Tag Archive: Birmingham


Last time I saw Foo Fighters it was an emotional experience, with the then recent and (still to this day) devastating loss of Taylor Hawkins. And it was on that day two years ago that Josh Freese opened the drumming of main set. Therefore, out of all the guest artists, it was no surprise when it was announced who the new full-time drummer would be.

Foo Fighters — Villa Park — 27 June 2024

First off, get the negatives out of the way. Negatives! How can any Foo Fighters gig have a negative? Well, Villa Park for a start. I must have drawn the short straw out of the three stands of seating because the Doug Ellis Stand was poor. No food, warm drinks, 50+ queues for the each of the female toilets, most cramped seats in an arena ever, and a rear concourse where several thousand had to navigate and was about the width of my living room. People were getting crushed and having panic attacks, but I was suitably informed by a local, “You think this is bad, you should see it on match days.” The other downside was the sound being a bit iffy. A heck of a lot of feedback to the point I could barely understand a word Dave Grohl said all night. And we all want to hear the Grohl.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Kicking off with All My Life, we then entered more recent territory and songs which were not available or played at the tribute. No Son of Mine and Rescued tell us what every long-lasting fan would want to hear, that new material is as good as anything before. The staples then continued with The Pretender, broken by an interlude of Stairway to Heaven which Grohl threatened to play in full unless a little crowd disturbance ceased. Thankfully, the ploy worked, and we got a mix of hits and new material: Walk, Times Like These, Breakout and My Hero interspersed with La Dee Da, Nothing at All and Under You from the 2023 album, But Here We Are. Also, from that album we had The Teacher. 10-minutes’ long and a tribute to Dave Grohl’s mother who died shortly after Taylor.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Now, the Foos are known for having A-List guest stars at their gigs and this time it was local lad Geezer Butler of Black Sabbath fame (who used to live three streets away). Joining on bass, the crowd were treated to a full-blooded beast of a rendition of Paranoid. There was also another (and more poignant) guest in the form of Taylor Hawkins’ son, Shane Hawkins, last seen at his dad’s tribute in 2022. One month short of turning 18, the energy of his father was there for all to see during This Is a Call, and he looked and sounded as if he would be at home in any top band.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Monkey Wrench, Best of You, These Days and Learn to Fly were there, as was one of my favourites, The Sky is a Neighbourhood. One other song to note is Aurora, Taylor’s most loved Foo Fighters song which is played at all gigs now in tribute.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Rounding off the night was, as always, Everlong, and the crowd went wild. Sound issues and shitty stadium aside, it was a great night and Dave Grohl promised to be back. “As long as you guys keep turning up, we’ll keep playing.” I’ll settle for that. The world is not done with the Foo Fighters yet. Not by a long way.

Foo Fighters — Villa Park — 27 June 2024 © Antony N Britt 2024

Cheers.

Antony N Britt

Alright, yes, I confess that my actual name is Dewey Finn, yes indeed. 
And although you should know I’m not licensed to teach, I promise you, I can read.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

School of Rock is about living your dreams, and for the performers themselves, those dreams are fulfilled while taking part. This show has everything. A great, funny script by Julian Fellows, a cracking score from Andrew Lloyd Webber and Glenn Slater … and rock. What more can you wish for?

School of Rock — Brierley Hill Civic Hall — 8 June 2024

It’s the story of Dewey Finn, an unsuccessful rock artist who after being sacked by his band, poses as a teacher to pay the rent. Once at Horace Green School, he discovers his pupils are musically talented and engineers a plan for them to compete in the Battle of the Bands. Really, it’s grooming and corruption of minors at the highest degree, but also a plot which works well, all very tongue-in-cheek farce.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

I made the vow a few years ago to see School of Rock at every opportunity and this time it was the excellent Quarry Bank Musical Theatre Company delivering the goods. Always a challenge, QBMTC perform in a venue I acoustically hate, but the power of rock truly overcame that this time.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

