Tag Archive: West Midlands Events


This show is personal to me because less than 12 months ago, I performed in Thoroughly Modern Millie with my own local theatre company. So how did the professionals measure up?

Well, the first thing to note was looking at the programme, I saw one of the Chinese duo was being played by someone from Hong Kong. Now having spent six months learning lines in Mandarin, I reckon that was cheating.

I jest. The show was great. Straight from the off we had vibrant energy and good fun.

Thoroughly Modern Millie – New Alexander Theatre – 13 February 2017

Playing the part of Millie Dillmount was Strictly Come Dancing’s, Joanne Clifton. What can I say? Well performed with good vocals and fantastic dance. Nothing, though, that I wouldn’t expect from one who had just partnered the winner in the recent series.

The other billed star was soap actress, Michelle Collins, who played the villainess, Mrs Meers. Now I do actually like Ms Collins, but I wasn’t particularly wowed on this occasion. There was a lack of character and not enough differentiation between the American accent (which wasn’t convincing to start with) and the fake Chinese. It seems a regular downside for me, seeing the big name stars not living up to the hype. She was still good, but not up there with others in the show, particularly Katherine Glover as Miss Dorothy,

There was excellent direction and choreography on the night, but I’d anticipated this when learning Racky Plews was at the helm. This is the third Plews outing for me in a year and all have been of a high standard. Amazing for me, also, was how good a sound was produced by only having a seven-piece band under the direction of Rob Wicks. Overseeing everything was Executive Producer, David King.

Also on stage for the tour are: Sam Barrett (Jimmy Smith), Jenny Fitzpatrick (Muzzy Van Hossmere), Damian Buhagiar (Ching Ho), Andy Yau (Bun Foo), Catherine Mort (Miss Flannery) and Graham MacDuff (Trevor Graydon III). The latter stole a good part of Act Two and it’s amazing how a drunk scene can do this.

It’s hard to pick a stand out number as I am so familiar with all of them. Therefore, I’ll simply say, Gimme Gimme, Speed Test, Forget About the Boy, and all the rest were top quality, too.

Couple of niggles. No Mamma appearance at the end, and Muqin could have been more OTT.

Still, a great night out, and plenty of goosebumps reliving my own experience of last May. So did the pros do it justice? Certainly, in my opinion.

 

Cheers.

 

Nick

Last summer I reported on A Tale of the Railway, a joint project between all three schools of The Star Project. The branches in Droitwich, Solihull and Barnt Green give children a chance to express themselves through musical theatre. This time, however, I was in the audience to witness Barnt Green go it alone.

Once Upon a Time – The Artrix Theatre Bromsgrove – 6 December 2016

There were two reasons for returning to The Star Project. Mainly, I was so impressed with my first experience of A Tale of the Railway, but also, I had myself taken part in Once Upon a Time a mere four weeks previous, and I was dying to see how it looked. I’m glad to say, I was not disappointed.

Written by Mark Nicholls, Once Upon a Time tells the story of what happens when villains turn the tables on the heroes and all the happy endings are reversed.

A more condensed version than my own, I still managed to get the same vibes from watching as opposed to being on stage. The feel-good factor came rushing back and I found myself laughing at all the jokes I’d heard for six months previous. This is a great testament to the young cast and teachers behind the project. A thoroughly enjoyable and professional production and more important, the kids looked like they had fun. There was great energy on stage as the show was brought to life before me once again. An excellent version of Let It Go ended Act One but my personal favourite of the night was All About the Bass.

The acting was what I expected after my previous experience, as was the dance. Once again, the singing of many was fantastic with voices defying their years. Okay, it’s a month later now but still sticking in my mind are performances by Genie, Jaffar, Evil Queen, Ugly Sisters, Charming and The Queen of Hearts. That’s not to devalue anyone else. They were all splendid. A special mention for poor little Ariel who had the unenviable task of contending with the most difficult costume ever (mermaid … having to slide on backside all evening), plus the fact she was unfortunately in line of fire for the fake snowstorm when it fell on stage. Well done for carrying on through adversity.

Once Upon a Time – The Artrix Theatre Bromsgrove – 6 December 2016

Barnt Green was the first Star Project, opening in 2008 with the children guided by the watchful eyes of Jo Edwards, Sarah Carter and the brilliant team of teachers. I often see the case of people who love musical theatre, never live their dream, then regret the lost years later. Here at The Star Project, talent can be nurtured from an early age, hopefully with development leading to more in adult life.

So, cheers for The Star Project Barnt Green. Well done, fabulously performed, and just good all round entertainment.

