from Perkins. I don’t like drum solos either, but I’ll excuse it. I would have loved a couple of more songs instead but seeing as the evening was so awesome, I certainly had value for money. At just over £30 a ticket, it was a bargain considering The Damned are charging double that a week later.

The Pretty Reckless — O2 Academy Birmingham — 30 October 2022

The Pretty Reckless get nowhere near the recognition they deserve and are outstanding, owning every hall played. Perhaps Momsen’s Gossip Girl past puts some people off and the fact that aged-7, she was Cindy Lou Who in How the Grinch Stole Christmas. People … Momsen is not Miley Cyrus or Zac Efron, playing to Disney fans. Here we have a rock goddess. Treat her like one. If you follow the band, I need say no more. If you don’t know much about them, check out the albums and go see them live. You will not be disappointed.

The Pretty Reckless — O2 Academy Birmingham — 30 October 2022

Cheers.

Antony N Britt 

I only discovered As December Falls after the Happier Tour had finished last year so when they announced a return to the Institute2 in Birmingham, I was straight in the queue for tickets.

As December Falls — O2 Institute2 Birmingham — October 14 2022

An independent band, they really do everything themselves: Recording, merchandise, publicity and being on the road. So, sell out tours are a much-deserved result of this and it’s only a matter of time before being rewarded with the right deal to take the band further.

From Nottingham and founded in 2014, As December Falls have in the past cited Kanye West as one of their major influences. I must admit, this shocked me. How can a band liking something so dire be this bloody good? There is a freshness about them but most of all, hard rock with excellent, catchy tunes. In addition to early offerings, the band released a self-titled album in 2019 followed by the excellent Happier last year. Reading up, they have been likened to Paramore (Obvious comparison) and Fall Out Boy (Better than Fall Out Boy, in my opinion).

As December Falls — O2 Institute2 Birmingham — October 14 2022

Fronting is Bethany Curtis who engages well with the crowd while delivering powerful and distinctive vocals. On lead guitar, Ande Hunter displayed stunning chord progressions that Slash would be envious of while Timmy Francis (Bass) and Lukas James (Drums) contributed equally to make As December Falls the complete outfit. Some bands have weak areas; this one doesn’t.

The set at The Institute2 opened with 2022 release, Go Away followed by Afterglow from the most recent album. We also had the title track from the same in Happier, plus the outstanding Tears (My favourite). Other highlights of the first album included More to You and Ride. Both top drawer and there was even a cover of My Chemical Romance’s I’m Not Okay which brought the house down early on. Other numbers at the Institute2 were: I Feel Like Feeling Great, Break Your Heart, Nothing on You, Everything You Say, Mayday, You Say When and No Money, which featured audience interaction in which I was more than eager to take part. There was not a bad track during the entire set which could explain why this band have grown such an audience.

As December Falls — O2 Institute2 Birmingham — October 14 2022

At present there is a family feel to the fandom; this deserves to expand further. Therefore, when As December Falls are next in your area, get in without delay. Witness a giant in the making.

Cheers.

Antony N Britt