In the role of Dewey was Carl Cook who had the enormous task of being centre stage for over 80% of the time (There is a reason I know this). Leading the cast well, Cook gave us When I Climb to the Top of Mount Rock as well as joining the kids in the massive numbers, Stick it to the Man and School of Rock (Teacher’s Pet) among others. Alongside him as Rosalie Mullins, the headmistress, we had the fabulous Sarah Coussens whose offering of Where Did the Rock Go was amazing. Then, supporting in fine fashion were Tom Robinson as Ned and Bryany Palmer playing Patty.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

But the real standouts for this show are the kids, especially those playing instruments live. These were Finlay Hassall (Zack), Adam Porter (Freddie), Kersten Davies (Katie) and Maria Riga (Lauren) in the band. Then, in the other roles we had Daisy May Sandel (Summer), Connie Davies (Tomika), Charlotte Carter (Sophie), Lilybell Greaves (Shonelle), Dylan Henry (Billy), Sofia Nicol (Marcy), Eliza May Plant (Maddison) and Jett Richards (Mason). All excellent and as good as any professional production. In fact, my top tunes this time were Time to Play and If Only You Would Listen.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

The director was Mike James with choreography from Attiye Passey and musical direction by Chris Passey. Having seen this show many times, I still find something new, and I found the arm waving by the kids during Math is a Wonderful Thing funny, showing just how far into loving the deception they are.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

There were not many negatives for me, but the addition of dancers into some songs kind of metaphorically photobombed the moments, especially during Where Did the Rock Go. However, in a show with very little for a larger adult cast, I can appreciate the need to give everybody stage time. Overall, the audience will have gone home happy and I’m probably being over picky, knowing Scholl of Rock so well.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

This is an incredible show and I defy anyone not to love it. And QBMTC certainly delivered the goods.

School of Rock — Brierley Hill Civic Hall — 8 June 2024

Cheers.

Antony N Britt

*All photos taken from social media.

They call you Lady Luck, 
but there is room for doubt.
At times, you’ve had a very unladylike way of running out.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

With the music and lyrics of Frank Loesser and a book by Jo Swerling and Abe Burrows, Guys and Dolls is based on two short stories by Damon Runyon. Hailed as the perfect musical comedy, this show gambles with luck and love under the lights of Broadway.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Now, I’ll kick off this review by speaking about the original template companies work with. I am known for giving honest feedback and in my opinion, Guys and Dolls has one of the dullest scripts in musical theatre, compounded with a forgettable score and numbers which add nothing to an already weak and embarrassingly dated plot. But that’s all I shall say negatively because any more would detract from the wonderful performances and professionalism of Tinkers Farm Opera.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

And what a company they are. Top quality offerings from all the cast with outstanding vocals, excellent dance and acting of the highest order. In the role of Sky Masterson was Richard Cooper who was commanding in presence and shone particularly during Luck be a Lady, which is easily the most recognisable tune in the show. As love interest, Sarah Brown, we had Gabby Baldwin, equally as strong and excelling during If I Were a Bell.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Tony Newbold played henpecked gambler, Nathan Detroit, adding comedic instances and duetting well with Bethan Siviter-Coupland in Sue Me. I was particularly impressed with Siviter-Coupland’s portrayal of Miss Adelaide, and she reminded me of Madeline Kahn at times in approach. Comic relief was also given by Tyrone Howell (Nicely-Nicely Johnson), Luke Plimmer (Benny Southstreet) and Raymond Turrell (Harry the Horse). Each equipped themselves admirably and Howell especially led an excellent ensemble well during Sit Down, You’re Rockin’ the Boat.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Rounding off the principals in good fashion was Geoff Westwood as Arvide Abernathy, and I was interested to read from the programme notes that he only entered the world of musical theatre just short of his 69th birthday. To me, that is what amateur theatre is all about. Joining a family where it is never too late with the dream that you can do anything if you want it.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Direction, including choreography was in the hands of Emma Harley with musical direction overseen by Simon Wilkinson, fronting an impressive orchestra. Production can be immensely proud of the end results, especially as the audience went home happy after much deserved applause.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Guys and Dolls can be an expensive show to stage and has been the financial death of two companies that I know of in the past. I hope in this instance, the rewards were worth it because Tinkers Farm deserve to thrive. They return to the musical stage in Stourbridge in 2025 with Mel Brook’s The Producers. This is a musical I like and knowing it will be in the safe hands of this excellent company, I shall certainly be there.