The Star Project runs weekly with special workshops during school holidays. The next is a two-day event during February half term, titled Musical Madness. Details can be found at the Star Project’s website.

Cheers.

Nick

Over the past couple of years I’ve tasted a variety of musical theatre companies and looked forward to Throroughly Modern Millie at The Core Theatre, Solihull. I’d not seen anything by St Alphege Musical Productions Society (STAMPS) before, so didn’t know what to expect.

Thoroughly Modern Millie – The Core Theatre, Solihull – 5 November 2016

So how were they? A nice showing where Becky Willetts as Millie gave a good performance and both Miss Dorothy, played by Lucy Clarke and Trevor Graydon (Kris Evans) were excellent. Also, the character of Jimmy Smith played by Jack Walsh was likewise good, but I would expect nothing less from a former student of BOA.

Stand out songs for me were Speed Test and Falling in Love. We also had good choreography in most numbers, but nothing in Muquin which could have done with being sent up more. There were also lost opportunities for jokes. For instance, failing to capitalise on the George Gershwin, Rhapsody in Blue gag.

Also giving good performances on the night were Fran Foster (Muzzy Van Hossmere), Rosie Asher (Mrs Meers) and Kim Bradshaw (Miss Flannery).

Musical direction came from Phil Ypres-Smith with Viv Morrison as director and choreographer.

A decent enough offering after what must have been many months hard work.

Cheers.
Nick

I was recently privileged to witness a journey through the years, courtesy of Bournville Musical Theatre Company. And Through the Decades was just that. A showcase of not only several eras in pop, rock and musical theatre, but also an example of how music has evolved during those times.

Through the Decades – The Austin Social Club – 16 October 2016

This was my first experience of the Bournville company and I was not disappointed.

From the opening rock and roll of the 1950s, I found myself captivated, tapping away and singing along (and not always silent, I may add) to the numbers performed on stage.

Good use of a three-piece band: Keyboard, drums and bass, provided all the sound needed. Combine that with great singing, dance and characterisation, you had a fabulous show before you.

Each section was introduced by a video consisting of films representing the relevant decade before launching into their opening number.

Of the songs, themselves, I’d have too long a list if I named all I enjoyed. Therefore, I’ll have to rely on the first which spring to memory.

A mix together of You’re my World and All I See is You were exceptional as was the case with the harmonies of Mr Sandman. For the 70s we had a Grease set of which Hopelessly Devoted to You, shone. Act One ended with a company number of Bohemian Rhapsody, and it shows you’re good if you pull that one off.

Into Act Two and a song from one of my favourite musicals in One Day More (Les Miserables). It was then I found myself further surprised. You see, I consider myself more a rock person. However, I was completely drawn in by fabulous performances of Total Eclipse of the Heart, She’s the One and Torn (one of my favourites of the night). Then we had Bournville’s very own Spice Girls. Now come on, I’ve said I’m into rock, and I’ve never taken any notice of the Spice Girls. But I liked these ones.

Probably, for me, the most powerful number was a combination of the Adele songs, Turning Tables and Rolling in the Deep. And that’s where I come back to what I said at the start. Whereas my eras are more late 70s to early 80s, it’s interesting to see how much music has evolved since the 1950s. Despite not being my type of music, there seems to be greater depth and complexity about more recent offerings. I guess we’re always discovering techniques that it’s inevitable a new generation will improve. And that’s a good thing. I enjoy the past, but don’t want to live it again.

Rounding off the show were two numbers from School of Rock. Great. A bit of rock. I’d not heard these songs before but having done so courtesy of Bournville Musical Theatre Company, I went online and ordered the original cast recording CD the next day. And I’ll probably be making a trip to the West End, too.

So well done to all, especially Rachel Fox (Producer), Chris Corcoran (Musical Direction), and Kris Evans, Helen Gauntlett, Karen Lane, Chloe Turner, Sadie Turner (Choreography).

At the start of Act One, we had a preview of the companies next show, The Pajama Game. On this performance, it will be well worth going to see.

Through the Decades – The Austin Social Club – 16 October 2016

Cheers

Nick

Have you ever wondered what would happen if happy endings were reversed and heroes suffered while the wicked reigned supreme? Well, Aldridge Musical Comedy Society (AMCS) have the answer with a hilarious return to the world of panto in Once Upon a Time. Here we see the fairytale good guys pitting their wits in order to defeat familiar arch nemesis’ yet again.

Next year, AMCS will celebrate 50 years as a society and have been performing quality productions throughout that time. Once Upon a Time will be no exception.