Guys and Dolls — Stourbridge Town Hall — 18 May 2024

Cheers

Antony N Britt. 

*Photos taken from social media.

Workin’ 9 to 5. 
What a way to make a livin’. 
Barely gettin’ by. 
It’s all takin’ and no givin’.

9 to 5 at The Crescent Theatre, Birmingham. 24 & 25 May 2024

Friday 24 May at 1930 marks the end of the 9 to 5 week for many, and what better way to wind down than with a trip to 1979 and the music of Country Legend, Dolly Parton.

Based on the film of the same name and with a rip-roaring score, 9 to 5 is the ultimate feelgood musical which tells the story of three women pushed to extremes. Concocting a plan to turn the tables on their sexist, egotistical boss, will they manage to reform their office, or will it all go wrong when the CEO pays an unexpected visit?

The Arcadians Musical Theatre Company have been delivering quality productions for over 50 years and 9 to 5 will be no exception. Therefore, expect lots of laughs with great vocals and harmony combined with excellent dance and acting of the highest order. One thing is sure, an Arcadians audience always goes home happy and with mainstream theatre so expensive, this is a great alternative.

9 to 5 is on at The Crescent Theatre, Brindley Place, Birmingham. Friday 24 May (1930) and Saturday 25 (1430 & 1930).

Tickets available from the box office here.

9 to 5 at The Crescent Theatre, Birmingham. 24 & 25 May 2024

Cheers

Antony N Britt.

Ah, the intoxicating smell of the graveyard.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Forever the champion of local productions, I am always delighted when I see one where you can’t tell the difference between amateur societies who pay for the pleasure, and the professionals, who get paid for it. And this was the case with Bournville Musical Theatre Company (BMTC) and their offering of The Addams Family.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

I have an admission. The Addams Family is not high on my list of favourite musicals. I find Marshall Brickman and Rick Elice’s story basic at best with sub plots that don’t go anywhere. And in the past, I have been underwhelmed by some of Andrew Lippa’s songs which come across as fillers and don’t move the plot along. However, the fact I still enjoyed The Addams Family shows BMTC did their job. Amateur or professional? If you didn’t already know, an audience would have believed this production was part of a major tour due to the quality being of the highest standard. Everything 100% throughout with no negatives from cast and crew.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Let’s start by meeting the family. John Morrison starred as Gomez and was instantly at home in the role, bringing us a character so recognisable and more of a Gomez than Luis Guzman whose portrayal in the hit TV series, Wednesday, I didn’t warm to. Joining Morrison at the top of their game was Lily Moore who played the vampish Morticia, also capturing her character. It says it all when you have witnessed these actors perform before, but don’t see them now, only the personalities they are creating. That was also the case with Lewis Doley who truly was Fester. All the mannerisms and persona were there. One of the best characterisations I have seen in a long time.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Now, I had never seen Meg Donovan in a full show before, but it was obvious as to the huge amount of work and skill that went in to being Wednesday Addams. So more difficult bearing in mind how much the character has been on TV in the past year. This was an excellent performance. Then, as Lurch, we had Randy Johnson who had the unenviable task of having to keep still and straight faced for much of the time, but the fact that the audience loved and reacted to this character showed just how well the job was done. Rounding off the family were a couple more Morrison’s in Viv (Grandma) and Andrew (Pugsley). Again, excellent in all areas.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

The plot of this show is that Wednesday is in love and wants to introduce her boyfriend to the family. And that’s it. But to do this you need to have a boyfriend, therefore, meet the parents. Stuart McDiarmid slotted into being Lucas Beineke with ease, giving a polished performance. Likewise, Phil Snowe was great as the father, Mal, displaying the horrified realisations of what are we getting ourselves into? Finally, in the principals, Lisa Colvin-Grieve was outstanding as Alice Beineke, a character who goes through a huge transformation and loses the plot. So entertaining.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

A major plus of this show is that the scope for ensemble is endless. With the inclusion of ancestors, who get a good deal of stage time, each individual production can create their own ancestors and all cast are accommodated. Here, each played their parts well, and were creepy indeed, decked out in white with likewise faces.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Stand out numbers in the show include When You’re an Addams, Pulled, Let’s Live Before We Die, The Moon and Me and a special shout out to Pugsley’s What If? Then the Full Discloser scene rounds off Act One perfectly. My favourite moment in the show is when Gomez and Morticia both realise they thought Grandma was each other’s mother, and that she may not be related to them after all.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

In production, this was Chloe Turner’s first time as director after years being in a leading role or choreography, and what an excellent job she made of it. Always something going on with movement and delivery spot on. It was also a family affair with Chloe’s sister, Sadie Lovelady once again taking the helm in choreography and keeping the highest standards that BMTC audiences have come to expect over the years. Finally, Chris Corcoran was there as musical director, as always producing incredible sounds with the cast and 12-piece band.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

There are only a handful of tickets available for the remaining performances. Therefore, don’t delay and grab them now, while you can.

The Addams Family — The Crescent Theatre, Birmingham — 25 April 2024

Cheers.

Antony N Britt

* Photos taken from social media.

Good news! 
She’s dead! 
The Witch of the West is dead! 
The wickedest witch there ever was. 
The enemy of all of us here in Oz 
Is Dead!

Wicked — Birmingham Hippodrome — 27 March 2024

However … 

Not all is as it appears in the merry old land of Oz in this reimagining of Frank Baum’s 1900 novel, The Wonderful Wizard of Oz. Loosely based on Gregory Maguire’s own 1995 novel, Wicked, this show is one of the most spectacular musicals going. In fact, so huge, you would be hard pressed to believe it was by the same composer of the utter dross which is Godspell and Pippin in Stephen Schwartz. So many great musical numbers are present, and the uninitiated will be surprised at just how many they already know. The plot itself is an alternate version to the classic Oz tale (Let’s face it, history is written by the winning side) and shows The Wicked Witch of the West as totally misunderstood.

Wicked — Birmingham Hippodrome — 27 March 2024

In the role of Glinda (The Good Witch), Sarah O’Connor was marvellous on the night and excelled especially during Popular. Opposite as Elphaba we had Casey Al-Shaqsy and she too totally nailed her part, particularly during I’m Not That Girl and together with O’Connor for What is This Feeling? For Good, and the epic Defying Gravity which ends Act One.

Supporting well, though, was Carl Man as Fiyero; a strong presence duetting with Al-Shaqsy’s Elphaba in As Long as You’re Mine. Then, playing Boq (Not Bic) we had Jed Berry who worked well with the previously mentioned, plus Megan Gardiner’s Nessarose during Dancing Through Life. Completing the principals were Donna Berlin (Madame Morrible) and Simon Truby (Doctor Dillamond and The Wizard).

Wicked — Birmingham Hippodrome — 27 March 2024

In addition to songs already listed, there were excellent offerings of No One Mourns the Wicked, The Wizard and I, One Short Day, Wonderful and No Good Deed. Unfortunately, many shows have a total dodo of a song and for Wicked, it’s the irritating Something Bad (Baaaaad!). Makes me cringe every time I hear it.

Another highlight is the colourfulness of it all and just how much you can do with green. Although, there are still things to nit-pick; I shall say no more than Shoddy Lion Puppet.

Wicked — Birmingham Hippodrome — 27 March 2024

Overall, it is a good tale, full of mostly good tunes and one of the musicals everyone should see. Expensive, yes. Worth it, definitely. A great night out. One which will leave you knowing you have experienced live theatre on the big stage.

Wicked was directed by Joe Mantello with Orchestrations from William David Brohm. Musical Supervision was in the hands of Stephen Oremus and Staging the responsibility of Wayne Cilento. This production is touring the UK for the rest of the year and into the beginning of 2025. Well worth checking out.

Wicked — Birmingham Hippodrome — 27 March 2024

Cheers.

Antony N Britt.