With an original script by Mark Nicholls (whose 2010 production of Dick Whittington won a NODA award for best pantomime), the show features song after song which will have you singing all the way to Neverland. Great voices, exceptional acting and brilliant dance. Numbers include: Toxic, Let it Go, Somebody to Love, You Can’t Stop the Beat, Uptown Funk and a marvellous rendition of Cell Block Spell Block Tango.

In addition to the direction of Mark Nicholls, Once Upon a Time features music arranged by Mark Baylis, choreography from Sarah Hemming and costumes, Sarah Carter.

Once Upon a Time is on at the Great Wyrley High School Theatre: Thursday 10, Friday 11 and Saturday 12 November (1930 start) with additional matinee on Saturday 12 November (1430 start).

Great value and entertainment for all the family. Tickets are £13/Adults, £11/Concessions, £7/Children with a Family Ticket (2+2)/£35. Tickets available by calling 01543 480626 or 07794 539271.

So come along and meet Cinderella, Prince Charming, Aladdin, Mad Hatter, Sleeping Beauty, Belle and many more defeat the combined might of Jaffar, Evil Queen, Maleficent, Ursula, Gaston and the Queen of Hearts. Plus, a little comic collaboration along the way from Captain Hook, Smee and the Ugly Sisters.

Has anyone ever read you a fairytale
and taken you to places, magical.
Where homes are made of gingerbread
and skies are always blue.
Where pumpkins turn to coaches
and wishes all come true.

Once Upon a Time (The Panto) – Great Wyrley High School Theatre – 10 to 12 November 2016

Cheers.


Nick

* Once Upon a Time Lyrics – Mark Schoenfeld & Barri McPherson

Reading this, you’ll probably think I hated Chitty Chitty Bang Bang. But you’d be wrong. I guess the problem I had was high expectations as this is one of my favourite childhood films. Another complication is that this year I have seen a large amount of productions, some of which have been out of this world. Therefore, the benchmark had been set.

Chitty Chitty Bang Bang – Birmingham Hippodrome – 11 September 2016

My initial impression was that the set was a little dull. Seeing Mary Poppins earlier this year explode into a myriad of colours, I was hoping for something of the same. Not so, unfortunately. Then there was the actual performance of the lead roles. I found delivery of lines to be stilted and have to say, I was disappointed with Lee Mead as Caractacus Potts. Although an excellent singer, his acting, at times, was wooden. Similarly, Phil Jupitus (Baron Bomburst) and Claire Sweeny (Baroness Bomburst) were nothing to shout about, seeming to go through the motions. So much for the big names in the production. Of the billed principals, only Carrie Hope Fletcher gave a five star performance as Truly Scrumptious.

I will say, on the other hand, Henry Kent and Lucy Sherman as Jeremy and Jemima were both excellent, the latter showing a strong professional voice for her age. The kids really put the adults to shame at times with their energy.

I’ve spoken about the set already but also felt the car was a let down. In addition, technical faults had the wings failing to open at the climax of Act One. I know it’s hard to make believe a car can fly, but this one didn’t come close. And speaking of things not being realistic, what the flip was that all about with the tin dog?

Another failure of the show was the poor use of the Child Catcher (Matt Gillett). Very limited in appearances and the song Kiddy-Widdy-Winkies, totally cut. I will say, I’m not sorry about the song as although I’m a fan of creepy, I find Kiddy-Widdy-Winkies to be perversely disturbing. However, the production could still have done more with the character. Also missing in action was the number, Us Two/Chitty Prayer where Jeremy and Jemima sing for help and are rescued. Not a massive song, I admit, but important all the same and a real Daddy, my Daddy tear jerker. What you had instead was Grandpa Potts more or less saying, ‘Hey, I found these two locked in a dungeon.’ Rubbish cop out.

Still, there were good moments of song and dance, notably Me Ol’ Bamboo, Truly Scrumptious, Posh! and Chitty Chitty Bang Bang, itself. My favourite overall, though, was Teamwork, especially the performance of the children in the sewers. On the down side, I found The Bombie Samba, although well choreographed, nothing more than a filler and wanted to shout out, get on with it!

Also appearing were Andy Hockley (Grandpa Potts), Ewen Cummins (The Toymaker), Sam Harrison (Boris) and Scott Paige (Goran). The two spies added great comic moments, helped by a good script.

Chitty Chitty Bang Bang was produced by John Stalker, directed by James Brining, choreographed by Stephen Mear with musical direction from Andrew Hilton.

As I mentioned at the start, it wasn’t the case that I hated the show, I did actually enjoy it, but it could have been so much better. I felt I was simply watching a show when what I really wanted was to experience it.