The road is long. 
There are mountains in our way. 
But we climb a step every day.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

I went into An Officer and a Gentleman totally blind. I have never seen it and despite the film on which the musical is based being over 40 years old, I’ve not watched that either. All I know is that according to Joe Cocker, “Love Lifts Us Up Where We Belong.” Still, I arrived with an open mind, not even having heard a cast soundtrack. What I found, though, was an enjoyable Jukebox Musical full of songs, mostly from the 1980’s. Okay, maybe not songs I would have on my default rock playlists, but familiar enough that I have become accustomed to them over the years to the point of enjoyment.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

An Officer and a Gentleman was written by Douglas Day Stewart and Sharlene Cooper Cohen and tells the story of Zack Mayo during his training as an aviation officer, his developing love for local girl, Paula, and the conflicts with hard-driving Gunnery Sergeant, Emil Foley. As mentioned, this version takes its music from hits of the 80s in such giants as Girls Just Wanna Have Fun, St Elmo’s Fire, Livin’ on a Prayer, and The Final Countdown. And the show ended with the song most famous from the film, Up Where We Belong.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

Playing Zack was Luke Baker who I last saw in Footloose a few years ago. An excellent, impressive performance all round, especially during Blaze of Glory with the equally good Tim Rodgers as Byron. As Paula on the night, we had Julia Jones who was top drawer, and I really enjoyed the duet with Baker in I Want to Know What Love Is. Jamal Crawford portrayed a memorable Sergeant Foley and led the recruits well in song too during Hearts on Fire. Then, supporting in great fashion were Paul French (Sid), Sinead Long (Lynette), Melanie Masson (Esther) and Etisyai Phillip (Casey Seegar),

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

The one criticism I did have was that the basic plot was a little thin but when you have 22 Jukebox hits, the plot became secondary. I also wasn’t impressed with the softer version of Kids in America, but that was probably just me. Apart from that, it was an energy packed performance that left the audience buzzing.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

The Director for An Officer and a Gentleman was Nilolai Foster, Choreographer, Joanna Goodwin and Musical Supervision/Orchestra, George Dyer with Musical Direction of the band from Christopher Duffy.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

A great evening out, with spirits and feelgood factor up where they belong. 

Where the eagles cry. 
On a mountain high.

An Officer and a Gentleman — New Alexandra Theatre, Birmingham — 1 March 2024

Cheers.

Antony N Britt

First show of 2024 and it’s the wonderful Birmingham Youth Theatre offering the classic tale of Sleeping Beauty. Written by Stephen Duckham, the show was an overwhelming success with cast and crew deserving everything given in appreciation by sell-out audiences.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Yes, Sleeping Beauty, and I’m not going to dwell on the plot because if you don’t know the traditional story, you should. The main thing, though, which was obvious on watching, was the continuing emergence and development of newer members as many of those we have become accustomed to have now passed the upper age limit. Sad in a way, but great for the future as the newer generations move up a notch with more experience. It is a pleasure to see the progress when you follow over the years.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

With the cast at 40 plus in numbers, there was much to love and admire from the production team of Vivienne Morrison (Director), Kennedy Glews (Choreography), Chris Corcoran (Musical Direction) and Maddison Clarke (Production Assistant). Such large numbers to work with and do so successfully. And a special shout out to the latter mentioned, Maddison, who has made the jump from performing member to production.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Playing Sleeping Beauty (Aurora) was Livy Owen who excelled during Gift from a Friend and Another Love. However, Sleeping Beauty needs her charming prince and Luke Griffiths was equally strong as Prince Michael, teaming up with Owen for A Thousand Years as well as solo outings with Don’t Wanna Miss a Thing and Unstoppable. Also standing out was Harrison Doherty who as Nanny Nora gave one of the best Pantomime Dame characterisations that I have seen in a long while, teaming well with David Morrison who continued wonderfully where he left off last year as the comic foil, this time Barney. Great interaction and audience involvement from both.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Villain of the piece, Eva Phelan was outstanding in the role of Carabosse, aided well by Megan Allsop who worked the Raven puppet. I Put a Spell on You ranked as one of the best numbers of the night. But there were so many others who shone. As Lord Chamberlain we had Saran Sambhi with Daisy Wright (Fairy Queen) leading a trio of magic in the Fairies; Moonbeam (Bea Roberts), Sunlight (Sophie Terry) and Stardust (Lucy Holcroft). And I particularly enjoyed the comic chemistry between Kitty Smart (Queen Sybil) and Gethin Randerson (King Septimus).

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Other named characters were Hans (Andrew Morrison), Bruce (Luke Holcroft), Lance (Edgar Shirley), Chardonnay (Emily Green), Merlot (Shire Clarke), Shiraz (Marni Carroll), Grigio (George Beckett), Zinfinndel (Finn Hill) and Beast of the Forest (Lucy Jones). All were magnificent, as were the dancers made up by Ava Jones, Bella Hoppner, Chyna Smith, Ella Pierce, Masie Cotterill, Shorouq Al Saffar, Sophie Swann and Tabitha Vlok. It was also pleasing for me to see the dancers give a little cameo in the forest with the moving trees used so well last year (Yes, we love the trees). Completing the ensemble was Anna O’Hara-Green, Breah Grimley, Edina Bilham-Moore, Ena Moreton, Freya Baylis, Georgie Dunn, Hannah Ashford, Niamh McKeon, Oonagh Williamson, Sophia Chilton and Talia Ellahawi.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

The night ended in marvellous style with the full company giving it all during Walking on Sunshine. In 2018, I produced and directed my own version of this tale, and guess what song I also ended with? Great Minds.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Sleeping Beauty had it all: Professionalism, energy, and lots of talent. The main thing, though, was that it looked like everyone had fun. And that’s half the job. BYT is a fantastic company, well led and with a bright future. They return to The Crescent Theatre in July for Menken’s, The Little Mermaid. I have no doubt it will be amazing and highly recommend you join us, Under the Sea.

Sleeping Beauty — The Crescent Theatre, Birmingham — 12 January 2024

Cheers.

Antony N Britt

I have become a great fan of Script Youth Musical Theatre Company in recent times; therefore, I had no hesitation going to see this short junior version of the West End hit, Frozen. We were in the smaller, Ron Barber Studio at The Crescent and with a company of 50, it was inevitable the four performances would be split into two casts. On my visit I saw Cast Anna with Cast Elsa being the ones I unfortunately missed. However, having been to a few shows by Script now, I am certain the Elsas would have been as equally amazing.

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

I am not going to dwell too much on the story. Princess with magical freezing powers flees her land to safeguard her people and is followed by her sister and friends who want to save her, plus enemies who are out to destroy her.

In the role of Elsa was the wonderful Evie Rice who never disappoints and excelled in Let it Go. As Anna, we had the equally amazing Aimee Whillis who duetted well with Evie during For the First Time in Forever. Aimie also shared the excellent Love is an Open Door alongside the marvellous Sam McCormack who played Hans. Elsewhere, we had a great rendition of Reindeers are Better than People from Finlay Laidlaw (Kristoff) and Lewis Ward-Bygrave (Sven) who also successfully undertook the task of working the reindeer puppet. Similarly, Ruby Edmonds did a fantastic job at the helm of everybody’s favourite snowman, Olaf and performed In Summer well. I also want to mention the younger Elsa’s (Poppy Kerr and Lilah Edmonds) and Anna’s (Matilda Cartwright and Maddie Howard).

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

With such a large amount of people involved, it’s impossible to give everybody the credit they deserve, so I shall simply scan the cast list of both groups. Producing Frozen Jr on my visit was Louise Farmer while choreography was shared between Molly Chamberlain and Maddie Fleming. The dancing had an especially high standard and in particular, Francesca Roberts stood out in flair and skill. Production for Team Anna, on other performances, was Louise Sall and Tim Rice (Producers) and Erin Mooney (Choreography).

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

The show was a short one at an hour, but that did not lessen the experience as you were taken to a magical land in such an intimate venue. It was also interesting to note that many on production and backstage were pupils past and present, and that some of the senior members attend the prestigious BOA Academy in Birmingham. A sign of this youth company having a high standard indeed. Script are back next summer with We Will Rock You at the Highbury Theatre in Sutton Coldfield. I recommend you check them out.