Chitty Chitty Bang Bang – Birmingham Hippodrome – 11 September 2016

Cheers.


Nick

 

Everybody loves Abba … don’t they?

When it was first suggested I go and see Mamma Mia, I thought, great, another evening where I’m among a 10% male minority of an audience. But hey, off I went and even bought a flower garland to wear in order to feel more at home.

So where do I start? I mean, I admit I’d been listening to the soundtrack CD for over a week so I was really looking forward to the show. I only hoped it would live up to the hype and my own expectations. As it turned out, I was not to be disappointed.

Okay, there was the downside that being in a predominantly female audience on Row C, I still managing to sit behind the biggest guy in the theatre. Even so, it didn’t spoil things – much.

From the onset there was a dynamic energy from the cast and orchestra with music played at a volume making you feel as if you were part of proceedings. A basic set was acceptable as what was in front of it meant you were hardly ever looking at the background.

And you had the music of Abba. Yes, hit after hit after hit, the songs fitting well with the storyline. I also cannot compliment the well written script of Catherine Johnson enough. Fast paced and genuinely funny.

Musical highlights for me were Take a Chance on Me, Thank You for the Music, Mamma Mia and Under Attack. The latter of these was sung with an excellent choreographed dream sequence which began Act Two in perfect fashion.

So the cast. Playing the role of Donna was Sara Poyzer with Jacqueline Braun and Emma Clifford as Rosie and Tanya (respectively) – Donna’s old performing colleagues. It was these two, in my opinion, who had the most impact on the show, delivering the best songs and bringing the comedy to the front. Sophie was portrayed by Lucy May Barker with Phillip Ryan as Sky. Sophie’s three potential father’s were Sam Carmichael (Richard Standing), Harry Bright (Tim Walton) and Bill Austin (Christopher Hollis). Completing the main cast were Micha Richardson (Ali), Blaise Colangelo (Lisa), Louis Stockil (Pepper) and Sam Robinson (Eddie).

Mamma Mia was directed by Phyllida Lloyd with choreography by Anthony Van Last and musical direction, Richard Weeden.

On completion of the bows, the audience rose to their feet and joined in with the encore which included the classic Waterloo.

So did I enjoy myself? Well, the proof is the fact that I’m still playing the CD in the car.

Mamma Mia – Birmingham Hippodrome

Cheers.

Nick

I was privileged the other week to be a witness to Shout – The Mod Musical. Shout was the debut show from Third From The Right Productions, and a successful production it was at that. Well, in terms of audience enjoyment.

Shout – Rowley Learning Campus – July 30 2016

Shout tells the story of the 1960s through lives of five women, all of whom have their ongoing struggles. Throughout the show, the five send letters to Gwendoline Holmes, an advice columnist for Shout Magazine who responds in consistent fashion … with useless advice. For instance, recommending new a hairstyle or manicure as remedies for domestic abuse.

Shout was a novel show which had me tapping the beat all the way to the standing (dancing) ovation at the end. Musical highlights were: To Sir With Love, One Two Three, Those Were the Days, Don’t Sleep in the Subway, These Boots are Made for Walkin’ and one of my favourite Sixties songs, Downtown. Interspersed between these were sometimes poignant, but often, funny vignettes and monologues. These ranged from discovering sexuality, dealing with a wife-beater, learning the side effects of the pill, and one girl’s most embarrassing moment in forgetting a word to a song while performing on stage. “Down – Town! It’s the name of the bloody song!

Third From The Right are a new company who aim to bring quality, but lesser known musical theatre to a wider audience, appealing to all ages.

Performing were: Amy Pearson (Red Girl), Natalie Baggott (Blue Girl), Jo Foley (Orange Girl), Kaz Luckins (Green Girl) and Gaynor Whitehouse (Yellow Girl). Gaynor was also responsible for choreography. Completing the all female cast was Jeni Hatton as Gwendoline Holmes.

Directing Shout was Jez Luckins with musical direction from Chris Corcoran.

So with a statement of wanting to bring the lesser known musicals into a wider domain, did Shout do it for me? Well, I’d certainly go and see it again. Well done, Third From The Right.

Third From The Right Productions

Cheers.

Nick

 

 

I’ve got to confess, I’ve never seen the movie, Footloose (shock, horror). And I dare not mention (even though I have) that I fell asleep during Dirty Dancing. However, this did not put me off going to see a stage version of the former at the New Alexander Theatre, Birmingham, especially as it was directed by Racky Plews whose American Idiot a couple of months ago rated highly with me.

Footloose – New Alexander Theatre – July 4 2016

Like American Idiot, Plews used a formula in Footloose of having all the musical instruments played by the actors on stage. Don’t know why, but it works. Not only that, nothing appeared incongruous with them blending in perfectly.

The initial shock of the night was that the billed star, 2002 Pop Idol Runner-Up, Gareth Gates, would not be appearing. He’d apparently been told to rest his voice for a week. I found that out later. Now I admit, I wouldn’t know a Gareth Gates song if somebody played one to me. Not so the rest of the audience, it seemed as a stunned silence ensued with the news going down like a lead balloon.

However, in typical British let’s back the underdog spirit, people soon warmed to Luke Thornton, a man with the unenviable task of appeasing the Gareth Gates Appreciation Society. Thornton delivered such an excellent portrayal of Willard, though, he received the biggest cheer at the end of the show.

So how did Footloose shape up? I enjoyed it and unlike a couple of previous trips to the theatre, the sound guys got it spot on this time. I’ve already mentioned Racky Plews and the similarities in approach to his other recent show. Footloose, likewise adopted a very abstract, but functional 3D use of the stage, if that makes sense. Utilising height as well as area space on the flat. I did feel the musical numbers waned towards the end, particularly those featuring the Reverend, but that was a minor niggle.

Musical highlights for me were Holding Out For a Hero, Somebody’s Eyes and of course, Footloose. It was also good to have an audience participation reprise at the end where we were invited to get up, clap and dance along to a medley of the more famous show numbers. Now as a performer myself (yes, deary), I always like to give a standing ovation for the hard working folk on stage, but it was great to see the rest of the audience doing so, likewise.

With no Gareth (sorry for keep mentioning the absentee), the biggest named star was Maureen Nolan (of the Nolan Sisters fame) playing Vi Moore. In the lead role of Ren we had Luke Baker with Hannah Price as Ariel Moore and Nigel Lister as the Reverend Shaw Moore (Shaw Moore? Really …???). Now I’ve already mentioned Luke Thornton who stole the show as Willard but coming close, in my opinion, was Joanna Sawyer who was excellent as Rusty.

Accompanying Racky Plews on the production team was Matthew Cole (Choreography), Sara Perks (Designer) and David Keech (Musical Director). Keech also provided drums on stage throughout the show from his cabin shack up on high.

So yet another show I have absolutely loved. Heck, I might even go and watch the film now.

Footloose – New Alexander Theatre – July 4 2016

Cheers.

Nick

So far in 2016 I have attended productions ranging from lavish shows at the Birmingham Hippodrome to an academy performance of Year 13 students (which to date remains my favourite of the year). With that display of upcoming talent in mind, I thought I would go one step further and see things at a much earlier state of development.

Artrix Theatre  - A Tale of the Railway - The Star Project

Founded in 2008, The Star Project allows children aged 4 to 18 to express themselves in musical theatre through the medium of singing, dance and acting. The project has three schools based across the Midlands region and A Tale of the Railway saw a coming together of these in a major production. Staged at the impressive Artrix Theatre, each school had the opportunity to shine with roles changing several times throughout the show, offering students the opportunity to give their own interpretation of the parts. And of course, with so many on view due to there being three schools, everybody had a chance.

A Tale of the Railway is the story of a young family who uproot and go to live by a country railway line, telling the adventures they enjoy and about all the people they meet. What was most evident was the absolute confidence from all the young people on stage. Confidence is one of the biggest hurdles to overcome in performing arts and it’s a credit to the Star Project management and teachers that everybody looked so comfortable. The singing was powerful, the dance, faultless, and the acting … well, nobody put a foot wrong from where I was sat.

It’s good to see talent nurtured from an early age and encouraging regarding the genesis of stars of tomorrow. If this amount of quality can be seen now, it only bodes well for the future.

The show was directed and choreographed by Star Project Director, Jo Edwards with Project Manager, Sarah Carter as Assistant Director. At the end of the show, after much deserved ovations and presentations, the audience were treated to a reprise of the project’s recent performance in London. A few weeks earlier, many of the students had the opportunity to tread the boards at none other than Her Majesty’s Theatre in the West End, the very arena where Phantom of the Opera has been staged for 30 years. By the evidence I saw, this would not be the only time pupils from The Star Project will grace that famous stage.

It is an understatement to say I was impressed. I have never applied star ratings when doing reviews, but if I were to rate the Star Project, they would be a Five Star Project.

The Star Project has schools in Barnt Green, Droitwich and Solihull and can be found at this link.

The Star Project

Cheers.

Nick