Frozen Jr — The Crescent Theatre, Birmingham — 2 December 2023

Cheers.

Antony N Britt 

*All photos taken from social media. 

You’re sleek as a thoroughbred. 

Your seats are a feather bed. 

You’ll turn everybody’s head today.

Several years back I watched a professional performance of Chitty Chitty Bang Bang (Reviewed on this site) and was extremely underwhelmed by the interpretation of one of the classics from my childhood. However, after seeing Bilston Operatic Company in Peter Pan twelve months ago, I attended this one with optimism for something special, and was not disappointed.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

It’s always a good benchmark when time flies through a show, and this was the case here. I didn’t think about anything else with other thoughts forgotten.

I am not going to go over the plot. If you don’t know Chitty Chitty Bang Bang, where have you been all your life? Adapted by Jeremy Sams from the 1968 film written by Roald Dahl, Ken Hughes, and Richard Maibaum, itself based on Ian Fleming’s 1964 novel, the show features both original film and new songs from musical legends, Richard and Robert Sherman.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

The first thing I must highlight was the absolute quality. Bilston Operatic are the best amateur company I have seen to date. Sure, their budget must be huge; you could tell this by the fact the entire chorus were Mic’d. But they obviously reclaim costs by filling the impressive Wolverhampton Grand for seven performances with shows people (particularly families) want to see. It is unusual for amateur companies to do midweek matinees, but the house was sold out, partly due to several classes of children on trips. How lovely. An enjoyable school outing and a way to get children on mass immersed into the experience of musical theatre. Hopefully, many will have sat and thought, “I want to do that,” and join a youth theatre company as a result.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

Leading the cast as Caractacus Potts was the incredibly impressive Alec White. Perfect for the role, commanding the stage and outstanding during Me Ol’ Bamboo, You Two and Hushabye Mountain. As Truly Scrumptious we had Issy Checketts, instantly at home in character and marvellous during Lonely, Lonely Man and Doll on a Music Box.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

I was also overly impressed with the children playing Jeremy and Jemima (Daniel Webley and Eden Owen). Both were excellent and looked easily at home on stage, working well with the adult cast, especially in the song and dance with Grandpa Potts (Mike James) during Posh! The child actors were split into two groups for alternating performances in this production, therefore I should credit Oliver Rudge and Lara Maguire who I didn’t see but am sure were equally as good.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

Supporting well in the cast were Stacey Lovatt (Baroness Bomburst) and Jon Ranwell (Baron Bomburst). Both were excellent in Chu-Chi Face and captured the spirit of the roles well. Equally so was Ally Burkett as The Toymaker and Nicholas Sullivan, The Child Catcher who adopted the familiar and best guise used by Robert Helpmann in the original movie. Two of my favourites, though, and used expertly were the Vulgarian spies: Boris (Olly Derham) and Goran (Ben Evans). These are roles expanded in the musical, full of comic relief and both worked well during Act English.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

This is the second time in a few weeks Simon Pugh has been at the helm of a production that I have seen, and both have been excellent. And the direction of Tye Harris was superb with lots going on in the background and a good flow to proceedings. Equally so, from Gareth Howard, musical direction led to an all-round wave of top tunes and sound. These included Toot Sweets, Truly Scrumptious, The Roses of SuccessTeamwork and of course, the title song itself. And then there was the dance. With Martyn Davies in charge, we saw energy and precision throughout, even a dance ignoramus like me taking note. Particularly in The Bombie Samba, which when I saw the professional show, was a huge bore fest. However, here I was captivated, and it was a highlight. Just goes to prove what you can do with the right people.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

One of my favourite childhood films, badly let down a few years ago but now with faith restored by the wonderful Bilston Operatic Company. Peter Pan last year, Chitty Chitty Bang Bang now, and Nativity in 2024. Bilston certainly know the formula to bring in revenue to make such splendid productions.

Chitty Chitty Bang Bang — Wolverhampton Grand Theatre — 8 November 2023

Cheers.

Antony N Britt

* Photos blatantly taken from social media.